Miss Kaliansky kindly sent these awesome street art below spotted in the streets of Madrid
Featured artist: Saner | Eltono | Nano4814 | Remed | Mart1
Remed, Mart1
Remed, Eltono, Nano4814
Saner
The Space Between The Stars at Scream
‘The Space Between The Stars‘ opens this Friday at Scream. Expect London and international artists and the recurrent yet infinite “light” as a medium in art. Many artists in the past experimented with it, such as Robert Irwin for example, and as the artists in this show, gave an immersive experience for the viewer.
This show promises a variety of approaches in trying to break down light.
Korean-born US based artist Bohyun Yoon gives us an installation of silicon rubber figures suspended like puppets from a steel bar with a spotlight. Caroline Jane Harris works with paper and will present us with an epic landscape titled Sylvan Landscape over two metres in width. Chris Bracey, a veteran in working with neon and lights and who has worked for big names or productions such as Vivienne Westwood or the Batman films will impress. James Hopkins’ will use sculptures to create illusions. Regine Schumann also works with sculptures but made of acrylic glass and a special phosphorescent pigment that allow the works to glow from within.
The collaboration between Hsiao-chi Tsai (Taiwan) & Kimiya Yoshikawa (Japan), masters in Mixed-media textiles and Sculpture respectively, their light sculptures and installations might steal the show. Shane McAdams ‘ landscape made with a ball-point pen, oil and resin has also to be something to look for. Last but not least Sylvia Hommert experiments with a range of mediums including pigment, beeswax, holographic paper and glitter on birch panels to capture this ephemeral and iridescent quality.
Artists featured; Bohyun Yoon (Korea), Caroline Jane Harris (UK), Chris Bracey (UK), James Hopkins (UK), Regine Schumann (Germany), Tsai & Yoshikawa (Japan & Taiwan), Shane McAdams (USA) and Sylvia Hommert (USA)
Exhibition opens on 11th January to 16th Febuary.
RSVP for Scream group show preview to info@leesharrock.co.uk
Facebook page related to the show – http://www.facebook.com/events/458881274161027/
El-Seed paints the Jara mosque
Tunisia has been the stage lately of a surge of intolerability towards creativity and especially towards anything to do with a spray can. As a result, the French-born Tunisian graffiti artist El-Seed took action.
The result is Tunisia’s largest mural but what matters above all is the the location; he painted on the country’s tallest minaret, at the Jara Mosque, located in the industrial city of Gabes. Pictures after the fold.
Here is what El-seed says about the project “I decided to do the mural because it was close to my heart. It had been a while I had wanted to paint a wall in Gabes,” the artist told Ahram Online.
“The primary purpose was, and is, to inspire people to get together and build community around positive action,” El-Seed told Ahram Online via email. “
The mural, which has been embraced with open arms by the mosque’s Imam, was painted on the 57-metre high minaret, and is meant as a message of tolerance and mutual respect.
El-Seed got interestd in the art of graffiti back in 1998 in Paris, where he spent his childhood. Later, when he moved to North America, he started combining graffiti with his passion for Arabic calligraphy (usually associated with the Quran and religious scripture). The artist likes to mix traditional script and contemporary pop-culture, giving birth to a distinctive urban graffiti.
Smug, Cheo and more
I was glad to find out about this exciting project pushed by Bruce McClure – showcasing some of the best in UK street art / graffiti talent with a distinctive inspired theme – ape.
Beyond the very well put together time-lapse videos, the concept is as motivating and is looking at encouraging a bit of friendly rivalry between cities like Bristol, London or Manchester.
Featured artists : Aroe (Brighton) | Smug (Glasgow) | Cheo (Bristol) | Eject (Manchester) | End of the Line (London)
Go to the Ape Street Art YouTube channel to view the videos and enjoy below our favorite – Choe from Bristol.
Below are also a the pics of the artists’ pieces.
Star Wars characters does the Eighties style
Artist Denis Medri gives us his vision on how would several Star Wars characters look like if they were from the Eighties. This series is awesome and Denis, beyond is obvious pencil drawing skills, managed to cleverly transpose two worlds miles apart.
Have a look at the pictures below along with the artist’s comments –
“of course Luke is inspired by Marty McFly form Back to the Future… Leila is the classic 80’s chick…”
“Here is Han and Chewbie ,and the Millenium Falcon/Trans AM”
“Of course in this new re-design the Droids have to be the classic Nerds… is R2-D2 the East European nerd student that made an experience in USA of course only C-3PO understand his words..”
“Yoda is the old sage asian Coach, and Kenobi is the kind history & Literature’s teacher…”
“In this my new version of SW , Vader isn’t the Luke’s father, but is the classic bullit of the High School, that try to bring Luke to the “dark side” and been bullit too.. He is the “chief “of a motocross crew of bullit ( like “Karate Kid” or “Lost Kids”) He wear a jacket like Micheal jackson on “Thriller” in a total black look Boba Fett is his “sidekick” wearing his classic 80’s glasses and we have 2 twins that look like Trooper”s style.”
“Palpatine is the evil Principal, Jabba the fat bastard Janitor and Tarkin the severe Mathematic-Science’s teacher”
Medri is the same artist who brought us Steampunk Spider-Man and Batman Rockabilly.
Street art by Eyesaw
Street art by Eyescam
Related links
Eyesaw website – eyesaw.bigcartel.com/
Eyesaw on Flickr – www.flickr.com/photos/eye-saw
Keith Harring would have been 54 today
On February 16, 1990, at age 31, Keith Haring’s life was cut short due to an AIDS-related illness. He would have been 54 today and as a homage, here are a few words and a tribute to his most iconic pieces of art.
I wonder what Keith Haring (May 4, 1958 – February 16, 1990) would make of the global phenomenon that street art is now, art form very much confined to the street of New York City at the time when he decided to move there in 1978, aged 19.
Having studied commercial art and then Fine Arts, he took a keen interest in graffiti art, Haring would go out there and paste collages of fake New York Post headlines on lamposts or news stands. He explored the likes of SAMO (Jean-Michel Basquiat) or Fab Five Fred (Fred Brathwaite) graffiti art to quickly put in practice his own interpretation of this form of art and would develop his future vocabulary of primitive cartoon-like forms. The Haring’s chalk-drawn “radiant babies” and “barking dogs” were born (see pictures) and woud become familiar sights on the matt black surfaces used to cover the old advertisements in the subways.
These chalk drawings in the subways of New York got Haring in the public eye and he would go on from there to have his first exclusive exhibition in the Tony Shafrazi Gallery which put together a retrospective a few years ago about it – see picture. Willing to reach a larger public, he immersed himself in popular American culture and befriended individials such as Andy Warhol, Madonna or Grace Jones (whom he would body-paint).
Haring was also a keen social activist and as a result of his ever increasing political involvement; he designed a Free South Africa poster in 1985 (see picture) and painting a section of the Berlin Wall in 1986 (see picture). Other works include design for Swatch watches or the Absolut Vodka advertisement (see picture)
Keith Harring’s work are just simply one of the best examples of how consumerism, popular culture and fine art merged in the 1980s.
Recommended readings
Keith Haring: The Authorized Biography by John Gruen (1991) includes interviews with the artist and those closest to him and is an invaluable source for understanding the art and life of Haring.
The early work is illustrated in Art in Transit: The Subway Drawings (1984) and Keith Haring (Shafrazi Gallery, 1982). An enlightening interview by David Sheff appeared in Rolling Stone (August 10, 1989).
Elizabeth Aubert directed an insightful video entitled Drawing the Line: A Portrait of Keith Haring (Biografilm, 1989).
Later an attempt was made to place Haring within a broader art historical context in Keith Haring, edited by Germano Celant (1992). □
Love is the drug print from RYCA to win
“Love Is The Drug” print from RYCA to win, yes it can be yours. We are offering to you lucky readers, the chance to win this awesome print which coincide with the artist, RYCA aka Ryan Callanan, upcoming show at Lawrence Alkin gallery
“I love creating work that people want to touch.”
Ryan Callanan
Following his sell out London show in 2014, two solo US shows and being named Artist of the Year 2015 during Brit Week in LA, Ryan Callanan returns to Lawrence Alkin Gallery with Ten Years Later.
Offering a retrospective interpretation of familiar pieces, Ten Years Later presents a brand new body of work representing a transition into a new era for the artist.
Callanan commented:
“While the show will reference the work I’ve been producing over the last few years, it will be dominated by the new pieces. Rather than looking back, the show is about looking forward and offers a glimpse into the future direction of my work, where I want to go bigger and madder.”
For the past decade, Ryan Callanan, aka RYCA, has worked tirelessly as an artist and printmaker, developing techniques learned during his career as a sign maker. His use of pop iconography and lyric-based works has garnered wide appeal, with many noted celebrities including Norman Cook aka Fatboy Slim, Russell Brand, Gordan Ramsey and Jose Mourinho collecting his work.
Marking a move away from the print and canvas works Callanan made his name producing, the show consists mainly of 3D pieces.
Ten Years Later takes the 3D pieces Callanan has previously produced and inverts them to create abstract convex works. He comments:
“Everything I’ve produced before has been completely reversed. Instead of reliefs that dome away from the viewer, the new pieces come out at you. Ironically they draw people in more, as they are curious to know what the works feel like and what they’re made of. The pieces are housed in acrylic casing, so while the viewer wants to touch, they can’t and are left wondering.”
Jbrock, ArtCore and Locatelli street art
Part of our 3 street art works series you should see today. JBROCK, ArtCore and Locatelli.
JBROCK – located in Italy
ArtCore – located in Aachen (Germany)
Locatelli – located in Ostend (Belgium)
The Memory Industry
“One of the reasons I source mainly from newspaper, television and internet imagery is because the way we interact with these media shapes so many of our opinions about the world around us. Most of what I know about the world has been drawn in a fairly disjointed and fragmentary fashion from this huge, seemingly ever present sea of information.
The sheer amount of available knowledge is so overwhelming that I end up feeling always frustrated that I know nothing about anything. Not knowing what I should be spending my time getting to know, I end up with a constant sense of only ever partially understanding even the most important current and historical events.
I am impelled by a great fascination but end up mostly confused about which direction to allow my fascination to lead me in the time I have. Although partial understanding can be frustrating and isolating, it does carry its own qualities. As events become jumbled and confused in our minds a kind of magical haze is thrown over everything. We start to create our own narratives, filling in the gaps between what we pick up from various sources with any number of unreliable memories and opinions.” Darren Nixon
Darren’s central theme of ‘not knowing’ brings up issues of ‘not remembering’ and when applied on a global scale, this “magical haze” created by the fragmented reality of media overload, threatens our formation of collective memories; memories we experience as part of a culture and a society, memories which connect our identity to the cultural experience of a larger social group.
In art since 1900, Benjamin Buchloh makes this encouraging statement in the final roundtable discussion, “The Predicament of Contemporary Art”: “…the effort to retain or to reconstruct the capacity to remember, to think historically, is one of the few acts that can oppose the almost totalitarian implementation of the universal laws of consumption…”
However, he concludes with this condemnation, “…to deliver the aesthetic capacity to construct memory images to the voracious demands of an apparatus that entirely lacks the ability to remember and to reflect historically, and to do so in the form of resuscitated myth, is an almost guaranteed route to success in the present art world, especially with its newly added wing of “the memory industry”. Chilling.
Read more of my interview with Darren Nixon, Joining a Conversation Well Underway.