Designs of the Year

I must admit I don’t often think about how design is all around me. I could say it is embedded in my life, from when I wake up to when I go to bed. My alarm clock, the typography in my book, the label on my favourite bottle of plonk and the lamp I switch off at night.

If you think design is just function, think again. Immerse yourself in the top floor of The Design Museum with their Designs of the Year exhibition.

This array of international pieces span: Architecture, Digital, Fashion, Furniture, Graphics, Product and Transport. Feast your eyes on this ‘look book’ across the design spectrum for the museums Design Awards. A high profile judging panel decide the best entries in each of the seven categories. The category award winners and the overall winner of the Design of the Year Award shall be announced in April 2012.

Turning function on its head, the Design Museum display also includes works poking fun at design in computer functions with – Your Browser Sent A Request That This Server Could Not Understand – an illustrated depiction of the internet by Koen Taselaar.

Designs of the Year looks outside the box; not just new spangled technology or expensive materials. Noma Bar (above) produces simple shapes, that reveal hidden possibilities, whose negative and positive spaces draw the eye every time. There are designs that are simplistic, that save lives. The Earthquake Proof Table by Arthur Brutter and Ido Bruno (below) is astonding in its clean back to basics design that could help thousands.

 

The Earthquake Proof Table

 

Shopping online and on the move is nothing new but South Korea have taken mobile and digital aspects to the next level. Homeplus Tesco Virtual Store is the result – below. Choose your item from their virtual store!

Holographic shopping en route home?Augmented reality is given a breath of fresh air by Swappu, creating a ‘holo-deck’ feel, well, okay it’s not quite up to Star Trek level. The animations are great and the playfulness of it will be a hit for kids. Its a soft and easily lovable digital world that shall no doubt advance rapidly.

See the app in action here > http://www.youtube.com/watch?v=sBmLWdjtzPw

© 2012 Dentsu London

One Thousand Cranes for Japan is a charity project that aims to inspire and bring people together to be part of a final creation. Members of the public can choose, download and print off the paper designs to fold into their own origami creation. A chance to be part of the designs final creation, it’s nothing groundbreaking, but it’s not meant to be.

Image by Anomaly/Unit9  anomaly.com

The Comedy Carpet (below images) takes typography bold and big. It reminds us font is more than just Arial and Times New Roman selected on a computer screen. This gigantic installation, created by Why Not Associates, sprawls out in front of the Blackpool Tower and features over 160,000 granite letters embedded in concrete. It refers to the work of more than 1,000 comedians and comedy writers, giving a visual form to jokes, songs and catchphrases.

The Comedy Carpet in progress

Comedy Carpet, Blackpool

The Crates (below) by Naihan Li & Co is a product that is a must for the clothes obsessed, and those who need organisation of all their essential fashion items. See just how functional a plain industrial looking crate can be, reacting to our clothing hoarding and need for storage.

This work is in stark contrast to Sarah Burton‘s now infamous handmade lace that’s delicately on display. This painstakingly handcrafted work was stitched into the nations memories on Kate Middleton’s wedding dress.

The wide spectrum at the Designs of the Year should open up your eyes to the flexibility and intricacy of design and its ability to problem solve, whilst looking back to the past for inspiration.

With mass market production all to easy to snub, design is at an exciting point; using mass production processes to save lives but taking us back to simplicity, creating unique angles on our lives.

The Designs of the Year exhibition runs 8 February – 4 July at The Design Museum. For tickets and information click me!

The Super Flemish Pop Icons by Sacha Goldberger

Sacha Goldberger | Art-Pie

Sacha Goldberger is a French photographer born in 1968. He has worked as artistic director in several well-known agencies. Otherwise, he has written and worked on many books and is now known all around the world.

He became famous especially for his photo series “Mamika”, a grandmother superhero performing tasks of daily life. Mamika, the real grandmother of Sasha, is quite a funny person.

Mamika by Sacha Goldberger | Art-Pie

The artist latest exhibition, which was recently held an exhibition at the School Gallery Paris was entitled “Super Flemish” and transform Pop Culture icons into the style of 16th Century Flemish aristocrats.

You will recognise Hulk or Spiderman but also Star Wars characters.

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

Sacha Goldberger | Art-Pie

This Me Of Mine moves to Strange Cargo| Georges House Gallery

By David Riley
By David Riley

After a successful and very positively received installation at APT Gallery in Deptford, This ‘Me’ of Mine moves onto its second venue in a four venue tour. The exhibition will open Friday 12 April at Strange Cargo|Georges House Gallery in Folkestone. The new venue is a lot more intimate than the generous space at APT and therefore might be an interesting challenge for Jane Boyer, the curator,  to recreate the grandiose atmosphere I felt when I visited the show.

Jane Boyers says “Stage two of a four venue tour begins this week at Strange Cargo|Georges House Gallery in Folkestone. The difference in gallery space for the second venue will impact the relationships of the works to each other and will present new connections for visitors to the show. The changing context of space becomes a visible manifestation of the project theme – ‘self in relation to context’.”

 ““When I installed the work at APT in their wonderful space, I was able to give much of that space to the works themselves, allowing time for reflection and possibly a deeper look into the work in the show. I soon realised, though, that the space I allowed the works became more than just ‘space’, it became a visible manifestation of the project theme, self in relation to context. Just as each piece in the show makes visible an aspect of self and identity, this space made ‘context’ visible. That excited me,”

If we had to pick out three artworks from what we saw at APT, David Riley, Aly Helyer and David Minton got our attention and our curiosity excited.

David Ryley‘s work using some very 2.0 mediums such as a digital photo frame and or twitter who makes him a very cutting-edge and interesting artist to observe. We particularly liked his work “Twitter user names: coded and transcribed – TUNC” (c)2013  which consists of  printed A4 office paper, printed on an office inkjet printer, connected into a continuous record using binding combs. Hung using a steel rod and steel eyelets. 300mm x 1800mm x 20mm (variable, will grow). You cannot get more current than that!

While social media channels are becoming part of out lives, and can even take over then, we understood here why Jane Boyer included this piece in her show as a witness of the ‘ME’ in a social interaction phenomena.

Credits: This ME Of Mine
Credits: This ME Of Mine

Aly Helyer‘s ‘Strange Fruit‘ (c)2007  ink on paper  67 x 101 cm mesmerised us and took us to many places. Look at it again and you seem to perceive things, or are they faces or just thoughts. Thoughts of the artist, maybe not so happy but that reminded us that the ‘ME’ is before deep inside all of us.

Aly Helyer-strange-fruit-1 Aly Helyer-strange-fruit-2

David Minton‘s Peripheral Vision (c)2010  oil on canvas  152.4 x 121.9 cm calmed us and reminded us of the simplicity of the ME sometimes. It can be everything and then nothing anymore.

Credits: This  ME of mine
Credits: This ME of mine

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This ‘Me’ of Mine showcases work by: Aly Helyer, Edd Pearman, Jane Boyer, Darren Nixon, Hayley Harrison, Melanie Titmuss, Annabel Dover, Kate Murdoch, David Minton, Anthony Boswell, David Riley, Sandra Crisp, Sarah Hervey, Shireen Qureshi, and Cathy Lomax.

Strange Cargo|Georges House Gallery

Georges House
8 The Old High Street
Folkestone
Kent CT20 1RL
12 April to 7 May 2013
PV 12 April, 6-9pm
Mon to Sat, 10 to 5pm

D*Face, from stickers design to art galleries

'CLI-CHE' by D*FACE | Art-Pie
‘CLI-CHE’ by D*FACE

Some of the most iconic art to hit the streets and cover the walls of London is the work of an artist known as D*Face. From the skeletal bust of Marylyn Monroe to the irreverent images of Queen Elizabeth II, his distinctive style is easily recognised by its characteristic blend of skateboard punk and Pop Art.

D*Face is a British street artist, who over the years has experimented with many art mediums. Starting with stickers, posters and sidewalk graffiti, his portfolio later included bold artwork emblazoned across buildings in countries around the world.

His enthusiasm for skateboard graphics started at a young age, fuelled by American street art magazines and films. After a failed attempt at a photography course in college, he switched to an illustration and design course where he blossomed and started freelancing with his skills.

Still experimenting, he drew dysfunctional characters on stickers. The stickers were plastered across parts of London where his quirky designs came to the attention of the public. When he branched into street art his reputation became established.

D*Face kept his identity a secret until 2008 when he admitted to being Dean Stockton, a revelation he felt necessary as he was getting older. With his work appearing in galleries, there seemed little point in maintaining the subterfuge.

"Going nowhere fast" by D*face | Art-Pie
“Going nowhere fast” by D*face | Art-Pie

His style is most recognisable when he uses cultural icons such as Andy Warhol or Marylyn Monroe, but it is obvious he has drawn inspiration from Roy Lichtenstein’s Pop Art work. The themes are very similar but the comic book style of Lichtenstein’s 60s world is overshadowed by D*Face’s darker images. His ‘Kiss of Death’ is a great example of a Lichtenstein transformed into something more sinister.

D*FACE aka Dean Stockton
D*FACE aka Dean Stockton

In many of his works, D*Face encourages the public to do more than see the art itself but also to look around and consider the commercialised surroundings of their environment. Fame and celebrity are often both symbolised and ridiculed at the same time in his art.

Despite the subversive bias in his work, the D*Face brand today has reached a level of commercial success that would have been hard to imagine when he started.

Stockton, as the public persona of D*Face, also paints on canvas and is well known for the effects he accomplishes through screen printing. In 2010, two large statues dubbed Zombie Oscars appeared in Los Angeles, declaring that ‘beauty is one snip away’. Clearly, D*Face is not restricted to 2D nor has he lost his sense of irony.

by D*FACE | Art-Pie

THE UMBRELLA REVOLUTION AND ITS REBELLIOUS ART

Hong Kong protests | Art-Pie

The umbrella, as a symbol of the protests that are going on in Hong Kong, resulted from police pepper spray, used against activists, who used it as a shield. In no time, this was picked up by creatives, artists or just supporters who via that object, represent their support to the cause through art and imagery.

The Umbrella Revolution was born

#OccupyCentral and its demonstrations began peacefully last week but turned more intensive at the time where we are writing this article. The uprise is about activist who are calling for democracy in Hong Kong and free elections in 2017 (See more photographs about the events on the Mashable website).

We have collected a fe examples of the art and imagery incorporating the umbrella and other symbols of resistance on social media.

Hong Kong protests art | Art-PieBytJPu4CYAAK25g

Another symbol widely used is the the yellow ribbon, which protestors are using as a symbol of democracy and suffrage and we found this awesome piece below

Yellow Ribbon used in the Hong Kong protests

More imagery/art from protesters and artists below

Hong Kong protests art | Art-Pie Hong Kong protests art | Art-Pie Hong Kong protests art | Art-Pie

Helen Gorrill’s solo show DEICIDE at Degree Art

Saturday 26 November I made way to Degree Art’s gallery on Vyner Street to view the works of Helen Gorrill on show in the solo exhibition titled DEICIDE. The gallery is not so far away from Bethnal Green as people might think and a fair pace will get you to the gallery in 10 minutes.

Upon arrival to the gallery I chatted with gallery manager (and all round arts, culture & fashion voice) Ryan Lanji who gave me a few pointers about the show, which I had not picked up on from my brief musings online. The first of which being the portrait of a Pope which was attached to the floor at the entrance of the gallery; meaning that everyone that enters walks over the Pope – a sign of the conflict with sexuality and religion which appears a central aspect in Helen’s work.

Degree Art Gallery Manager, Ryan Lanji

After which Ryan explained about the Confession Chamber which was the interactive element of Helen’s work; a look at the notion of confession, who to and why. Within the chamber, which has been meticulously created to represent a real confession box, are confessions from every body that has entered, along with some well know confessors from the art world. Some of which have been stitched into the fabric of the inside, some written in chalk on the walls and some placed in envelopes on the wall. Everybody was encouraged to enter there own confessions…

The last point we covered, which really was not apparent with the online material was the sheer size of Helen’s work. I had imagined them to be water colour pieces which would look great in a plain white frame and would be of reasonable size to go above the fire place, hang in the dining room or be a centre piece for the spare room. I did not for one minute imagine them to be the slightly oversized real life height that they are!

The reason for this as I found out when talking with Helen is intertwined within the whole body of work. The role reversal; the woman in charge, the woman in power, the woman imposing in height standing above the crouched, submissive man.

Ryan Lanji and Helen Gorrill

Helen’s work was hung from chains on the ceiling to allow for the full effect of the size to be felt. They covered the main walls of the gallery and in my opinion are hard to find fault with in terms of the concept. Secured to the floor were 3 images of men in submissive postions, all positioned under the images of the women. In addition to this there was Helen’s provocative installation pieces which are steeped in religious references as well as a swipe at the controlling nature of the Church.

Helen’s background is that of an interesting mix of religion and control. A Christian background, a marriage to a Policeman who was also a Jehovah’s Witness and a seeming questioning of the effect of male influence in her life and choices. One of Helen’s shows was censored; the male nudity was covered but the female nudity was not – a very interesting point, especially as it was censored by men. This also questions the influence that men have had over society and the extent of control over what social acceptances should be. Helen’s work was actually featured on a Vatican sponsored website for some time because they thought it was promoting the Confession – when they realised it was actually asking a few more questions it was promptly removed!

Listening to Helen reference sexuality, feminism and religion in her work was very compelling in considering whether this is just a result of Helen’s personal experience or is a genuine perception of the world which many of us overlook or choose to ignore. Helen was supported by Degree Art’s very own Chloe Lawrence who covered some points in
literature relating to the feminist cause and the response this drew from female artists. References to Yoko Ono’s “Cut Piece”, Carole Schneemann’s “Interior Scroll” and Judy Chicago’s “Dinner Party” were all made. In addition we also heard from Kim Foxton who spoke about religion and the role of women through history and how this has changed.

Ryan Lanji, Helen Gorrill, Chloe Lawrence & Kim Foxton

Questions from the audience as well as Degree Art Founders Elinor Olisa & Isobel Beauchamp followed and this evolved to more personal discussions with the speakers accompanied with refreshments.

Overall a very well put together show which had important questions to state, as well as what I felt were aesthetically pleasing works. A great
environment to discuss the work and a well chosen line up of supporting speakers made a very enjoyable ‘art evening’.

Information
The provocative solo show ran from 3 November to 28 November 2011 with an evening in conversation with the artist on Saturday 26 November 2011.

All works are available for purchase from Degree Art.
To read more about the artist and to view all works visit: http://www.degreeart.com/events/deicide-solo-exhibition-and-new-works-helen-gorrill

Visit Helen Gorrill’s site here: http://www.helengorrill.com/about.aspx

© Degree Art and the Artist

STREET ART