London Art Fair – artists we enjoyed, Philip Braham

We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.

In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.

Feel free to comment too at the end of this article. Let’s get started….

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Philip Braham

"Ophelia bathing" by Philip Brahams at London Art Fair | Art-Pie
Click to enlarge

We stumbled upon the piece called “Ophelia Bathing” – oil on canvas, 183x122cm, and instantly appreciated the hazy feel of the depicted landscape.

It made us feel like diving in this river or enjoy a long and lazy lie down on one of its banks.

About the artist

Represented by the Roger Bilcliffe gallery at this year’s London Art Fair, Philip Braham is a Scottish artist whose paintings and photographs emerge from the Northern European engagement with landscape as a metaphor for the human condition. Recent projects reflect on the temporal nature of our existence through personal recollection and collective history, set within the slowly evolving landscape that bears us forward. Fidelity to experience is fundamental to his practice, and this brings a poetic grace to his technical mastery of oil painting and silver-based photography.

Other works from this artist

Click to enlarge

Philip Brahams | Art-Pie

Philip Brahams | Art-Pie

Philip Brahams | Art-Pie

Why you should go to the London Peckham Rye Music Festival

Peckham, once an area that most Londoners regarded as a no-go area, has become in recent years a hip and cultural hub in the capital.

One of the events which is conveying this message is the London Peckham Rye Music Festival. Here is Why you should go to the London Peckham Rye Music Festival.

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    • The festival is over two week ends. The main festival takes place on the 12th May through the 14th May (week end) but more individual ticketed events also take place the next week end so you should be able to squeeze something in your ever busy schedule!
    • There is a wide spread of music genre – HOUSE, TECHNO, ELECTRONICA, GRIME, GARAGE, BASS, DISCO, JAZZ, FUNK, SOUL so hop from stage to stage or find your ultimate gig area.
Peckham Rye Music Festival | Art-Pie
The Peckham Rye Music Festival street parties. Street art by INSA
  • The festival venue is easily accessible due to its central London-ish location. The closest train station is Peckham Rye which is a five minute walk to the ‘Festival Hub’ in Copeland Park. The entrance to Copeland Park is accessible via 133 Rye Lane, then down Bussey Alley, until 9PM and Bournemouth Road from 9PM until midnight.
  • You can get a day ticket for as low as 15 quids! But hurry up as it is selling fast.
  • Secretsundaze is playing on Sunday 14th May at the Outdoor Stage and you do not want to miss it! Weather, please be good so we can have a kick ass time!

We hope we convinced you to get yourselves down to Peckham and enjoy the impressive range of music genres across another impressive number of stages.

We’ll see you there.

Spaces Within Spaces Within Space Within at Pure Evil gallery

Pure Evil galleryDespite the marked differences between their graphic and visual languages, long-time friends Paulo Arraiano (yup) and Diogo Machado (add fuel to the fire) have often collaborated on many projects. Over the years each has developed an extensive portfolio in the fields of graphic and visual arts, working in a variety of mediums. Each has also taken part in a great number of individual and collective exhibitions, in Portugal and abroad. This is the first time they are showcasing their work together in the UK.

Both grew up in and live in the seaside town of Cascais, outside Lisbon, Portugal, and in spite of their distinctive paths they share multiple references and interests. They have developed a high level of understanding and familiarity which often borders on the complicit, turning their fertile partnership into an ongoing intuitive collaboration. It is this convergence towards a mutual space where both their differences and similarities intersect that can be viewed here.

Spaces Within explores this point of contact where the two individual realms meet and overlap ≠ an area which both re˛ects and transcends the many inner spaces and territories their lives and work have created; a new multi-layered expanse composed of myriad emotions, characters, stories, landscapes, colours, shapes and details.

Words from Miguel Moore

Where: Pure Evil Gallery | 108 Leonard st London | EC2A 4RH London
When: Opening 16th February . 6pm – 9pm

Artists: Paulo Arraiano (yup) . Diogo Machado (add fuel to the fire)

RUN has hit the walls of Village Underground

Artist RUN just finished his piece on the walls of the Village Underground project space and has kindly sent in a few pictures which are shown below. This commission came as a bit of a surprise for the artist since the guys at VU rang him at the last minute and asked him whether he would like to fill the 6 days off advertising gap by painting the outside walls

The job took about 5 hours and depicts one of classic RUN’s feaure already seen across London streets and beyond.

RUN at Village Underground | Art-Pie

RUN at Village Underground | Art-Pie

RUN at Village Underground | Art-Pie

#CODEFC street art and raise awareness for Sri Lanka

#codefc in Sri Lanka
"Woman" by #CODEFC
#codefc has recently been to Sri Lanka and witnessed the atrocity of the civil war that hit the country. Below are his words, no edit whatsoever, raw like the atrocities that Sri Lanka suffered and is still subject to. Thank you Fab to try to raise awareness.

“it s related to a sensitive subject happened a while ago but still very fresh over there..as u probably know the gosl( gov of sri lanka) has been at war with the LTTE for the past 25 yrs and the struggle culminated in 2009 with the defeat of the tigers and the killing of 40000 innocent tamils.

In my recent visit I had the chance to go ( briefly..for safety reasons) to eelam( the north east part of lanka) and speak to a few people. the situation there is still really bad and people are being abused on a daily basis.Even for tourist like me the situation has changed lately since the gosl has kicked out All NGOs and any white ( westerner) is seen as a pro tamil therefore pro tigers . roadblock are every few hundreds meters , passport controls and questions…the project is based on the sorrow of the genocide that the government inflicted on the tamil minority and I tried to keep it impartial ( not supporting the tigers) during the war the un was told safety for their troops was not guaranteed (???) and therefore they left leaving no one to monitor the cruelties that happened there in the last months of the war .

UN a beach 1 sunrise by #CODEFCI m not the best person to explain the whys and hows of the situation but a quick history search will show that the tigers were not the real problem of lanka but the diversity os the tamil ( favoured by the british during colonization for speaking better english and being better at their duties and the sinhalese community , and their non capability of living together .From what I ve seen the problem is still there , the north- east areas are a huge military base ( I myself started getting really uncomfortable about the situation and that lead me to do less painting that what I intentionally wanted to )

I hope my paintings raise some issues about the validity of the UN and the indifference of the nations that are part of it. If u have not had the chance of watching it please spare 45 mins srilanka s killing fields broadcasted on channel 4 ( u ll find it if u goole it .. full version ) also worth checking is www.tamilnet.com with a rather complete report on the situation there .
some of the designs were actually taken from that site..so they relate to real people of that area ( some are on houses destroyed by the fighting ..with real bullet holes”

"Starved" by #CODEFC

"Man v. Child" by #CODEFC

"Prisoner" by #CODEFC

Jonathan Darby at Signal – Favela

Since the day we first saw Jonathan’s work in 2008 we have been amazed at how much it has blossomed and how many people have responded positively to his distinct and developing style. Since then several shows at Signal and exhibitions in Los Angeles, San Francisco and Denver have confirmed his international appeal.

Jonathan has achieved that rare thing of combining socio-political subject matter, with a real sense of beauty and truth. Despite the evils in the world he depicts, you come away from a Darby piece feeling refreshed.

Jonathan’s second solo show ‘Favela’ at Signal will take him deeper into the areas of concern he has touched on so successfully before. Concentrating on the favelas (slums) in the big cities of Brazil, Jonathan became acutely aware of the overwhelming social problems facing these communities. The favelas have been abandoned by national and local government and have been taken over by drug dealers and their gangs. A culture of lawlessness and violence exists unchecked, creating a level of poverty that gives Brazil the dubious accolade of nurturing the biggest gap between rich and poor in the world.

Some of the most vulnerable victims of this sorry state of affairs are the countless number of street children orphaned or abandoned by their parents. Jonathan’s show focuses on them and their plight. The show will be supported by the charity CARF (Children At Risk Foundation) that was founded by Englishman Gregory J Smith. Giving up a lucrative business career Smith set up and ran a home for street children called The Hummingford Project in Sao Paolo. Also a passionate photographer he has brilliantly documented this entire experience. Many of Jonathan’s works for the show will use these photographs as source material, creating a direct link to the abandoned children of the favelas. Some of the proceeds of the show will donated to CARF.

Jonathan’s work for the show is moving away from the more obvious use of logos. Instead, he will be using a range of more subtle artistic means to achieve his artistic goals. He has also spent time collecting together wooden objects to paint on, so that many of the works will have a more organic feel to them than his works on canvas. His aim in the show will be to create a unique experience combining paintings with atmospheric installations. This will be Jonathan’s most ambitious body of work to date, exploring an important issue using a wide range of materials and techniques. The show should establish him as one of the most important young artists on the scene.

When: 11th – March – 2nd April 2011
Tuesday – Saturday 12 – 6pm
Where: Signal Gallery | 32 Paul Street, London EC2A 4LB | 0207 613 1550 | mobile 07766 057 212

Words by Signal gallery

El-Seed paints the Jara mosque

Tunisia has been the stage lately of a surge of intolerability towards creativity and especially towards anything to do with a spray can. As a result, the French-born Tunisian graffiti artist El-Seed took action.

El Seed - Jara mosque | Art-PieThe result is Tunisia’s largest mural but what matters above all is the the location; he painted on the country’s tallest minaret, at the Jara Mosque, located in the industrial city of Gabes. Pictures after the fold.

Here is what El-seed says about the project “I decided to do the mural because it was close to my heart. It had been a while I had wanted to paint a wall in Gabes,” the artist told Ahram Online.

“The primary purpose was, and is, to inspire people to get together and build community around positive action,” El-Seed told Ahram Online via email. “

The mural, which has been embraced with open arms by the mosque’s Imam, was painted on the 57-metre high minaret, and is meant as a message of tolerance and mutual respect.

El-Seed got interestd in the art of graffiti back in 1998 in Paris, where he spent his childhood. Later, when he moved to North America, he started combining graffiti with his passion for Arabic calligraphy (usually associated with the Quran and religious scripture). The artist likes to mix traditional script and contemporary pop-culture, giving birth to a distinctive urban graffiti.

El Seed - Jara mosque | Art-PieEl Seed - Jara mosque | Art-Pie

El Seed - Jara mosque | Art-Pie

Nick Gentry at Whisper gallery

We are big fan of artists using what they can find around them to help them making art or in Nick Gentry’s case, using floppy disks to be his support for his art as well as being integral part of his end product – mainly portraits.

Nick Gentry uses wood panels layered with floppy disks which he might paint or not, but one sure thing is that they are fully integrated in his pieces. Using the round bit of the floppy disk as the eyes  is a recurrent occurrence in his art. Nick Gentry portraits all these imaginative or not, I do not know, characters which behind that scruffy brush stroke comes to live.

The show at Whisper gallery is now over

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