Star wars as greek statues

Greek sculpture | Art-Pie
Classical Greek sculpture

We all went to a museum one day (well I hope you did, if not you guys are missing out!) which has a Classical art collection often consisting of a series of nude hunks sculptures.

In the Classical period there was a revolution in Greek statuary, usually associated with the introduction of democracy and the end of the aristocratic culture associated with the kouroi. The Classical period saw changes in the style and function of sculpture. Poses became more naturalistic (see the Charioteer of Delphi for an example of the transition to more naturalistic sculpture), and the technical skill of Greek sculptors in depicting the human form in a variety of poses greatly increased.

Star Wars Greek Sculptures by Travis Durden | Art-Pie
Click to enlarge

But enough of Greek sculptures in their “Classical” sense, let’s look at the series of digital manipulations by French artist Travis Durden adds a Star Wars dimension to it.

Star Wars, for those who don’t know it (…) is an American epic space opera franchise, centered on a film series created by George Lucas.

I do not know for you guys but the chap is pretty gifted at sculpture right? Well it may be but these works will not prove it because these  are a series of images manipulated using Photoshop, the popular image editing software.

Durden reimagines Darth Vader, Boba Fett, Yoda, General Grevious and a Storm Trooper as “Darth Resurrection,” “Gladiator Boba,” Angel Yodea,” “General Niobides” and “Storm Reader.”

About the artist

Travis Durden is a pseudonym, as the Parisian artist behind the project would prefer his art be the center of attention, not himself. Fascinated by the construction of myths & idols, he interrogates how we, as humans, determine what will be raised to popular culture or elevated to divine cult, and how history has influenced us in making this choice.

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Star Wars Greek Sculptures by Travis Durden | Art-Pie

Guy Denning at Signal gallery – Paradiso

Bristol born artist, Guy Denning final part of his trilogy of exhibitions (It’s the final part of his trilogy of exhibitions interpreting Dante’s The Divine Comedy; PARADISO. Inferno and Purgatorio, which were shown in Bologna and New York) interpreting Dante’s The Divine Comedy: PARADISO has just happened at Signal gallery and has delighted us by his intensity and display of technical art skills.

Each piece in this show is boiling with emotions and dynamism and mirror the ecstatic route to a place of resolution and rest for Dante, the route to heaven that is for Dante.

Guy Denning - Paradiso | Art-Pie

A quite large part of the show present a series of female portraits appearing soft and fragile but transposed in some sort of tragedy thanks to the sketchy technique used by the artist, although achieved mostly with oil which is remarkable. The artist inspiration comes from Beatrice, Dante’s long dead love, who is the central figure in the poem and who symbolises feminine purity and vulnerability.

Guy Denning - Paradiso | Art-Pie

Denning’s characters are floating, dancing, tangling with each other and give you a sense of dizziness. The color palette is dark and deep like the multitude faces expressions disseminated all over the canvases. The perspective used for some of his pieces is also remarkable and is an invitation to dive into his vision.

Guy Denning - Paradiso | Art-PieGuy Denning - Paradiso | Art-Pie

Guy Denning will definitely arouse the viewer’s curiosity about Dante’s life and has given us an unique and modern representation of Dante’s 14th century world.

The show is now over.

Guy Denning - Paradiso | Art-Pie

Guy Denning - Paradiso | Art-Pie

Guy Denning - Paradiso | Art-Pie

Guy Denning - Paradiso | Art-Pie

Copyright at London Westbank gallery

We managed to get down to the London Westbank gallery to attend the opening of “Thirteen”, the new Copyright solo show. We arrived quite early which was nice as people were still quite scarce so this enables us to take a good look at the impressive amount of pieces that got hung on the walls of the two level gallery.

Let’s face it, quite a few pieces weren’t new at all and were taken from past show and while some may argue that Copyright’s style stagnate (read The Art Collector full comment,), we still enjoyed the pin-up girls which often appear in Copyright pieces and are even some sort of signature.

One thing worth pointing out was the use of the actual stencils as pieces itself. Quite a few of the stencils the artist used for his works were indeed hung around the gallery and could be recognised by a sticky tape that sometimes said “Fragile” clumsily wrapping the cut out paper piece.

The show is now over

More pictures after the fold

Copyright at London Westbank | Art-Pie
Copyright at London Westbank | Art-Pie
Copyright at London Westbank | Art-Pie
Copyright at London Westbank | Art-Pie Copyright at London Westbank | Art-Pie
Copyright at London Westbank | Art-Pie
Copyright at London Westbank | Art-PieCopyright at London Westbank | Art-Pie

Copyright at London Westbank | Art-Pie
Copyright at London Westbank | Art-Pie
Copyright at London Westbank | Art-Pie

Hors Les Murs, part of the FIAC fair

The FIAC art fair has opened its doors to the public until the 27/10 and while loads is happening, a stroll around the Parisians parks i a must as a bung of artist have dropped some outdoors installation. This event is called Hors-Les-Murs

Make sure to head down to the Tuileries Gardens, Jardin des Plantes, National History Museum, and Place Vendôme, the Petit Palais, and the banks of the Seine River, situated on the left bank between the Pont de Solférino and the Pont des Invalides and you shoud get your dose of art

Highlights include an installation by Tadashi Kawamata on the iconic Vendôme Column in Place Vendôme, working in collaboration with the Comité Vendôme and its members, in particular a number of major jewelers that are based in the mythic square. The piece is entitled “Tree Huts at Place Vendôme, 2013.”

The Wall Project at Rich Mix

Rich Mix is back again with a new edition of his project – The Wall Project which has for purpose to find emerging artists.

Last time this event happened, Remi Rough painted an awesome piece, read more and see the photos of it

About the competition –

The Summer Season application received many exciting interpretations on the true values of Havana and the final winner was LXOne. See the finished Wall at Rich Mix (or the photo below) from now until August and enter for the final Wall Project to showcase your art between August and October

From LXOne: “I’ve used shapes and symbols that refers to my work and interpreted the brief using colour and movement. Orange is for the sun, red is for the passion and yellow is for the happiness – all characteristics I see in Cuban humanity. The geometrical patterns convey both accurateness but also spontaneity with my use of the arrow. The value of creativity can be seen in the finished product from submission to completing my work and†the whole creative process been something I have hugely enjoyed having the opportunity to do

Entries for the final wall are submitted by e-mail to visualarts@richmix.org.uk, a selection will be posted on the Havana Club UK and Rich Mix facebook page to invite public feedback.

Entries must be submitted by:
Friday 5th August – with the winning wall design on show from August to October 2011

For further enquiries please contact Manuel Suarez manu@theneonhub.com or 0207 460 5359

Check these out –
Facebook page for The Wall project
LXOne website: http://www.lxone.eu

Ross M Brown’s solo exhibition CONCRETE MYTHS

Ross M Brown has a new solo exhibition at Lacey Contemporary Gallery called – Concrete Myths.

This new body of work was created following a research trip to the derelict Haludovo Palace Hotel on Kirk Island, a 1970s luxury resort designed by Modernist architect Boris Magas.

Brown depicts the dilapidated location in a series of large scale paintings that often reference formal tropes more commonly associated with Modernist abstraction.

 

CONCRETE MYTHS – Ross M Brown  | Art-PieRoss M Brown’s work channels the experience of architectural space through the medium and history of painting.  Exploring subject matter found within abandoned Modernist architecture, the artist layers disparate approaches from the history of painting producing a palimpsest of diverging and converging painterly approaches.

Relating to the urban ruin as a hybrid space where divisions between past and present, architecture and nature, order and disorder have become blurred and indistinct, Brown employs a painting process which pits rigidly constructed perspective against the fluid materiality of poured, smeared and dripped paint.

WHAT – Concrete Myths by Ross M Brown
WHERE – Lacey Contemporary gallery, 8 Clarendon Cross, London W11 4AP
WHEN – 17th June (preview) till 4th July 2015

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