The Championships, Wimbledon – related art

The Championships Wimbledon | Art-PieProbably one of the most popular sport events in the UK, The Championships, Wimbledon 0f 2016 are happening right now and have been since 1877! It is the oldest tennis tournament in the world, and is widely considered the most prestigious.

It is one of the four Grand Slam tennis tournaments, the others being the Australian Open, the French Open and the US Open. Since the Australian Open shifted to hardcourt in 1988, Wimbledon is the only major still played on grass.

We included artists and pieces below which all have a ‘tennis’ element in it.

NB: the top image is a piece from the Pothole Gardener

Pavement art

We’ll kick off with “pavement art” and this extraordinary piece below showing, using 3D effect, a court of tennis where The Championships are normally play on.

The artists are Joe Hill and Max Lowry and you will have noticed that the chair one of the artists is sat on is an actual chair and belnds into the 3D piece.

The Championships, Wimbledon | Art-Pie

Joshua Callaghan

Joshua Callaghan, Wimbledon, The Championships | Art-Pie
By Joshua Callaghan. Click to enlarge

Joshua Callaghan, an artist who lives and works in Los Angeles has recently been using the urban furniture around him and expecially tennis one.

The artist disguises utility boxes by pasting pictures onto them of the scenery behind, thereby creating the illusion of an uninterrupted view.

We have included an example on the left (Click to enlarge).

Slinkachu

The Championships, Wimbledon | Art-Pie
By Slinkachu. Click to enlarge

Here’s an amazing new artwork by Slinkachu. These are the first images from his forthcoming exhibition entitled “Concrete Ocean”.

This piece called “Last Resort” was created in Wandsworth, South London, by the British artist who has become famous for his installations all over the city using minature trainset figures and graffiti on snails.

We included below a detail and a zoomed out photo of the artwork. Click to enlarge.

The Championships, Wimbledon | Art-Pie The Championships, Wimbledon | Art-Pie

Danielle Clough

The Championships, Wimbledon | Art-Pie

The artist, Cape Town-based uses thick and often bright thread in her creations. Finished pieces include images of flowers or portraits of people.

We particularly wanted to draw your attention to the pieces depicitng flowers hung on the strings of vintage tennis rackets. We included more of it below. (click to enlarge)

The Championships, Wimbledon | Art-Pie The Championships, Wimbledon | Art-Pie

Otto Schade

The Championships, Wimbledon | Art-Pie
Click to enlarge

Otto Schade also produced a “Street Art Olympics” themed series of work a couple of years ago which was on display at Frameless gallery and which includes a piece depicting a player tennis.

We went to the show and even wrote a review about it so we hope that you will have the time to read it.

Some of the works in the show were first visible around the streets of London (see left – click to enlarge)

We also have a few pieces of the artist in our shop so we’ll invite you to have a look

Around the web

We also includes other pieces related to The Championships, Wimbledon or more generally to tennis.

We hope you will enjoy them!

The Championships, Wimbledon |Art-Pie The Championship, Wimbledon | Art-Pie The Championships, Wimbledon The Championships, Wimbledon | Art-Pie

10 ‘surreal’ GIFs related to Salvador Dali & his art

We love animated GIFs as well as Salvador Dali so here is 10 animations we found combining the two. Enjoy

Salvador Dali | Art-Pie Salvador Dali | Art-Pie Salvador Dali | Art-Pie Salvador Dali | Art-Pie Salvador Dali | Art-Pie Salvador Dali | Art-Pie Salvador Dali | Art-Pie Salvador Dali | Art-Pie

About Salvador Dali

Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí de Pubol (11 May 1904 – 23 January 1989), known as Salvador Dalí (Catalan: [səɫβəˈðo ðəˈɫi]; Spanish: [salβaˈðoɾ ðaˈli]), was a prominent Spanish surrealist painter born in Figueres, Catalonia, Spain.

Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí’s expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.

Dalí attributed his “love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes”to an “Arab lineage”, claiming that his ancestors were descended from the Moors.

Dalí was highly imaginative, and also enjoyed indulging in unusual and grandiose behavior. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork, to the dismay of those who held his work in high esteem, and to the irritation of his critics.

An afternoon on Brick Lane spotting street art

I got myself down to the mighty Brick Lane at the week end, the i-phone (to post photos on Instagram of course) in one hand and the camera in the other one and as always I spent a solid two hours strolling around the area looking for little wonders that is called “street art”.

I spotted a loads of C215 pieces but also a nice sets of PEZ smiling fish. Conor Harrington also has been at it and has produced striking artwork. Enjoy the pictures below. There was so much to see that I had to break into two parts, you are looking at part I, here is part II

Conor Harrington
Conor harrington

street art brick laneConor Harrington

street art brick lane

C215
C215

street art brick lanestreet art brick lane

street art brick lane

street art brick lane

Otto Schade

Ronzo

Bonhams' Urban art auction – beyond expectation

The art auction market has been around for years, certainly a lot more than street art has been but yet, this emerging form of art seems to be on everybody’s lips and wallet indeed.

Bonhams’ auction, which just happened, has definitely showed us that. The bidding was fierce, the desire to own pieces from street artists, a must. The total sale from this Urban Art Sale at Bonham’s New Bond Street reached 455,760 GBP, with almost half of the works selling above their high estimates.

Here are some of the best sales

Banksy
‘Save or Delete Jungle Book’, 2001. This piece was originally made for Greenpeace
Sold for £78,000

Banksy - Jungle book

Ben Eine
Circus A-Z’, 2010
stencil spray paint and glitter on canvas
Sold for £6,600

Ben Eine - Circus

Futura 2000
Untitled, a performance piece created live on the Clash’s ‘Combat Rock’ tour, circa 1983
Sold for £38,400

Futura 2000 - Untitled

via Hang-Up

The unnamable

When Context Take The Game | Art-Pie“Where now? Who Now? When now?

Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on. Can it be that one day, off it goes on, that one day I simply stayed in, in where, instead of going out, in the old way, out to spend day and night as far away as possible, it wasn’t far. Perhaps that is how it began. You think you are simply resting, the better to act when the time comes, or for no reason, and you soon find yourself powerless ever to do anything again. No matter how it happened. It, say it, not knowing what. Perhaps I simply assented at last to an old thing. But I did nothing. I seem to speak, it is not I, about me, it is not about me. These few general remarks to begin with. What am I to do, what shall I do, what should I do, in my situation, how proceed? By aporia pure and simple? Or by affirmations and negations invalidated as uttered, or sooner or later?
Generally speaking. There must be other shifts. Otherwise it would be quite hopeless. But it is quite hopeless. I should mentions before going any further, any further on, that I say aporia without knowing what it means. Can one be ephectic otherwise than unawares? I don’t know. With the yesses and the noes it is different, they will come back to me as I go along and how, like a bird, to shit on them all without exception. The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.”
Opening paragraph to The Unnamable by Samuel Beckett

Contemporary philosopher Alain Badiou asks if we can name a truth, anticipating and forcing into knowledge all the elements contained in that truth, risking a totality of knowledge related to it; a problem, for example, in politics where this turns to totalitarianism. He says, “The construction of a truth is made by a choice within the indiscernible…But the potency of a truth depends on the hypothetical forcing…The problem is to know whether such a potency of anticipation [hypothetical forcing] is total…My answer is there is always, in any situation, a real point that resists this potency.

I call this point the unnameable of the situation. It is what, within the situation, never has a name in the eyes of truth. A term that consequently remains unforceable. This term fixes the limit of the potency of a truth. The unnambeable is what is excluded from having a proper name, and what is alone in such exclusion. The unnameable is then the proper of the proper, so singular in its singularity that it does not even tolerate having a proper name. The unnameable is the point where the situation in its most intimate being is submitted to thought; in the pure presence that no knowledge can circumscribe. The unnameable is something like the inexpressible real of everything a truth authorizes to be said.”
Alain Badiou from Infinite Thought

The unnameable is something I have personal experience with. The secret and the truth. I’ve held both of these things, safeguarding, I thought, others and myself. Both secret and truth can be destructive if kept silent. But it has been my experience that once spoken, the unnameable is an agent of transformation; it comes in facing what’s real.

Read more of my interview, When Context Takes The Game, conducted by Becky Huff Hunter for This ‘Me’ of Mine.

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Beckett, Samuel, Three Novels Molloy, Malone Dies, The Unnamable, Grove Press, New York, The Unnamable, originally published under the title L’Innommable, copyright © 1953 by Les Editions de Minuit. Translation copyright © 1958 by the Estate of Samuel Beckett, pp. 285-6.

Badiou, Alain, Infinite Thought, Continuum International Publishing Group, London, New York. Trans and ed by Oliver Feltham and Justin Clemens, 2005 – 2011. “Philosophy and Truth”, pp. 43 to 51, originally titled “The ethic of truths: construction and potency” quote p.49.

Banksy v. Robbo: the fight’s still on

Team Robbo and his crew still seem bitter and have painted over another one of Banksy’s pieces in Camden. This guerilla started when Banksy painted over one of Robbo’s historical throwups – see earlier post here. Team Robbo went back to Regent Street Canal and modified the piece which now seems to imply that Banksy is fishing for ‘street cred’.

One thing to notice in all this is the two different approaches – Banksy paints over while Team Robbo ‘alter’ to suit their means. This is probably the only interesting and entertaining aspect of that whole story because to be honest, there is no need for such non-respect.

See below the Banksy piece – Before and After …

ART-PIE

Banksy's piece before
Banksy's piece before
After Team Robbo's work
After Team Robbo's work

Rippled, light painting and animation at their best

There are quite a few light-painting based videos/animations out there these days, some very well done, some others a bit less but what about this one – “RIPPLED“, another collaboration between Darcy Prendergast and the creative team at OH YEAH WOW.

Two words – truly amazing.

You do not get perfection or beauty without pain. 6 months is how long this work took to get wrapped up and frame by frame animation and long exposure technique were how they proceeded. The camera was the weapon and the creativity topped it all off.

Track – All India Radio- The Silent Surf

Video painting at Cordy house, London

Video installation by the creative Brooklyn duo Sweatshoppe. The principle is simple: a LED roller paints video onto a wall. The effect is guaranteed.

Thanks to the programming language called Max/MSP, Blake Shaw wrote a software that makes possible the projection of video visible when it comes in contact with the LED lights on the roller.

The video below is Sweatshoppe at it on top of Cordy House, Shoredith, London towards the end of last year.

SWEATSHOPPE video painting@ Cordy House from SWEATSHOPPE on Vimeo.

Related links
> www.sweatshoppe.org
> http://brunolevy.com/
>
en.wikipedia.org/wiki/Max_(software)

STREET ART ENCOUNTERS