Diana Taylor’s work, consisting of painting and drawing that will invade the gallery at every level from floor to ceiling operating between and making connections with paintings on birch ply panel.
The works, which combine figuration with a varied pictorial language, at times appear to be constructed of torn pieces from comics, patterned papers and other printed ephemera, but are actually painted. Continue reading Diana Taylor – Alpha Beta, at Room
Tristan Eaton and Shepard Fairey and other artists are working with Designersbloc on Painted Oceans, a project to preserve and celebrate sea forts off the Kent coast. The Red Sand Sea Forts, which are located just off the east coast of England are the lucky winners for this project.
The sea forts are located in a cluster eight miles north of Whitstable off the Kent coast and were built in 1943 after the Blitz as a strategic defense post to help defend against any similar attacks.
This project is nuts in terms of feasibility but exciting at the same time hence we wanted to publish something on the site and ask you to support it. A crowdfunding campaign is underway to raise money for the project and an accompanying documentary.
According to Designersblock director Piers Roberts, Painted Oceans is set to be “one of the most dangerous and exciting mural projects in history”.
He says the motivation for the undertaking, is three-fold – “To preserve them and promote their value, “to investigate their history “and to stimulate the economy of the coast.”
“There are two types of these forts, the army ones and the navy ones; the Redsand ones we’re working with are the army ones and were once connected by bridges,” adds Roberts, who is working with the Project Redsand Trust, which is able to grant access for the project.
Engineering consultancy Burro Happold has already looked at the structural integrity of the site, which was once home to pirate radio station Radio City in the 1960s.
Tristan Eaton – who is behind the idea for the project – specialises in large scale environmental work. He has already drafted in Shepard Fairey, Futura, How & Nosm and The London Police, who are all planning their murals now. All of the artists will live at sea for a month to complete the project.
Roberts, who is project lead, says there is still a long way to go. “We need to think about how we get onto the forts, how will we link them, how we get gantries onto them, how we paint them…The murals won’t be painted straight onto the rusted steel, we need to get undercoats on there and use marine quality paint. It’s really about preservation.”
Chairman of the Project Redsand Trust Robin Adcroft says the project is still in review. “As yet no agreement has been reached between Project Redsand and Painted Oceans to carry out the mural paintwork,” says Adcroft.
For the project to go ahead “much detail would need to be clarified and agreed upon,” says Adcroft who wants Project Oceans work to contribute to the long-term conservation of the site.
He adds: “Further public consultation would be required before any go-ahead can be granted.”
If the project gets the go-ahead it is expected to be completed this summer and after that boat trips will take visitors out to see the work, according to Roberts who says it is too early to say whether people will be able to access a landing platform.
A crowdfunding campaign is underway to raise money for the project and an accompanying documentary.
First seen on Design Week
Invader‘s trademark, the so recognisable pixelated alien character from the even more famous arcade game from the 80’s has been seen by a large amount of people on street corners across the world. The monster has now taken a dip in the ocean and can be seen deep down in the water.
Invader teamed up with sculptor Jason Taylor deCaires, known for his underwater sculptures, and stuck his characters of Jason’s works. The result is pretty surreal and I would like to get my scuba diving gear on and have a look at it.
Invader also went high, very high in the space. The artist engineered a device that propelled the alliens to back to where they belong, space. Luckily for us, Invaders thought of equipped the device with a camera so we can enjoy the astonishing pictures below.
Last but not least, we have included a video “Green Invaders” is a light installation by the French artist Yves Caizergues, based on the classic video game Space Invaders. It formed part of the 2012 Scotiabank Nuit Blanche, where the streets of Toronto, Canada are given over to a festival of street art. This installation was outside the Sun Life Financial Tower at 150 King Street West.
Photo London brings together 80 of the world’s leading galleries in a major international photography Fair, combined with an innovative public programme supported by the LUMA Foundation.
Photo London is located in the heart of the city and benefits from the support of London’s best photographers. Click here to watch these photographers discuss their love of photography, and why London is an important cultural hub for photography, in a special video for Photo London.
From the 19-22 May, Photo London will be celebrating the ever popular medium of photography across the capital by bringing some of the world’s leading practitioners, curators, exhibitors and dealers together with the public. Photo London have collaborated with 80 of the best galleries from around the globe to put together a stellar line up of both exhibitions and events, such as book signings and discussions, with those renowned in the field.
Amongst those attending is Don McCullin. Recently named Photo London’s Master of Photography 2016, the legendary war photographer will be the subject of an exclusive exhibition at Somerset House. McCullin will also be in conversation with Simon Baker, Photography Curator at Tate in a public talk on 19 May. This opportunity is available to anybody who purchases a ticket to Photo London thanks to the support of the LUMA Foundation, who work to support the activities of independent artists and pioneers.
Elsewhere, specially-commissioned exhibition, Photoprovocations, is set to be on view at the West Embankment Galleries. This showcase recognises Sergey Chilikov as an outstanding practitioner of the ‘new’ photography which emerged in the USSR in the 1970s. The work of Wolfgang Tillmans will also be displayed in Between Bridges at Somerset House. Stepping aside from the sensationalism surrounding the ‘Brexit’ coverage in the media, Tillmans aims to inform the public about the democratic and humantarian benefits of remaining within the European Union.
Photo London’s main exhibitors section welcomes a wealth of established galleries including Beetles+Huxley, London; Polka Galerie, Paris; The Photographers’ Gallery, London; Magnum Photos, Paris-London; and Michael Reid Gallery, Sydney-Berlin. In addition, new and emerging organisations will also have a place at the event in Photo London’s newest section Discovery, reserved specifically to introduce praiseworthy, but less well known, galleries to new audiences. Exhibitors include Tiwani Contemporary and TJ Boulting. Already one of the top 10 visitor attractions in the UK, Photo London’s home, Somerset House, is itself a cultural hotspot and a centre for art and culture in the heart of London.
London’s public museums and galleries will also put the spotlight on photography this month: Martin Parr will curate Strange and Familiar: Britain as Revealed by International Photographers at the Barbican Art Gallery; National Portrait Gallery hosts Vogue 100: A Century of Style; Science Museum/Media Space displays the work of William Henry Fox Talbot; the V&A presents Paul Strand: Photography and Film for the 20th Century; and Tate Modern examines contemporary work in Performing for the Camera.
This year’s Photo London edition will feature the talents of two rising practitioners from the London art scene. Walter and Zoniel will transform the uncanny underground spaces of The Deadhouse at Somerset House into a giant camera for opening night. By doing this, the artists plan to create the largest ever Ambrotype portrait as a live ‘happening’, energising visitors ahead of the following four days, which promise to be filled with world class photography and photographers.
Photo London 2016, 19-22 May, Somerset House, London.
For more information, visit www.photolondon.org.
Damien Hirst must be used to getting all sort of good and bad criticism by now and although he has got simultaneous show all over the world right now and therefore is regarded as a major player in modern art, I can’t help to think that his latest spots series does not deserve all the fuss currently going about it.
What best to describe how I feel that this street art piece “lazy”. No need to say more.
Photo by Laurence Billiet
Seen on Vandalog
Video installation by the creative Brooklyn duo Sweatshoppe. The principle is simple: a LED roller paints video onto a wall. The effect is guaranteed.
Thanks to the programming language called Max/MSP, Blake Shaw wrote a software that makes possible the projection of video visible when it comes in contact with the LED lights on the roller.
The video below is Sweatshoppe at it on top of Cordy House, Shoredith, London towards the end of last year.
SWEATSHOPPE video painting@ Cordy House from SWEATSHOPPE on Vimeo.
Related links
> www.sweatshoppe.org
> http://brunolevy.com/
> en.wikipedia.org/wiki/Max_(software)
London Miles is proud to present an all-new group exhibition that takes a closer look at the content found inside the dusty book covers of iconic written works by great literary masters from across all generations. Literal-eyes concentrates specifically at the ways in which great writers have inspired this hand selected group of young and emerging European artists to be the painters they are today.
London Miles will be looking into the depths of the artist’s psyche; their individual artwork will reveal their way of thinking which maybe totally disparate to how we visualize the same text. This comparison will be explored individually by the viewer and will allow great scope for various levels of interaction during the exhibition.To mark this special exhibition, London Miles will be taking over a white wall gallery space in East London, an exciting pop up space divided onto two floors and over 1000 sq ft; situated off Brick lane.
When
Opening reception: Thursday, May 12th 2011. 6pm to 11pm.
Exhibition on show: May 13th to May 16th 2011
Where
65 Hanbury Street | EI 5JP (LONDON MILES GOES EAST!)
Stickers fans out there have been waiting for this one – yes Stickers Bomb 3 is out today!
We published a similar post last time round when Stickers Bomb Skulls came out and gave you the opportunity to grab a free copy.
We are reiterating this again and have 2 copies of latest Sticker Bomb 3 up for grabs! Look to your right to find out how you can win a copy –>
We were delighted to receive again in the post this collection of over 240 peelable stickers from our favourite publisher Laurence King.
This book is part of the ever growing Stickerbomb series which includes other similar books such as Stickerbomb, Stickerbomb 2, Stickerbomb XL, Stickerbomb Letters and Stickerbomb Monsters.
As D*FACE warns us in his foreword for this edition of Sticker Bomb, “Stickers are seriously addictive, self indulgent, egotistical, and can be life altering – and thank fuck they are. They rescued me from a life of punching hours in the 9-to-5 grind, working for the man”
Artists in this edition includes –
Ryo Sanada and Suridh Hassan of Studio Rarekind (SRK) specialise in the promotion of international culture and music through documentary production and film. Their documentary film on Japanese Hip-Hop culture – “Scratching the surface: Japan” – has been broadcast Europe. This was followed by successful screenings at the 12th Raindance Film Festival in London and Vancouver International Hip-Hop Film Festival.
I have always been sceptical about abstract art, never knowing whether I like it or not. I can enjoy it but can rarely get ecstatic about it. Well Remi Rough and the likes of Augutine Kofie or Jaybo Monk are maybe about to radically change this.
They are (and a few others – find out who here) are members of what is called the urban abstract movement which has for starting point the reshape of letters of the alphabet and their integration into an urban context – find out more here
A exhibition presents us with works from Remi Rough and Steve More but I will here focus on Rough’s stuff and what an amazing display I had in front of my eyes!
Rough’s mix of shapes and forms combined with an excellent choice of colors make his works come alive. The perspective he manages to bring to his compositions seems to give some sort of pace to the whole thing making it anything but boring.
I may be well on track to love this stuff and ask to see more of it.
The show is now over.
PS: You will excuse the so-so quality of the pictures below but I had to use my i-phone that day.
Amar Stewart steps up to the Lava gallery for his first solo show of 2011.
We first viewed Amar’s work in the East Gallery in early 2010, the show had dark undertones, accented with sections of colour, A mixture of spray paint and acrylic. A different approach has been taken this time, the entire gallery almost devoid of colour, a series of large canvases featuring Black and white photorealistic portraits.
This was a understated approach for show early in the year and to be honest, a welcome one. It is easy to feel bombarded when you attend opening nights, peering through crowds to look at large canvases. Lava gallery is only a small space located on the first floor of Kingly Court, just off Carnaby Street.
Amar and the Lava crew did a great job laying out the space, taking a simplistic approach with the arrangement going with white walls and monochrome artworks. It had a overall relaxed vibe, even with droves of friends and fans, it was easy to move around and check out all the work.
Amar’s progression in portraiture is developing a rapid rate and we look forward to seeing what he has to offer in the future.
Check out a the rest of the pics here: Amar Stewart at Lava gallery by Chasinghosts on Flickr
