Shepard Fairey’s face must have dropped when he saw these “Yes we scan” posters which are a “remix” of his now iconic “Hope” pieece for Barack Obama’s 2008 presidential campaign. Yesterday he was the one using a photograph without permission, which got him into a legal battle and a $25,000 fine, but today it looks like someone is doing just the same.
We hear that Shepard Fairey likes the posters a lot and that he will not start any legal proceedings. We agree too, e thing they are great posters with a straight to the point slogan. What do you think?
The posters features the slogan “Yes We Scan,” a parody of Obama’s “Yes We Can” rallying cry, and an image of the president wearing headphones, presumably to listen in on average Americans’ phone calls.
“Subversion of well known symbols and images for social commentary has long been a technique in my repertoire, so I’m glad to see it in the work of others,” Fairey said
Ben Oakley and No Format Gallery present a new show of over 40 artists helping everyone get into the Christmas spirit! Opening preview night Friday 7 December from 5.30pm til late at No Format Gallery.
With an array of ‘urban’ work by artists such as Guy Denning, Ray Richardson, David Bray, Static, RYCA, Pam Glew, Carne Griffiths and more there should be an arty treat for everyones stocking.
Ben Oakley says: “come along its going to be a right old knees up with over 40 top notch artists, many in attendance”
EXHIBITION VENUE:
No Format – Second Floor Studios & Arts, Harrington Way, London SE18 5NR
Train: Charlton Woolwich Dockyard DLR: Woolwich Arsenal
Bus: 180, 177, 161, 472
All media enquiries/invitations: info@benoakleygallery.com
We need transportation for the players of the 2014 World Cup football, don’t we? How about a mean that will definitely stand out of the crowd and make us the coolest football team out there?
Well, as if the Brazilian team needed to become even cooler, they actually did. Their team’s airplane for the World Cup follows the street art theme that Brazil authorities have been using to get the word out there. They asked street artists Os Gêmeos to come up with some ideas and give their plane a face lift.
The result, an unmissable aircraft which took over 1,200 cans of spray paint to be done.
Some will tell you how ugly all these road signs, billboards and others are and how much they give our cities an ugly look. This is when The Billboard Art Project comes in with a awesome idea which surely will enhance the city landscape.
They acquire digital LED billboards normally used for advertising and repurpose them as roadside galleries. .Projects are currently held in various US cities only.
What makes this project even better is that it is open to anyone who is interested in contributing. The type of artwork consists of images specifically created for the medium or art turned into the required format. And you should never get bored since artwork rotates every 6-10 seconds.
“Love Is The Drug”print from RYCA to win, yes it can be yours. We are offering to you lucky readers, the chance to win this awesome print which coincide with the artist, RYCA aka Ryan Callanan, upcoming show at Lawrence Alkin gallery
“I love creating work that people want to touch.”
Ryan Callanan
Following his sell out London show in 2014, two solo US shows and being named Artist of the Year 2015 during Brit Week in LA, Ryan Callanan returns to Lawrence Alkin Gallery with Ten Years Later.
Offering a retrospective interpretation of familiar pieces, Ten Years Later presents a brand new body of work representing a transition into a new era for the artist.
One of RYCA’s iconic piece – “Reservoir Dogs Storm Troopers”
Callanan commented:
“While the show will reference the work I’ve been producing over the last few years, it will be dominated by the new pieces. Rather than looking back, the show is about looking forward and offers a glimpse into the future direction of my work, where I want to go bigger and madder.”
For the past decade, Ryan Callanan, aka RYCA, has worked tirelessly as an artist and printmaker, developing techniques learned during his career as a sign maker. His use of pop iconography and lyric-based works has garnered wide appeal, with many noted celebrities including Norman Cook aka Fatboy Slim, Russell Brand, Gordan Ramsey and Jose Mourinho collecting his work.
Marking a move away from the print and canvas works Callanan made his name producing, the show consists mainly of 3D pieces.
Ten Years Later takes the 3D pieces Callanan has previously produced and inverts them to create abstract convex works. He comments:
“Everything I’ve produced before has been completely reversed. Instead of reliefs that dome away from the viewer, the new pieces come out at you. Ironically they draw people in more, as they are curious to know what the works feel like and what they’re made of. The pieces are housed in acrylic casing, so while the viewer wants to touch, they can’t and are left wondering.”
We announced a little while ago that we were part of the Noise Intercepted project, a global art project curated by Labspace Studio (a creative agency & art house in Toronto, Canada). Noise Intercepted is a series of ten experience-activated noise challenges that prompt participants to listen, observe and interact with their urban soundscape in new and unlikely ways.
Challenge #1 is in and so is our entry – see below
Noise challenge #1: The Pulse
If your city had a defining sound, a defining pulse, a defining heartbeat, what would it sound like? look like? or feel like? …where would you go to find it? You have 1 week to venture outside and find the pulse of your city.
We thought for the obvious right away, we need to capture a sound, the pulse. And at night where sight is diminished by the darkness. But we were wrong, the pulse was visual. We started walking down the street trying to hear out for the pulse of the city but we found visual signs everywhere that we immediately associated to the pulse. We had found the pulse: the light.
Then focusing on the light, we sat back and listened and all sort of sound patters came to life. we had found the origin of the pulse: us, humans.
Sniders Lane Project – Presented by Just Another Agency.
Who would have thought that spending a weekend sitting in an alley by a dumpster could be so much fun. At the end of the Semi-Permanent conference Just Another Agency and Sister Bella hooked us up with the last instalment bringing a new location into the Melbourne lane ways mix.
It all kicked off on the Saturday with five talented artists, two large scissor lifts and a trunk full of Ironlak spray paint. The artists, Sear, Sirum, Dvate, Cam Scale and Deb worked on their pieces from early morning to well into the evening. Each artist was inspired by a preselected colour palet that was already laid out by Does who painted the mural on the back wall a few moths ago. Watching the progression of each piece was really enjoyable and seeing the end result of all the pieces fused into a mural was spectacular.
On the seven day the artists rested. The public wafted in and out of Sniders all day Sunday to check out the new work and we all just kicked back, drank beer and admired the art. Kirpy stopped by to add his stencils to a door way in the alley not only showing us his shear talent but also showing the intricacies that go into his work. We were happy to relax and watch Kirpy do his thing. By the end of the weekend the lane was complete. So make sure you add Sniders Lane to the tourist trail and why not stop off for a drink at Sister Bella too.
Fab or #CODEFC has been busy in the last few months and have been throwing a few pieces around town where his current topic, the Olympics, is being broken down according to his mindset.
Stay tune for more information and a sneak preview about his upcoming solo show at the Curious Duke gallery on white cross street
We are big fan of artists using what they can find around them to help them making art or in Nick Gentry’s case, using floppy disks to be his support for his art as well as being integral part of his end product – mainly portraits.
Nick Gentry uses wood panels layered with floppy disks which he might paint or not, but one sure thing is that they are fully integrated in his pieces. Using the round bit of the floppy disk as the eyes is a recurrent occurrence in his art. Nick Gentry portraits all these imaginative or not, I do not know, characters which behind that scruffy brush stroke comes to live.