An exhibition and silent auction featuring Brooklyn-based artists
FRIDAY, JUNE 25TH, 7-11PM
Following the success of the inaugural print show auction here at 99% Gallery, with almost 500 in attendance, comes Brooklyn Stand Up, where local Brooklyn artists will get a chance to exhibition there work for a silent auction on Friday, June 25th from 7-11pm. Continue reading BROOKLYN STAND UP at 99% gallery (NY)→
Digital Media, the new solo exhibition by Skullphone, aims to bring the playfulness, obsession, irony and anxiety of the Los Angeles-based artists’ renowned street installations into the Subliminal Projects space.
In Digital Media, Skullphone examines the contradictions inherent in outdoor digital signage, demonstrating cause for both wonder and concern over the increasingly ubiquitous medium. The artist explores advertising, government and private enterprise signage, and the California landscape on which outdoor media proliferate, making permanent on panels what is removable and reprogrammable in outdoor space.
Although of the same spirit as his past work, Digital MediaIthink marks a distinct visual departure for the artist. His use of mirror-polished, black-painted aluminum panels is a cold and slick leap from past works on found wood, weathered metal, and wheat-pasted paper. Skullphone’s painting technique employs a deliberate dot grid system, and his painted color is expanded to a limited palette of red, green and blue. This shift corresponds to the artist’s recent inspirations and exploits with outdoor digital media. Through painted pointillism, the imagery dislocates as the artwork is approached.
About 10 years ago, Chris Sammartano (Eddie Breen is his ‘brush name’) stumbled upon a “horrible” painting at a flea market. He bought it for a dollar, picked up some art supplies, and got to work transforming the staid church scene into his own vibrant vision.
An hour or so later, he had created “Piggyback Art,” an exuberantly surreal style that reimagines found works with layers of text, color, and offbeat graphic elements. Continue reading Meet Eddie Breen: piggyback art→
Last time I went to Pure Evil gallery I was blown away by the exhibit I saw from ROA (read post here) as well as the gallery itself and the way it was used: clever and original display of the artwork and above all fresh works from the artist himself on the walls – really like this approach where you feel the gallery is owned by the artist so once again, well done to Charles at Pure Evil.