920 pencils and 5125 images is what what Jonathan Chong (also called Dropbear) needed to put together this very neat stop-motion for the Melbourne-based indie-folk band called Hudson. Enjoy it below.
Also included is a “behind the scenes” footage just to tell you how much work this sort of work involves, loads, no really a tremendous amount of time and patience!
Nicholas Serota’s recent comments that the government’s funding cuts will cause an ‘arts blitzkrieg’ have inspired Transition Gallery to stage ART BLITZ, a fundraising event which references and updates the confrontational politics and unique style of the 1980s.
The call to arms for ART BLITZ has been phenomenal with artists including Yinka Shonibare, Clunie Reid, David Blandy, Stella Vine, Phillip Allen, Sigrid Holmwood, Continue reading Art Blitz: live event and auction→
Time to show some support and also to expose the polluted water issue that is happening right now in China.
“Not only is China one of the world’s twenty most water deficient countries, but irresponsible corporations and slack government has made water pollution highly prevalent in China. Today, as much as 70% of all rivers, lakes, and reservoirs in China are affected by water pollution, and with each passing day the situation only gets worse.”
Greenpeace is using what can called ‘street art’ and has launched a campaign by some creative street installations across the globe recently – mannequins bearing the Chinese symbol for water – ? ‘Shui’
Some have been spotted in London, see the pictures below.
Banksy fans will remember this SWAT (police units used in specialised operations such as dealing with gunmen) van which the artist painted back in 2006 as form of provocation towards the police force.
Well, it is time to empty your pockets if you want it parked on your drive way, indeed the street artist’s van is included in the auction house’s Post-War and Contemporary Art auction on June 29.
The formal estimate is at between £200,000 to £300,000. The present owner bought the van directly off the artist and vanished from the public eye until today but rest assured, it comes with a certificate of verification from the Pest Control Office, Banksy’s authorisation service which confirms pieces as genuine.
Here is what Bonhams‘ Ralph Taylor,senior director in its Post-War and Contemporary Art department –
The van shows Banksy’s bravado, imagination and technical skill
About the work itself
Both sides are painted.
One one side, a little boy is depicted and is about to prank a SWAT team -gun-toting officers in riot gear, who are about to be surprised from behind by a young boy clutching a blown-up paper bag,
On the other side you will have recognised Dorothy (played byJudy Garland) from The Wizard of Oz standing among heavy tagging and graffiti on the other.
But what people may describe as the main message in this work is the sign saying “How’s my bombing?” rather than “How’s my driving?”
Part of Banksy’s “Barely Legal” show
Click to enlarge
The vehicle, restyled with household gloss and spray paint in 2006, was displayed that same year in a Los Angeles warehouse for Banksy’s “Barely Legal” show — his US debut.
Despite little advance notice and its location near Skid Row, the event received considerable publicity and was attended by stars such as Angelina Jolie and Brad Pitt.
We included a couple of pics below of the show. the top one giving you an overview while the other shows a truck that was used outside the show venue – click any pictures to enlarge
Video installation by the creative Brooklyn duo Sweatshoppe. The principle is simple: a LED roller paints video onto a wall. The effect is guaranteed.
Thanks to the programming language called Max/MSP, Blake Shaw wrote a software that makes possible the projection of video visible when it comes in contact with the LED lights on the roller.
The video below is Sweatshoppe at it on top of Cordy House, Shoredith, London towards the end of last year.
Summer time and outdoors urban art exhibition sound like they are made for each other so you imagine my excitement when I heard about the Whitecross street party.
I am lucky enough to work quite near the area and had unfairly some might say went a few days earlier to get a sneak preview at the artworks which were starting to pop up everywhere on the walls of Whitecross street. The huge piece from Burning Candy had definitely open my appetite for more.
I turned up then early afternoon on Saturday and was happy to see that the street was fairly busy with heads going up and down the surrounding walls and fingers pointing at will. I was quick to join and enjoy Burning Candy, EElus or Best Ever pieces.
I was disappointed though by the lack of live events. I perhaps should have turned up earlier and could have attended the giant knitting event or was I expecting too much? Anyway, it was good to see some artists at it at least stenciling and spraying away.
Good day out overall and definitely some awesome pieces to go and see. The street exhibition runs until the 5th September.
Featured artists:
Best Ever | Burning Candy Crew | Carrie Reichardt | David Bray | Dead Leg | Dotmasters | Dr.D | Eelus | Filthy Luker | Gavin Turk | Giles Walker | Small | Mysterious Al | Mr.E.Dawe | Paul Insect | Peter Dunne | Ronnie Wood | Shepherd Fairey | Teddy Baden | Will Barras | Wreckage | Xenz
Born in Doncaster in the fifties David Lee flew the nest at a young age to set up residence in London, which heralded a new phase in his life, as he discovered London’s burgeoning hippy scene. However, during his early thirties, his love affair with France began with the marriage of his French wife.
Inspired by modern French painters, particularly Cézanne, his exploration of the forthright nude and his radical brush strokes were the first step toward Impressionism.
Lee’s paintings are inspired not only from the South of France and Paris but from the era between the 1920’s and 50’s, which is a common theme in all of his work.
Lee readily adopted the cafe culture of our continental cousins where Paris seized him. Spending so much time in the City of Lights, enjoying such impassioned vibrancy, the cafes were the creative enclaves where his artistry was honed.
His work embodies a delightful image of French café culture. The distinction from Lee’s work is how he captures this hustle and bustle of Parisian cafés giving us canvases splashed with vivid colour, radiating gaiety and the joy of life.
A second love interest later developed and this new ménage-a-trois between London, Paris and the South of France was a source of nouveau inspiration. With a palette full of colour from the warm South, Lee has brought back from the azure shore paintings that palpitate with hot sunlight and dazzle with their audacious colour.
Exclusively for Graffik Gallery David Lee has also painted a series of French inspired pop-art portraits.
To celebrate Lee’s Anglo-French love affair the preview will feature a themed party, which includes feasting on French delicacies, a wine tasting and a mime artist.
‘Vive La France’ 26 April – 9 May 2012 – Daily 11am to 6pm
To RSVP to the Private View (26/4) please email art@graffikgallery.co.uk
British photographer mark mawson explores the synthesis of color, ink and water in his series ‘aqueous II – the sequel’.
That means it has produced these amazing shots where the electric imagery follows the journey of paint as it plunges underwater — the submerged forms exposing the aftermath of mixing, dropping, and spinning various colored liquids in water.
The result is frozen motion, capturing billowing, hypnotic shapes and silhouettes swirling and rippling through a vast dark background. the photographs illustrate a variety of illusions — sunken mushroom clouds ballooning in space, vibrant jellyfish-like figures, and ghostly pigmented lines.
After the Olympic project and solo show 20:12 two years ago, #CODEFC returns with another solo show and book launch celebrating his 25th anniversary in the graffiti/ street art world.
The book is a collection of photos from as early as 1990 including lettering, free hand painting, sketches, stencils and stickers.
We are giving two readers the chance to win a copy of #CODEFC book.
What you need to do is either subscribe to the Art-Pie newsletter, share this article on Twitter and/or on Facebook using the hashtag #ArtPieCodefcBook.
Easy uh? Hurry up though, the competition ends on Sunday 2nd November midnight
The show will display a series of paintings made in his studios in London from 1997, from older canvases to more recent ones belonging to different collections and projects and also includes paintings started in previous years and then modified for the show.
It will surely give an insight into his studio practice and his graffiti background as not many people has seen before.