The White Canvas project

This project is focused on using anything but a traditional canvas to create art. It looks at connecting with the surroundings and use anything and everything to help you make your art.

Events and paint jams will take place and took place this summer which the video below will show you. To coincide with the events, limited edition prints will be released as t-shirts.

In last summer’s event, David Walker, Mr Jago, She One, Will Barras and Bue the Warrior produced great works on retro furniture, car parts and more.

www.whitecanvasproject.com

Do not miss the WCP Gallery event where you’ll be able  to see some of the works produced for the project. Preview on Thursday 13/10 – 81 Leonard street | EC2A 4QS. The show runs until the 17/10/11.

http://whitecanvasproject.com/wcp-gallery-event.html

Neon Lit Acrylic Collection from www.pimpartworks.com

PimpArtworks cutting edge Acrylic artworks come complete with backlit neon Lighting.

The customised LED lighting has 8 changeable neon lighting effects via a RGB controller, including a rainbow effect which gradually cycles through all the electrifying colours.

Set it to your preference or let it cycle. Whatever option it will back light your artwork & wall in style.

These are limited. Once they are gone, they are gone…

Related link
See the whole Neon Lit Acrylic Collection – www.pimpartworks.com/artists_neon

Remi/Rough and Steve More at Blackhall studios: extended dates

Due to popularity the exhibition has now been extended until Friday 11th 7pm, giving more people a chance to see their work.

Remi/Rough and Steve More are leading a new school of post-graffiti artists and this will be the first UK exhibition to showcase the movement.

A is an exhibition at the forefront of an urban abstract movement whose roots come from a time before the hype of street art. Interest in this movement is steadily gaining momentum and Remi/Rough and Steve More are amongst its finest exponents.

Read the full preview

The introduction video to this show was produced by fellow Agents of Change member Timid and shows the works and artists introducing their new direction of Urban Abstract.

Where – Blackall Studios, Leonard Street EC2A
When 1st till 12th February 2011

Remed and Okuda at Southbank London

REMED & OKUDA | Art-Pie

Artists REMED and OKUDA have flooded the streets of Southbank in London with colours and passion for the second consecutive year.

After the success of the previous editions of Streets of Colour, this creative union between the two artists and Campo Viejo continues bearing fruits and they have surprised us again with an unusual art action: this time Remed and Okuda have worked inside of a cube of methacrylate of 40 cubic metres (2.4409e+6in³) next to the Thames river in Southbank, offering to the thousands of pedestrians who have been there during the four days that have lasted the action, the unique experience of watching the artists painting in front of the public and not turning their backs as it is the usual when painting a wall.

The transparency of the methacrylate has allowed us to be privileged witness of the creative process of these two vibrant artists of international renown, that as well as a year ago in London, and in other experiences in Logronio, Madrid and Brussels have offered us a stimulating show with lights, colours and passion as protagonists.

remed-okuda2

Katrina Rupit new show at Westbank gallery

Click to enlarge
Click to enlarge
Kathrina was born in Mexico City and studied visual arts and photography at the University of Nuevo Leon, Mexico. Her native country means that her work is infused with a rich vitality and a colourful exuberance. As an Urban artist, she produces work which is perhaps softer and more lyrical than her male contemporaries. She has a deep admiration for iconic female figures, especially her compatriot Frida Kahlo.

Over the last couple of years Kathrina has lived and worked in Dublin, Ireland and has become a vital fixture of the vibrant street art scene there.

Kathrina uses an array of mediums to achieve an extraordinary effect – From spray paints, newspaper collage and urban markers to assemblage of cardboard, door parts and even Popsicle sticks. She is constantly challenging the means of urban representation, reinventing the genre in a feminist context.

Her work is deeply tied to her Mexican roots, addressing social issues such as racial discrimination and embracing a culture without the curse of violence and gangs.

She is the voice of a new generation, producing artwork that is bold and seductive. Like Frida before her, she is conscious of the innate power of her gender. She excites the male gaze with her portraits being alive with a raw sexual energy. They are alluring and even provocative.

download (1)

Kathrina’s technical ability and artistic representational skill are first rate, creating both an awareness of environmental issues and tapping into the Mexican concept of the cycle of life, seen in the celebration of ‘Dia de los Muertos’.

The physicality of life in Kathrina’s work is seen in her numerous performances and live events, which is a crucial aspect of her practice. She wants the work to be alive, she wants the audience to see the process in action and feel the creative energy as it happens.

RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

——

We hope you’ll join us and join in the conversation…

Go to RECURSIVE

Otto Schade latests

Otto Schade has been busy lately.

We have included photos of all the stuff we mentioned above.

[] Collaboration with Bustart on Love Drops and with Bustart & Zaira on Hurry Up Mother Fucker (HUMF) and Night Life in Amsterdam

LOVE DROPS
Otto Schade | Art-Pie

Hurry Up Mother Fucker
Otto Schade | Art-PieOtto Schade | Art-Pie

[] He painted ‘The Confused One’ at Whitecross Street Party

THE CONFUSED ONE
otto-the-confused-one

[] Donated David v Goliath on canvas to the Gaza Toy Event at Truman Brewery to help raise funds. (photos credits to Maya Schenk). Also painted Back to Life and we absolutely adore this one.

BACK TO LIFE
Otto Schade | Art-Pie

Otto Schade | Art-Pie

Amsterdam

Summer party at Black Rat Press

Black Rat Projects would like to invite you to our Summer Party. On Saturday July 16th during the day we are teaming up with Cargo club next door whose expert chefs will cook up a bbq for BRP’s guests. This is a day for all the family: Matt Small will be doing one of his legendary workshops for the younger audience (if there’s space grown-ups can join in too…). To book for your kids email becca@blackrat.com with an optional £10 donation to ZAMCOG charity.

The day will mark the release of Lucas Price’s new print “Telepathic Heights”. The new edition (each one is uniquely hand coloured) will be hung among works by BRP friends, new and old, including: Swoon, Matt Small, Giles Walker, Candice Tripp, ROA and Brian Dettmer. Best Ever and Barcelona based artist Ruben Sanchez will be painting live on walls nearby.

The show will be a review of this year’s projects, and an ode to the artists who have made the space what it is, as well as a look forward to future projects as we welcome ROA, Candice Tripp and Brian Dettmer into the fold.

Join BRP as we celebrate summer on Saturday July 16th from 2-5pm! Invites will be sent out this week

Words by Black Rat Press

Find below the link of ROA show review at BRP earlier this year plus a couple of pictures that go with it – can’t wait for the next one!

ROA at BRP

ROA at BRPROA at BRP

STREET ART ENCOUNTERS