Fiesta in the fields

Fiesta in The Fields | Art-PieI do not know where you guys will be on Saturday but I will be at the ‘Feast In the Fields

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Colours of Brazil & the sexy sounds of Bossa Nova.

The creators of Feast in the Fields bring to you the flavours & samba beats of our current favourite South American hotspot in the form of FIESTA IN THE FIELDS!

Fiesta In The Fields, which kicks off at 12pm on Saturday 28th June, promises to be a carnival for all the senses. Be transported to the Copacabana with live world cup matches screened throughout the day, street food, A Cachaça shack, a line-up of live music & dancing that will make even two left feet move to the rhythm of the beat!

Hosts The Brewhouse, at London Fields Brewery, will be serving up South American Dishes to make your mouth dance, whilst Hell’s Grill gets naughty on the BBQ & El Panzon provide Tacos & Burritos from Brazil’s footballing neighbour Mexico. Keep as cool as a Caipirinha with Craft Beer from London Fields Brewery, Brazilian-inspired cocktails, The Pimms Bar & The Rum Stop.

For all the latest Fiesta In The Fields news: http://www.feastinthefields.co.uk

Fiesta In Te Fields | Art-Pie

What: London Fields Brewery Presents – Fiesta In The Fields
When: Saturday 28thJune
Where: The Brewhouse at London Fields Brewery; Railway Arches 369-370, Helmsley Place, E8 3SB
Tickets: Entry £4

Loos with some style at Far Rock Away

There is a new boozer in town, located on Curtain road to be precised, and should you fancy having a drink while looking at various pieces from emerging (mainly) street artists, well this is your kind of place.

Ben Oakley’s Gallery acts as the curator along with Kevin Martin from Hoxton Gallery. Currently on display are Xenz, Above, Lucas Price, Cranio, Cept and Guy Denning. We are not talking just a few spread pieces but walls covered of stuff and I am not even mentioning the toilets, the best we have seen in a long time, so long that we have included a few shots below.

WHAT – Far Rock Away
WHERE – 97-113 Curtain Road, Shoreditch, EC2A 3BS.

Far Rock Away | Art-PieFar Rock Away | Art-Pie

Far Rock Away | Art-PieFar Rock Away | Art-Pie

Far Rock Away | Art-Pie

Far Rock Away | Art-Pie

Far Rock Away | Art-Pie
Far Rock Away | Art-Pie

Remi Rough at Blackall studios: abstract-ive

I have always been sceptical about abstract art, never knowing whether I like it or not. I can enjoy it but can rarely get ecstatic about it. Well Remi Rough and the likes of Augutine Kofie or Jaybo Monk are maybe about to radically change this.

They are (and a few others – find out who here) are members of what is called the urban abstract movement which has for starting point the reshape of letters of the alphabet and their integration into an urban context – find out more here

A exhibition presents us with works from Remi Rough and Steve More but I will here focus on Rough’s stuff and what an amazing display I had in front of my eyes!

Rough’s mix of shapes and forms combined with an excellent choice of colors make his works come alive. The perspective he manages to bring to his compositions seems to give some sort of pace to the whole thing making it anything but boring.

I may be well on track to love this stuff and ask to see more of it.

The show is now over.

PS: You will excuse the so-so quality of the pictures below but I had to use my i-phone that day.

Remi Rough at Blackall Studios
Remi Rough at Blackall StudiosRemi Rough at Blackall Studios
Remi Rough at Blackall Studios
Remi Rough at Blackall Studios

The unnamable

When Context Take The Game | Art-Pie“Where now? Who Now? When now?

Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on. Can it be that one day, off it goes on, that one day I simply stayed in, in where, instead of going out, in the old way, out to spend day and night as far away as possible, it wasn’t far. Perhaps that is how it began. You think you are simply resting, the better to act when the time comes, or for no reason, and you soon find yourself powerless ever to do anything again. No matter how it happened. It, say it, not knowing what. Perhaps I simply assented at last to an old thing. But I did nothing. I seem to speak, it is not I, about me, it is not about me. These few general remarks to begin with. What am I to do, what shall I do, what should I do, in my situation, how proceed? By aporia pure and simple? Or by affirmations and negations invalidated as uttered, or sooner or later?
Generally speaking. There must be other shifts. Otherwise it would be quite hopeless. But it is quite hopeless. I should mentions before going any further, any further on, that I say aporia without knowing what it means. Can one be ephectic otherwise than unawares? I don’t know. With the yesses and the noes it is different, they will come back to me as I go along and how, like a bird, to shit on them all without exception. The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.”
Opening paragraph to The Unnamable by Samuel Beckett

Contemporary philosopher Alain Badiou asks if we can name a truth, anticipating and forcing into knowledge all the elements contained in that truth, risking a totality of knowledge related to it; a problem, for example, in politics where this turns to totalitarianism. He says, “The construction of a truth is made by a choice within the indiscernible…But the potency of a truth depends on the hypothetical forcing…The problem is to know whether such a potency of anticipation [hypothetical forcing] is total…My answer is there is always, in any situation, a real point that resists this potency.

I call this point the unnameable of the situation. It is what, within the situation, never has a name in the eyes of truth. A term that consequently remains unforceable. This term fixes the limit of the potency of a truth. The unnambeable is what is excluded from having a proper name, and what is alone in such exclusion. The unnameable is then the proper of the proper, so singular in its singularity that it does not even tolerate having a proper name. The unnameable is the point where the situation in its most intimate being is submitted to thought; in the pure presence that no knowledge can circumscribe. The unnameable is something like the inexpressible real of everything a truth authorizes to be said.”
Alain Badiou from Infinite Thought

The unnameable is something I have personal experience with. The secret and the truth. I’ve held both of these things, safeguarding, I thought, others and myself. Both secret and truth can be destructive if kept silent. But it has been my experience that once spoken, the unnameable is an agent of transformation; it comes in facing what’s real.

Read more of my interview, When Context Takes The Game, conducted by Becky Huff Hunter for This ‘Me’ of Mine.

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Beckett, Samuel, Three Novels Molloy, Malone Dies, The Unnamable, Grove Press, New York, The Unnamable, originally published under the title L’Innommable, copyright © 1953 by Les Editions de Minuit. Translation copyright © 1958 by the Estate of Samuel Beckett, pp. 285-6.

Badiou, Alain, Infinite Thought, Continuum International Publishing Group, London, New York. Trans and ed by Oliver Feltham and Justin Clemens, 2005 – 2011. “Philosophy and Truth”, pp. 43 to 51, originally titled “The ethic of truths: construction and potency” quote p.49.

Paul Collis – digital artist

We have met with Paul Collis, a talented mixed medias artist, who accepted to answer a few questions for us. Here is the interview.

ART-PIE: Tell us about yourself in a few words?

Paul Collis: I’m a graphic designer/artist with a love for street art and all the mystery that goes with it, my art is created by mixing hand drawn painted textures images than manipulating them digitally

A-P: What is your process when making art?

P C: I like to try and make the images as ‘real’ as possible so you can still see all the spray effects and drips and happy mistakes, I do not class my self as a ‘digital’ artist in the true sense of the term with the amazing rendered digital stuff that is out there. I just use the mac as another medium to produce the effect I want and if I cant get the effect painting.

Check out Paul Collis art on Facebook

Chasinghosts or documenting the London street art scene

Time has come for the Chasinghosts duo to celebrate their time snapping street art wonders in London. Indeed they are are launching the first edition of the Chasing Ghosts Photo book.

The book contains 40 pages with 150 full colour photo’s dedicated purely to the streets of London. This edition is limited to only 50 copies, each signed and numbered.

The launch party will take place on Tuesday the 29th of March 6pm to 9pm and hosted by the LAVA Gallery:

Where
LAVA Gallery | 11 Kingly Court, Carnaby Street, London, W1B 5PW

When
29th March 2011

STREET ART ENCOUNTERS