Part of our 3 street art works series you should see today: How x Nosm, Look x Vidam & Seko x Venok.
How x Nosm

Look x Vidam

Seko x Venok

Part of our 3 street art works series you should see today: How x Nosm, Look x Vidam & Seko x Venok.
How x Nosm

Look x Vidam

Seko x Venok

As I was reading the press release, I got excited about WOW NOW. The venue looks awesome – shoreditch underground, the line up international and eclectic and the theme very interesting: ‘An International exhibition articulating the friction between Outside, Street & Fine Art via subversive portraiture’

Featured artists
ALEX DAW (UK) | ZTY 82 (Germany) | BEN WELLER (UK) | STEPHEN TOMPKINS (USA) | PERFEKT WORLD (Austria) | SID ONE (UK) | PAUL BUSK (Austria) | GETS (Germany) | NOMAD (Germany) | TED RIEDERER (USA) | JAMES JESSOP (UK)
When
June 2nd till 9/06/11
Where
Shoreditch underground | E1 EW5
Otto Schade has been busy lately.
We have included photos of all the stuff we mentioned above.
[] Collaboration with Bustart on Love Drops and with Bustart & Zaira on Hurry Up Mother Fucker (HUMF) and Night Life in Amsterdam
LOVE DROPS

Hurry Up Mother Fucker


[] He painted ‘The Confused One’ at Whitecross Street Party
THE CONFUSED ONE

[] Donated David v Goliath on canvas to the Gaza Toy Event at Truman Brewery to help raise funds. (photos credits to Maya Schenk). Also painted Back to Life and we absolutely adore this one.
BACK TO LIFE


Amsterdam
“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.” Gilles Deleuze

This quote by Deleuze is a very complex statement on a very natural state of continuity and it is a state we are becoming readily familiar with through social media communication. Simply put, at the centre of each ‘world’, which is each of us, is collected a series of things (perceptions, object, memories, experiences etc.) which expands in all directions colliding and mingling with other worlds, (everyone else). This mingling is compossibility and we are fast becoming experts in it without really realising it.
This statement also suggests that our perceptions now are being formed by more than direct sensory experiences but also by data input in a compossible world, a world we don’t actually experience first-hand, but by proxy through the experience of others. The trouble with this is we are easily fooled, as discussed in ‘How fake images change our memories and behaviour’ by Rose Eveleth for the BBC’s Future magazine.
In my interview with Sandra Crisp, Memory Surfaces, I asked her about the implications of Deleuze’s statement:
JB: “It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”[1] This quote by Gilles Deleuze from Difference and Repetition suggests it’s a collective consciousness in perception which allows us to comprehend our world, do you feel our digital age helps or hinders our sense of continuity (memory) and ultimately our sense of self when information appears and disappears so rapidly online? Is it possible this rapid change in information thrusts us back into the ‘truth’ of physicality?
SC: What we have online at the moment is the continuous and rapid shift of information: Text, images, video and even entire web pages suddenly appearing then disappearing. Deletions with no warning – error 404 messages: ‘Page not Found’. Continual updates; all these create a sense of fragmentation and impermanence, and discontinuity. Printed books in the physical world are fixed and unchanging, we can rely on their information stability, each time we take them from the shelf they are the same as before. So this state of information transience is very much a modern phenomenon connected to the information age. In the past, a shift from oral to book cultures required people to process information differently; today many people now communicate and receive information via TV, radio, and Internet, electronic media rather than books. Therefore, I am not sure that any more ‘truth’ can be said to reside in the physical world than virtual, that this is any more contiguous. As with any new technology, it will change us and we need to learn how to use such new communication media wisely, to adapt to the apparent discontinuity, to interact with, and process the information bombarding us in meaningful ways. At the moment digital online communication is nascent, we are living in really interesting times where things are still developing. At the moment it may thrust us back into the continuity of the physical world but eventually in the future it may not.
You can find this exchange with Sandra in the full version of our interview, available in the This ‘Me’ of Mine companion book. Find out more about the book on our blogsite. Read our excerpted interview here.
[1] Difference and Repetition, Giles Deleuze, Continuum Books, 2004, pg.58
Stop-motion (also known as stop-action or frame-by-frame) is an animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Clay figures are often used in stop-motion for their ease of repositioning. Stop-motion animation using clay is described as clay animation or clay-mation.
A few of the best ART-PIE have seen are below.
Hours and hours of work here for these two first examples. Top quality.
Warning: these two films contain some adult language in the subtitles, but if you can stand the occasional and brief “F” word, the pay off is huge.
Stickers fans out there have been waiting for this one – yes Stickers Bomb 3 is out today!
We published a similar post last time round when Stickers Bomb Skulls came out and gave you the opportunity to grab a free copy.
We are reiterating this again and have 2 copies of latest Sticker Bomb 3 up for grabs! Look to your right to find out how you can win a copy –>
We were delighted to receive again in the post this collection of over 240 peelable stickers from our favourite publisher Laurence King.
This book is part of the ever growing Stickerbomb series which includes other similar books such as Stickerbomb, Stickerbomb 2, Stickerbomb XL, Stickerbomb Letters and Stickerbomb Monsters.
As D*FACE warns us in his foreword for this edition of Sticker Bomb, “Stickers are seriously addictive, self indulgent, egotistical, and can be life altering – and thank fuck they are. They rescued me from a life of punching hours in the 9-to-5 grind, working for the man”
Artists in this edition includes –
Ryo Sanada and Suridh Hassan of Studio Rarekind (SRK) specialise in the promotion of international culture and music through documentary production and film. Their documentary film on Japanese Hip-Hop culture – “Scratching the surface: Japan” – has been broadcast Europe. This was followed by successful screenings at the 12th Raindance Film Festival in London and Vancouver International Hip-Hop Film Festival.

We met Fintan Scott-Magee originally from Brisbane and try to find out a bit more about his liking, it seems, for rubbish and bins in his art.
A-P: Tell us about yourself in a few words?
FINTAN MAGEE: My name is Fintan Magee, born in Brisbane Australia. I have been writing for 10 years now but I started to move away from traditional letterforms about 4 years ago and started to paint more canvas and street art. Really I’m just trying to have as much fun as possible with my art while I am still young and stupid enough not to know better.
A-P: What is your process/approach when making graffiti/streetart/art?
FM: I prefer to paint strait onto walls using oils, acrylic and of course spray paint. I like to paint in abandoned buildings a lot so I can relax and paint for as long as I want, the problem is my city is growing very quickly and becoming so developed that there is a shortage of empty and forgotten spaces. In my city almost everything painted on the streets is buffed within a week so I don’t really do many paste up’s or stickers any more, they say my city is clean but I just find it sterile.
A-P: Bin bags, rubbish seems to be an element that you like, why is this?
FM:The rubbish is just something thats developed over the last few months because I was painting still life images of things that have been forgotten or left behind on the streets, I guess I like to add depth to what may be considered bland or boring subject matter and not worth painting. I believe that we live in such a throw away and progressive society now that we overlook the beauty in many things that we consider expendable.
A-P: Where/what do you look for inspiration?
FM: I guess I look everywhere for inspiration, I think as an artist its important to take in the simple things around you, popular culture, nature, the city, your friends, etc. Keep looking and you will eventually find inspiration and influence where you least expect it.
A-P: Any upcoming shows/projects?
FM: I am travelling to Sydney and Melbourne in June for some group shows and to do some walls, I also have a Solo show at Jugglers gallery in Brisbane in August and another solo show in Melbourne’s Rtist gallery in November. After that I think another overseas trip is on the cards, possibly to the Americas. I have been back in Australia for two years now and I am starting to get pretty itchy feet.
Thank you to Fintan for taking time for this interview
Pictures below of some of Fintan’s works. More on this website: www.fintanmagee.com




StolenSpace Gallery is proud to present ‘Misprints & Misfits’, a series of one off paper pieces by D*Face. Delving into the deepest depths of D*Face’s print archives, it does as it says on it’s sticky print tin, showcasing unseen paper pieces, one offs, proofs, misprints and editions never before released.
D*Face claims that Screen printing changed his life, “From the first Andy Warhol canvases I saw, to the moment I walked into Surrey Skateboards and was hit by the heady smell of screen-printed decks, to the first envelope that arrived from Shepard Fairey stuffed full of OBEY stickers, or the first time I got all the magic ingredients right in the witch’s cauldron of home screen printing, and printing my first sticker sheet. “
“I have always been fascinated by the process, which in its simplest form is a very basic method of mass print production, practically the lowest rung on the ladder of printing (just after potato printing), and achievable to anyone willing to invest in the small amount of money and time needed to learn the dark art. At the same time, it is revered as the top of the printing food chain and carries with it a trade and skill that is forever being honed by master printers. It can be deeply frustrating to people trying to achieve print perfection, but liberating to those who embrace the beauty of misprints and repetition.”
LUDO is a French Street Artist who is enjoying enjoyed a very successful first solo show in Zurich at the Starkat Gallery.
LUDO’s style is very particular and his pieces always depict ominous and imaginary plants which always seem to want to grab you as you walk past them. His street art series is actually called Nature’s Revenge which he has been focusing on for the past two years or so. A way perhaps to warn you all about the irreversible force of Dame Nature.
The show is on until the 7/05/2011
LUDO took the opportunity while in Zurich to splash a few of his mighty plants. Photo © Roman @ Starkat Gallery




Last week saw pop icon, Prince, died at his Minnesota home on Thursday, and, as expected, tribute around the world have been pouring and will probably do so for a long time to come. He died suddenly aged 57, leaving behind a back catalogue spanning rock, pop, funk and jazz and millions of devoted admirers.
We included below 7 Prince street art, graffiti & urban tributes to Prince
Have you seen a piece you would like to share with us or know the name of the artists for the artworks below? Tell us in the Comments section below.
1 – Belfast Cathedral, artist unknown
2 – New York, artist unknown
3 – Cambridge (Massachusetts), artist unknown
4 – Turnpike Lane (London), by Pegasus
5 – Sydney (Australia) by Mr G
6 – Germany by Barbara