Pancakes & Booze London, thank you for attending

Pancakes & Booze Apr 16 | Art-Pie
Pierrick & Adriana from Art-Pie “Thank you all!”

What a blast the second edition of Pancakes & Booze was!

We (Art-Pie) were on our knees by the end of it but would like to thank all the artists as well as the 649 people who came through the doors of Studio Spaces

We’ve heard so much positive feedback from the artists as well as attendees and are very chuffed about that however we always want to improve things. Feel free to comment below with any suggestions you may have.

We are already preparing the next edition so express your interest today by filling out this form.

We want to hear from you if you are a visual artist, DJ, body painter, music band or an outstanding pancakes maker.

Pancakes & Booze Apr 16 | Art-Pie

We included few pics below from the night – click any photos to enlarge and/or launch the slideshow

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Thank you to the artists who performed live art such as Mark Petty and Nathan Bowen – it’s always fun to watch and definitely a bonus for any show!

Mark Petty | Art-Pie

Mark Petty | Art-Pie Mark Petty | Art-Pie Mark Petty | Art-Pie Mark Petty | Art-Pie

We included more pics below from the night – click any photos to enlarge and/or launch the slideshow

Pancakes & Booze Apr 16 | Art-Pie Pancakes & Booze Apr 16 | Art-Pie Pancakes & Booze Apr 16 | Art-Pie Pancakes & Booze Apr 16 | Art-Pie Pancakes & Booze Apr 16 | Art-Pie Pancakes & Booze Apr 16 | Art-Pie

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As always, we produced a ton of pancakes throughout the night and much to your delight we heard… We thank all our “Pancakes Girls” for their efforts and for managing the steady flow of hungry people.

Pancakes & Booze Apr 16 | Art-Pie
The Pancakes Girls

BRP PAPER at Black Rat Press

Preview evening at Black Rat Projects, Thursday 8/09/2011, 6-9pm. The show then will run until the 16th October 2011.

Light as a feather yet inscribed with the heavy history of stories told, the blank page has long since lost its primary function: once instrumental for the post-enlightenment dissemination of information in the name of democratised knowledge, paper is now that detritus of the digital age. Just as painters, in the advent of the camera, sought experimental ways of reclaiming a trade absolved of all social utility, so today’s artists turn to this generation’s redundant material as a site of creative possibility.
In September 2011, Black Rat Projects offers a means of ingress into a field of art-making which presents a unique response to our contemporary situation. BRP PAPER ties Brian Douglas, Swoon, Leipzig based Annette Schröter, Polish artist Jarek Piotrowski, Armenian born Karen Sargsyan, Alex James Daw and Atlanta based Brian Dettmer through their common practice: the manipulation of paper. These are the artists who stand at the threshold of post-production practices and yet their aesthetic constructs Romantic landscapes and strives for a beauty long discarded by the history of art.
As they tear, rip, dye, cut, fold, recycle, trash, sew, stain, stick, mould, slice, slash, copy and paste their work into being, a narrative of materiality emerges that finds a unity between the post-punk adage and the ancient skilled crafts of origami and shadow puppetry. Labour intensive, their paper works create an opening where the sublime intentions of modernist painting meet the social pragmatism mobilised by the modern DIY spirit.
As all that was paper melts into data Black Rat Projects brings these international artists together for the first time to explore common themes in their work.

Words from Black Rat Press

Featured artists
BRIAN DOUGLAS | SWOON | ANNETTE SCHRÖTER | JAREK PIOTROWSKI | ALEX JAMES DAW | KAREN SARGSYAN | BRIAN DETTMER

Brazilian street art takes on the football world cup

The 2014 edition of the football World Cup has now been on for almost a week and it has already been labelled as the better edition of the last 20 years.

While most of us have been enjoying great goals from the safety of our couch, brazilian street artists have taken their art to the city walls of Brazil, mainly Rio De Janeiro and Sao Paulo to remind us of the dark side of the Great game as they put it.

Artist: Paulo Ito
Where: Sao Paulo
The mural shows a starving, crying child with only a football on his dinner plate serves to highlight the vast expense of hosting the World Cup when the money for food, schools and hospitals is needed so much.

“There is so much wrong in Brazil that it is difficult to know where to start,” Ito said. It seems the beautiful game has a dark side.” says Paul Ito

Paulo Ito | Art-Pie

FIFA is not the most welcome and loads of artists ask the football association to go. Cranio is one if them it would seem. One of his mural shows a suited man throwing a sack labelled “public money” down the toilet.

Cranio | Art-Pie

Cranio | Art-Pie

Cranio | Art-Pie

Artist: B.Shanti from the Captain Borderline crew
What: Anti Copa Mural Project organized by Colorrevolution and Amnesty International
Where: Rio de Jainero (Brazil)
Dedicated to all brasilians who lost their home during the brutal eviction.

Anti Copa Mural Project organized by Colorrevolution and Amnesty International | Art-Pie

But not everything is negative, take a look at this street view project from Google showing you panoramic views of (happy) street art from Rio De Janeiro and Sao Paulo amongst others.

> https://www.google.com/maps/views/streetview/brazils-painted-streets?gl=us

The Stitch project, raising environmental issues awareness through art

Stitch is an organisation that raises environmental awareness through the arts. Stitch does this by hosting events that use art to inspire and engage people with environmental issues. The guys at Stitch will use a variety of different events such as art exhibitions, photography competitions and short film festivals to appeal to people in different ways.

The next Stitch show is right upon us: “Focus on Nature” Open Photography Competition Submissions. It opens this Monday 5th March and will run until the 23.

They ask for a £5 donation per image you submit. These funds go towards contributions to these two fantastic organisations listed below. Find out more information about the show from the Stitch Facebook event page or on the Stitch website.

http://www.butterfly-conservation.org/
http://www.back2earth.org.uk/

A video of a previous show held at The Diary is included below

<iframe width=”649″ height=”330″ src=”http://www.youtube.com/embed/GLiEXPnLA2k?rel=0″ frameborder=”0″ allowfullscreen></iframe>

INSA collaboration with Pepsi Max

We tend not to plug any commercial stuff on this site but we are happy to do this time since the end result is pretty kick-ass.

About

Pepsi MAX asked people to tell them about the Pepsi Max Cherry and then got artist INSA involved in order to bring to life their words and opinions – we will focus here on the animated GIF outcome and not on the taste of that drink 🙂

British musician Charli XCX made the soundtrack for this animation

How they produced the video below?

A 360 degree camera rig was built around the installation using 90 cameras, allowing every angle of the art to be captured simultaneously.

Each artwork was painted twenty four times over, layer upon layer, so they would animate when put together using stop motion.

Millions of people have watched the video now. That is part of what speaks to youths about such collaborations, INSA tells Marketing: “The young people that are Pepsi’s audience are so used to engaging with things so flippantly and getting instantaneously satisfaction, but knowing that that instant took a whole load of time and effort to make gives that human element within the digital stuff.”

This form or art is called “Gif-iti”, Gif- what sorry?

In this other video below, INSA tells us about how what it’s called GIF graffiti (“Gif-iti”) came about and shows us the “behind the scenes” of another project he was involved with involving a satellite from space.

If you cannot be bothered to watch the video, here is how “Gif-iti” is created – GIF-ITI is made via a laborious physical process involving numerous layers of painting and meticulous planning.

Starting where most artwork ends, GIF-ITI entails photographing each layer the artist paints by hand. These images are then uploaded and overlaid to create the final piece, a looping GIF file which comes to live when released to global audiences online.

Read more on Insa & GIF-iti

CRASH: homage to JG Ballard at Gagosian gallery

Giant Triple Mushroom by Carsten Holler

You could not say no to an exhibition where you would get to see pieces from artists such as Andy Warhol and Ed Ruscha without having to hop between venues across town, well you do not have to do that anymore – CRASH: homage to JG Ballard is that exhibition. Go now.

Ed Ruscha, Andy Warhol, Roy Lichtenstein, big names on the menu as well as a good bunch of younger artists Glenn Brown or Jenny Saville. You look at the leaflet handed over to you earlier by the very friendly staff at Gagosian and you just do not know where to start.

Adam Mc Ewen’s Boeing 747 undercarriage ‘Honda Teen Facial’ in the entrance looks like it fell through the roof and sets the tone of what this exhibition will be about – provocative as was JG Ballard’s literature. Another large scale piece which immediately draws your attention is Richard Prince’s car model made of steel, plywood and Bondo. You look up and right there hing up on the wall is ‘Explosion’ by Roy Lichtenstein. Big names, big works. Continue reading CRASH: homage to JG Ballard at Gagosian gallery

The making of HERO by Miguel Endara

Some artists such as Miguel Endara have got magic coming out of their fingers and in this case out of his Micron Pen. 3.2 millions ink dots were needed to recreate a portrait of his father and it took him 210 hours to complete the piece which is not only a proof of dedication but also a very powerful illustration where the subject seems to be sleeping face on the canvas.

The Making of “Hero” from Miguel Endara on Vimeo.

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