The Duke of Lancaster, a decommissioned and abandoned cruise liner shipwrecked docked off the North Wales Coastline in Wales has become the home to a range of urban artwork murals.
Here are the latest pieces that came up : Mr Zero and Fatheat are part of Street Art Crew and Colored Effects Crew, a Hungarian Street Art Crew.
They have made the trip to North Wales from their native Hungary, to leave their own message about corruption on the 1950s cruise liner, with their works which are titled ‘The Prophets of Profit’.
This has been split into two separate portraits which are positioned either side of Bristolian Artist Bungle’s ‘Face of Authority’ piece.
Mr Zero has created a 12 x 7m pig character. Notably he has included the council’s own logo on the pig’s hat and incorporated provocative wording: ‘Greed’, ‘Power’ and ‘Corruption’ in the character. This message is further reinforced by his partner, Fatheat’s, 12 x 9m mural, which depicts a monster character.
Mr ZERO
This grotesquely includes human faces buried within the character and money surrounding it. Fatheat comments: “The faces represent the people affected by the Prophet’s corruption and how they have been swallowed up and used against their will.”
In direct contrast to these characters and the other artworks on the ship, Irish artist Fin DAC has created a beautiful image, depicting a Geisha Character. Titled ‘Mauricamai’, this painting is tucked away around the hull side of the ship.
FIN DAC
It has been purposefully positioned so it can’t be seen from the coastal path – it can only be seen if the ship’s dock is opened to the public.
The ship is now home to 8 pieces of artwork, with artists travelling from all over Europe to leave their mark on this historic vessel.
We present you the latest animation from filmmaker and human beatboxer, Luke Cavalan (aka LC Beats). Entitled “Day Tripper”, the stop motion has actually been created for as the music video for the latest single off Def Wish Cast’s recent album “Evolution Machine” (The hard hitting track features production from esteemed Australian beat maker, Dizz1, and vocals from the UK’s Spikey Tee)
The video features claymation caricatures of pioneering Sydney Hip Hop group, Def Wish Cast, running wildly through the city streets, promoting their upcoming performance, eventually finishing things off by delivering a high energy live show. After nearly 3 years in the making, having filmed 1 hour of footage for each second of film, the time has finally come to showcase this work of art.
The hours to get this stop motion movie together has been mammoth and we admire the commitment and passion here.
We recently met up with the 3Dot gallery team to find out about the Nuclear Bunker project. The gallery is located in Edinburgh.
Art-Pie: “So guys, what is the Nuclear Bunker project all about“? 3Dot: We have graff, illustrator, stencil, projection and lighting artists coming in over the next few days to create some exceptional pieces of art that will completely transform Scotland’s “Secret Bunker”.
A-P: “Scotland Secret Bunker?” 3Dot:???
A-P: “What the greater idea behind this project?” 3Dot: We believe the projects we do are quite special due to their nature with the hope that this one will be the turning point in the grander scheme of things.
Great artists have come together at our studio within the four weeks we have had to put this project together. They have come along to do what they are passionate about even though no-one is making any money, the budget is extremely tight in respect to the space we have to cover – everyone has been pitching in as much as they possibly can with materials and countless hours spent working and helping out
We are doing this to provide artists a platform to showcase their pieces and throw an awesome party to celebrate all the hard work from everyone involved, something that I don’t believe is actually happening at the moment in Edinburgh and all the artists we work with agree with us too.
A-P: “Where do you see this initiative take you?” 3Dot: We want to keep doing these events so that we can establish ourselves and gain a reputation that we can use to gain a credible charity status that will develop our ability to provide extremely talented artists with materials, studio space and a venue to showcase their work – All of which would be costly and could deter these creative individuals from doing what they do best.
The first event of the Nuclear Bunker project will take place this Saturday 2nd Februrary 2013 at ???. We will report back on it and show you some of the creations that came out of it. We have included below a teaser of the artwork that have already been produced by some of the artists involved.
To get further information and to get involved, please get in touch with ??? or take a look at the 3Dot website (although your website guys does not mention the event! Why??!!)
“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.” Gilles Deleuze
This quote by Deleuze is a very complex statement on a very natural state of continuity and it is a state we are becoming readily familiar with through social media communication. Simply put, at the centre of each ‘world’, which is each of us, is collected a series of things (perceptions, object, memories, experiences etc.) which expands in all directions colliding and mingling with other worlds, (everyone else). This mingling is compossibility and we are fast becoming experts in it without really realising it.
This statement also suggests that our perceptions now are being formed by more than direct sensory experiences but also by data input in a compossible world, a world we don’t actually experience first-hand, but by proxy through the experience of others. The trouble with this is we are easily fooled, as discussed in ‘How fake images change our memories and behaviour’ by Rose Eveleth for the BBC’s Future magazine.
In my interview with Sandra Crisp, Memory Surfaces, I asked her about the implications of Deleuze’s statement:
JB:“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”[1] This quote by Gilles Deleuze from Difference and Repetition suggests it’s a collective consciousness in perception which allows us to comprehend our world, do you feel our digital age helps or hinders our sense of continuity (memory) and ultimately our sense of self when information appears and disappears so rapidly online? Is it possible this rapid change in information thrusts us back into the ‘truth’ of physicality?
SC: What we have online at the moment is the continuous and rapid shift of information: Text, images, video and even entire web pages suddenly appearing then disappearing. Deletions with no warning – error 404 messages: ‘Page not Found’. Continual updates; all these create a sense of fragmentation and impermanence, and discontinuity. Printed books in the physical world are fixed and unchanging, we can rely on their information stability, each time we take them from the shelf they are the same as before. So this state of information transience is very much a modern phenomenon connected to the information age. In the past, a shift from oral to book cultures required people to process information differently; today many people now communicate and receive information via TV, radio, and Internet, electronic media rather than books. Therefore, I am not sure that any more ‘truth’ can be said to reside in the physical world than virtual, that this is any more contiguous. As with any new technology, it will change us and we need to learn how to use such new communication media wisely, to adapt to the apparent discontinuity, to interact with, and process the information bombarding us in meaningful ways. At the moment digital online communication is nascent, we are living in really interesting times where things are still developing. At the moment it may thrust us back into the continuity of the physical world but eventually in the future it may not.
You can find this exchange with Sandra in the full version of our interview, available in the This ‘Me’ of Mine companion book. Find out more about the book on our blogsite. Read our excerpted interview here.
[1] Difference and Repetition, Giles Deleuze, Continuum Books, 2004, pg.58