Compossible Worlds

“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”                                                      Gilles Deleuze

Diagram (artificial tree), 2010 Sandra Crisp
Diagram (artificial tree), © 2010 Sandra Crisp, Ink Jet Print

This quote by Deleuze is a very complex statement on a very natural state of continuity and it is a state we are becoming readily familiar with through social media communication. Simply put, at the centre of each ‘world’, which is each of us, is collected a series of things (perceptions, object, memories, experiences etc.) which expands in all directions colliding and mingling with other worlds, (everyone else). This mingling is compossibility and we are fast becoming experts in it without really realising it.

This statement also suggests that our perceptions now are being formed by more than direct sensory experiences but also by data input in a compossible world, a world we don’t actually experience first-hand, but by proxy through the experience of others. The trouble with this is we are easily fooled, as discussed in ‘How fake images change our memories and behaviour’ by Rose Eveleth for the BBC’s Future magazine.

In my interview with Sandra Crisp, Memory Surfaces, I asked her about the implications of Deleuze’s statement:

JB: “It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”[1] This quote by Gilles Deleuze from Difference and Repetition suggests it’s a collective consciousness in perception which allows us to comprehend our world, do you feel our digital age helps or hinders our sense of continuity (memory) and ultimately our sense of self when information appears and disappears so rapidly online?  Is it possible this rapid change in information thrusts us back into the ‘truth’ of physicality?

SC: What we have online at the moment is the continuous and rapid shift of information: Text, images, video and even entire web pages suddenly appearing then disappearing. Deletions with no warning – error 404 messages: ‘Page not Found’. Continual updates; all these create a sense of fragmentation and impermanence, and discontinuity. Printed books in the physical world are fixed and unchanging, we can rely on their information stability, each time we take them from the shelf they are the same as before. So this state of information transience is very much a modern phenomenon connected to the information age. In the past, a shift from oral to book cultures required people to process information differently; today many people now communicate and receive information via TV, radio, and Internet, electronic media rather than books. Therefore, I am not sure that any more ‘truth’ can be said to reside in the physical world than virtual, that this is any more contiguous. As with any new technology, it will change us and we need to learn how to use such new communication media wisely, to adapt to the apparent discontinuity, to interact with, and process the information bombarding us in meaningful ways. At the moment digital online communication is nascent, we are living in really interesting times where things are still developing. At the moment it may thrust us back into the continuity of the physical world but eventually in the future it may not.

You can find this exchange with Sandra in the full version of our interview, available in the This ‘Me’ of Mine companion book. Find out more about the book on our blogsite. Read our excerpted interview here.


[1] Difference and Repetition, Giles Deleuze, Continuum Books, 2004, pg.58

James George or how to use Kinect (Xbox)

Microsoft must have amazed quite a few of us with their latest innovation, I want to talke here about Kinect by like for all genius products, there is a sleepy hacker waiting to exploit and excel in using such products.

James George had the idea to modify the Kinect accessory and with the help of a HD SLR, he presents us with these amazing shots below taken across the NYC subway.

For the techies, James is using the depth image in a custom open framework application.

James Georges

James Georges

James Georges

Related links
> James George’s blog – www.jamesgeorge.org
> Set of James’ Kinect work on Flickr

Rory McCartney solo exhibition at Arch 402

Arch 402 is pleased to present the latest solo exhibition by acclaimed British artist Rory McCartney. Psycho Boogie introduces a new series of drawings and paintings that continue the artist’s investigations of abstract imagery.

Referencing the visual effects of Op Art, 18th century marbling techniques and 60’s pop-psychedelia, McCartney incorporates the erratic behaviour of materials to create powerful images that are spontaneously and organically formed.

Against McCartney’s flat graphic backgrounds, media such as oil, resin, pigment, and lacquer react to emit an explosion of colour and pattern that is both arresting and surprising.

McCartney’s work has been shown internationally in commercial galleries as well as public spaces including the Royal Academy and the Victoria & Albert Museum.He is the art director of Arena Homme plus magazine, and lives and works in London.

Words from Arch 402

When
25 March – 28 April 2011
OPENING PARTY Thursday 24 March 6:00-9:00 pm

Where: Arch 402 Gallery, Cremer Street, London, E2 8HD
www.arch402.com

Linder Sterling: Collage and Montage

John Stezaker once said of Collage that it  “is a yearning for a lost world and reflects a universal sense of loss”. Those sentiments are certainly reflected in the work of artist and radical feminist Linder Sterling (also known as Linder).

In her series Pretty Girls, Linder reacted to visual world she occupied, a society of inequality and the gender specific rhetoric. Linder used the magazines of the late 70’s and 80’s as her painters brush. Splicing images of naked women from pornography, and kitchen appliances from those awful home improvement catalogues, she created a curious and slightly disturbing, yet telling depiction on the representation of women of the time.

Looking back at these images from the 70’s and the post punk era it’s amazing how contemporary they feel. Is this due to the inherent nature of collage and it’s yearning for a lost world (as Stezaker put it). Or is it that in a time when we are bombarded with imagery on a daily basis that more and more contemporary artists and looking back in time in an attempt to decipher it all?

Guest post by Brian J Morrison 

 

The Art-Pie Short List of Must-See London Art Fairs

Art Fairs guide | Art-Pie

Not sure about you, but right now is a very exciting period for me. Yes, it is that time of the year when London gets very busy with a multitude of art fairs.

On one hand, you have the well established or ever growing in popularity ones such as Frieze, which has 160 of the worlds leading contemporary art galleries exhibiting. On the other hand, there are several smaller ones, yet just as exciting. They are often run by independent artists in incongruous venues but with a common factor: a great atmosphere, and creativity all around.

We have listed below what is a non exhaustive list, but hopefully a useful one…. so enjoy, and see you around!

We have listed below what is a non exhaustive list but hopefully a rather useful one so enjoy and see you around!

Frieze Art Fair

Frieze art fair | Art-Pie


WHEN – > 15th PV | > 16-18 Oct Public opening
WHERE – South of The Regent’s Park with the entrance off Park Square West. The postcode is NW1 4NR
FREE? NO

160 of the worlds leading contemporary art galleries are at that fair so needless to say that it is a biggie and that you should find something that excites your creative mind.

> Visit the Frieze website
> See the galleries list

Sunday Art Fair

Sunday Art Fair | Art-Pie

Gallery led art fair created as a platform for an intimate group of like minded emerging commercial galleries to present work by a diverse range of artists  within a relaxed environment.


WHEN – 16-18 Oct 2014
WHERE – Ambika P3, 35 Marylebone Rd, London, NW1 5LS
FREE? YES

> Visit the Sunday Art fair website

The Other Art Fair

The Other Art Fair

Artist led fair is situated in the heart of London’s cultural East End.


WHEN – 16 – 19 Oct 2014
WHERE – Old Truman Brewery, Brick Lane, London E1 6QL
FREE? NO

> Visit the The Other Art fair website

Moniker

Moniker Art Fair | Art-Pie

Artist project spaces combined with a commercial element. Each space is individually curated presenting a twist to the traditional art fair format.


WHEN – 16 – 19 Oct 2014
WHERE – Old Truman Brewery, Brick Lane, London E1 6QL
FREE? NO

> Visit the Moniker Art fair website

Multiplied

Multiplied Art Fair | Art-Pie
UK’s only art fair dedicated to contemporary prints and editions. The fair is in its The fifth instalment; returning to Christie’s, South Kensington this autumn.


WHEN – 17 – 20 Oct 2014
WHERE – Christie’s South Kensington, 85 Old Brompton Road, London SW7 3LD
FREE? YES

> Visit the Multiplied Art fair website

Kinetica

Kinetica | Art-Pie

Fair based on the thriving field of kinetic, electronic and new media art.


WHEN – 16 – 19 Oct 2014
WHERE – Old Truman Brewery, Brick Lane, London E1 6QL
FREE? NO

> Visit the Kinetica Art fair website

Summer party at Black Rat Press

Black Rat Projects would like to invite you to our Summer Party. On Saturday July 16th during the day we are teaming up with Cargo club next door whose expert chefs will cook up a bbq for BRP’s guests. This is a day for all the family: Matt Small will be doing one of his legendary workshops for the younger audience (if there’s space grown-ups can join in too…). To book for your kids email becca@blackrat.com with an optional £10 donation to ZAMCOG charity.

The day will mark the release of Lucas Price’s new print “Telepathic Heights”. The new edition (each one is uniquely hand coloured) will be hung among works by BRP friends, new and old, including: Swoon, Matt Small, Giles Walker, Candice Tripp, ROA and Brian Dettmer. Best Ever and Barcelona based artist Ruben Sanchez will be painting live on walls nearby.

The show will be a review of this year’s projects, and an ode to the artists who have made the space what it is, as well as a look forward to future projects as we welcome ROA, Candice Tripp and Brian Dettmer into the fold.

Join BRP as we celebrate summer on Saturday July 16th from 2-5pm! Invites will be sent out this week

Words by Black Rat Press

Find below the link of ROA show review at BRP earlier this year plus a couple of pictures that go with it – can’t wait for the next one!

ROA at BRP

ROA at BRPROA at BRP

Artful at the Affordable Art Fair in Battersea London

Affordable Art Fair | Art-PieThe Affordable Art Fair (AAF), taking place this week end in Battersea, is one of our favourite art fairs in London. We enjoy it for many reasons but above all because of the quality and diversity of the exhibitors such as Artful.

110 galleries with 1,100 artists

Get ready to add a splash of art to your walls as the Affordable Art Fair returns to Battersea Park this October. New galleries will fly in from across the globe to exhibit alongside fair favourites, so whether your taste is traditional or trailblazing, classic or cutting-edge, you’re sure to find an artwork to suit your space.

___________

Artful, stand F2

Artful | Art-PieMeet Joshua Blackburn, its founder:

“Photography is a narrative art that deals with snatched moments, like a form of visual eavesdropping. For me, this quality is what makes photography so engaging. The audience gets a window into an alternate reality that can be enigmatic and intriguing.

Night Visitors #4 by Adrian Siamson | Art-Pie
Night Visitors #4 by Adrian Siamson | Art-Pie

This is certainly what drew me to the works you find here. These stories, or story fragments, have an aura of the unreal and unexpected. Some, like Adrian Samson’s Night Visitors, are fantastic. Others, like James French’s Beach, are almost cinematic. Even familiar subjects – the city skyline, the petrol station, the forest – have an unfamiliar quality that draws me in.

I love work like this because I can return to it again and again and feel its pull. It’s a pleasure listening to a great storyteller, even when you’ve heard the story before, and it’s the same with great photography. You want to stop and look… and look again.”

The Curious Art-Pie Show

We had a great time and exhibited awesome works from drawing to sculpture in the hope to find emerging talents. We were very pleased with what we got in the end.

The Curious Art-Pie show | Art-PieThis show was generously sponsored by Curious Duke Gallery and consisted of an online public voting contest: anyone could submit one artwork ranging from paintings to sculpture.

We also asked a panel of judges that consisted of well known and established artists – Dan Baldwin, Pam Glew, Dave White and Andrea Tyrimos, and we got out 22 artists to exhibit their work last February 2014.

The response was overwhelming and the quality of the submissions was remarkable. Even better, a massive crowd turned up at the opening making this show a real success for us Art-Pie as the curator and organiser to Eleni, the owner of the Curious Duke Gallery who signed up a couple of promising artists.

Have a look at the Facebook photo album of the opening as well as the Twitter thread for #capshow14

Here are some of the artists that featured in the show

March Atherthon (catch22)

The Curious Art-Pie show | Art-Pie

Samantha Gare

BUY this print from our shop

The Curious Art-Pie show | Art-Pie

Stephen Whatcott

BUY this print from our shop

"The Pontiac" by Stephen Whatcott | Art-Pie

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