Printmaking: A Complete Guide to Materials & Processes

Printmaking: A Complete Guide to Materials & Processes | Art-Pie
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We recently received “Printmaking – a Complete Guide to Materials & Processes ” from our favourite publisher Laurence King and were astonished by the amount of information in this new edition. If you are after any level of guidance on how to print anything, get that book today!

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Printmaking is a practical and comprehensive guide to printmaking techniques. This fully updated edition includes expanded chapters on digital and mixed media processes, and a brand new ‘Print & Make’ chapter, which explores the opportunities for creative expression within the many processes available to print makers.

The more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed with the addition of new images showing a broader range of subject matter, including more contemporary prints and international artists. A new section on the traditions and techniques of Japanese woodblock printing completes the update.

Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Clear step-by-step illustrations, interviews with contemporary printmakers and a wide range of images showing the best of cutting-edge printmaking today offer an inspirational resource.

Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike.

Havana Club presents Wall Project @ Rich Mix

Remi Rough at Rich Mix | Art-Pie
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The Project is an art competition that will allow emerging talents to gain exposure in one of East London’s cultural hotspots. The twelve-month project includes three commissions launched by three live events, hosted in conjunction with the start of Rich Mix’s new seasons.

We went to see the wall painted by Remi Rough and it is ace – see pictures below

More about the project below:

The Havana Club Wall Project is a celebration of the unique spirit of the Cuban city of Havana. It will embody the unique and inspiring attitude that reflects the true values of the Cuban capital – humanity, spontaneity and creativity – all of which are synonymous with authentic Cuban rum.

Artist Remi/Rough is launching the Havana Club Wall Project with his interpretation and vision of the values that make Havana so unique. The celebrated urban artist has been specially commissioned to design and paint an interior wall that runs the entire length of the Rich Mix events space. The Wall Project is then open as a competition to encourage amateur or professional artists to submit their interpretation of the true values of Havana.

Two winners will then launch the following seasons with their designs on Saturday May 7th and Friday 2nd September. Entries are submitted by e-mail to visualarts@richmix.co.uk, a selection will be posted on the Havana Club UK and Rich Mix facebook page to invite public feedback and final judging will be made by a panel led by Remi/Rough.

Entries must be submitted by: March 7th – with the winning wall design on show from May to July 2011 / OR / July 2nd – with the winning wall design on show from July to September 2011 For further enquiries please contact Krista Booker krista@theneonhub.com or 0207 729 5129

Remi Rough at Rich Mix | Art-Pie
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Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Related links
> Havana Club UK
> Rich Mix London on Facebook

ART-PIE

Chris Brown and his monsters

Yep, as loads of people these days, Chris Brown seemed to have also embraced street art and decided to paint what looks like monsters on his very expensive Beverly Hills mansion walls.

No exception here though, Chris Brown or not, multimillionaire singer or not, street art isn’t welcome. It scares the children, it would appear. The singer has been ordered to repaint the walls otherwise it will have to pay a fine, a £250 fine. This is probably what he earns per minute.

Scares the children? Really? Have you looked at them, they are adorable. Yes, I must admit, I kind of like them. I never thought I would ever approve anything Chris Brown did.

Let’s move on.

Chris Brown monsters | Art-Pie

Chris Brown monsters | Art-Pie

Amar Stewart X Lava Gallery

Amar Stewart steps up to the Lava gallery for his first solo show of 2011.

We first viewed Amar’s work in the East Gallery in early 2010, the show had dark undertones, accented with sections of colour, A mixture of spray paint and acrylic. A different approach has been taken this time, the entire gallery almost devoid of colour, a series of large canvases featuring Black and white photorealistic portraits.

This was a understated approach for show early in the year and to be honest, a welcome one.  It is easy to feel bombarded when you attend opening nights, peering through crowds to look at large canvases. Lava gallery is only a small space located on the first floor of Kingly Court, just off Carnaby Street.

Amar and the Lava crew did a great job laying out the space, taking a simplistic approach with the arrangement going with white walls and monochrome artworks.  It had a overall relaxed vibe, even with droves of friends and fans, it was easy to move around and check out all the work.

Amar’s progression in portraiture is developing a rapid rate and we look forward to seeing what he has to offer in the future.

Check out a the rest of the pics here: Amar Stewart at Lava gallery by Chasinghosts on Flickr

The Super Flemish Pop Icons by Sacha Goldberger

Sacha Goldberger | Art-Pie

Sacha Goldberger is a French photographer born in 1968. He has worked as artistic director in several well-known agencies. Otherwise, he has written and worked on many books and is now known all around the world.

He became famous especially for his photo series “Mamika”, a grandmother superhero performing tasks of daily life. Mamika, the real grandmother of Sasha, is quite a funny person.

Mamika by Sacha Goldberger | Art-Pie

The artist latest exhibition, which was recently held an exhibition at the School Gallery Paris was entitled “Super Flemish” and transform Pop Culture icons into the style of 16th Century Flemish aristocrats.

You will recognise Hulk or Spiderman but also Star Wars characters.

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

5 controversial public art pieces

“Public art is art in any media that has been planned and executed with the intention of being staged in the physical public domain, usually outside and accessible to all.” says Wikipedia.

And this makes public art more likely to be criticized, because the potential number of passers-by can be substantial.  This is especially true in high-pedestrian cities such as  Chicago, which is well-known as an excellent place to encounter public art.

“Public art may include any art which is exhibited in a public space including publicly accessible buildings, but often it is not that simple. Rather, the relationship between the content and audience, what the art is saying and to whom, is just as important if not more important than its physical location” Wikipedia adds.

There you have it – public art is often bold, conveying a strong message which sometimes sparks significant controversy

We’ve included 5 public art pieces below, which have been and are still causing uproar.

1. John Ahearn, The South Bronx Bronzes (1988), New York

'The South Bronx Bronzes' by John Ahearn | Art-Pie

Erected in 1988, John Ahearn’s South Bronx Bronzes pose questions of ownership, identity, and rights in a public space. A white sculptor, Ahearn lived and worked in poverty-stricken South Bronx and made life-size castings of neighbourhood residents, always giving one copy to his model.

His community-based art led the New York City Department of Cultural Affairs to commission him to create a set of sculptures for the local police station. Ahearn chose to cast ordinary people as his subjects as a way to embody the community’s character. But his sculptures immediately spurred a debate embroiled in race and socioeconomics.

Residents of the neighbourhood thought the artist was relying on tropes, choosing to depict them as poor hoodlums instead of creating positive and inspiring images for the community. Others thought that only black artists should be able to represent black subjects.

Genuinely shocked and disturbed by the controversy, Ahearn chose to take the sculptures down a few days later.

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2. Seward Johnson, Forever Marilyn (2011), Chicago

What does a sculpture depicting Marilyn Monroe in a movie that pays tribute to New York City have to do with Chicago?

'Forever Marilyn' by Seward Johnson

The 26-foot installation depicts a partially exposed Monroe from the movie Seven Year Itch. In addition to its irrelevance, many criticized the sculpture for its lewd and anti-feminist connotations. Its placement, meanwhile, prompted many classy photos of people gawking up her skirt, licking her legs, or pointing to her underwear.

Before it moved to California, Marilyn Monroe was vandalized numerous times. Many citizens argued that the piece of public art catered more to tourists than to Chicago residents — and they had a fair point. The monument didn’t exactly reflect the city’s character or engage positively with its community.

More pictures below – click to enlarge
'Forever Marilyn' by Seward Johnson | Art-Pie'Forever Marilyn' by Seward Johnson | Art-Pie

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3. Richard Serra, Tilted Arc (1989), New York

Arc by Richard Serra | Art-Pie

Titled Arc was at the forefront of public art controversy in the early 1980s. The saga began when minimalist sculptor Richard Serra was commissioned to create a piece of work in the Federal Plaza by the US General Services Administration.

Tilted Arc was a $175,000 piece of oppressive black, raw steel. Measuring 120 feet long and 12 feet high, the arc cut the Federal Plaza in half and forced those working in the nearby buildings to redirect their walking path in order to get through the plaza. The work did not mesh well with its surroundings — which, according to Serra, was the point. “The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes…. Step by step the perception not only of the sculpture but of the entire environment changes.”

Controversy erupted as soon as the sculpture was erected, with detractors claiming it disrupted the public use of the plaza and was an inconvenience to the workers. After a hearing and an appeal by Serra, the arc was dismantled in 1989.

4. Lei Yikin, Martin Luther King Jr. Memorial(2011), Washington DC

Martin Luther King Jr by Lei Yixin | Art-Pie

When it was announced that Lei Yikin, an artist from China, would sculpt the memorial out of Chinese granite, human rights activists criticized the selection on the grounds that Lei had previously sculpted Mao Zedong.

Many other people, most notably African-American artist Gilbert Young, demanded that the memorial be created by an African-American artist with American stone.

5. Maurice Agis, Dreamspace V (2006), County Durham, England

Maurice Agis, Dreamspace V (2006)| Art-Pie

Known for his dreamlike, colorful, and interactive works, Agis was commissioned to create Dreamspace V in a park. The day after it was installed the artwork left its moorings and tragically killed two people.

Agis was put on trial for negligent manslaughter. Having witnessed the deaths, Agis was deeply and inconsolably disturbed, and vowed never to create such large works again.

Ross M Brown’s solo exhibition CONCRETE MYTHS

Ross M Brown has a new solo exhibition at Lacey Contemporary Gallery called – Concrete Myths.

This new body of work was created following a research trip to the derelict Haludovo Palace Hotel on Kirk Island, a 1970s luxury resort designed by Modernist architect Boris Magas.

Brown depicts the dilapidated location in a series of large scale paintings that often reference formal tropes more commonly associated with Modernist abstraction.

 

CONCRETE MYTHS – Ross M Brown  | Art-PieRoss M Brown’s work channels the experience of architectural space through the medium and history of painting.  Exploring subject matter found within abandoned Modernist architecture, the artist layers disparate approaches from the history of painting producing a palimpsest of diverging and converging painterly approaches.

Relating to the urban ruin as a hybrid space where divisions between past and present, architecture and nature, order and disorder have become blurred and indistinct, Brown employs a painting process which pits rigidly constructed perspective against the fluid materiality of poured, smeared and dripped paint.

WHAT – Concrete Myths by Ross M Brown
WHERE – Lacey Contemporary gallery, 8 Clarendon Cross, London W11 4AP
WHEN – 17th June (preview) till 4th July 2015

Confronted with Castration: Edward Kienholz’s "Five Car Stud"

Edward Kienholz’s Five Car Stud depicts a horrific scene of racial violence during the civil rights era. Actually, the term horrific does nothing to illustrate the nauseating effects of this life-size interactive work currently on display at the Los Angeles Contemporary Museum of Art.

The piece is set up in a darkened room with a sandy dirt floor.  Five cars form a circle, illuminating the focal point of the work with their headlights.  Life-sized, white male figures stand next to their cars menacingly wielding batons and other weapons.  One man holds a shotgun at his side.  Clown-like masks and sagging skin cover their faces. The eyes are hollow and insipid, yet smirk at inflicting pain upon another human.

The sense of entitlement emanates not only from their facial expressions, but also from the positions of the bodies and the looming presence of each of these men.  Garbed in jeans with the ruddy faces of moonshine alcoholics, they abuse and castrate another man, lassoing his foot like cattle, simply due to the color of his skin.

The victim lies in the center of the scene flanked by two men gripping his arms.  Instead of casting an entire figure, Kienholz installs a rectangular trough in place of his torso.  He filled the trough with water and six wooden alphabet blocks, two of the same letter, floating around, and leaving the viewer to piece together their meaning.

Kienholz spent three years working on this project between 1969 and 1972 during the height of civil rights era when activists had reached some victories for desegregation.  However, through his depiction viewers realize that prejudice and unfounded bias continue to infiltrate society.

Kienholz is best known for using found objects to create jarring sculptures that comment on social issues within the United States.  He created this work shortly before he relocated to Germany where it first appeared publicly.  A private collector acquired the work and for 40 years it remained in storage.  Los Angeles County Museum of Art is the first to display the work in the United States.

I do not exaggerate the gravity of this work. Guards stand at the doorway advising parents against allowing their children to witness it.

The pictures cannot convey the deeply unsettling feeling evoked by the piece. Perhaps it is the blatant intolerance, the flagrant violence, or simply the knowledge that things have not changed enough.  Whatever the reason, whatever the effects, Kienholz has created a penetrating work that shocks viewers with its content but awes with the undeniable skill and ingenuity it took to mastermind.

London Art Fair – artists we enjoyed, Paul Wright

We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.

In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.

Feel free to comment too at the end of this article. Let’s get started….
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Paul Wright

Paul Wright | Wild Fire | Oil on linen | 43'' x 39'' | Art-Pie
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We stumbled upon the piece called “Wild Fire” – oil on linen, 43” x 39′, and once again admired the technique and palette of colours used. We always look forward to pass the Thompson’s booth art the London Art fair to find out about Paul Wright’s works.

We know how hard it portraiture is in general which makes us appreciate even more this artist’s work. His portraits are always impeccably proportioned and transpire always strong emotions boosted by the often vibrant choice of colours.

About the artist

After his beginnings as an artist working in Illustration, Paul Wright has spent the last decade developing a language of painting through which he seeks to capture a vitality beyond the establishment of a mere ‘likeness’ to the subject. As an artist, Paul Wright appreciates the importance of the individual being recognisable, the subjects are glimpsed in the painting rather than exposed, their inner selves hinted at but ultimately inscrutable.

Though Paul Wright often works on a large, potentially imposing scale, his paintings remain approachable through fluency of brush mark and a rich palette. In Paul Wright`s paintings, the spaces the subjects inhabit are often indeterminate, providing an atmosphere that allows for ambiguity of psychological state. Paul Wright`s subjects retain their integrity and yet through the artist`s painting method a sense of intimacy is evoked.

Other works from this artist

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Paul Wright via Thompson's gallery | Art-Pie Paul Wright via Thompson's gallery | Art-Pie

Paul Wright via Thompson's gallery | Art-Pie Paul Wright via Thompson's gallery | Art-Pie

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