Elissa Franceschi EP Launch at Nothing Hill Arts Club

Elissa Franceschi | Art-PieIntroducing Elissa Franceschi, a prolific songwriter with a distinctive powerhouse vocal who has built a reputation based on organic, grass roots promotion and haunting live performances. Having previously performed in some of the UK’s most famous venues (Brixton Academy, The Roundhouse, Astoria and Wembley Arena – supporting Paramore and You Me At Six), Elissa spent the majority of 2012 performing all over the UK with her live band, and being teamed up with the country’s top songwriting production houses (of Jessie J & Ellie Goulding fame) to co-write for other artists.

The release of ‘Devoid of Rue’ on 24th June 2013, the follow-up EP to Elissa’s three independent album releases ‘Touch’, ‘I Hold My Breath’, and ‘Into The Light’. Recorded and mixed by Matt O’Grady (You Me At Six, Don Broco, Deaf Havana), ‘Devoid Of Rue’ was funded without label support but instead through a successful fan-funded Pledge Music campaign, where Elissa gave fans exclusive access to bonus tracks and videos, opportunities for one-of-a-kind experiences, along with live updates which gave fans a unique interactive look at the process of making the EP. The embedded stream can be found here;

The record is an evolution of songwriting for Elissa, giving new listeners a taste of previous albums in the beautiful piano-and-vocal-only track ‘Oceans’, and existing fans something new in the form of the rockier ‘Outside My Body’. With additions of atmospheric ‘Chasing Something’, epic ‘Dust’, and the anthemic brand new single ‘All These Days’ – this EP really showcases the exciting and emerging talent Elissa Franceschi has become.

Elissa saw even greater success in 2012 as the first artist hand-picked to perform at the London 2012 Olympics as part of the Emerging Icons search for the UK’s best unsigned talent, and saw her track ‘Rainbow On Fire’climb Number 14 on the iTunes Singer-Songwriter chart through word of mouth alone. Now, 2013 has seen Elissa scale new heights with recent single ‘Salt’ being voted as ‘Track Of The Week’ on the Radio 1 Review Show with Edith Bowman, beating global superstar artists Beyoncé, will.i.am, Justin Bieber and 30 Seconds To Mars; while also hitting Number 1 on the National Student Radio Charts.

What – Elissa Franceschi EP Launch
Where – Nothing Hill Arts club
When – 25/06/13 from 7pm

More from the artist
elissafranceschi.com
facebook.com/elissafranceschimusic
twitter.com/elissa_f
youtube.com/elissafranceschi

Dropbear's latest stop-motion

920 pencils and 5125 images is what what Jonathan Chong (also called Dropbear) needed to put together this very neat stop-motion for the Melbourne-based indie-folk band called Hudson. Enjoy it below.

Also included is a “behind the scenes” footage just to tell you how much work this sort of work involves, loads, no really a tremendous amount of time and patience!

<iframe width=”649″ height=”330″ src=”http://www.youtube.com/embed/TuBMXS6vU3o?rel=0″ frameborder=”0″ allowfullscreen></iframe>

<iframe width=”649″ height=”330″ src=”http://www.youtube.com/embed/-D8aXtHS42g?rel=0″ frameborder=”0″ allowfullscreen></iframe>

Smug, Cheo and more

I was glad to find out about this exciting project pushed by Bruce McClure – showcasing some of the best in UK street art / graffiti talent with a distinctive inspired theme – ape.

Beyond the very well put together time-lapse videos, the concept is as motivating and is looking at encouraging a bit of friendly rivalry between cities like Bristol, London or Manchester.

Featured artists : Aroe (Brighton) | Smug (Glasgow) | Cheo (Bristol) | Eject (Manchester) | End of the Line (London)

Go to the Ape Street Art YouTube channel to view the videos and enjoy below our favorite – Choe from Bristol.

Below are also a the pics of the artists’ pieces.

Smug from Glasgow
Smug from Glasgow
End of the Line from London
End of the Line from London
Eject from Manchester
Eject from Manchester
Cheo from Bristol
Cheo from Bristol
Aroe from Brighton
Aroe from Brighton

Banksy’s Police SWAT Van Is About To be Sold At Auction

Banksy SWAT Van | Art-Pie
Detail of one of the two painted sides

Banksy fans will remember this SWAT (police units used in specialised operations such as dealing with gunmen) van which the artist painted back in 2006 as form of provocation towards the police force.

Well, it is time to empty your pockets if you want it parked on your drive way, indeed the street artist’s van is included in the auction house’s Post-War and Contemporary Art auction on June 29.

The formal estimate is at between £200,000 to £300,000. The present owner bought the van directly off the artist and vanished from the public eye until today but rest assured, it comes with a certificate of verification from the Pest Control Office, Banksy’s authorisation service which confirms pieces as genuine.

Here is what Bonhams‘ Ralph Taylor,senior director in its Post-War and Contemporary Art department –

The van shows Banksy’s bravado, imagination and technical skill

About the work itself

Both sides are painted.

One one side, a little boy is depicted and is about to prank a SWAT team -gun-toting officers in riot gear, who are about to be surprised from behind by a young boy clutching a blown-up paper bag,

On the other side you will have recognised Dorothy (played byJudy Garland) from The Wizard of Oz standing among heavy tagging and graffiti on the other.

But what people may describe as the main message in this work is the sign saying “How’s my bombing?” rather than “How’s my driving?

Banksy SWAT Van | Art-Pie

Banksy SWAT van Wizard of OZ Judy Garland | Art-Pie

Part of  Banksy’s “Barely Legal” show

Click to enlarge
Click to enlarge

The vehicle, restyled with household gloss and spray paint in 2006, was displayed that same year in a Los Angeles warehouse for Banksy’s “Barely Legal” show — his US debut.

Despite little advance notice and its location near Skid Row, the event received considerable publicity and was attended by stars such as Angelina Jolie and Brad Pitt.

We included a couple of pics below of the show. the top one giving you an overview while the other shows a truck that was used outside the show venue – click any pictures to enlarge

"Barely legal" Banksy Los Angeles | Art-Pie Barely-Legal-2006-2

 

Gimme gimme abstract art at the London Art Fair

On our way to the Business Centre, where the London Art fair takes place, we could not help but speculating about what we would see and remembered all the wonders we saw in the past years.

A quick ushering through by the fair staff and we were in. Thursday evening is a good day to go at the fair as you are sure to find on your path some waiting staff eagerly willing to hand you over free bottles of beers.

We thought we’ll go around the ground floor as well as the first floor today where you normally find the “mammoths”. By this I mean the heavy-weight art galleries which mainly deal “fine art”. As we were hopping from one booth to the other, it was becoming obvious to our eyes: abstract art we were seeing was awesome and stood out from almost anything else.

We have included below the best pieces we thought we saw.

Wilhelmina Barn Graham | Art-Pie

Alan Davie | Art-Pie

Andy Stewart | Art-PieMartyn Brewster | Art-Pie

Alan Davie | Art-Pie

Pamela Clarkson x Atta Kwam | Art-Pie

Onkurodano Unjaku | Art-Piewilliam-crozier

Jonathan Darby at Signal – Favela

Since the day we first saw Jonathan’s work in 2008 we have been amazed at how much it has blossomed and how many people have responded positively to his distinct and developing style. Since then several shows at Signal and exhibitions in Los Angeles, San Francisco and Denver have confirmed his international appeal.

Jonathan has achieved that rare thing of combining socio-political subject matter, with a real sense of beauty and truth. Despite the evils in the world he depicts, you come away from a Darby piece feeling refreshed.

Jonathan’s second solo show ‘Favela’ at Signal will take him deeper into the areas of concern he has touched on so successfully before. Concentrating on the favelas (slums) in the big cities of Brazil, Jonathan became acutely aware of the overwhelming social problems facing these communities. The favelas have been abandoned by national and local government and have been taken over by drug dealers and their gangs. A culture of lawlessness and violence exists unchecked, creating a level of poverty that gives Brazil the dubious accolade of nurturing the biggest gap between rich and poor in the world.

Some of the most vulnerable victims of this sorry state of affairs are the countless number of street children orphaned or abandoned by their parents. Jonathan’s show focuses on them and their plight. The show will be supported by the charity CARF (Children At Risk Foundation) that was founded by Englishman Gregory J Smith. Giving up a lucrative business career Smith set up and ran a home for street children called The Hummingford Project in Sao Paolo. Also a passionate photographer he has brilliantly documented this entire experience. Many of Jonathan’s works for the show will use these photographs as source material, creating a direct link to the abandoned children of the favelas. Some of the proceeds of the show will donated to CARF.

Jonathan’s work for the show is moving away from the more obvious use of logos. Instead, he will be using a range of more subtle artistic means to achieve his artistic goals. He has also spent time collecting together wooden objects to paint on, so that many of the works will have a more organic feel to them than his works on canvas. His aim in the show will be to create a unique experience combining paintings with atmospheric installations. This will be Jonathan’s most ambitious body of work to date, exploring an important issue using a wide range of materials and techniques. The show should establish him as one of the most important young artists on the scene.

When: 11th – March – 2nd April 2011
Tuesday – Saturday 12 – 6pm
Where: Signal Gallery | 32 Paul Street, London EC2A 4LB | 0207 613 1550 | mobile 07766 057 212

Words by Signal gallery

The Urban Iconic Show at Hoxton Arches

We missed this show unfortunately but we got a batch of photographs fro the show so we thought we should share them with you.

The show ran from the 5th till the 10th of September at 402 Hoxton Arches gallery. The artists involved were Otto Schade (OSCH), Mr. Cenz, Max Zorn, SF80, Tizer One, Zabou, Pegasus, James Bourbon, Tank Petrol, Cityzenkane and Pins.

photos by Ilaria Tamalio @ airaliphoto.tublr.com

Urban & Iconic show | Art-Pie

Urban & Iconic show | Art-PieUrban & Iconic show | Art-Pie

Urban & Iconic show | Art-Pie

Urban & Iconic show | Art-Pie

Urban & Iconic show | Art-Pie

Urban & Iconic show | Art-Pie

Urban & Iconic show | Art-Pie

Rory McCartney solo exhibition at Arch 402

Arch 402 is pleased to present the latest solo exhibition by acclaimed British artist Rory McCartney. Psycho Boogie introduces a new series of drawings and paintings that continue the artist’s investigations of abstract imagery.

Referencing the visual effects of Op Art, 18th century marbling techniques and 60’s pop-psychedelia, McCartney incorporates the erratic behaviour of materials to create powerful images that are spontaneously and organically formed.

Against McCartney’s flat graphic backgrounds, media such as oil, resin, pigment, and lacquer react to emit an explosion of colour and pattern that is both arresting and surprising.

McCartney’s work has been shown internationally in commercial galleries as well as public spaces including the Royal Academy and the Victoria & Albert Museum.He is the art director of Arena Homme plus magazine, and lives and works in London.

Words from Arch 402

When
25 March – 28 April 2011
OPENING PARTY Thursday 24 March 6:00-9:00 pm

Where: Arch 402 Gallery, Cremer Street, London, E2 8HD
www.arch402.com

Paul Collis – digital artist

We have met with Paul Collis, a talented mixed medias artist, who accepted to answer a few questions for us. Here is the interview.

ART-PIE: Tell us about yourself in a few words?

Paul Collis: I’m a graphic designer/artist with a love for street art and all the mystery that goes with it, my art is created by mixing hand drawn painted textures images than manipulating them digitally

A-P: What is your process when making art?

P C: I like to try and make the images as ‘real’ as possible so you can still see all the spray effects and drips and happy mistakes, I do not class my self as a ‘digital’ artist in the true sense of the term with the amazing rendered digital stuff that is out there. I just use the mac as another medium to produce the effect I want and if I cant get the effect painting.

Check out Paul Collis art on Facebook

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