Pam Glew is a well-established, contemporary British artist, best known for her unique bleaching technique on fabric, vintage flags, and handmade vintage quilts.  We’ve written about her previously and are excited to again with her fourth London Show since 2011, Wanderlust Hotel.

Wanderlust hotel?

Inspired by the goings on in legendary hotels such as Chelsea Hotel and Hotel Marmont,’Wanderlust Hotel’ is a fictional guest house frequented by illicit overnight guests and dark secrets. Self-staged photo shoots make up the majority of the subjects.

Populated by the weekend girlfriend, the bride, the maid, the mixologist, the sleeping porter, the receptionist and the VIP guest all swapping roles and sweeping in and out of the pictures frames.

Formerly trained in Theatre Design, in this series the artist explores an imaginary world; a fictional hotel, an invented environment and a narrative where the players in the hotel encounter each other within the hotel. The archetypes are empathetically reflected on in the Bellboy sleeping, and the melancholic maid, sometimes humourous (the Call Girl on a visit to Vegas encounters the ‘Glitter Gulch’ signage), and turned on their head (the bride has a revolver, who is also the same model as the call girl).

Acting is a common theme, and the ‘play’ idea is explored in the miniature hotel model. Here the hotel is bereft of people as if the residents are now only present in the paintings. The models in the work occupy more than one role, as a metaphor for how fate and luck play a part in our lives. In ‘Sisters’ the artist explores a meeting of 2 estranged identical twins. One of which is the maid, one the VIP. An imagined rift is between them as if they have not spoken in years. The heavy quilt is embellished with swarovski crystals which appears to elevate the characters appearance, the maid’s headpiece appearing more like a crown.

Let’s get technical

The medium Glew uses is dye and bleach. The use of fabric, and dyeing, washing and sewing is used as a metaphor for ‘women’s work’. Glew celebrates women in the history of art who have been overlooked due to an element of ‘craft’ in their work. Sourcing antique and vintage american quilts and national flags, the fabric of the work is as important as the image itself. Using quilts to insinuate sleep and slumber, the textiles are rich in both history and texture. Decontructing large American flags to just the stars they become less about the location and more visceral.

“Love Is The Drug” print from RYCA to win, yes it can be yours. We are offering to you lucky readers, the chance to win this awesome print which coincide with the artist, RYCA aka Ryan Callanan, upcoming show at Lawrence Alkin gallery

“I love creating work that people want to touch.”

Ryan Callanan

Following his sell out London show in 2014, two solo US shows and being named Artist of the Year 2015 during Brit Week in LA, Ryan Callanan returns to Lawrence Alkin Gallery with Ten Years Later.

Offering a retrospective interpretation of familiar pieces, Ten Years Later presents a brand new body of work representing a transition into a new era for the artist.

Callanan commented:

“While the show will reference the work I’ve been producing over the last few years, it will be dominated by the new pieces. Rather than looking back, the show is about looking forward and offers a glimpse into the future direction of my work, where I want to go bigger and madder.”

For the past decade, Ryan Callanan, aka RYCA, has worked tirelessly as an artist and printmaker, developing techniques learned during his career as a sign maker. His use of pop iconography and lyric-based works has garnered wide appeal, with many noted celebrities including Norman Cook aka Fatboy Slim, Russell Brand, Gordan Ramsey and Jose Mourinho collecting his work.

Marking a move away from the print and canvas works Callanan made his name producing, the show consists mainly of 3D pieces.

Ten Years Later takes the 3D pieces Callanan has previously produced and inverts them to create abstract convex works. He comments:

“Everything I’ve produced before has been completely reversed. Instead of reliefs that dome away from the viewer, the new pieces come out at you. Ironically they draw people in more, as they are curious to know what the works feel like and what they’re made of. The pieces are housed in acrylic casing, so while the viewer wants to touch, they can’t and are left wondering.”