Markus Kiebel at Arch402 – Inside Complexity

The first London solo exhibition by German artist Markus Keibel sees a continuation of his interactive site-specific installations, as featured in PORTIZMIR 2 (2010), the triennial of contemporary art held in Izmir, Turkey. Exploring semantic roots and the poetry of materials, Keibel’s work brings to surface enigmatic, abstract forms.

Markus Kiebel

Since 2005, the Berlin-based artist has not only developed conceptual site-specific installations, but also an abstract idiom using different forms of human traces. The perception of viewers is the issue addressed by Keibel, whose current work investigates how colour interacts with viewers. His sculptures, paintings and works on paper draw their elements from simple materials, often using pigmented glass and acrylic colours to modify their mode of operation.

Created on-site especially for the Arch 402 Gallery, Inside Complexity will reveal a large-scale floor sculpture, designed for viewers to walk over and leave traces as they move.  Characterized as an ever-changing form, the four concentrated circles—created using different coloured pigment powders—shift and disperse throughout the exhibition venue, causing the colours to lose their intensity. As part of the exhibition, the transformation of Keibel’s ever-changing floor sculpture will be captured both in a time-lapsed video and on canvas.

In order to create these final works, the gallery space will be closed the day following the Private View (11th Feb) when Keibel will use the transformed pigment areas to create big canvases (170 x 280 cm), revealing the transcribed traces of human movement.

Keibel’s interactive installations are less focused on how interaction with the work evokes feelings in the public, but rather, with how these feelings act on given materials, as the pigments ultimately seem to reveal a sentimental beauty. Rendering the pigments in his own specific mode of representation, Keibel not only prefigures subjectivity in the abstract but also his own subjectivity, from a viewpoint that questions the prescriptive experience.

Words from Necmi Sonmez

Where – ARCH 402 GALLERY | Cremer Street, E2 8HD | Tue-Fri 11-6
When – 12 February – 18 March 2011 / Private View 10 February 6-9pm

Sound & vision by Shepard Fairey at Stolen Space

Sound & Vision by Shepard FaireyLast time Shepard Fairey had a show in London was five years ago and it was already with Stolen Space. In the meantime, the artist enjoyed a ever growing popularity so crowd are expected to pile up at the preview on the 19th October 2012.

This show is entitled Sound & Vision and will see Shepard Fairey collaborates with Z-Trip to supply the soundtrack to the artwork. We are told that the new works will include mixed media paintings on canvas, works on paper, retired stencils collages, rubylith cuts, and as well as serigraphs on wood, metal and paper.

Producer and DJ, Z-Trip has created a soundtrack that is meant to translate musically Shepard Fairey’s art vision. Z-Trip comments “Shepard does visually what I do musically“. A nice touch from the artist : he  provided records from his own collection as well as customised vintage turntables to enable viewer listening. This section of the show is complemented by a display of seventy-two works, which are inspired by the 12 inch LP sleeve cover.

The artist will therefore use both sound and vision to connect with his audience.

Sound & Vision, the exhibition title is taken from the David Bowie song of the same name so we have included the video clip below.

What – Sound & Vision’ By Shepard Fairey
When – 20.10.12 – 04.11.12
Where –  Stolen Space, Dray Walk, The Old Truman Brewery | 91 Brick Lane | London E1 6Q

Dublin Street Art

Espo | Art-PieWith some spare time available while on business recently in Dublin I had to put aside the Guinness and amazing Irish stew for a bit and not pass up the chance to check out what the streets had to offer.

The creative festival Offset had recently took place with international talent like JR and Faile taking the chance to add their mark to the streets and complement the local artists like Maser and James Earley. The festival birthed a collaboration effort between Maser and JR, while the duo of Faile hit the town at an impressive rate with a number of tags and stencils.

When in Dublin you can’t fail to visit Temple Bar for all its drinking establishments but it is also home to an excellent Conor Harrington piece down one of the areas quieter streets as well as a few galleries. A bit further a field is where you really find gold though and in the Tivoli Theatre car park is a range of work including a large number of pieces by Steve ‘Espo’ Powers and one from El Mac.

Dublin seems very receptive to street art and an initiative caught my eye called the Dublin City Beta project which first project has seen a number of traffic light boxes given an overhaul by a number of artists, with a forum to gather feedback on whether the art is good for the area.

A hub for the community is the shop All City, which stocks sprays cans, records and even has a spot to get a quick trim. Any time I visited this was a hot bed of activity with artists and DJ’s conversing while the weekend commencing my visit they were holding the annual All City Tivoli Jam.

I’m already looking forward to a return visits to see what more work has cropped up. Dublin is definitely worth a visit if you fancy your street art with a good craic.

CONOR HARRINGTON at Temple bar

Conor Harrington | Art-Pie

El Mac
El Mac | Art-Pie

ESPO
Espo | Art-Pie Espo | Art-P:ie

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Anonymosch, Otto Schade | Art-Pie
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Majajani show at Rich Mix

Majajani at Rich Mix | Art-Pie

This exhibition aims to show Chila Kumari Burman’s work from 2000 to the present. For more than twenty five years Chila has been creating powerful images of contemporary Asian Feminisms.

Born in Liverpool to a Hindu Punjabi family Chila’s art explores issues of class, gender, ethnicity, identity – but through the prism of defiance and love. Her work is informed by popular culture, Bollywood, fashion, found objects and a long-sustained examination of self-portraiture.

Majajani at Rich Mix | Art-PieMajajani at Rich Mix | Art-Pie

The exhibition will showcase a dazzling array of media:  printmaking, collage, mixed media, photography, sculpture and painting. Through all of these media Chila’s aim remains steady: the provocative undermining of fixed categories.

A definite must-see show

What – MAJAJANI
When – Fri 3 April – Thu 30 April
Where – Rich Mix, 35 – 47 Bethnal green road, Shoreditch (Mezzanine + Lower Cafe Gallery)

Majajani at Rich Mix | Art-Pie

Joan Miro at Andipa gallery

Andipa Gallery is delighted to announce a selling exhibition of unique works and rare graphics by Joan Miro.

Taking place from 7 April to 7 May 2011 the show coincides with the first major London retrospective of Miro’s work for almost 50 years, The Ladder of Escape at the Tate Modern, and will offer a rare opportunity to acquire some of the finest original works by this master of 20th Century art.

The exhibition will show rare works on paper, including some of Miro’s 1965 Le Courtisan Grotesque series. Works described as displaying “the most genuine Miro, the one of the astral signs (and) symbolic objects… who uses his own mature language, without hesitations.” Daniel Giralt-Miracle (art critic and historian).

Miro’s most iconic and admired engravings, lithography and etchings will also be on display. Pieces will include the original lithograph Montroig 2, named after the Catalan village to which Miro felt a deep connection, returning to throughout his life, and which inspired some of his most seminal works. These highly sought after brightly coloured pieces make up an integral part of the artist’s oeuvre and demonstrate Miro’s expert use of carborundum to produce richly textural pieces that reflect the original qualities of painting.

Miro was among the most prominent of modern artists, developing a unique Surrealist language that expressed freedom and energy through its fantastical imagery, vibrant use of colour and free use of paint, often splattered across his canvases creating an explosive effect. The more political side to Miro’s work reflects the turbulent times of the Spanish Civil War and repression under the Franco regime. His works express and react to conflict, protest and political upheaval. In our current instable and uncertain times, perhaps this more restless and anxious aspect of Miro’s practice is at its most resonant.

Words from Andipa gallery

Eating Robots: And Other Stories (Nudge the Future)

I have always been fascinated by SCI-FI subjects like AI – Artificial Intelligence.

AI is real and it’s slowly creeping into our lives, so I should probably not assimilate it to SCI-FI. 

But I ask myself – how far will AI go in controlling our lives?  Will it enhance them? Does AI mean the demise of the Human race – this is SCI-FI to me right now.

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If you feel the same way, Stephen Oram’s Eating Robots: And Other Stories (Nudge the Future) collection of short stories may bring you answers, or clues, as to what AI might look like in 100 years (or less, or more – I do not know).

Robots are AI
Robots are AI

The author’s imagination about the topic is vast and will definitely make you think more about what AI will actually mean to us as humans.

From the ability to share memories with someone you love, to reseting us every 1000 years, and even the ability to choose which celebrity hologram will drive your driverless car today.

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> BUY THE BOOK
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Stephen Oram goes from the very funny (which sometimes turns too silly for my taste), to the depressing and scary when it comes to AI, but why should it be one or the other.

Immerse yourself in these short stories and make up your own mind.

PS: Injecting some good old human anxiety into AI systems may be the answer for the fears we have. Described as the ‘anxiety loop’ by Oram, this sounds like a plan.

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> BUY THE BOOK
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