We randomly stumbled upon this narrow street called Blackall street and was pleasantly surprised to find a mine of creativity.
A few selected shots are below. Featured artists are C215 | Alice Pasquin and The Krah








We randomly stumbled upon this narrow street called Blackall street and was pleasantly surprised to find a mine of creativity.
A few selected shots are below. Featured artists are C215 | Alice Pasquin and The Krah








I looked out of the window and the only thought that came through my mind was “bloody weather”. It was pretty nasty out there, aggressive showers and blistering winds. I was that close to get the sleepers back on but I reminded myself that ‘Under her skin ‘ is the first ever show by this newly born gallery – Atomica gallery, and this was enough to galvanise the small amount of motivation I had and turned into some sort of excitement.
A quick (and unexpected) bus journey took me down to Armhurst Terrace where Atomica gallery is located. The gallery actually sits nicely in the middle of Hackney Downs Studios, which have been in service since 2011 and which consists of events spaces and over 70 serviced studios and workspaces for creative businesses.
As I stepped in, I could not help noticing the relatively small size of the gallery but also the large patio that the gallery benefits from and which was, according to Corey, the graphic designer for the gallery and the person I met that day, pretty convenient to accommodate the large amount that turned up at the opening night.
For their first show, the gallery has paired with Things&Ink magazine, a publication which reflects on tattoo culture from a feminine perspective. ‘Under Her Skin’ has been curated by Things&Ink editor Alice Snape and marks the first anniversary of the magazine and the launch of ‘The Art Issue’. The show features work from 12 female tattoo artists who have appeared in the magazine’s pages over the past year.
I will definitely go back there.
Here is our picks
“The Bare Bones” by Charissa Gregson (Jolie Rouge, London UK)

Cobra Girl by Vicky Morgan (Ghost House, Derby UK) (left) | “Elisabeth” by Lucy Pryor (Into You, London UK)


“Medusa” by by Lucy Pryor (Into You, London UK) (left) | “Ruby” by Amy Victoria Savage (Jayne Doe, Hornchurch UK)


Where – Atomica gallery – Hackney Downs Studios Amhurst Terrace E8 2BT London UK
What – ‘Under Her Skin’
When – September 12th – 30th 2013

I cannot believe I had forgotten about this huge wall on Holloway Road. I went past it a few weeks ago but could not stop to take pictures. I have done so today. Enjoy the pictures below.
At the time where I am writing this, I hear some people on Twitter expressing their surprise about Robbo doing stencils ( I myself spotted a few weeks ago a stencil signed Robbo). Some people seem to find inconceivable that idea?
Woo, woo, woo, let’s all calm down here. Robbo will still be king should he starts stenciling our streets and if he stencils as good as he drops graffiti, I cannot wait to see more of it around London. Stenciling is not Evil, stenciling is not cheating, stenciling is just a different form of street art.
Related links
> See more graffiti spotted around London
ART-PIE
















Some people like art for its meaning or the messages that it conveys but others will appreciate the art for its beauty, its aesthetic. I will not dive into what is beauty or aesthetic in art but I would rather illustrate one form of beauty – tattoos, the art of tattoos. And what about tattoos on girls wearing glasses? I know.
Hoping these trigger emotions in relation to the sense of beauty you have got in mind.






First seen on inkedmag
We managed to get a glimpse of The Unknown Room at Red gallery. This installation was put together to coincide with Close Eyes to Exit, an exhibition at Red Gallery in London (2nd – 18th April) which celebrates the launch of the fifth issue of LE GUN as well as number 6 of its sister publication: BARE BONES.
Le Gun and Bare Bones are two independently published paper funded entirely by its contributors. No editorial or commercial restraints, you and I with ideas can contribute and your work may get featured in their next show.
The Unknown Room stands right in a middle of the first room on the right when you get into the gallery and you get thge feeling that you are up for some bizarre and quirkiness but this would not surprise RED gallery regulars.
Luckily, a massive help to understand what you are looking at is right there on the wall – the briefcase of a certain George Melly was randomly find in a basement and its contents were right there on display. No more needed to be said, a quick spin round and I was looking at my first skull and tramp juice bottle.





Light Of Soho, London’s leading light art gallery is pleased to announce their next show in collaboration with Lee Sharrock, Contemporary Vanitas, a look at vanity and mortality.
Featuring 16 contemporary artists, the exhibition, which launches 26th May, will showcase the artists own interpretations of the Vanitas – is a category of symbolic works of art, especially those associated with the still life paintings of the 16th and 17th centuries in Flanders and the Netherlands – and features iconic memento mori symbols such as skulls, butterflies, and fruit, as well as more abstract interpretations in the form of celebrity portraiture and the written word in the form of neon.

Vanitas artworks were common in the 16th and 17th Century Dutch and Flemish still life painting, and were often created as metaphors for human achievements, as well as serving as reminders of human mortality. Memento Mori symbols of death, materialism, spirituality, earthly pleasure, temptations and corporality often featured.
Here is what Lee Sharrock had to say about the show –
I’ve always had a macabre fascination with the Vanitas paintings of the 16th and 17th century, and was intrigued to see how contemporary artists would interpret the enduring themes of mortality and vanity.
Each artist’s contribution provides an individual interpretation of the Vanitas theme, such as Pure Evil’s new ‘Angels Never Die’ portraits of departed screen idols crowned with neon halos is inspired by Marlene Dietrich.
Pure Evil commented:
After 1945, Marlene Dietrich’s attitude towards her native Germany remained shaky and it was not until after the fall of the Berlin Wall that she began to warm again to her homeland and especially her home town, Berlin. Shortly before her death, she expressed her desire to be buried in Berlin, in the very same cemetery as her mother. Her funeral, on 16 May, 1992, broadcast live on German television, was attended by thousands of fans. Her grave overflowed with flowers and wreaths from fans and admirers from all over the world. One of these wreaths, given by Wim Wenders, the director of Wings of Desire read, “Angels Never Die.

Other artworks also on display are Alexander James’ beautiful C-Type print evokes Old Master Vanitas still life paintings. or Alt-Ego has created a bespoke skulls series reflecting upon mortality and vanity.
Artists featured includes: Alexander James, Alt-Ego, Derrick Santini, Hannah Matthews, Jeroen Gordijn, Jimmy Galvin, Kalliopi Lemos, Lauren Baker, Nancy Fouts, Paul Broomfield, Pure Evil, Rebecca Mason, Sara Pope, Soozy Lipsey, Tom Lewis and Toni Gallagher.
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You must check out PIMPARTWORKS if what you are after is awesome and truly unique urban and street art and much more. Read below a few words from Steve at Pimpartworks and check out some of the art included in their new Limited Edition, Signed and Numbered prints section. Continue reading Pimpartworks.com – new prints section
I always expect to see new stuff painted on the walls of Great Eastern street, this street would be probably top of the chart of creativity in London.On my way to Signal gallery to see the new Baldwin show, I had the camera in one hand and the eyes looking around. Continue reading Art on the wall – Great eastern street (London)

We were thrilled to receive James’ submission for our upcoming edition of The Creative Bubble, a multi-discipline pop up event atRoxy Bar and Screen, London. James has been following us for a while and we are delighted to give him the opportunity to showcase his work.
We asked a few questions to the man about himself and his art –
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Art-Pie – Can you tell our readers about yourself in a few words?
James Kinsella – I am Visual Artist, practicing and living in Vienna, Austria. I received my M.A. in Visual Arts Practices from IADT Dun Laoghaire, Dublin.
I have an ongoing work The Socialmaterialbank project, it is an art platform that identifies and maps critical issues that are of immediate concern to our global community. We present the public with questions on these issues and invite the participants to share their responses on the Socialmaterialbank. We collect and document the participant’s responses and collective instructions, on our platform – the Socialmaterialbank. Website at www.jamespkinsella.org
Through painting and screen-printing I explore how we build and perceive our concept of home by ‘investigating’ my subconscious and unconscious records and views of Vienna!
Art-Pie – Can you tell us about your creative process and where does your inspiration come from?
James Kinsella – I believe that through art we can engage with local communities and through participation, commoning and consensus arrive at and create a better and more sustainable world. I paint, draw, photograph and create instillations and I have a social practice (Participatory) where I use my varied art skills to engage with local people at festivals, events and galleries here in Vienna.
Art-Pie – Give us the name of three artists you admire or like?
James Kinsella – I really like all artists as they dedicate so much of their energy to the arts. But as I presently live in Vienna, here I admire Egon Scheele, Gustav Klimt and Viennese Actionism – Brus, Mühl, Nitsch and Schwarzkogler.UK artists, Tracey Emin, David Hockney and Lucian Freud
Art-Pie – Street art is something we like at Art-Pie, what is your take on that form of art?
James Kinsella – Street art has always engaged and impressed me, it occupies public space and is an ancient effective, low cost, un-censored way of communication with the public. To me it’s sort of a democratic way of claiming public space and questioning the statuesque. My wife is a Roman Archaeologist and I had the privilege to attend a lecture by an American Lecturer, that included text on Roman graffiti and street art – it was amazing, shocking, surprising and beautiful lots of sex and erotica. I really admire Art- Pie for their consistent exposure, support and promotion of Graffiti artists, please keep it going as support is needed.
Art-Pie – Are there any other projects or shows that you will be involved with for the rest of 2015 that you want share with us?
James Kinsella – I post my up and coming shows on my website: www.jamespkinsella.org I am organising a number of shows presently but no fixed dates at the moment.
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WHAT – The Creative Bubble, POP UP Art Gallery, Spoken Word, Poetry, Short Films, Music & Networking
WHERE – Roxy Bar and Screen, 128-132 Borough High Street, London SE1 1LB
WHEN – Wed 29/4/2015 (POP UP art gallery opening night) / Thursd 30 (Spoken word)