“Anthropology” a new show by Mark Powell at Hang Up gallery

Mark Powell at hang Up gallery | Art-Pie
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Master of the biro drawing Mark Powell returns to Hang-Up Gallery in March with his new solo show Anthropology. The exhibition will feature an exclusive collection of original pen and ink drawings, as well as a selection of limited edition print releases in collaboration with London’s prestigious publisher Jealous Gallery.

Known internationally for his beautifully intricate biro drawings of the elderly and endangered species executed on found material, Powell is back with a fresh body of work that visually documents his recent travels from across the globe. By deeply immersing himself in new cultures and experiences Powell has expanded his visual vocabulary.

For the first time, Hang-Up will be revealing the artists new direction of still life objects. Vintage cameras, used typewriters and discarded leather boots hint at the untold stories of their forgotten owners, and remind us of the inevitability of time’s passing.

Mark Powell at Hang Up gallery | Art-Pie

Mark Powell at Hang Up gallery | Art-Pie

Edward Akrout ‘First Impression’ show at Hoxton hotel

Edward AkroutBest known for his roles in high profile TV series and films including; Mr. Selfridge, Midsomer Murders and The Borgias, actor Edward Akrout has kept his talent as an artist hidden from the public eye.

This was until recently, when he presented his debut solo exhibition at Café Royal in March to an enthusiastic crowd of gallerists, collectors and VIPs.

A big step in the art world

Akrout admits that even though he is capable of handling the daily rejection and criticism he faces as an actor, the idea of showing his art to the world terrified him. This autumn Akrout will exhibit a suite of new drawings and paintings titled ‘First Impression’ at The Hoxton, Shoreditch, offering visitors an insight into the world of Edward Akrout.

Emotions and studies in France

There is an unmistakable connection between Akrout’s two chosen disciplines, for as an actor his job is to inhabit different emotional states, and as an artist he has an uncanny ability to capture in only a few strokes of the brush or pen, the fleeting emotions and personality traits of characters he comes across on his travels in London, Paris and New York.

Born to a Franco-British mother and Tunisian father, 32-year-old Akrout grew up in France, studying philosophy at The Sorbonne and theatre at Le Cours Florent in Paris, and then spending time at the National Institute in Bucharest. He left Paris for London when offered a place at the prestigious London Academy of Music and Dramatic Art. Akrout’s philosophical and theatrical training is evident in his expressive, psychological studies of the eclectic characters he encounters.

'Blue Man' by Edward Akrout | Art-Pie

WHAT – ‘First Impression’ by Edward Akrout
WHERE – The Hoxton, 81 Great Eastern Street, London EC2A 3HU | United Kingdom
WHEN – 2 Oct 2015 — 1 Jan 2016

First seen on WSIMAG

The Rise and Decline of Young British Artists

The Physical Impossibility of Death - Damien Hirst

It is now almost 25 years since we first heard about the “Young British Artists”, a phrase popularly abbreviated to YBAs. Of course, the graduates from London’s Goldsmiths College who began their commercial careers by exhibiting in dilapidated warehouses and empty factories – most notably Damien Hirst in the 1988 Docklands exhibition Freeze – were not initially known by this term. Continue reading The Rise and Decline of Young British Artists

“Fallout”, a show by Phil Ashcroft at Canal

"Fall out" by Phil Ashcroft at Canal | Art-Pie
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CANAL is pleased to present its show for the summer, an exhibition by Phil Ashcroft, mixing live painting, large scale canvases and screenprints.

Ashcroft will create a new large format painting in the gallery over the course of the exhibition, bringing his studio process directly into CANAL, as well as presenting a new lightbox work inspired by the gallery’s location on the Regent’s Canal at Haggerston, east London.

Ashcroft’s works are influenced by 1980s graffiti, comics, street art and graphics. His paintings are rendered in a bold, graphic style, combining loose, gradient brushwork utilising a limited palette.

Post-apocalyptic, overtly heroic landscapes reference sources as diverse as Japanese Ukiyo-e art, American pop art, Abstract Expressionism, graffiti and Marvel comics. The works draw on the myths of failed civilizations.

Ashcroft also collaborates on live-painting projects in galleries and alternative spaces from street locations to shops. These have included No Soul for Sale , Tate Modern, London (2010); Cans 2 Festival , London (2008); Special Relationship , Scion Space, Los Angeles (2008), Elephant Technique , Village Underground (2006), All The People We Like Are Dead , London (2004), and Graffiti Meets Windows 1 , Hank-Yu Department Store, Osaka (2002).

Phil Ashcroft at Canal - Fallout | Art-Pie
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His first monograph, Solar System Parameters , with forward by Paul Hobson, was published by Gamma Proforma in 2013.

Works are held in public and private collections worldwide. Commissions include projects for Aedas Architects, Amnesty International (UK), British Film Institute (Godzilla film poster/dvd cover), Levis, muf architecture, Nike Town, Royal Mail, Sony PSP and Yahoo (UK).

Live painting every Thursday in June 11am-4pm

 

Nikita Nomerz, street at from Russia

What Nikita Nomerz needs to make his art are walls but not just any wall. His preference goes towards dilapidates ones with broken windows or any sort of holes which he will use in his compositions often depicting a laughing face.

Along a few pictures of his work, I have included below a time lapse video which shows Nikita Nomerz painting one of his now recognizable face somewhere in Russia

He says: “I started in school with classic hip hop graffiti but became more interested in street art and began all sorts of experiments. Now basically I like to play with space and objects. I am inspired by the place itself. I love watching the city and finding an interesting point. Usually I do not spend so much time to create one work, sometimes less than an hour. But it all depends on the size of the object and my ideas. (source: The Telegraph)

Nikita Nomerz

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