I stumbled across these very creative pictures of what appear to be some street art in Paris. Now, it would seem that the twist is that no one went into the streets and made those up but instead, someone sat in front of a computer and produced them. I must hope I got it right here as there was not much information about these pictures.
I can already hear the street art purists stomping their feet and voice that, to call something street art, the artist has to go out there, amongst the passing-by walkers and produce something. Well, I might agree with this to some extent but I thought I’ll share these pics from a pure creativity point of view which I think is awesome here.
Object-Culture is the first pop up shows of a series of four which will happen back to back from now into May 2010 at Red Gallery on Rivington Street (London). ART-PIE went to see Paul Sakoilsky, the curator to find out more about it.
ART-PIE: Can you tell our readers more about you?
Paul Sakoilsky: I am an artist, a writer, a philosopher and I guess also a curator but I do not like using this word. I used to help out at the 30 Underwood Street Gallery back in the days, I mean between 1993 and 2000 when the gallery shut down for good. I worked in mixed medias and have been mainly focusing in the past few years on a project called The Dark times which has spawned a variety of works, installations and performances, which have been shown in solo and group shows across Europe. Continue reading Object-Culture: bringing cultures together
Bristol born artist Banksy has been at it big time in America and have left his mark in various towns and cities across America – Chicago, San Francisco, Detroit, Los Angeles and Toronto. Continue reading Banksy: all over America but written over too
Beijing based artist Ye Hongxing is having her the first UK exhibition at Scream on Eastcastle street, London and the interest seems to be great and not only for this artist but for the entire Chinese contemporary art since the country has turned to capitalism.
Hongxing new works will be an answer to this profound social system change that has gone with that change. What jumps straight at you you when looking at her works is the explosion of colours and the somewhat chaos of the composition. One will see in this body of works a mirror of what China’s expansion has been – fast paced, anarchic and incoherent. The artist looks at questioning what it has cost China and its people and put forward the utopian vision that governing people may sometimes have.
On a more pratical aspect, the artist’s technique is remarkable and definitely creative. Hongxing woud use canvases and elaborate complex collages made of stickers and what we could called popular imagery collected for different medias since she was a kid. This clever assemblage often results to an eruption of colours and intricated compositions.
For those interested to know where the title of the exhibiiton comes from, it actually references the 1905 novel ‘A Modern Utopia’ by H.G Wells and is suggestive of the artist’s investigation into society and modern life.
Read more about Ye Hongxing on the Scream gallery website
What – “Modern Utopia” by Ye Hongxing
Where – Scream | 27-28 Eastcastle street, London W1W 8DH
When – opens to the public on the 13th September 2012
ROA is an artist that we are very familiar with being that he was one of the first artists we followed while in the UK. We lived around his street works and would see some of his iconic pieces on a day to day basis. We even attended his first ever solo show at Pure Evil Gallery in London. So we were extremely excited to hear that he would be extending his tour to Australia.
The focus of ROA’s work of course is monochromatic animals of epic proportions that are typically inspired by the wildlife in the regions that he visits. Australia is home to an enormous amount of native animals that cannot be found anywhere else in the world, so you could imagine that there was plenty to inspire a unique body of work.
The show was hosted by Form Gallery, a large space in Perth CBD. The installations were designed to lead you through a specific path so that you could view and interact with all of the larger pieces. At the entrance to the gallery was a ten foot high Kangaroo with two rotating doors mounted in the piece that lead you into the main room where there was a series of smaller yet still impressively interactive works on offer.
Something that was unexpected was the second large installation at the rear of the gallery, a desert bone yard of sorts, featuring walls of and a floor of red dirt synonymous with Western Australia.
ROA must have been under an incredible amount of pressure putting together this show in only 3 weeks and creating all the original pieces of art on location in Perth. The collection of recycled materials used for the pieces was just another beautiful part of the show which we later found out were mostly harvested from old warehouses in the Midlands. Yes, this Belgian artist really connected with this space and Australian culture.
This show runs all the way through to January next year, so if you find yourself on the other side of Australia, go check it out.
Check out the full photoset on flickr