RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

——

We hope you’ll join us and join in the conversation…

Go to RECURSIVE

Snail life by Otto Schade at Sunscape Festival, Gozo, Malta

Otto Schade flu to Malta and attended Sunscape festival in Malta. He produced new artwork for the occasion, namely “Snail’s life” which depicts a snail having as its shell, a skull looking one.

Special paint was used so the artwork glows in the dark, pretty cool uh?!

Snail's life by Otto Schade Sunscape Festival Malta | Art-Pie
Click to enlarge
Snail's life by Otto Schade Sunscape Festival Malta | Art-Pie
Click to enlarge

About Sunscape festival

Sunscape is a place to party; free our minds; learn and be inspired.A haven for us to enjoy the outdoors, make new friends and transform ourselves.

A musical happening infused with creativity, performance and lifestyle activities. A playful exercise in the art of living and being co-creators in our own experience.

About the artist

Otto was born in Chile on the 30th October 1971. He initially studied Architecture at the Bio Bio University and Construction and Design Architecture in Concepcion, Chile. As a successful architect, he has been awarded for public and private projects.

Otto has always felt an avid fascination for the Surrealists, as well as the freedom which surrounds abstract painting. This influence has made Otto turn his creative skills to painting, which has become his strongest passion and for which he has also been recognised with an honorable mention.

Snail's life by Otto Schade at Sunscape Festival Malta | Art-Pie
Click to enlarge

Majajani show at Rich Mix

Majajani at Rich Mix | Art-Pie

This exhibition aims to show Chila Kumari Burman’s work from 2000 to the present. For more than twenty five years Chila has been creating powerful images of contemporary Asian Feminisms.

Born in Liverpool to a Hindu Punjabi family Chila’s art explores issues of class, gender, ethnicity, identity – but through the prism of defiance and love. Her work is informed by popular culture, Bollywood, fashion, found objects and a long-sustained examination of self-portraiture.

Majajani at Rich Mix | Art-PieMajajani at Rich Mix | Art-Pie

The exhibition will showcase a dazzling array of media:  printmaking, collage, mixed media, photography, sculpture and painting. Through all of these media Chila’s aim remains steady: the provocative undermining of fixed categories.

A definite must-see show

What – MAJAJANI
When – Fri 3 April – Thu 30 April
Where – Rich Mix, 35 – 47 Bethnal green road, Shoreditch (Mezzanine + Lower Cafe Gallery)

Majajani at Rich Mix | Art-Pie

ROA at Form gallery

ROA - Paradox at Form galleryROA is an artist that we are very familiar with being that he was one of the first artists we followed while in the UK. We lived around his street works and would see some of his iconic pieces on a day to day basis. We even attended his first ever solo show at Pure Evil Gallery in London. So we were extremely excited to hear that he would be extending his tour to Australia.

The focus of ROA’s work of course is monochromatic animals of epic proportions that are typically inspired by the wildlife in the regions that he visits. Australia is home to an enormous amount of native animals that cannot be found anywhere else in the world, so you could imagine that there was plenty to inspire a unique body of work.

The show was hosted by Form Gallery, a large space in Perth CBD. The installations were designed to lead you through a specific path so that you could view and interact with all of the larger pieces. At the entrance to the gallery was a ten foot high Kangaroo with two rotating doors mounted in the piece that lead you into the main room where there was a series of smaller yet still impressively interactive works on offer.

Something that was unexpected was the second large installation at the rear of the gallery, a desert bone yard of sorts, featuring walls of and a floor of red dirt synonymous with Western Australia.

ROA must have been under an incredible amount of pressure putting together this show in only 3 weeks and creating all the original pieces of art on location in Perth. The collection of recycled materials used for the pieces was just another beautiful part of the show which we later found out were mostly harvested from old warehouses in the Midlands. Yes, this Belgian artist really connected with this space and Australian culture.

This show runs all the way through to January next year, so if you find yourself on the other side of Australia, go check it out.

Check out the full photoset on flickr

ROA - Paradox at Form gallery

ROA - Paradox at Form galleryROA - Paradox at Form gallery

JEALOUS POP UP STUDIO AT HEAL'S

We all enjoy pop up shows or events so learn about the Jealous gallery pop up studio which will be held at Heal’s, the notorious “home of modern, designer and contemporary furnishings & fittings“.

The guys at Jealous gallery will take over the windows of Heal’s on Tottenham Court Road from the 30th January to the 5th February. It will be a not-to-missed opportunity to see a working screenprint studio as you stroll past. Definitely make a stop and meet with the participating artists – Jayoon Choi, Damien Weighill and Ceal Warnants and many more.

You will even be able to have a go at creating with the Jealous Studio Experience and produce a masterpiece.

Jealous gallery
27 Park Road, N8 8TE, London

JEALOUS POP UP STUDIO AT HEAL’S
30/1 till 5/2

Jonathan Darby at Signal – Favela

Since the day we first saw Jonathan’s work in 2008 we have been amazed at how much it has blossomed and how many people have responded positively to his distinct and developing style. Since then several shows at Signal and exhibitions in Los Angeles, San Francisco and Denver have confirmed his international appeal.

Jonathan has achieved that rare thing of combining socio-political subject matter, with a real sense of beauty and truth. Despite the evils in the world he depicts, you come away from a Darby piece feeling refreshed.

Jonathan’s second solo show ‘Favela’ at Signal will take him deeper into the areas of concern he has touched on so successfully before. Concentrating on the favelas (slums) in the big cities of Brazil, Jonathan became acutely aware of the overwhelming social problems facing these communities. The favelas have been abandoned by national and local government and have been taken over by drug dealers and their gangs. A culture of lawlessness and violence exists unchecked, creating a level of poverty that gives Brazil the dubious accolade of nurturing the biggest gap between rich and poor in the world.

Some of the most vulnerable victims of this sorry state of affairs are the countless number of street children orphaned or abandoned by their parents. Jonathan’s show focuses on them and their plight. The show will be supported by the charity CARF (Children At Risk Foundation) that was founded by Englishman Gregory J Smith. Giving up a lucrative business career Smith set up and ran a home for street children called The Hummingford Project in Sao Paolo. Also a passionate photographer he has brilliantly documented this entire experience. Many of Jonathan’s works for the show will use these photographs as source material, creating a direct link to the abandoned children of the favelas. Some of the proceeds of the show will donated to CARF.

Jonathan’s work for the show is moving away from the more obvious use of logos. Instead, he will be using a range of more subtle artistic means to achieve his artistic goals. He has also spent time collecting together wooden objects to paint on, so that many of the works will have a more organic feel to them than his works on canvas. His aim in the show will be to create a unique experience combining paintings with atmospheric installations. This will be Jonathan’s most ambitious body of work to date, exploring an important issue using a wide range of materials and techniques. The show should establish him as one of the most important young artists on the scene.

When: 11th – March – 2nd April 2011
Tuesday – Saturday 12 – 6pm
Where: Signal Gallery | 32 Paul Street, London EC2A 4LB | 0207 613 1550 | mobile 07766 057 212

Words by Signal gallery

The Super Flemish Pop Icons by Sacha Goldberger

Sacha Goldberger | Art-Pie

Sacha Goldberger is a French photographer born in 1968. He has worked as artistic director in several well-known agencies. Otherwise, he has written and worked on many books and is now known all around the world.

He became famous especially for his photo series “Mamika”, a grandmother superhero performing tasks of daily life. Mamika, the real grandmother of Sasha, is quite a funny person.

Mamika by Sacha Goldberger | Art-Pie

The artist latest exhibition, which was recently held an exhibition at the School Gallery Paris was entitled “Super Flemish” and transform Pop Culture icons into the style of 16th Century Flemish aristocrats.

You will recognise Hulk or Spiderman but also Star Wars characters.

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

London Art fair – in its 23rd year but still going strong, part3

So there we had it – the 23rd London art fair, the biggest yet with a remarkable 24 ooo+ visitors this year. It has proven to me that this event is the place or one of the best places to discover, see or enjoy the best of modern and contemporary British art.

Over 120 galleries exhibited this year,  a decent number but still lagging behind its big sister, the Frieze art fair, with its 170+ galleries  but the two events should maybe not be compared as the Frieze fair is an international fair while the London art fair focusing on British art.

Another noticeable thing was that this year again, London based galleries made the bulk of the exhibitors with 80%. Painting and sculpture were also again the two main types of arts that could be seen but this is what the London Art Fair (LAF) has been about for a while now. The regular visitor will know this, the newbies not necessarily.

Selected works from the fair below.

William Martyr
Acrylics on canvas | Tag Fine Arts

Paul wright
Oil on canvas | Thompson gallery

John Hoylan
Acrylics on cotton duck | Beaux Arts London

Andrea Mastrovito
Cut paper collage and aniline dye on paper | Foley gallery

Dominic Shepperd
Oil on canvas | Charlie Smith

Marilene Oliver
Laser prints on card, red ink, bonded nylon and seed beads | Beaux Arts London

100,000 LED lights to light up the Sumida River

Tokyo has always been a mistery to me, one of these cities that will you blow away for sure. What follows would certainly water my eyes. At the occasion of the Tokyo Hotaru festival that just happened, one of a kind of installation was made where LED lights were the main ingredient. LED lights are awesome, aren’t they?

100,000 LED lights, that is what it took to give to the onlookers an astonishing spectacle. The aim here was to suggest hotaru (fireflies) with those lights that floated down the Sumida River through central Tokyo.

Beyond the purdy effect, let’s note that the LEDs were  designed to light up upon contact with water and were 100% powered by solar energy. Let’s also mention the reference to a long gone practice were people used to to gather, it seems,  around clean, running water, searching for these luminous creatures.

First seen on www.spoon-tamago.com. All credits to the pictures below can be found on this website

ART-PIE - Hotaru festival

ART-PIE - Hotaru festival

ART-PIE - Hotaru festival

Stencil republic, be a street artist

If the thought of having to go out there at night, hood on and a few cans in the pockets seems to you just not doable, the new Stencil Republic book, by London-based creative studio Ollystudio’s Oliver Walker and published by Laurence King, may be your alternative.

Pick one of the 20 stencils printed onto perforated card which have been created by international street artists such as Artiste Ouvrier, BS.AS.STNCL, Chris Stain, Dan Innes, Orticanoodles, Ozi, Run Don’t Walk and Stencil King, who has penned the book’s introduction.

Stencil Republic | Art-Pie

Hours of fun and feeling of being a street artist, uh within the safe walls of your living room or bedroom, whatver this is a great toy.

One of the street art pieces you will be able to drop is Orticanoodles skull pictured below so what are you waiting for?

Here is what street artist AIKO has to day about the whole thing, ‘This is something you cannot learn at school. It doesn’t matter whether it is commissioned or unauthorised, painting in the dirty alley, on postal stickers, canvases, store signs, outdoor murals, you have to feel it, jump in, don’t stop and…have fun.

Stencil Republic | Art-Pie

Stencil Republic by Ollystudio is published by Laurence King Press on 1 October, priced £19.95

Buy it from Amazon

STREET ART ENCOUNTERS