All posts by Pierrick Senelaer

Founder of the Art-Pie site. I design and code websites and apps Monday to Friday from 9 to 5 and enjoy drawing, painting and visits to museums and galleries at night and weekends.

VNA launch party – 14th issue

Another cracking launch party over at East gallery has just happened, this time for the launch of the 14th issue of the VNA magazine.

This issue is featuring artist Sickboy on the cover and is full of extras to enjoy- of 2 Sickboy x Edding marker pens, a Sickboy Kiss-cut vinyl sheet and the screen printed cover, signed by Sickboy. VNA has put together an awesome video specially for the event while Mitch at Chasing Ghost London has very kindly agreed to post the pictures he took that night – very much appreciated. Make sure to check Mitch’s awesomeness at www.chasinghosts.com

VNA Limited Edition (1)

VNA issue 14 (3)

VNA issue 14 (17)

VNA issue 14 (8)

VNA issue 14 (7)

Photos by Chasing Shots

Related links
VNA magazine – verynearlyalmost.com
The Sick Boy website – www.thesickboy.com

Brett Amory at The Outsiders: waiting on the line

Brett Amory The Outsiders | Art-PieIntentional Abstractions is Brett Amory first UK solo show and first show of the year at The Outsiders

The works on display are part of the ‘Waiting’ series Brett Amory started back in 2001 in which he depicts morning commuters transiting via BART (Bay Area Rapid Transit) stations around San Francisco.

Here is what he says about it –

“I started the ‘Waiting’ series in 2000. I was working in Emeryville and living in San Fran, so I was commuting via bart. I became really interested in how people looked in the morning especially on Monday after the weekend. I noticed how everyone seemed to be somewhere else, not at all in the present. I also started noticing a disconnect. The bart would be packed shoulder to shoulder but there would be no communication and minimal eye contact.”

In his latest series and in this one on particular, the composition is minimal, the environment seems to fade away. The artist is trying here to give some emphasize on the guy waiting, to hopefully make him come across as something more than a waiting guy

The minimum composition in Amory’s works certainly makes you focus on the character, on the commuter. Look at it 3 feet away from the wall and it is difficult to fully realise what is going on, get closer and find out loads of details you just missed earlier, see the commuter differently. Amory’s works appear like some sort of mirages or hazed slices of personal stories, stories of these people in the morning waiting for their mean of transport, our story for most of us.

The show runs until Saturday 12th February 2010

Related links
> Brett Amory’s website
> The Outsiders

Brett Amory at The Outsiders
Brett Amory at The OutsidersBrett Amory at The Outsiders
Brett Amory at The Outsiders
Brett Amory at The Outsiders
Brett Amory at The Outsiders

Remi/Rough and Steve More at Blackhall studios: extended dates

Due to popularity the exhibition has now been extended until Friday 11th 7pm, giving more people a chance to see their work.

Remi/Rough and Steve More are leading a new school of post-graffiti artists and this will be the first UK exhibition to showcase the movement.

A is an exhibition at the forefront of an urban abstract movement whose roots come from a time before the hype of street art. Interest in this movement is steadily gaining momentum and Remi/Rough and Steve More are amongst its finest exponents.

Read the full preview

The introduction video to this show was produced by fellow Agents of Change member Timid and shows the works and artists introducing their new direction of Urban Abstract.

Where – Blackall Studios, Leonard Street EC2A
When 1st till 12th February 2011

Bonhams' Urban art auction – beyond expectation

The art auction market has been around for years, certainly a lot more than street art has been but yet, this emerging form of art seems to be on everybody’s lips and wallet indeed.

Bonhams’ auction, which just happened, has definitely showed us that. The bidding was fierce, the desire to own pieces from street artists, a must. The total sale from this Urban Art Sale at Bonham’s New Bond Street reached 455,760 GBP, with almost half of the works selling above their high estimates.

Here are some of the best sales

Banksy
‘Save or Delete Jungle Book’, 2001. This piece was originally made for Greenpeace
Sold for £78,000

Banksy - Jungle book

Ben Eine
Circus A-Z’, 2010
stencil spray paint and glitter on canvas
Sold for £6,600

Ben Eine - Circus

Futura 2000
Untitled, a performance piece created live on the Clash’s ‘Combat Rock’ tour, circa 1983
Sold for £38,400

Futura 2000 - Untitled

via Hang-Up

Markus Kiebel at Arch402 – Inside Complexity

The first London solo exhibition by German artist Markus Keibel sees a continuation of his interactive site-specific installations, as featured in PORTIZMIR 2 (2010), the triennial of contemporary art held in Izmir, Turkey. Exploring semantic roots and the poetry of materials, Keibel’s work brings to surface enigmatic, abstract forms.

Markus Kiebel

Since 2005, the Berlin-based artist has not only developed conceptual site-specific installations, but also an abstract idiom using different forms of human traces. The perception of viewers is the issue addressed by Keibel, whose current work investigates how colour interacts with viewers. His sculptures, paintings and works on paper draw their elements from simple materials, often using pigmented glass and acrylic colours to modify their mode of operation.

Created on-site especially for the Arch 402 Gallery, Inside Complexity will reveal a large-scale floor sculpture, designed for viewers to walk over and leave traces as they move.  Characterized as an ever-changing form, the four concentrated circles—created using different coloured pigment powders—shift and disperse throughout the exhibition venue, causing the colours to lose their intensity. As part of the exhibition, the transformation of Keibel’s ever-changing floor sculpture will be captured both in a time-lapsed video and on canvas.

In order to create these final works, the gallery space will be closed the day following the Private View (11th Feb) when Keibel will use the transformed pigment areas to create big canvases (170 x 280 cm), revealing the transcribed traces of human movement.

Keibel’s interactive installations are less focused on how interaction with the work evokes feelings in the public, but rather, with how these feelings act on given materials, as the pigments ultimately seem to reveal a sentimental beauty. Rendering the pigments in his own specific mode of representation, Keibel not only prefigures subjectivity in the abstract but also his own subjectivity, from a viewpoint that questions the prescriptive experience.

Words from Necmi Sonmez

Where – ARCH 402 GALLERY | Cremer Street, E2 8HD | Tue-Fri 11-6
When – 12 February – 18 March 2011 / Private View 10 February 6-9pm