Critical, the new show by Dave White at Loughran Gallery opens

We were lucky enough to attend the opening of “Critical’, the new solo show of Dave White at the Chelsea premises of the Loughran gallery.

'Critical' a show by Dave White | Art-Pie

We met Dave a few months ago at his studio in Dorset when he was in the middle of producing the paintings on display in his news show. We were thrilled to see the end product.

We included below a few pics of yesterday’s private view.

'Critical' a show by Dave White | Art-Pie

'Critical' a show by Dave White | Art-Pie

'Critical' a show by Dave White | Art-Pie

'Critical' a show by Dave White | Art-Pie

What – ‘Critical’
Where – Loughran gallery, 43 Cadogan Gardens SW3 2TB
When – 4 to 28/11/ 2015

RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

——

We hope you’ll join us and join in the conversation…

Go to RECURSIVE

A meaningful 3D outdoor medium

We have been completely wowed when we saw that video from Mercado magazine, an Argentinian politics and economics magazine. The piece of art is called the “HOPE statue” and is a 3D statue/sculpture where the face of Barack Obama can be seen if you look at it straight. This is the same face as on the now notorious “HOPE” poster from

But walk around it and the piece dramatically changes, characters in a dramatic scene appears and Barack Obama’s face fades. The message behind this – the more angles you have, the deeper the analysis of reality will be. A truly beautiful achievement.

Kaws at Gallery Perrotin in Hong Kong

Kaws at Gallery PerrotinToo late to go this year, the Hong Kong International Art Fair, opening this Thursday 17th, is something I should definitely pencil in for next year as when its popularity ever increasing, the quality of the art on display is becoming something.

Take this event for example – KAWS, or Brian Donnelly at Galerie Perotin. First solo show in Asia for KAWS and debut event for the latter, you know it is going to be good, don’t you. This Hong Kong branch of Galerie Perrotin is the newest outpost of the Paris based gallery.

This show focuses on KAWS’ latest paintings and CHUM, the Michelin Man-inspired caricature is well represented again, as it has been in loads of his past shows but this time CHUM looks ominous almost threatening. About 50 vertical paintings, 7 feet tall and 1 feet wide, definitely give a sense of grandeur to the show

The Nature of Need by KAWS
Galerie Perrotin Hong Kong
50 Connaught Road Central |Floor 17| Hong Kong
Exhibition Dates: Now – June 30th, 2012 (Saturday)

Kaws at Gallery Perrotin

Kaws at Gallery Perrotin

Fairies Wires sculpture by Robin Wight

Robin Wight & his fairies wires sculptures | Art-PieSculpture is a fantastic form of art and here, at Art-Pie, our interest is growing every day.

Especially when you see what a bit of imagination and craftsmanship can do.

Meet Robin Wight, artist based in Staffordshire (England) who has taken wires sculptures to the next level.

Fairies at the bottom of the garden

Here is what he says about how his interest for wires fairies sculptures came about. You will indeed notice that the artist has a keen interest in depicting fantasy characters, like fairies, in his sculpture work.

“In 1920 two little girls photographed fairies at the bottom of their garden and created a news sensation. As we know, the photographs were fake, but the story captured the imagination of people who wanted to believe.

A couple of years ago, while trying out my new camera, I took the picture (right) in the woods at the bottom of my garden. It was only later when looking at the results that I spotted the figure in the tree (above). Its obviously a trick of the light coming through the trees. What else could it be?

Whatever it is, it captured my imagination and inspired me to use the idea in my sculpture.”

Robin Wight & his fairies wires sculptures | Art-Pie

Just a hobby for now

We understand that Robin Wight only started making Fairies sculptures recently and while it is still a hobby, he hopes to make a living out of it. We do not see why people would not pay for the artists’s creations as they will enhance any garden or parks.

“I only started wire sculptures about a year ago. I’ve been refining the quality and technique and I’m now happy to start doing commission work (before my garden turns into a theme park). Its currently a hobby which I’d like to make a career, but let’s see how much interest there is first. Every fairy is a handmade sculpture uniquely crafted to your desired pose and installation requirements.”

Robin Wight & his fairies wires sculptures | Art-Pie

Robin Wight & his fairies wires sculptures | Art-Pie

Let your creation go wild and make wires sculptures yourself!

If you are interested in how Robin Wight makes up his wires sculptures, you can head onto his website and read his detailed step-by-step section. I did not imagine how tedious, it would seem, such creations take.

Even better you can even download your FantasyWire Starter Kit

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