David Samuel gives is graffiti tips via the program Blast (BBC)
Sheperd Fairey’s mural on Bateman’s row
We were lucky enough to be at the right place at the right time last week end to see Shepherd Fairey and his team at work. The team worked on a huge piece which we went and see again today. Enjoy the pictures below.
Sheperd Fairey’s “Sound and Vision” show opens this Friday at Stolen Space by the way… And it looks like to be one a kind.
The final piece











Stik at Subway gallery
We have all seen the stick men across East London, well the man behind all this, STIK, is having a solo exhibition at the Subway gallery, venue as quirky as STIK men.
Stik’s show at the Subway Gallery will feature an exciting Live Graffiti event, an installation comprised of four large light-boxes and hosts the long awaited launch of the new high quality print edition “Single Mum” produced by Squarity. As always there will be smaller, affordable pieces on sale too at this show which is set to be a vibrant and fascinating event for all.

When –
Preview is on Wednesday 2 March 6—9pm
The show will then run until the 26 march 2011.
Where –
SUBWAY GALLERY | Kiosk 1 Joe Strummer Subway | Edgware Rd / Harrow Rd | London W2 1DX
New Banksy in Calais depicts Steve Jobs
You’ve probably heard of Banksy‘s Dismaland, a dystopian amusement park which closed its doors in October of this year. However you may not have known the installations used for this art project have since been transferred to the port-side town of Calais France by volition Banksy himself. Labeled “Dismal Aid”, the timber and building materials have been repurposed into housing, children’s play areas, and community centers for the 7000+ Syrian refugees.
At the same time, Banksy has taken this opportunity to spread a few messages about the situation of “The Jungle”, the largest refugee camp in Western Europe. Three new pieces with very strong messages can be seen around Calais – read on below to see the images and brief descriptions.
The Steve Jobs Piece
With weathered clothing and an exhausted body language we see a depiction of Steve Jobs, sporting the now notorious expression from this iconic photograph. Steve carries an old Macintosh computer and a bin bag or rucksack on his shoulders. The message? Jobs is himself a son of Syrian migrants, he is of the same lineage as the refugees escaping ISIS today.
In a rare public statement to accompany the piece, Banksy expressed his drive and the message:
“We’re often led to believe migration is a drain on the country’s resources but Steve Jobs was the son of a Syrian migrant. Apple is the world’s most profitable company, it pays over $7billion a year in taxes – and it only exists because they allowed in a young man from Homs.”


The Medusa Piece in the Center of Calais
Based on French artist Théodore Géricault’s Raft of The Medusa, Banksy updates the dark and striking piece with a small background image of a modern cruise ship or luxury yacht. The boat, like the original piece, is embroiled in an intense struggle with the sea. The message of “We are not all in the same boat” speaks for itself.

The Young Boy Piece on the Beach
A silhouette of a young boy can be seen looking through a telescope while a vulture watches over him. The message of hope, future and dreams is cast harshly against a looming potential reality of darkness and death.

These artworks have been well-received by the city of Calais with an official statement in the local newspaper by mayor Natacha Bouchart, describing their value for the city. The city has expressed their commitment to protect the pieces behind transparent plastic shields, so the message and artworks remain intact for the foreseeable future.
BEN OAKLEY GALLERY (aka the B.O.G)

Having been a fan of Ben Oakley’s art work for the last few years I was really excited to see the Ben Oakley Gallery open in Greenwich last year. Having spoken to Ben this week he has given me details of the upcoming show in January which looks to be another good mix of contemporary street art. Ben works with a range of artists involved in the emerging and established contemporary and street art culture as well as creating his own work and being involved in various art projects and curatorial events. As a lover of series my favourite work of Ben’s are his trademark fairies, bears and yeti’s.
Show Details:
In January 2012, Otto Schade brings his extraordinary artwork to the Ben Oakley Gallery in Greenwich. He will be exhibiting original unseen artwork and ltd edition prints from 21st January – 5th February.
Originally from Concepcion in Nothern Chile, Schade now lives in London, where he works as a University Lecturer in the field of Architecture. He balances his career with a passion for creating beautiful and detailed artworks, both in the studio and at street level.
Schade uses his ribbons to compose beautifully intricate images, often referencing popular culture. However, he also creates more thought-provoking works, that resonate with deep and symbolic meaning.
Schade has forged a reputation as one of London’s foremost street artists, with his instantly recognisable ribbon motif adorning many walls throughout London and beyond gaining admiration from Private collectors and Artists alike.
Otto Schade will be in attendance.
BEN OAKLEY GALLERY PRESENTS: ‘URBAN SCHADE’
PREVIEW EVENING: Friday 20th January 2012 7.00 – 9.30 pm
EXHIBITION DATES: Saturday 21st January – Sunday 5th February 2012
VISITOR INFORMATION.
BEN OAKLEY GALLERY
9 Turnpin Lane Greenwich London SE10 9JA
(top end of the indoor market.)
Opening Times: Thursdays –Sundays 11-6pm
Monday –Wednesday by appointment.
All media enquiries /invitations: please email Ben Oakley.
Telephone. 07976 692 751 www.benoakleygallery.com
DLR: Cutty Sark Greenwich ( 2 minutes walk )
Overground Train:Greenwich Station ( 5 minutes walk )
Day Tripper, a stop motion by LC Beats
We present you the latest animation from filmmaker and human beatboxer, Luke Cavalan (aka LC Beats). Entitled “Day Tripper”, the stop motion has actually been created for as the music video for the latest single off Def Wish Cast’s recent album “Evolution Machine” (The hard hitting track features production from esteemed Australian beat maker, Dizz1, and vocals from the UK’s Spikey Tee)
The video features claymation caricatures of pioneering Sydney Hip Hop group, Def Wish Cast, running wildly through the city streets, promoting their upcoming performance, eventually finishing things off by delivering a high energy live show. After nearly 3 years in the making, having filmed 1 hour of footage for each second of film, the time has finally come to showcase this work of art.
The hours to get this stop motion movie together has been mammoth and we admire the commitment and passion here.
We have included the video below –
Happy Easter, related street art and graffiti around the globe
Aww Easter… Always a good time, not so much for the religious aspect but rather more for the bank holiday weekend and looming indulgence of chocolate bunnies and eggs.
Another thing to look out for are many Easter-themed street art and graffiti works. We browsed the web and compiled a small collection for your eyes only.
And for those who don’t know what Easter is, this below is for you – thanks Wikipedia
Easter,[nb 1] also called Pasch[nb 2] or Resurrection Sunday,[nb 3] is a festival and holiday celebrating the resurrection of Jesus Christ from the dead, described in theNew Testament as having occurred on the third day of his burial after his crucifixion by Romans at Calvary c. 30 AD.[5][6] It is the culmination of the Passion of Christ, preceded by Lent (or Great Lent), a forty-day period of fasting, prayer, and penance.
N.B: the image above is by Interesni Kazki
Click any pictures below to enlarge or launch the slideshow
Upfest 2013
The facts
250 Artists | 20,000+ Visitors | 3 Colour Filled Days
The date
Bank Holiday Weekend | 25th – 27th of May
The place
North Street – Bristol
Photographs by Ruthie Penfold




Compossible Worlds
“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.” Gilles Deleuze

This quote by Deleuze is a very complex statement on a very natural state of continuity and it is a state we are becoming readily familiar with through social media communication. Simply put, at the centre of each ‘world’, which is each of us, is collected a series of things (perceptions, object, memories, experiences etc.) which expands in all directions colliding and mingling with other worlds, (everyone else). This mingling is compossibility and we are fast becoming experts in it without really realising it.
This statement also suggests that our perceptions now are being formed by more than direct sensory experiences but also by data input in a compossible world, a world we don’t actually experience first-hand, but by proxy through the experience of others. The trouble with this is we are easily fooled, as discussed in ‘How fake images change our memories and behaviour’ by Rose Eveleth for the BBC’s Future magazine.
In my interview with Sandra Crisp, Memory Surfaces, I asked her about the implications of Deleuze’s statement:
JB: “It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”[1] This quote by Gilles Deleuze from Difference and Repetition suggests it’s a collective consciousness in perception which allows us to comprehend our world, do you feel our digital age helps or hinders our sense of continuity (memory) and ultimately our sense of self when information appears and disappears so rapidly online? Is it possible this rapid change in information thrusts us back into the ‘truth’ of physicality?
SC: What we have online at the moment is the continuous and rapid shift of information: Text, images, video and even entire web pages suddenly appearing then disappearing. Deletions with no warning – error 404 messages: ‘Page not Found’. Continual updates; all these create a sense of fragmentation and impermanence, and discontinuity. Printed books in the physical world are fixed and unchanging, we can rely on their information stability, each time we take them from the shelf they are the same as before. So this state of information transience is very much a modern phenomenon connected to the information age. In the past, a shift from oral to book cultures required people to process information differently; today many people now communicate and receive information via TV, radio, and Internet, electronic media rather than books. Therefore, I am not sure that any more ‘truth’ can be said to reside in the physical world than virtual, that this is any more contiguous. As with any new technology, it will change us and we need to learn how to use such new communication media wisely, to adapt to the apparent discontinuity, to interact with, and process the information bombarding us in meaningful ways. At the moment digital online communication is nascent, we are living in really interesting times where things are still developing. At the moment it may thrust us back into the continuity of the physical world but eventually in the future it may not.
You can find this exchange with Sandra in the full version of our interview, available in the This ‘Me’ of Mine companion book. Find out more about the book on our blogsite. Read our excerpted interview here.
[1] Difference and Repetition, Giles Deleuze, Continuum Books, 2004, pg.58
Wire sculptures by David Oliveira
Is “wire sculpture” becoming a thing? Well we met Robin Wight and his beautiful Fairies Wire Sculptures and we were astonished by the outcome.
Meet David Oliveira and his animal wire sculptures. His manipulation of wire to create a zoo of mind-boggling animal sculptures is just crazy. have you ever tried to make something out of the wire thingy around a champagne cork? Yes you did .

But take it to the next level and you get what might look like for some some sort of doodle or drawing. We have not had the chance yet to see the artist’s work in front of our eyes but we hear that the what looks like a 2d piece is an intricate yet clever use of wires to shape 3d wildlife animals.
What the artists says –
“My work 99% comes from my memory the other 1% is wire. Very ecological, right? Why wire? Because [it] is a line that can [stand] against gravity… Because [it] is naif, easy and spontaneous.”









