The unnamable

When Context Take The Game | Art-Pie“Where now? Who Now? When now?

Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on. Can it be that one day, off it goes on, that one day I simply stayed in, in where, instead of going out, in the old way, out to spend day and night as far away as possible, it wasn’t far. Perhaps that is how it began. You think you are simply resting, the better to act when the time comes, or for no reason, and you soon find yourself powerless ever to do anything again. No matter how it happened. It, say it, not knowing what. Perhaps I simply assented at last to an old thing. But I did nothing. I seem to speak, it is not I, about me, it is not about me. These few general remarks to begin with. What am I to do, what shall I do, what should I do, in my situation, how proceed? By aporia pure and simple? Or by affirmations and negations invalidated as uttered, or sooner or later?
Generally speaking. There must be other shifts. Otherwise it would be quite hopeless. But it is quite hopeless. I should mentions before going any further, any further on, that I say aporia without knowing what it means. Can one be ephectic otherwise than unawares? I don’t know. With the yesses and the noes it is different, they will come back to me as I go along and how, like a bird, to shit on them all without exception. The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.”
Opening paragraph to The Unnamable by Samuel Beckett

Contemporary philosopher Alain Badiou asks if we can name a truth, anticipating and forcing into knowledge all the elements contained in that truth, risking a totality of knowledge related to it; a problem, for example, in politics where this turns to totalitarianism. He says, “The construction of a truth is made by a choice within the indiscernible…But the potency of a truth depends on the hypothetical forcing…The problem is to know whether such a potency of anticipation [hypothetical forcing] is total…My answer is there is always, in any situation, a real point that resists this potency.

I call this point the unnameable of the situation. It is what, within the situation, never has a name in the eyes of truth. A term that consequently remains unforceable. This term fixes the limit of the potency of a truth. The unnambeable is what is excluded from having a proper name, and what is alone in such exclusion. The unnameable is then the proper of the proper, so singular in its singularity that it does not even tolerate having a proper name. The unnameable is the point where the situation in its most intimate being is submitted to thought; in the pure presence that no knowledge can circumscribe. The unnameable is something like the inexpressible real of everything a truth authorizes to be said.”
Alain Badiou from Infinite Thought

The unnameable is something I have personal experience with. The secret and the truth. I’ve held both of these things, safeguarding, I thought, others and myself. Both secret and truth can be destructive if kept silent. But it has been my experience that once spoken, the unnameable is an agent of transformation; it comes in facing what’s real.

Read more of my interview, When Context Takes The Game, conducted by Becky Huff Hunter for This ‘Me’ of Mine.

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Beckett, Samuel, Three Novels Molloy, Malone Dies, The Unnamable, Grove Press, New York, The Unnamable, originally published under the title L’Innommable, copyright © 1953 by Les Editions de Minuit. Translation copyright © 1958 by the Estate of Samuel Beckett, pp. 285-6.

Badiou, Alain, Infinite Thought, Continuum International Publishing Group, London, New York. Trans and ed by Oliver Feltham and Justin Clemens, 2005 – 2011. “Philosophy and Truth”, pp. 43 to 51, originally titled “The ethic of truths: construction and potency” quote p.49.

Emma Stibbon at Room

Emma Stibbon’s work in this exhibition looks at history and collapsed empires. The shadow of classical antiquity cast on Western civilization ominously stretches into present times – the city is a symbol of both memory and amnesia.

Her focus looks at simultaneous periods of time, mainly sites of ancient Rome, and how Imperialist and republican architecture was later appropriated to lend credibility to new regimes. She is interested in the dialogue between two pasts; that of Ancient Rome and Mussolini’s Fascist plans for the city and in places that can be read as a palimpsest, a layering of historical traces.Rome as a site of overlaying ideologies – the ultimate collapsed empire leading one to reflect on human endeavour,
vanity, frailty, time and impermanency.

Where
31 Waterson Street | London E2 8HT | www.roomartspace.co.uk
When
10 November – 17 December (Wednesday – Saturday 12- 6pm)

Emma Stibbon at Room
Bench 44.5 x 63cm Ink on paper

Architecture by Filip Dujardin

Architecture is often looked over isn’t it? But when you come across architects such as the belgian artist and architectural photographer Filip Dujardin, you have to share a bit of love and make you aware of his works.

He just had a show at Highlight Gallery in San Francisco and we hear that the works focused on “fictional buildings that Dujardin has created using a digital collaging technique from photographs of real buildings around Ghent, Belgium.”

One will classify these as “absurd“, as the “René Magritte and Raoul Servais” of architecture.

What do you reckon?

Filip Dujardin | Art-Pie Filip Dujardin | Art-Pie Filip Dujardin | Art-Pie Filip Dujardin | Art-Pie

First seen on Slamxhype

Anthony Lister’s superheroes

It is difficult not to fall in love with Anthony Lister’s superheroes made of acrylics and spray paint on wooden panels. The 3D effect he manages to give to these iconic little people is amazing.

These works are part of his new exhibition FIERCE, a solo Exhibition by Anthony Lister that will be held at THIS Los Angeles.

The opening reception takes place on January 14, 7-10 p.m.

When: ONE NIGHT ONLY! Friday, January 14, 7-10 p.m.
Where: THIS los angeles, 5906 N. Figueroa St., Los Angeles, CA 90042.

The reception is free and features a DJ and an open bar.

If you cannot attend, you may enjoy the pics below.

Related articles
> Read more about Anthony Lister and the show
> THIS Los Angeles website

ART-PIE

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Star wars as greek statues

Greek sculpture | Art-Pie
Classical Greek sculpture

We all went to a museum one day (well I hope you did, if not you guys are missing out!) which has a Classical art collection often consisting of a series of nude hunks sculptures.

In the Classical period there was a revolution in Greek statuary, usually associated with the introduction of democracy and the end of the aristocratic culture associated with the kouroi. The Classical period saw changes in the style and function of sculpture. Poses became more naturalistic (see the Charioteer of Delphi for an example of the transition to more naturalistic sculpture), and the technical skill of Greek sculptors in depicting the human form in a variety of poses greatly increased.

Star Wars Greek Sculptures by Travis Durden | Art-Pie
Click to enlarge

But enough of Greek sculptures in their “Classical” sense, let’s look at the series of digital manipulations by French artist Travis Durden adds a Star Wars dimension to it.

Star Wars, for those who don’t know it (…) is an American epic space opera franchise, centered on a film series created by George Lucas.

I do not know for you guys but the chap is pretty gifted at sculpture right? Well it may be but these works will not prove it because these  are a series of images manipulated using Photoshop, the popular image editing software.

Durden reimagines Darth Vader, Boba Fett, Yoda, General Grevious and a Storm Trooper as “Darth Resurrection,” “Gladiator Boba,” Angel Yodea,” “General Niobides” and “Storm Reader.”

About the artist

Travis Durden is a pseudonym, as the Parisian artist behind the project would prefer his art be the center of attention, not himself. Fascinated by the construction of myths & idols, he interrogates how we, as humans, determine what will be raised to popular culture or elevated to divine cult, and how history has influenced us in making this choice.

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Tim Noble & Sue Webster shadow sculptures

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One day Tim Noble met Sue Webster, the year was 1986 and the context was that they were both studying Fine Art at Nottingham Trent University. The next we know is that they have Tim Noble and Sue Webster for over seventeen years.

What do they create? Sculptural artworks made from discarded wood, welded scrap metal, broken tools, cigarette packets, soda cans and piles of trash. If you look at the pile of objects they assembled and piled, you see nothing but the light they point at it makes the magic happen – you find yourself in front of projected shadows projected shadows of people standing, sitting, smoking or drinking for example.

You’ll have understood that the precision and patience are out of this world. Every debris must be carefully placed, distances measured and spotlight angles revised again and again.

YOUNGMAN, 2012
1 wooden stepladder, and discarded wood
Tim Noble and Sue Webster | Art-Pie

But beyond the piling exercise, the creative output is remarkable and powerful and question the notion of abstract forms being able to turn themselves into figurative ones

If you want to read more about what concepts lie behind these works, read this excellent piece from the Blain Southern gallery

We included 4 examples of these shadow sculptures as well as video telling you more about the concept

DEAD THINGS, 2010
1 black cat, 19 crow heads, 4 rook heads, 5 jackdaw heads, 13 crow legs/feet, a pair of crow wings, a pair of jackdaw wings, 6 juvenile black rats, 1 x chaffinch (male), metal stand
Tim Noble and Sue Webster | Art-Pie

SUNSET OVER MANHATTAN, 2003
Cigarette packets, tin cans shot by air gun pellets, wooden bench
Tim Noble and Sue Webster | Art-Pie

BRITISH WILDLIFE, 2000
88 taxidermy animals; 46 birds (35 varieties), 40 mammals (18 varieties), 2 fish, wood, polyester glass fibre filler, fake moss, wire
Tim Noble and Sue Webster | Art-Pie


First seen on Marvellous

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