PREVIEW

Havana Club presents Wall Project @ Rich Mix

Remi Rough at Rich Mix | Art-Pie
Click to enlarge

The Project is an art competition that will allow emerging talents to gain exposure in one of East London’s cultural hotspots. The twelve-month project includes three commissions launched by three live events, hosted in conjunction with the start of Rich Mix’s new seasons.

We went to see the wall painted by Remi Rough and it is ace – see pictures below

More about the project below:

The Havana Club Wall Project is a celebration of the unique spirit of the Cuban city of Havana. It will embody the unique and inspiring attitude that reflects the true values of the Cuban capital – humanity, spontaneity and creativity – all of which are synonymous with authentic Cuban rum.

Artist Remi/Rough is launching the Havana Club Wall Project with his interpretation and vision of the values that make Havana so unique. The celebrated urban artist has been specially commissioned to design and paint an interior wall that runs the entire length of the Rich Mix events space. The Wall Project is then open as a competition to encourage amateur or professional artists to submit their interpretation of the true values of Havana.

Two winners will then launch the following seasons with their designs on Saturday May 7th and Friday 2nd September. Entries are submitted by e-mail to visualarts@richmix.co.uk, a selection will be posted on the Havana Club UK and Rich Mix facebook page to invite public feedback and final judging will be made by a panel led by Remi/Rough.

Entries must be submitted by: March 7th – with the winning wall design on show from May to July 2011 / OR / July 2nd – with the winning wall design on show from July to September 2011 For further enquiries please contact Krista Booker krista@theneonhub.com or 0207 729 5129

Remi Rough at Rich Mix | Art-Pie
Click to enlarge

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Remi Rough at Rich Mix | Art-Pie

Related links
> Havana Club UK
> Rich Mix London on Facebook

ART-PIE

IN THE NEWS

Space-Themed Stamps

Royal Mail is to release a unique series of stamps, the theme : Space. This is to marked the 50th anniversary of Britain’s first contribution to space exploration—and Britain’s launch of its first satellite.

Osborne Ross is behind this set of stamps which depicts The Sun, Saturn, Saturn’s largest moon Titan, the Lutetia asteroid, Venus and Mars. The images featured were from European Space Agency missions.

Get yours soon, the release date is on 16 October 2012.

Royal Mail stampRoyal Mail stamp

CONTEMPORARY ART

The unnamable

When Context Take The Game | Art-Pie“Where now? Who Now? When now?

Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on. Can it be that one day, off it goes on, that one day I simply stayed in, in where, instead of going out, in the old way, out to spend day and night as far away as possible, it wasn’t far. Perhaps that is how it began. You think you are simply resting, the better to act when the time comes, or for no reason, and you soon find yourself powerless ever to do anything again. No matter how it happened. It, say it, not knowing what. Perhaps I simply assented at last to an old thing. But I did nothing. I seem to speak, it is not I, about me, it is not about me. These few general remarks to begin with. What am I to do, what shall I do, what should I do, in my situation, how proceed? By aporia pure and simple? Or by affirmations and negations invalidated as uttered, or sooner or later?
Generally speaking. There must be other shifts. Otherwise it would be quite hopeless. But it is quite hopeless. I should mentions before going any further, any further on, that I say aporia without knowing what it means. Can one be ephectic otherwise than unawares? I don’t know. With the yesses and the noes it is different, they will come back to me as I go along and how, like a bird, to shit on them all without exception. The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.”
Opening paragraph to The Unnamable by Samuel Beckett

Contemporary philosopher Alain Badiou asks if we can name a truth, anticipating and forcing into knowledge all the elements contained in that truth, risking a totality of knowledge related to it; a problem, for example, in politics where this turns to totalitarianism. He says, “The construction of a truth is made by a choice within the indiscernible…But the potency of a truth depends on the hypothetical forcing…The problem is to know whether such a potency of anticipation [hypothetical forcing] is total…My answer is there is always, in any situation, a real point that resists this potency.

I call this point the unnameable of the situation. It is what, within the situation, never has a name in the eyes of truth. A term that consequently remains unforceable. This term fixes the limit of the potency of a truth. The unnambeable is what is excluded from having a proper name, and what is alone in such exclusion. The unnameable is then the proper of the proper, so singular in its singularity that it does not even tolerate having a proper name. The unnameable is the point where the situation in its most intimate being is submitted to thought; in the pure presence that no knowledge can circumscribe. The unnameable is something like the inexpressible real of everything a truth authorizes to be said.”
Alain Badiou from Infinite Thought

The unnameable is something I have personal experience with. The secret and the truth. I’ve held both of these things, safeguarding, I thought, others and myself. Both secret and truth can be destructive if kept silent. But it has been my experience that once spoken, the unnameable is an agent of transformation; it comes in facing what’s real.

Read more of my interview, When Context Takes The Game, conducted by Becky Huff Hunter for This ‘Me’ of Mine.

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Beckett, Samuel, Three Novels Molloy, Malone Dies, The Unnamable, Grove Press, New York, The Unnamable, originally published under the title L’Innommable, copyright © 1953 by Les Editions de Minuit. Translation copyright © 1958 by the Estate of Samuel Beckett, pp. 285-6.

Badiou, Alain, Infinite Thought, Continuum International Publishing Group, London, New York. Trans and ed by Oliver Feltham and Justin Clemens, 2005 – 2011. “Philosophy and Truth”, pp. 43 to 51, originally titled “The ethic of truths: construction and potency” quote p.49.

STREET ART

Brazilian street art takes on the football world cup

The 2014 edition of the football World Cup has now been on for almost a week and it has already been labelled as the better edition of the last 20 years.

While most of us have been enjoying great goals from the safety of our couch, brazilian street artists have taken their art to the city walls of Brazil, mainly Rio De Janeiro and Sao Paulo to remind us of the dark side of the Great game as they put it.

Artist: Paulo Ito
Where: Sao Paulo
The mural shows a starving, crying child with only a football on his dinner plate serves to highlight the vast expense of hosting the World Cup when the money for food, schools and hospitals is needed so much.

“There is so much wrong in Brazil that it is difficult to know where to start,” Ito said. It seems the beautiful game has a dark side.” says Paul Ito

Paulo Ito | Art-Pie

FIFA is not the most welcome and loads of artists ask the football association to go. Cranio is one if them it would seem. One of his mural shows a suited man throwing a sack labelled “public money” down the toilet.

Cranio | Art-Pie

Cranio | Art-Pie

Cranio | Art-Pie

Artist: B.Shanti from the Captain Borderline crew
What: Anti Copa Mural Project organized by Colorrevolution and Amnesty International
Where: Rio de Jainero (Brazil)
Dedicated to all brasilians who lost their home during the brutal eviction.

Anti Copa Mural Project organized by Colorrevolution and Amnesty International | Art-Pie

But not everything is negative, take a look at this street view project from Google showing you panoramic views of (happy) street art from Rio De Janeiro and Sao Paulo amongst others.

> https://www.google.com/maps/views/streetview/brazils-painted-streets?gl=us

BLOG, FEATURE

London Art Fair – artists we enjoyed, Pedro Rodriguez Garrido

We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.

In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.

Feel free to comment too at the end of this article. Let’s get started….

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Pedro Rodríguez Garrido

Cloudy Morning, Manhattan by Pedro Rodriguez Garrido | Art-Pie
Click to enlarge

We stumbled upon the piece called “Cloudy Morning, Manahattan” – oil on panel, 150 x 150cm and instantly liked the smoky and hazy atmosphere of this piece achieved in using panels. It made us want to go and explore the scene that was presented in front of our eyes.

About the artist

Pedro Rodriguez Garrido was born in Huelva, Spain in 1971. Garrido studied Fine Art at University of Seville, Spain. Since graduating in 1998, he has exhibited at numerous solo and group exhibitions across Europe. Adam Gallery is his first British gallery and will be holding an exhibition of his work late summer/autumn 2013.

Other works from this artist

Click to enlarge

by Pedro Rodriguez Garrido | Art-Pie

by Pedro Rodriguez Garrido | Art-Pie

by Pedro Rodriguez Garrido | Art-Pie

by Pedro Rodriguez Garrido | Art-Pie

BLOG, CONTEMPORARY ART, FEATURE

SEPE’s art

At first glance, I thought I was looking at some Ian Francis‘ work but no this was in fact from a Polish artist called SEPE or Michal ‘SEPE’ Wrega. I instantly found the artist’s work remarkable and as Ian Francis’s work, you are drawn into the scene and want to get a feel of what is actually going on.

SEPE’s work above all focuses on figurative paintings and, unlike Ian Francis, has got an urban edge. You will notice that the king looking character in “Plagadaru” (see below) wears the famous 3 bands tracksuit bottom. Reading about SEPE’s biography, I am not surprised to read that he was raised in traditional graffiti movements back in Poland where he still lives. Addeed to that a strong interest in book illustration and then some studies at the Academy of Fine Arts, Lodz, you get a very original art style.

Definitely an artist that goes into our favorites list.

Plagadaru – Mixed Media on Canvas | 100cm x 120cm
sepe-plagadaru

Gold Rush 1 – Mixed Media Painting | 50cm x 50cm
sepe

Jumpers – Mixed Media on Canvas | 100cm x 120cm
sepe-1

Uncategorized

Photo London 2016, Somerset House, London

Photo London 2016 at Sommerset House | Art-Pie
Click to enlarge

Photo London brings together 80 of the world’s leading galleries in a major international photography Fair, combined with an innovative public programme supported by the LUMA Foundation.

Photo London is located in the heart of the city and benefits from the support of London’s best photographers. Click here to watch these photographers discuss their love of photography, and why London is an important cultural hub for photography, in a special video for Photo London.

From the 19-22 May, Photo London will be celebrating the ever popular medium of photography across the capital by bringing some of the world’s leading practitioners, curators, exhibitors and dealers together with the public. Photo London have collaborated with 80 of the best galleries from around the globe to put together a stellar line up of both exhibitions and events, such as book signings and discussions, with those renowned in the field.

"Protest" By Don McCullin | Art-Pie

Amongst those attending is Don McCullin. Recently named Photo London’s Master of Photography 2016, the legendary war photographer will be the subject of an exclusive exhibition at Somerset House. McCullin will also be in conversation with Simon Baker, Photography Curator at Tate in a public talk on 19 May. This opportunity is available to anybody who purchases a ticket to Photo London thanks to the support of the LUMA Foundation, who work to support the activities of independent artists and pioneers.

Elsewhere, specially-commissioned exhibition, Photoprovocations, is set to be on view at the West Embankment Galleries. This showcase recognises Sergey Chilikov as an outstanding practitioner of the ‘new’ photography which emerged in the USSR in the 1970s. The work of Wolfgang Tillmans will also be displayed in Between Bridges at Somerset House. Stepping aside from the sensationalism surrounding the ‘Brexit’ coverage in the media, Tillmans aims to inform the public about the democratic and humantarian benefits of remaining within the European Union.

Photo London’s main exhibitors section welcomes a wealth of established galleries including Beetles+Huxley,  London; Polka Galerie, Paris; The Photographers’ Gallery,  London; Magnum Photos, Paris-London; and Michael Reid Gallery, Sydney-Berlin. In addition, new and emerging organisations will also have a place at the event in Photo London’s newest section Discovery, reserved specifically to introduce praiseworthy, but less well known, galleries to new audiences.  Exhibitors include Tiwani Contemporary and TJ Boulting. Already one of the top 10 visitor attractions in the UK, Photo London’s home, Somerset House, is itself a cultural hotspot and a centre for art and culture in the heart of London.

London’s public museums and galleries will also put the spotlight on photography this month: Martin Parr will curate Strange and Familiar: Britain as Revealed by International Photographers at the Barbican Art Gallery; National Portrait Gallery hosts Vogue 100: A Century of Style; Science Museum/Media Space displays the work of William Henry Fox Talbot; the V&A presents Paul Strand: Photography and Film for the 20th Century; and Tate Modern examines contemporary work in Performing for the Camera.

This year’s Photo London edition will feature the talents of two rising practitioners from the London art scene. Walter and Zoniel will transform the uncanny underground spaces of The Deadhouse at Somerset House into a giant camera for opening night. By doing this, the artists plan to create the largest ever Ambrotype portrait as a live ‘happening’, energising visitors ahead of the following four days, which promise to be filled with world class photography and photographers.

Photo London 2016, 19-22 May, Somerset House, London.

For more information, visit www.photolondon.org.

DIGITAL ART

100,000 LED lights to light up the Sumida River

Tokyo has always been a mistery to me, one of these cities that will you blow away for sure. What follows would certainly water my eyes. At the occasion of the Tokyo Hotaru festival that just happened, one of a kind of installation was made where LED lights were the main ingredient. LED lights are awesome, aren’t they?

100,000 LED lights, that is what it took to give to the onlookers an astonishing spectacle. The aim here was to suggest hotaru (fireflies) with those lights that floated down the Sumida River through central Tokyo.

Beyond the purdy effect, let’s note that the LEDs were  designed to light up upon contact with water and were 100% powered by solar energy. Let’s also mention the reference to a long gone practice were people used to to gather, it seems,  around clean, running water, searching for these luminous creatures.

First seen on www.spoon-tamago.com. All credits to the pictures below can be found on this website

ART-PIE - Hotaru festival

ART-PIE - Hotaru festival

ART-PIE - Hotaru festival

STREET ART ENCOUNTERS