The Stitch project, raising environmental issues awareness through art

Stitch is an organisation that raises environmental awareness through the arts. Stitch does this by hosting events that use art to inspire and engage people with environmental issues. The guys at Stitch will use a variety of different events such as art exhibitions, photography competitions and short film festivals to appeal to people in different ways.

The next Stitch show is right upon us: “Focus on Nature” Open Photography Competition Submissions. It opens this Monday 5th March and will run until the 23.

They ask for a £5 donation per image you submit. These funds go towards contributions to these two fantastic organisations listed below. Find out more information about the show from the Stitch Facebook event page or on the Stitch website.

http://www.butterfly-conservation.org/
http://www.back2earth.org.uk/

A video of a previous show held at The Diary is included below

<iframe width=”649″ height=”330″ src=”http://www.youtube.com/embed/GLiEXPnLA2k?rel=0″ frameborder=”0″ allowfullscreen></iframe>

Value which is of Value

10 x 10 by Kate Murdoch
10 x 10, ©2008 – 2012 Kate Murdoch

“If there is value which is of value, it must lie outside of all happening and being so. For all happening and being-so is accidental.”

Ludwig Wittgenstein
6.41, Tractatus Logico Philosophicus

This quote from Wittgenstein is a profound statement on the nature of occurrence and existence – ‘happening and being-so’. Whichever way we look at it, occurrence and existence is accidental. The beauty and simplicity of Wittgenstein’s statement sweeps away the clutter of chance and places value squarely in purpose. It suggests circumstance (context) is a force of chance.  This ‘Me’ of Mine asks if purpose can challenge the force of chance.

Wittgenstein’s rational view makes folly of the attempt to find meaning in happening and being-so, but he leaves the door wide open to search for meaning in value and purpose. Kate Murdoch does just this through her work.  She encourages her audiences to explore their purpose. Through her interactive exchanges, Kate presents situations which involve an active interchange between the public and her work, often with the public’s participation the greater force in the creation of art. Her audiences not only participate, they actually become part of the art through their active purpose. The generosity of this, both on Kate’s part and on the part of the audience, breaks down the barrier of the ‘art experience’ and presents an experience of art.

Read our interview, What Are You Prepared to Give in Exchange, for This ‘Me’ of Mine. Kate and I discuss value, emotion, memory and communication.

JB: …It could be said the value we associate with an object is in relation to the depth of emotion we experience in any given situation. Do you feel this to be true and what have you observed about this relationship through the interactive aspect of your work?

KM: …The emotional attachment we make to any given object can determine its worth in emotional terms as opposed to its monetary value. The very act of bartering adds an emotional reality to the process of exchange that currency somehow lacks…


This ‘Me’ of Mine is very proud to call Art Pie our Media Partner.
Art Pie logo

We are equally proud to call the four galleries below our Venue Partners. Click on a logo to find out more about the good work these organisations do.

APT Gallery logo

Strange Cargo/Georges House Gallery logo

Kent County Council logo

Colchester/Ipswich Museum logo

 

London Art fair – in its 23rd year but still going strong, part1

3 hours solid is the time I spent yesterday at the Business Design centre where the London Art fair is being held until Sunday 23rd January and still I ran out of time to get to see or do what I had intended too. This is to show how much there is to see at this amazing event. Continue reading London Art fair – in its 23rd year but still going strong, part1

The Multiplied Fair opens this week end

The third edition of the contemporary art in editions fair, Multiplied, returns to Christie’s South Kensington this October. Christie’s is pleased to announce forty-one international contemporary galleries will be participating, in what continues to be the UK’s only contemporary print fair.

Once again the salerooms in South Kensington will be transformed during Frieze week. The fair will be open to the public with free admission from 12-15 October 2012.

We have included below a few examples of what you will be able to purchase –

CFPR Editions

Carolyn Bunt
Carolyn Bunt | And when I had looked up it had gone 1 (2010) | Pigmented Inkjet Print

Parasol Unit Foundation

Adel Abdessemed | Art-Pie
Adel Abdessemed | No Smoking (2012) | Neon, wall-mounted

Fashion Illustration Gallery

Francois Berthoud
Francois Berthoud | V (Orange) 2011

www.multipliedartfair.com
@Multiplied_Fair (hash tag) #MAF2012
https://www.facebook.com/#!/Christies

Robert Brandenburg at Gallery 1988

In “Pooh… and Other Sh*t,” Robert Brandenburg brings “hijacked” art to Gallery 1988 in Venice Beach, CA.

As a self-taught artist from Ohio, Brandenburg brings an expansive perspective to viewers. Born in 1954, he paints contemporary works that offer a light repose from the mundane.

His versatile style allows him to incorporate renderings into a variety of works on a variety of mediums. Less art than humor, he creates an entertaining interlude and encourages viewers to recreate everyday scenes in a less than ordinary manner.

Renamed The Bird, Brandenburg alters a metal sign from 1956 used to advertise the Ford Thunderbird. In the original a couple speeds away in the automobile, waving to onlookers. In the re-mastered version, the passenger extends her middle finger to the people standing by. From metal to cardboard, In Mammy Cakes Brandenburg alters a Hostess Cupcake box from a chocolate frosted vanilla cupcake to a white mouthed image mirroring minstrel shows that ran in America from the 1830’s into the mid-1900’s. During these often severely racist performances, white men painted themselves in black face.

To compliment his images, Brandenburg includes brief bios and explanations into the life of his creations. One of his works, Hannah Lecter, features a young girl on a greeting card. Originally, she was eating a tasty piece of chocolate but Brandenburg coated the original snack with a dripping red acrylic paint to make it appear as if she indulges in human flesh.  The title and corresponding story names her as Hannibal Lecter’s love child. He also alters several Norman Rockwell paintings depicting the ‘ideal’ family life of 1940’s America including one from Rockwell’s “Four Freedom” series entitled Freedom from Want. Brandenburg redubs it Freedom from Stress and replaces the original turkey with a glass pipe, beers, and whiskey explaining, “experience suggests that the happy family is going to need a little more than turkey to keep things running smoothly for the rest of the day.”

Brandenburg brings a fresh look to “normal” images by incorporating himself into a variety of mediums at his new solo exhibition. By redesigning iconic images, he urges society to reexamine omnipresent sights that do not always reflect truth.

“Pooh… and Other Sh*t” hijacked art by Robert Brandenburg at Gallery 1988 Venice
Dates: January 7 – 28, 2011
Hours: Wed – Sun: 11AM – 6PM

Franz West dies at the age of 55

Franz WestThe artist Franz West has died. For those familiar with the artist or keen on sculpture, this must feel like the art world has lost one of its valuable creative thinker. The trademark of Franz West’s work was largescale bursting with colours sculptures often querky in their shapes and defintely surrealist.

West’s artwork would be made out of plaster, papier-mâché, wire, polyester, aluminium and other, ordinary materials. He had a go at paintings first but rapidly turned his interest to collages, sculptures and in particular portable sculptures called “Adaptives” or “Fitting Pieces”, environments and furniture.

It doesn’t matter what the art looks like but how it’s used” Franz West.

As a tribute, we have included picture of his most iconic sculptures. Franz West was definitely original with hus approach to sculpture and our pavements and park will be more sad now.

The Ego and the Id by Franz West | Art-Pie
The Ego and the Id by Franz West

Untitled by Franz West | Art-PieEidolon by Franz West | Art-Pie

Fiac by Franz West | Art-Pie

Smears by Franz West | Art-Pie

Ben Eine’s ‘Tenderloin’ A-Z showcase

Ben Eine | Art-PieWhen I first read about this event from my inbox, I must admit I got quite excited as Ben Eine and his work are exciting. If you love colours, letters and typography, you will appreciate this artist’s work.

“The venue will be announced just before the show and via Nelly Duff’s social medias”. This was enough to convince me that we were on something good.

I was wrong. What the show had to offer was a series of pieces with the whole alphabet broken down in a multitude of versions, different colours, not coloured at all, this sort of things. It did not take me long to go round the whole venue to have seen it all. I actually must more enjoyed the old graffiti and tags spread all around the venue from old jams or other shows.

I have not mentioned the launch of of ‘The World Atlas of Street Art & Graffiti by Dr Rafael Schacter that happened that night too just because, let’s be honest, the hype around Ben Eine did a good job by bringing people in and to get the copies of the book flying off the shelf…

We took a few pics anyway.

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Centuries-Old Japanese Woodblock Prints Meet Animated GIFs

We’ve all seen these ancient centuries-old technique of prints, what about mixing some GIF animation and totally change how you see the art.

The artist is Segawa Atsuki, who uses Adobe Photoshop and After Effects to create the movement which often clashes with the subject background and throw in some Sci-File wonders.

We like the “Segways” one! The last one is a cracker too!

Which one do you like? Comment below!

Segawa Atsuki | Art-Pie

Segawa Atsuki | Art-Pie

Segawa Atsuki | Art-Pie

Segawa Atsuki | Art-Pie

You can see more of Segawa thirty-seven’s woodblock print animations on his Twitter. (via Spoon & Tamago)

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