Rory McCartney solo exhibition at Arch 402

Arch 402 is pleased to present the latest solo exhibition by acclaimed British artist Rory McCartney. Psycho Boogie introduces a new series of drawings and paintings that continue the artist’s investigations of abstract imagery.

Referencing the visual effects of Op Art, 18th century marbling techniques and 60’s pop-psychedelia, McCartney incorporates the erratic behaviour of materials to create powerful images that are spontaneously and organically formed.

Against McCartney’s flat graphic backgrounds, media such as oil, resin, pigment, and lacquer react to emit an explosion of colour and pattern that is both arresting and surprising.

McCartney’s work has been shown internationally in commercial galleries as well as public spaces including the Royal Academy and the Victoria & Albert Museum.He is the art director of Arena Homme plus magazine, and lives and works in London.

Words from Arch 402

When
25 March – 28 April 2011
OPENING PARTY Thursday 24 March 6:00-9:00 pm

Where: Arch 402 Gallery, Cremer Street, London, E2 8HD
www.arch402.com

RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

——

We hope you’ll join us and join in the conversation…

Go to RECURSIVE

Bruce French at Scream gallery, opening night

With the new body of work, French embraces modern technologies, and although each image is drawn from life and inspired by the people and events he observes, he uses his iPhone and iPad to maintain the visual diaries that form the basis of his oeuvre.

Read the full preview

The show runs until the 25 June 2011

Scream gallery | 34 Bruton Street | London W1J 6QX

You will find below pictures of the opening night.

Star wars as greek statues

Greek sculpture | Art-Pie
Classical Greek sculpture

We all went to a museum one day (well I hope you did, if not you guys are missing out!) which has a Classical art collection often consisting of a series of nude hunks sculptures.

In the Classical period there was a revolution in Greek statuary, usually associated with the introduction of democracy and the end of the aristocratic culture associated with the kouroi. The Classical period saw changes in the style and function of sculpture. Poses became more naturalistic (see the Charioteer of Delphi for an example of the transition to more naturalistic sculpture), and the technical skill of Greek sculptors in depicting the human form in a variety of poses greatly increased.

Star Wars Greek Sculptures by Travis Durden | Art-Pie
Click to enlarge

But enough of Greek sculptures in their “Classical” sense, let’s look at the series of digital manipulations by French artist Travis Durden adds a Star Wars dimension to it.

Star Wars, for those who don’t know it (…) is an American epic space opera franchise, centered on a film series created by George Lucas.

I do not know for you guys but the chap is pretty gifted at sculpture right? Well it may be but these works will not prove it because these  are a series of images manipulated using Photoshop, the popular image editing software.

Durden reimagines Darth Vader, Boba Fett, Yoda, General Grevious and a Storm Trooper as “Darth Resurrection,” “Gladiator Boba,” Angel Yodea,” “General Niobides” and “Storm Reader.”

About the artist

Travis Durden is a pseudonym, as the Parisian artist behind the project would prefer his art be the center of attention, not himself. Fascinated by the construction of myths & idols, he interrogates how we, as humans, determine what will be raised to popular culture or elevated to divine cult, and how history has influenced us in making this choice.

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Terrestrial Series by Jorge Rodríguez-Gerada

Jorge Rodríguez-Gerada is a Cuban American contemporary artist. He as bee around since the late 90´s he has been replacing the faces of cultural icons chosen by advertisers with the faces of anonymous people to question the controls imposed on public space, the role models designated and the type of events that are guarded by the collective memory.

His spectacular interventions are created for the sake of bringing awareness to relevant social issues. His large scale time base works avoid negative impact on the environment, challenge the conformity in contemporary art and allow for a reflection that goes beyond the completion of the piece to focus in its concept, process, and the metaphor that comes forth because of the material chosen.

Here below is ine if his works – an 11 Hectare portrait in Belfast, Northern Ireland!

Jorge Rodríguez Gerada | Art-Pie

Jorge Rodríguez Gerada | Art-Pie

Jorge Rodríguez Gerada | Art-Pie

Jorge Rodríguez Gerada | Art-Pie

STREET ART ENCOUNTERS