Stop-motion (also known as stop-action or frame-by-frame) is an animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Clay figures are often used in stop-motion for their ease of repositioning. Stop-motion animation using clay is described as clay animation or clay-mation.
A few of the best ART-PIE have seen are below.
Hours and hours of work here for these two first examples. Top quality.
Warning: these two films contain some adult language in the subtitles, but if you can stand the occasional and brief “F” word, the pay off is huge.
I got a flyer telling me about that exhibition – ‘Flying Eyeball presents Exhibition & Pop Up Shop’ when I went to the Lock Up exhibition last week (will post about it soon). I looked again at the flyer and after reading the artists line-up, Goldie, Ben Allen, Shok 1, etc. I could not wait but to be there.
On my way now with a friend to the Gallery 27, based in Mayfair. As I was trying to find my way (I lost the map I had printed earlier) I looked around to see only shops selling very expensive things or people in impeccable suits. I then thought, why Mayfair? An old looking and smelly warehouse in Dalston would surely suit a lot more that sort of exhibition (Dalston, Shoreditch – trendy spots, everyone knows that and agree) but I quickly realised that no actually Mayfair is spot on and is a sign of whatÂ Street Art has become and where it stands today in the vast contemporary art world: it is everywhere and appreciate by more and more people everyday.
I am actually pretty sure some of these people if not at least one (in impeccable suits) I stumbled across tonight may actually have thought or event bought a reproduction of a Banksy’s piece which is now hung in their study or in the loo. We need to give a bit more time though to see that piece hung on the living room next to a Rembrandt or a Monet, let’s be realistic.
I am now in the gallery and my first thought is asking whether I can take pictures (to post on this blog!) as I glance at that piece from Goldie right to the left when you come in. The girl I asked was having her takeaway and had to ask the manager who was downstairs who also got a takeaway but had to… anyway to make it short, I was allowed. Continue reading Flying eyeball exhibition & pop up show – Gallery 27→
A man runs. He falls down. He struggles back onto his feet and he runs some more. It’s a simple narrative. Even without much detail, you can understand what’s going on. Pause the video, though, and the scene isn’t nearly as clear. Movement makes up for the lack of other visual information. Your brain can read and understand a video at much lower resolution than it would need to make equal sense of a still frame.
Meet Jim Campbell, a former Silicon Valley engineer turned visual artist. Inspired by early Bell Labs experiments with pixelated images, and by his own engineering work with digital filters, Campbell makes art that toys with the human brain.