After show at Scream

After Show at Scream | Art-Pie
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The beginning of the year is always a great opportunity to start a fresh page and discover what’s new. In this spirit, we would like to invite you to join us for our upcoming group exhibition AFTER SHOW PARTY.

AFTER SHOW is a transition from our Winter Exhibition, kicking off our new exhibition season in 2016.

You can come and view works of our long-terms collaborators, like Remi Rough, Shuby, Collagism and William Blanchard.

We are also really excited to showcase for the fist time the latest additions to the Scream family – Cassandra Yap, Jimmy C,Joe Cruz, Malarky, Mark Petty & Schoony.

Here are some the artists you will see in the show –

Jimmy C

Jimmy C | Art-Pie

Mark Petty

Mark Petty | Art-Pie

Word To Mother at Stolen Space

StolenSpace is proud to present Word To Mother’s fifth solo show with us, entitled ‘Essence Of Adolescence’ featuring a new body of mixed media paintings on wooden panels.

‘Essence of Adolescence’ is an enlightening glimpse into the artist’s visually obsessed mind. Word To Mother invites the viewer to take a glimpse of his inner mindscape. An outward manifestation that combines references drawn from his childhood and the visual stimulation that he absorbed; cartoons juxtaposed with more serious emotive thoughts and fears that face him as an adult living and painting in East London.

Incorporating hand drawn personal sentiments,emotions and feelings that he executes in the form ofloose script, inspired from his experience as a tattoo artist and tight sign written letters, drawn from years of painting graffiti. A beautiful juxtaposition, of fragile and emotive elements shown through subtle textures and washes of colour, but with a strength and confidence fused with his signature patterns, architecture & figures, this body of work is melancholic yet fun and playful.

With anearthy ‘London’ palette of grey tones excentuating splashes of brighter ‘seaside’ colours of fluro red, pink, yellows and turquoise which give the paintings an optimistic feel. Word To Mother draws inspiration from an adolscence which holds precious memories, juxtaposed with an adulthood which has made him the talented artist he is today.

Word To Mother
‘Essence Of Adolescence’
14.10.11 – 30.10.11

Pam Glew at Blackall studios

‘Beautiful and Damned’, the shows title, is of course taken from F. Scott Fitzgerald’s 1922 novel, which explores the listless lives of moneyed society during the Jazz Age.

This captivating era, drenched in glamour yet tinged with tragedy is the decadent setting for this extraordinary series of work. The exquisitely beautiful movie starlets, society icons and characters on display capture the spirit of the age all who are caught in the unforgiving glare of the limelight and some sadly burn out before their time.

As Pam states, “the tragedy amongst the beauty is what has inspired this show, the sharp contrast between a blessed life and one that ends in scandal, hedonism or destitution”.

Words from Mauger Modern Art

When – 25th till 29th May 2011 (late opening on the 26th)

WhereBlackall Studios

RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

——

We hope you’ll join us and join in the conversation…

Go to RECURSIVE

BT ArtBox eBay charity auction

BT Artbox 'Beacon' by Steven DrayIf you strolled in Central London recently, you must have come across these unusual looking phone boxes and maybe wondered what all this was about.

Peter Blake, Gerry Judah, Rob and Nick Carter, sculptor duo the DnA Factory and some 70 others artists and designers took part in the BT ArtBox project where they had to transformed the notorious red telephone box into a piece of art.

This project is sponsored by BT to raise money for ChildLine and all “artboxes” are u for auction until the 22nd July so get bidding today, it is for a gret cause.

Which ones do you like or have seen? We have included our top 5 below. See all BT ArtBox entries.

BT ArtBox by Gerry Judah
BT ArtBox by Gerry Judah

BT artbox ‘Utopia’ by Basson and Brooke
BT artbox 'Utopia' by Basson and Brooke

BT artbox ‘Dial M for monster’ by Lauren O’farell
BT artbox 'Dial M for monster' by Lauren O'farell.jpg

BT Artbox ‘Colour Wash’ by Rob & Nick Carter
BT Artbox 'Colour Wash' by Rob & Nick Carter

BT Artbox 'Beacon' by Steven Dray

Tour 13, the biggest street art display ever

There is something beautiful in urban decay when you can imagine how it used to be, how it has been and there was but it might be even more beautiful when something on the verge to vanish forever, is given a last moment of glory.

This is what exactly happened to a massive ten-story building in a low-income housing district of eastern Paris. The site has become one of the largest venues displaying street art ever.

“Tour 13”, as it is called took seven months to complete and iover 100 artists from around the globe had a go at it. Unfortunately the site is now closed and the tower is set to be demolished in the next few days so we wanted to give a a last homage to this ephemeral yet awesome project.

If like us you did not manage to go to Paris to check this out, there is still the Tour13 website to visit as well as the teaser video below as well as the few pics we have included after the fold.

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

All images from Le Mag De Poche

STREET ART ENCOUNTERS