Nicholas Serota’s recent comments that the government’s funding cuts will cause an ‘arts blitzkrieg’ have inspired Transition Gallery to stage ART BLITZ, a fundraising event which references and updates the confrontational politics and unique style of the 1980s.
The call to arms for ART BLITZ has been phenomenal with artists including Yinka Shonibare, Clunie Reid, David Blandy, Stella Vine, Phillip Allen, Sigrid Holmwood, Continue reading Art Blitz: live event and auction→
‘Made in Britain’ – a Themed group exhibition featuring all new 24 x 24 inch artworks from a selection of talented artists living and working in the UK.
Location: Moda Hotel in Vancouver
Artist: collaboration between Scott Sueme, Joker, Remi/Rough and Augustine Kofie Context: For the Unintended Calculation show coming up
If you have been near Trafalgar Square in London, you must have noticed a 7m high sculpture looking like a thumbs up.
This particular pedestal on the square is called the Fourth Plinth and the current artist showing their works is David Shrigley.
So what’s next for the Fourth Plinth?
2018 & 20 shortlists announced
London’s National Gallery has revealed the five shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions by artists Huma Bhabha, Damián Ortega, Heather Phillipson, Michael Rakowitz, and Raqs Media Collective.
The shortlisted proposals, which are currently on show in the National Gallery’s Annenberg Court until 26 March 2017, include an empty white robe, a recreation of a sculpture destroyed by ISIS, and a scoop of parasite-covered ice cream.
Not long now to find out which two works will be selected to finally stand on the plinth in 2018 and 2020.
Shortlisted sculptures in images
“Untitled” by Huma Bhabha
– an imposing figure, the scale reflecting a modern comic sci-fi movie.
Untitled, by Huma Bhabha
“High Way” by Damián Ortega
– a playful and precarious construction of a truck, oil cans, scaffold and a ladder.
“THE END” by Heather Phillipson
– explores the extremes of shared experience, from commemorations and celebrations to mass protests, all while being observed by a drone’s camera.
“The Invisible Enemy Should Not Exist” by Michael Rakowitz
– a recreation of the Lamassu, a winged bull and protective deity, which was destroyed by ISIS in 2015.
“The Emperor’s Old Clothes” by Raqs Media Collective
– explores how power can be both present and absent in sculpture.
We managed to get down to the London Westbank gallery to attend the opening of “Thirteen”, the new Copyright solo show. We arrived quite early which was nice as people were still quite scarce so this enables us to take a good look at the impressive amount of pieces that got hung on the walls of the two level gallery.
Let’s face it, quite a few pieces weren’t new at all and were taken from past show and while some may argue that Copyright’s style stagnate (read The Art Collector full comment,), we still enjoyed the pin-up girls which often appear in Copyright pieces and are even some sort of signature.
One thing worth pointing out was the use of the actual stencils as pieces itself. Quite a few of the stencils the artist used for his works were indeed hung around the gallery and could be recognised by a sticky tape that sometimes said “Fragile” clumsily wrapping the cut out paper piece.
This November 2010 London Miles gallery presents a themed group exhibition featuring a bold selection from the International Contemporary art movement.
Where contemporary artists hark back to the masters of past movements paying homage to what was not only inspirational to forming how they paint today, but to what has formed the whole epoch of creative output as we now know it. Â Continue reading The idol hours: group exhibition at London Miles→
A group of specially selected artists that have come together to produce their unique interpretations of the legendary Howard Marks (known as an elite British drug smuggler)