Emma Stibbon at Room

Emma Stibbon’s work in this exhibition looks at history and collapsed empires. The shadow of classical antiquity cast on Western civilization ominously stretches into present times – the city is a symbol of both memory and amnesia.

Her focus looks at simultaneous periods of time, mainly sites of ancient Rome, and how Imperialist and republican architecture was later appropriated to lend credibility to new regimes. She is interested in the dialogue between two pasts; that of Ancient Rome and Mussolini’s Fascist plans for the city and in places that can be read as a palimpsest, a layering of historical traces.Rome as a site of overlaying ideologies – the ultimate collapsed empire leading one to reflect on human endeavour,
vanity, frailty, time and impermanency.

Where
31 Waterson Street | London E2 8HT | www.roomartspace.co.uk
When
10 November – 17 December (Wednesday – Saturday 12- 6pm)

Emma Stibbon at Room
Bench 44.5 x 63cm Ink on paper

Photo London 2016, Somerset House, London

Photo London 2016 at Sommerset House | Art-Pie
Click to enlarge

Photo London brings together 80 of the world’s leading galleries in a major international photography Fair, combined with an innovative public programme supported by the LUMA Foundation.

Photo London is located in the heart of the city and benefits from the support of London’s best photographers. Click here to watch these photographers discuss their love of photography, and why London is an important cultural hub for photography, in a special video for Photo London.

From the 19-22 May, Photo London will be celebrating the ever popular medium of photography across the capital by bringing some of the world’s leading practitioners, curators, exhibitors and dealers together with the public. Photo London have collaborated with 80 of the best galleries from around the globe to put together a stellar line up of both exhibitions and events, such as book signings and discussions, with those renowned in the field.

"Protest" By Don McCullin | Art-Pie

Amongst those attending is Don McCullin. Recently named Photo London’s Master of Photography 2016, the legendary war photographer will be the subject of an exclusive exhibition at Somerset House. McCullin will also be in conversation with Simon Baker, Photography Curator at Tate in a public talk on 19 May. This opportunity is available to anybody who purchases a ticket to Photo London thanks to the support of the LUMA Foundation, who work to support the activities of independent artists and pioneers.

Elsewhere, specially-commissioned exhibition, Photoprovocations, is set to be on view at the West Embankment Galleries. This showcase recognises Sergey Chilikov as an outstanding practitioner of the ‘new’ photography which emerged in the USSR in the 1970s. The work of Wolfgang Tillmans will also be displayed in Between Bridges at Somerset House. Stepping aside from the sensationalism surrounding the ‘Brexit’ coverage in the media, Tillmans aims to inform the public about the democratic and humantarian benefits of remaining within the European Union.

Photo London’s main exhibitors section welcomes a wealth of established galleries including Beetles+Huxley,  London; Polka Galerie, Paris; The Photographers’ Gallery,  London; Magnum Photos, Paris-London; and Michael Reid Gallery, Sydney-Berlin. In addition, new and emerging organisations will also have a place at the event in Photo London’s newest section Discovery, reserved specifically to introduce praiseworthy, but less well known, galleries to new audiences.  Exhibitors include Tiwani Contemporary and TJ Boulting. Already one of the top 10 visitor attractions in the UK, Photo London’s home, Somerset House, is itself a cultural hotspot and a centre for art and culture in the heart of London.

London’s public museums and galleries will also put the spotlight on photography this month: Martin Parr will curate Strange and Familiar: Britain as Revealed by International Photographers at the Barbican Art Gallery; National Portrait Gallery hosts Vogue 100: A Century of Style; Science Museum/Media Space displays the work of William Henry Fox Talbot; the V&A presents Paul Strand: Photography and Film for the 20th Century; and Tate Modern examines contemporary work in Performing for the Camera.

This year’s Photo London edition will feature the talents of two rising practitioners from the London art scene. Walter and Zoniel will transform the uncanny underground spaces of The Deadhouse at Somerset House into a giant camera for opening night. By doing this, the artists plan to create the largest ever Ambrotype portrait as a live ‘happening’, energising visitors ahead of the following four days, which promise to be filled with world class photography and photographers.

Photo London 2016, 19-22 May, Somerset House, London.

For more information, visit www.photolondon.org.

The Universal Struggle to Self-Identify: This 'Me' of Mine

Peripheral Vision (c)2010 David Minton
Peripheral Vision, (c)2010 David Minton, oil on canvas

But it may be that without meaning there is only space, so in a sense I make my paintings by accident, but knowingly so.  The central space created by painting ‘at the periphery’ has a tension that is constantly pregnant with possibility.  In order to remain so, the tensions of space are never resolved, but continue and it is this continued lack of resolution that forms the overall content of the picture.[1] Perhaps what’s missing is what’s outside that loop or the fear of its ceasing to be a loop and become something that runs forward in time.  All those fears and hopes, everything the intimacy within the home brings, begins to open up to a greater loss and eventually time will bring the loss of things because of the infinite nature of time; everything outside of time is infinite.[2]

At art college we were encouraged to self-analyse our output and I found myself not fully understanding how I travelled from initial concept to final outcome. So, now I find it useful to think of myself as a black box where every new line of enquiry has the potential to reveal more of my inner (often hidden) self and my motivations for doing what I do.[3] Initially it was very important to move away from outward observation, it came out of necessity for me, and I had to close myself off from the real world for a while although outward observation is creeping back into the work acting as little anchors.[4] All that is visible is a barely responsive exterior… This indifference, characteristic to the figures in my paintings, suggests the social is almost taken away. You wonder what is revealed in this state of consciousness, just mindless projections on to others perhaps.[5]

Woman with Cardigan (c)2010 Melanie Titmuss
Woman with Cardigan, (c)2010 Melanie Titmuss, oil on canvas

 

This play on words, mixing up sentences from each artist interviewed so far for This ‘Me’ of Mine, is not intended as a clever ploy at meaning-making, but rather a look at the interconnectedness of the issues of the self and identity.  Each of these artists is concerned in their own way with issues of self in their work.  It is fascinating for me as curator to see how their concerns link together in the universal struggle to self-identify; something which I hope will become evident through these interviews.

Join us in the on-going discussions. Go to INTERVIEWS at the This ‘Me’ of Mine blogsite to read more from David Minton, Anthony Boswell, David Riley, Aly Helyer and Melanie Titmuss, the artists interviewed and quoted above (see credits below for links to the individual interviews).

Interviews coming up: Sarah Hervey, Shireen Qureshi and Sandra Crisp.  Waiting in the wings: Kate Murdoch, Annabel Dover, Edd Pearman, Cathy Lomax, Hayley Harrison, and Darren Nixon.  Art Historian and critic, Becky Huff Hunter, is kindly interviewing me and that will be coming up too.

 


[1] The Temporary Suspension of Tension; an interview with David Minton, 2012 Jane Boyer for This ‘Me’ of Mine, found at: http://thismeofmine.wordpress.com/2012/02/13/the-temporary-suspension-of-tension/

[2] Living in the Constant; an interview with AnthonyBoswell, ibid, found at: http://thismeofmine.wordpress.com/2012/06/22/living-in-the-constant/

[3] I Am a Black Box; an interview with David Riley, ibid, found at: http://thismeofmine.wordpress.com/2012/03/21/i-am-a-black-box/

[4] Anchors of Observation; an interview with Aly Helyer, ibid, found at: http://thismeofmine.wordpress.com/2012/03/07/anchors-of-observation/

[5] A Barely Responsive Exterior; an interview with Melanie Titmuss, ibid, found at: http://thismeofmine.wordpress.com/2012/07/14/a-barely-responsive-exterior/

Astro Naut – 3D toys

We met with Astro Naut who can be described as a street art sculptor. We need more of his stuff out there as what he does is just awesome and more importantly we like very much the manufacturing aspect of it. Did I mention that he is from Spain, a very creative place.

Astro Naut was kind enough to answer a few questions:

ARTPIE: Tell us about yourself/your crew in a few words?
ASTRO NAUT: Astro Naut is just me, myself and I. I started drawing and pasting up my street art character in 2008 in Madrid, Spain

A-P: For how long have you been doing street art?
A N: I started doing street art in the beginning of 2008, I think. I discover the freedom and the exiting of illegally and I fall in love with it..

A-P: And what drove you towards sculptures rather than other mediums such as paint?
A N: I do all the techniques with my character. I paint, paste up, but what I prefer the most is the sculptures, the toyz. I think It´s another step in street art and I love it!

A-P: What are you trying to say if anything through your sculptures, if anything?
A N: mmmm, there´s no a specific message.

A-P: Tell us a bit more what your sculpture are made of/ your making process?
A N: The mattress if made of silicon. The toyz are made of plaster and painted with spray and markers.

A-P: Any other project in the pipeline
A N: Well, I´m developing the second generation of my sculptures. And I´ve just finished this mural in Madrid.. (see photo below)

Mural in Madrid

The Pancakes and Booze art show at Studio Spaces E1

PandB FLYER 2014We are over the moon to be involved in the Pancakes & Booze pop up art show.

The one day event is taking place at Studio Spaces E1 in East London on Thursday, 24th of September 2015.

We’ve secured dozens of spots and are looking for artists to submit their candidature and exhibit their work, so keep reading on…

In short…

ART . PANCAKES . BOOZE . DJ . LIVE ART . EAST LONDON .

7pm till 2am

SHOW ME SOME PICS!I WANT TO EXHIBIT AT PANCAKES & BOOZE!

About

Pancake batter is sizzling, beer froth is flowing, and bare flesh is slathered in paint.  Indie musicians and DJs break sound waves off the canvas-lined, graffiti-strewn walls, while revelers stuff their faces with endless amounts of free pancakes.

The Pancakes & Booze Art Show is an LA based artist movement that started in 2009 and has quickly spread to over 20+ cities throughout North America.

They currently organize some of the largest pop-up underground art showcases in the country, with the best local emerging artists, musicians, and performers each city has to offer.

HOW CAN I DISPLAY MY ARTWORK AT THE EVENT?

Artists can submit their artwork by filling out our online submission form located below under “SUBMIT YOUR APPLICATION”

If accepted, there is a £10 per piece HANGING FEE to display your work.

There are NO COMMISSIONS ON SALES. You take 100% of what you sell. The £10 per piece goes towards the production costs of the event (i.e. venue rental, staff, building materials, etc.). PAYMENT (cash only) is not due until the day of installation.

There is a strict 1×1 meters MAX SIZE LIMIT for each piece you’d like to exhibit. This is due to the size of the wall panels we use to display your work. Sorry, but no work over 1×1 (meter) in size will be able to fit on the walls.

DROP OFF and INSTALLATION TIMES & DATES will be confirmed. In most cases, installation is on the day of the event between 12-5p. Once confirmed we’ll inform you of the correct time.

There is no DEADLINE for submitting artwork. We take art until we fill all the wall space available. P&B is an extremely popular show, so we recommend reserving space as soon as possible.

Pancakes & booze New York | Art-Pie

CAN I DO SOME LIVE ART or BODY PAINTING DURING THE SHOW?

We will have a number of live artists creating work during the event. We open the floor up to anyone who wants to create a live art piece or do body painting for the show. Please just bring your supplies, along with a drop cloth, and do your thing. There is no need to sign up. All materials must be odour free.

Submit your application and we will get back to you as soon as possible

HOW DO SALES WORK?

Most of the sales go through the artist. We highly recommend that everyone gets a credit card swiper for their phone. SquareUp and PayPal both are good options. We do not take credit cards so having your own system in place is key for making sales.

If you’re not around, we will make a sale in your absence and give you cash at the end of the night. As noted above, we do not take credit cards/checks/debit cards. If we act on your behalf during a transaction it will be cash only. We take NO COMMISSION ON SALES and will give you 100% of the cash sale at the end of the event.

After the transaction is made the buyer is allowed to take the work home with them on the spot. It is wise for you to have an extra piece on hand because you’re welcome to hang a replacement piece of equal or lesser size in the place of your sold piece. There is no extra fee for this.

You’re welcome to bring a small bin/tote/bag/etc to sell prints out of. Sorry, but we do not allow artists to set up tables to sell prints from.

The Pancakes & Booze Pop Up Art Show | Art-Pie

WHAT – The Pancakes & Booze Pop Up Art Show
WHERE – Studio Spaces E1
WHEN – 24th September 2015

Submit your application

[contact-form-7 id=”11271″ title=”Pancake & Booze”]

GALLERY

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Site: www.pancakesandbooze.com
Twitter: www.twitter.com/pancakesbooze
Facebook: www.facebook.com/PancakesandBoozeArtShow
Instagram: www.instagram.com/pancakesandbooze/

“The Age Of Reason, a show by Chris Stevens at Beaux Arts London

"Arsenale" by Chris Stevens | Art-Pie
“Arsenale” by Chris Stevens

Chris Stevens is a painter with the firm belief that art is a marriage between concept and technical accomplishment. The process of making a painting is as much a part of the work as the finished piece. Challenging our preconceptions about people, this is an artist who explores current identity, class, race and gender.

Recently he co-curated ‘REALITY’ at the Sainsbury Centre, an exhibition that brought together over 50 works celebrating the strength of British painting. Some of the best and most influential artists of the last sixty years were exhibited in the show – key figures of the 20th century such as Francis Bacon, Lucian Freud and David Hockney.

 

Having studied Fine Art at the University of Reading under Terry Frost, he has exhibited regularly since graduating in 1978. A prize-winner in the BP Portrait Award, 50 over 50 and more recently in the Painted Faces exhibition organised by the Saatchi Gallery and Windsor & Newton, he has also undertaken Arts Council residencies at Sunderland Football Club and Birmingham International Airport.

"Bibaud" by Chris Stevens | Art-Pie
“Bibaud” by Chris Stevens

Chris Stevens has worked in public and private collections including the Victoria & Albert Museum, The National Gallery of Wales, Unilever, Galerija Portreta, Bosnia & Herzegovina and many private collections in UK, South Africa, USA and Europe. He currently lives and works in France.

4 awesome photo manipulations by Leo Rocha

When asking Leo Rocha about making striking images to publicise Ecuador and its tourism, I wonder whether the tourism board of this country knew that they were in for a treat! I do not know for you but we think here at Art-Pie that these are pretty awesome and we definitely want to go and check out Ecuador now!.

Made by Koenig & Partners ad agency. CGI by Luiz Alves and Javier Porcel. Retouch by Leo Rocha, Ramon Saroldi and Marceu Lobo.All you need is Ecuador | Art-Pie All you need is Ecuador | Art-Pie All you need is Ecuador | Art-Pie All you need is Ecuador | Art-Pie

Central St Giles – urbanism at its best

I did not expect to walk through what, actually, turned out to be a truly enjoyable experience. I am talking here about the new urban development named Central Saint Giles, comfortably wedged between Bloomsbury and Soho in London.

I suspect the sunny weather that day helped here, but I was truly amazed by the imposing and colorful buildings that make up this very modern workplace, which includes office space, shops, restaurants, cafes, apartments and an outdoor public piazza. Bright green, yellow and orange are the colours used for the huge facades, which clearly make them stand out amidst the surrounding urban buildings.

While enjoying a walk on the spacious and bright piazza, I was happily surprised to encounter a couple of sculptures, one of which is by the artist Steven Gontarski; a five-meter-tall piece, adding another layer of colour to the landscape.

Urbanism like this can be beautiful, by either inspiring the architect (Renzo Piano) or being integrated into it.

http://www.centralsaintgiles.com/

Central Saint Giles

Ob 08 by Steven Gontarski
Central Saint GilesOb 08 by Steven G0ntarski

Central Saint Giles

STREET ART ENCOUNTERS