Win a pair of ticket to see Ghostpoet at Hackney Empire

Ghost PoetWith a string of sold out europe wide gigs this Summer – GHOSTPOET returns to London stage at the grandiose Hackney Empire on Thursday 24th October with special live guest ANDREW ASHONG and THOM ALT-J (DJ Set).

After selling the Village Underground well in advance Ghostpoet returns for a full live show at the suitably decadent Hackney Empire. Don’t sleep! Obaro Ejimiwe, aka Ghostpoet, laughs when he remembers how Gilles Peterson “took a risk on a random maverick” back in 2010 by signing him to the Radio 1 DJ’s Brownswood imprint.

What – GHOSTPOET – LIVE plus very special guest ANDREW ASHONG – LIVE THOM ALT-J – DJ SET
When – Thursday 24 October 2013 | 7pm-11pm
Where – Hackney Empire

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Otto Schade at Frameless gallery

Otto Schade - Frameless gallery | Art-PieIt was lunch time and I was again walking towards the place that would put an end to the hunger I had been victim off all morning.

I then once again walked past the Frameless gallery in Farringdon which I had never bothered to visit until today.

I certainly knew about it but either the thought of a mighty sandwich (I work really nearby) or a recurrent weak interest in what I could glance at, had always been dragging me away from it. Not today. Otto Schade’s show – Street art Olympics, was on.

It really adds a dimension to any show when the artist paints something onto the front of the building where his/her show is held at and Otto Schade just did that.

The one who knows Otto Schade’s works will recognise this familiar face – see picture.  (more pictures after the fold)

There is a clear Olympics theme for the pieces on canvases that can be seen in the first part of the show (upstairs that is – it is worth to point out that I was not aware of the downstairs bit of the gallery which adds so much to the whole space and make it one of the best venues I have been in recent months).

Next to those, sit a series of more traditional prints.

Otto Schade - frameless gallery | Art-PieThe earthy colors scheme used for the Olympics themed pieces which are all on a black background gives them a very warm feel whilst the black – red – white scheme used for the prints does the opposite and seems to freeze the image.

Head downstairs and find a variety of other pieces from Otto Schade from portraits of the Queen Elizabeth to the representation of a panda which seems to have found a ball to play with. It was hard to find an obvious link with the Olympics here – let me point out that the show is called “Street art Olympics”.

And there I saw it, I saw the piece I want to own: a make over of the Queen of Diamonds playing card by Otto Schade. The colors work so well, the intensity of this piece obtained by hiding the face of the character is intense and seductive.

Would you agree?

“Street art Olympics” by Otto Schade rund until the 12th August
Frameless gallery | 20 Clerkenwell green | EC1R ODP | London
Opening Hours: 11am – 7pm Monday to Saturday

Otto Schade - frameless gallery | Art-Pie

Otto Schade - frameless gallery | Art-Pie

Otto Schade - Frameless gallery | Art-Pie Otto Schade - Frameless gallery | Art-Pie

Sweet Toof at ARCH402 gallery: have a mouthful of it!

Sweet Toof and the Burning Candy crew as a whole (Sweet Toof is part of it) are heavy-weight champions when it comes to street art in London. If you have ever wandered around East London, you must have come across these ‘bubble-gum’ faces with protuberant teeth characters always bursting with flashy colors but this is not what it is about here or not quite. Continue reading Sweet Toof at ARCH402 gallery: have a mouthful of it!

The unnamable

When Context Take The Game | Art-Pie“Where now? Who Now? When now?

Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on. Can it be that one day, off it goes on, that one day I simply stayed in, in where, instead of going out, in the old way, out to spend day and night as far away as possible, it wasn’t far. Perhaps that is how it began. You think you are simply resting, the better to act when the time comes, or for no reason, and you soon find yourself powerless ever to do anything again. No matter how it happened. It, say it, not knowing what. Perhaps I simply assented at last to an old thing. But I did nothing. I seem to speak, it is not I, about me, it is not about me. These few general remarks to begin with. What am I to do, what shall I do, what should I do, in my situation, how proceed? By aporia pure and simple? Or by affirmations and negations invalidated as uttered, or sooner or later?
Generally speaking. There must be other shifts. Otherwise it would be quite hopeless. But it is quite hopeless. I should mentions before going any further, any further on, that I say aporia without knowing what it means. Can one be ephectic otherwise than unawares? I don’t know. With the yesses and the noes it is different, they will come back to me as I go along and how, like a bird, to shit on them all without exception. The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.”
Opening paragraph to The Unnamable by Samuel Beckett

Contemporary philosopher Alain Badiou asks if we can name a truth, anticipating and forcing into knowledge all the elements contained in that truth, risking a totality of knowledge related to it; a problem, for example, in politics where this turns to totalitarianism. He says, “The construction of a truth is made by a choice within the indiscernible…But the potency of a truth depends on the hypothetical forcing…The problem is to know whether such a potency of anticipation [hypothetical forcing] is total…My answer is there is always, in any situation, a real point that resists this potency.

I call this point the unnameable of the situation. It is what, within the situation, never has a name in the eyes of truth. A term that consequently remains unforceable. This term fixes the limit of the potency of a truth. The unnambeable is what is excluded from having a proper name, and what is alone in such exclusion. The unnameable is then the proper of the proper, so singular in its singularity that it does not even tolerate having a proper name. The unnameable is the point where the situation in its most intimate being is submitted to thought; in the pure presence that no knowledge can circumscribe. The unnameable is something like the inexpressible real of everything a truth authorizes to be said.”
Alain Badiou from Infinite Thought

The unnameable is something I have personal experience with. The secret and the truth. I’ve held both of these things, safeguarding, I thought, others and myself. Both secret and truth can be destructive if kept silent. But it has been my experience that once spoken, the unnameable is an agent of transformation; it comes in facing what’s real.

Read more of my interview, When Context Takes The Game, conducted by Becky Huff Hunter for This ‘Me’ of Mine.

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Beckett, Samuel, Three Novels Molloy, Malone Dies, The Unnamable, Grove Press, New York, The Unnamable, originally published under the title L’Innommable, copyright © 1953 by Les Editions de Minuit. Translation copyright © 1958 by the Estate of Samuel Beckett, pp. 285-6.

Badiou, Alain, Infinite Thought, Continuum International Publishing Group, London, New York. Trans and ed by Oliver Feltham and Justin Clemens, 2005 – 2011. “Philosophy and Truth”, pp. 43 to 51, originally titled “The ethic of truths: construction and potency” quote p.49.

Shepard Fairey’s NSA themed Obama posters

Shepard Fairey’s face must have dropped when he saw these “Yes we scan” posters which are a “remix” of his now iconic “Hope” pieece for Barack Obama’s 2008 presidential campaign. Yesterday he was the one using a photograph without permission, which got him into  a legal battle and a $25,000 fine, but today it looks like someone is doing just the same.

We hear that Shepard Fairey likes the posters a lot and that he will not start any legal proceedings. We agree too, e thing they are great posters with a straight to the point slogan. What do you think?

The posters features the slogan “Yes We Scan,” a parody of Obama’s “Yes We Can” rallying cry, and an image of the president wearing headphones, presumably to listen in on average Americans’ phone calls.

“Subversion of well known symbols and images for social commentary has long been a technique in my repertoire, so I’m glad to see it in the work of others,”  Fairey said

Shepard Fairey | Art-Pie Shepard Fairey | Art-Pie

First seen on Artinfo

Eeeefun at Shoreditch Studios

Shoreditch as always will be hotting up at the week end with street art, dance and good music. Zack and his team at eeeefun throwing a party this Saturday 16th April 2011. Best of all, mention ART-PIE and get your names on the guestlist by emailing eeeefunparty@gmail.com!

From Zack
We’re hosting a party on Saturday 16th April at Shoreditch Studios in London where we’ll be recording the international brand film for a cutting-edge new electric scooter. As well as appearing in the commercial, everyone who attends will also get the chance to show off their artistic talents and submit their creative design for an eeeeFUN scooter.

The best one designed on the day will go into commercial production, with the winner getting their very own e45 scooter with their design on. We’re looking for street artists and designers, plus musicians, actors, DJs and dancers (as well as people who just want to enjoy a free party).

More info here – www.facebook.com/eeeefun

‘Buenos Aires calling’ at Pure Evil: fantastico!

Pure Evil London show | Art-Pie
Click to enlarge

The year: 2001, the place: Buenos Aires, Argentina, the event: a terrible economic crash.

The outcome and most probably the best one: the explosion of the street art scene. Artists as a reaction to what was happening started to paint the streets and for some of them in a rather large scale.

Buenos Aires Calling is the show Graffitimundo presented at Pure Evil with the aim of bringing a feel of this scene to London.

I got very excited when I heard about this show as I know how much Argentina and the whole Central and South America street art scenes have been buzzing in the recent years.

I walked into Pure Evil and saw those stencils on the wall and thought ‘hmmm another set of stencils, I have seen it all before’ but looking at them closer and especially those from the artist rundontwalk and I was actually liking what I was seeing.

Pure Evil London show | Art-Pie
By Rundontwalk | Click to enlarge

Rundontwalk uses an intricate graphic in his stencils (strangely reminding me of the back on those chairs I have got at home) which apart from being a certainly noticeable technique skill, gives another dimension to the works. The tiling sort of effect reminded me of Paul Normansell’s way of painting.

On of the pieces using this intricate technique is ‘Influenza’ representing a pig wearing a mask which the artist painted in reaction of the panic that followed the swine flu outbreak. Great effect with great colours.

Pure Evil London show | Art-Pie
Click to enlarge

I did appreciate the other stencils from other artists but really liked these tiny pieces of art full of colours on oddily shaped pieces of wood representing even querky characters or abstracts. I found a ressemblance with BASHER’S world of characters.

 

Stencil technique has been embraced by a very large number of artists these days like in Argentina and if the technique is pretty much the same worldwide, I felt that this collective of artists and more generally South and Central american artist really want to put accross a message and do not just do stencils where esthetic is what only matters but their meanings too.

Nothing wrong with wanting to put out there a cool looking Goldie type stencils but it is nice to know that some artists really try to engage their audience by trying to deliver a message to them.

This show really managed to transpire how much the Argentinian street art scene is vibrant and not ready to die just now, oh no.

Colours, colours, there are loads of them, shapes, representations are everywhere like street artist right now in Buenos Aires and surroundings. Feels good.

Click any picture to start the slideshow

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The show at Pure Evil is now over

STREET ART ENCOUNTERS