Modern Panic is our forth-coming exhibition, showcasing the work of provocative artists from around the world, from infamous prisoner Charles Bronson, Bolivian enfant terrible and coca-leaf artist Gaston Ugalde, taxidermy artist Iris Schieferstein, who’s hoof boots have been sought after by the likes of Lady Gaga, the provocative Kira O’Reilly, Tank Girl comic artist Rufus Dayglo and over 50 others!
Modern Panic is a well needed look into the worlds we inhabit and is designed to shake the viewer awake through a bewildering bombardment of the senses.
Modern Panic is a sequel to the popular Panic Exhibition we held in 2009, which featured the founding members of the Panic Movement (formed in the 1960’s by Fernando Arrabal, Alejandro Jodorowsky and Roland Topor), next to the new wave of controversial modern artists.
During our Private View on Fri 3rd June, we will be presenting a Panic Happening: Many artists will be spontaneously creating their art live in a 3 hour ‘Panic’ inspired happening, consisting of performance art, site specific characters, live sonic sounds, and plenty of interactive installations. ‘The Aftermath’ of this panic happening will then take the form of the exhibition.
Panic Movement (Mouvement Panique) was a collective formed by Fernando Arrabal, Alejandro Jodorowsky and Roland Topor in Paris, France in 1962. Inspired by and named after the god Pan, and influenced by Luis Buñuel and Antonin Artaud’s Theatre of Cruelty, the group concentrated on chaotic happenings containing performance art and surreal imagery, designed to be shocking, as a response to surrealism becoming petite bourgeoisie and to release destructive energies in search of peace and beauty.
For more information, including artist list, please visit
http://www.guerrillazoo.com/modern-panic
Where – The Old Abattoir
When – 4 till 12 June 2011
“Bullets Straight from the Heart” will comprises a series of heart-shaped works with bullets sandwiched between two sheets of perspex, their tip piercing through the front sheet, spell out words and phrases such as LOVE, HATE, KISS ME. These dictums or mandates readily reveal themselves when the viewer stands immediately in front of an individual piece. Direct exchange ensues — the back perspex is mirrored and reflects back to us our own image, the bullets targeting head or chest depending on our individual height. Until this point, when viewed at an angle, the bullets appear like batteries of missiles ready to launch.
There is still time to go and see 