Catlin Art Prize 2012

Julia Vogl's "lets hang out" - Catlin art prize winner
Let’s hang out by Julia Vogl

Catlin Art Prize (www.artcatlin.com)
When: Wednesday 16 April 2012
Where: Londonnewcastle Project Space, London, E2 7DP

The winner of the 2012 Catlin Art Prize is Julia Vogl, a 2011 graduate of the Slade School of Fine Art at University College London. She is the sixth winner of the annual Catlin Art Prize, a competition showcasing the work of recent graduates of UK art schools.

Julia Vogl won the 2012 Catlin Art Prize for her ‘social sculpture’titled ‘Let’s Hang Out’. The work invites visitors to create a communal area by selecting and affixing coloured carpet titles that colour-correspond with Julia’s suggestions of various pastimes (such as ‘call Mum’, ‘tweet’, etc.). The work will evolve throughout the duration of the Catlin Art Prize exhibition while encouraging visitors to interact – and hang out.”

The official comments on the Art Catlin website confirming the recipient of the £5,000 award, now it its 6th year.

The exhibition showcasing the finalists of the artists compiled in the Catlin Guide was hosted at the Londonnewcastle project space and in my opinion was laid out and staged to create an explorative feeling when entering.

Before hearing the winner I was one of the first people to interact with Julia’s “lets hang out” and felt that for me this was quite rightly a centre piece, seemingly the concensus as it turned out.

In addition to film and other mixed media work the next most enjoyable piece was marbles and sand staged in one of the corners of the show. A mystical and engaging feeling from starting at the work and felt very much similar to my own thoughts on moments in time.

The second piece which was a stuffed horse on its back clamping on to a made object. This was very striking but wasted on me.

The guide is fast becoming as much a tool for collectors as it is for the artworld in showcasing talent and clamouring for the prize.

For more information visit: www.artcatlin.com

Jester Jacques at the Other Art fair

This is it. Last stretch before the start of The Other art fair and the display of delightful artworks as usual. We are also looking forward to see our friends at Jester Jacques gallery who will hold their fort in the bar area – nice.

True to themselves and always believing and supporting of the emerging art scene, Jester Jacques gallery will most certainly please use with a pertinent selection of artists for the fair. Artwork from Rob Bellman, Chris Daniels, Super Future Kid, Steven Quinn and Nicholas Goodden will be showcased.

We have included below our favorite artwork for each artists and hope to see you at the fair.

Nicholas Gooden
Nicholas Gooden

Super Future Kid (left) | Chris Daniels
Super Future KidChris Daniels

Steven Quinn (left) | Rob bellman
Steven QuinnRob Bellman

The Other art fair

Valencia, full of police, full of beautiful walls

Miss Kaliansky, a keen street art shooter, has been around the spanish city of Valencia and has sent us back this mighty set of street art

Featured artists: Blu | Cere | Deih | Dong | Eric il Cane | Escif | Hyuro Only Ateme | Ro | Pez | Radghe | Sam3 & STN

STN and Dong pieces are our favorites, what are yours?

Blu
Blu
STN
STN

Sam3 (left) and PEZ (right)
Sam3PEZ

RADHGE
RADHGE
Only Ateme & Ro
Only Ateme & Ro
ESCIF
ESCIF

DEIH (left) & DONG (right)
DEIHDONG

5 controversial public art pieces

“Public art is art in any media that has been planned and executed with the intention of being staged in the physical public domain, usually outside and accessible to all.” says Wikipedia.

And this makes public art more likely to be criticized, because the potential number of passers-by can be substantial.  This is especially true in high-pedestrian cities such as  Chicago, which is well-known as an excellent place to encounter public art.

“Public art may include any art which is exhibited in a public space including publicly accessible buildings, but often it is not that simple. Rather, the relationship between the content and audience, what the art is saying and to whom, is just as important if not more important than its physical location” Wikipedia adds.

There you have it – public art is often bold, conveying a strong message which sometimes sparks significant controversy

We’ve included 5 public art pieces below, which have been and are still causing uproar.

1. John Ahearn, The South Bronx Bronzes (1988), New York

'The South Bronx Bronzes' by John Ahearn | Art-Pie

Erected in 1988, John Ahearn’s South Bronx Bronzes pose questions of ownership, identity, and rights in a public space. A white sculptor, Ahearn lived and worked in poverty-stricken South Bronx and made life-size castings of neighbourhood residents, always giving one copy to his model.

His community-based art led the New York City Department of Cultural Affairs to commission him to create a set of sculptures for the local police station. Ahearn chose to cast ordinary people as his subjects as a way to embody the community’s character. But his sculptures immediately spurred a debate embroiled in race and socioeconomics.

Residents of the neighbourhood thought the artist was relying on tropes, choosing to depict them as poor hoodlums instead of creating positive and inspiring images for the community. Others thought that only black artists should be able to represent black subjects.

Genuinely shocked and disturbed by the controversy, Ahearn chose to take the sculptures down a few days later.

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2. Seward Johnson, Forever Marilyn (2011), Chicago

What does a sculpture depicting Marilyn Monroe in a movie that pays tribute to New York City have to do with Chicago?

'Forever Marilyn' by Seward Johnson

The 26-foot installation depicts a partially exposed Monroe from the movie Seven Year Itch. In addition to its irrelevance, many criticized the sculpture for its lewd and anti-feminist connotations. Its placement, meanwhile, prompted many classy photos of people gawking up her skirt, licking her legs, or pointing to her underwear.

Before it moved to California, Marilyn Monroe was vandalized numerous times. Many citizens argued that the piece of public art catered more to tourists than to Chicago residents — and they had a fair point. The monument didn’t exactly reflect the city’s character or engage positively with its community.

More pictures below – click to enlarge
'Forever Marilyn' by Seward Johnson | Art-Pie'Forever Marilyn' by Seward Johnson | Art-Pie

– – –

3. Richard Serra, Tilted Arc (1989), New York

Arc by Richard Serra | Art-Pie

Titled Arc was at the forefront of public art controversy in the early 1980s. The saga began when minimalist sculptor Richard Serra was commissioned to create a piece of work in the Federal Plaza by the US General Services Administration.

Tilted Arc was a $175,000 piece of oppressive black, raw steel. Measuring 120 feet long and 12 feet high, the arc cut the Federal Plaza in half and forced those working in the nearby buildings to redirect their walking path in order to get through the plaza. The work did not mesh well with its surroundings — which, according to Serra, was the point. “The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes…. Step by step the perception not only of the sculpture but of the entire environment changes.”

Controversy erupted as soon as the sculpture was erected, with detractors claiming it disrupted the public use of the plaza and was an inconvenience to the workers. After a hearing and an appeal by Serra, the arc was dismantled in 1989.

4. Lei Yikin, Martin Luther King Jr. Memorial(2011), Washington DC

Martin Luther King Jr by Lei Yixin | Art-Pie

When it was announced that Lei Yikin, an artist from China, would sculpt the memorial out of Chinese granite, human rights activists criticized the selection on the grounds that Lei had previously sculpted Mao Zedong.

Many other people, most notably African-American artist Gilbert Young, demanded that the memorial be created by an African-American artist with American stone.

5. Maurice Agis, Dreamspace V (2006), County Durham, England

Maurice Agis, Dreamspace V (2006)| Art-Pie

Known for his dreamlike, colorful, and interactive works, Agis was commissioned to create Dreamspace V in a park. The day after it was installed the artwork left its moorings and tragically killed two people.

Agis was put on trial for negligent manslaughter. Having witnessed the deaths, Agis was deeply and inconsolably disturbed, and vowed never to create such large works again.

Wimbledon Art Studios

Want to see art outside of the commercial galleries? Or maybe like me you have lofty dreams of starting your own art collection. This weekend take a trip to South West London from 25 November to the Wimbledon Art Studios, Winter Open Studios Art Show.  The open show sees artists opening up their studio spaces this weekend, giving the public the chance to explore a treasure trove of new works. There’s an eclectic mix by up and coming, as well as established artists, photographers, ceramicists and textile designers.

Community and the artist

Darryn Eggleton
By Darryn Eggleton

The Wimbledon Studios aim to provide a spring board for working artists, which couldn’t be apt in today’s dire financial climate. The studios are the largest, single site art studio complex in London and Britain. This fantastic project is not merely about the singular artist and the creative community within, Wimbledon Art Studios aim to give local people the opportunity to view and appreciate contemporary art, whilst building links with the resident artists.

The opening night was bustling with proud parents, artist’s friends and locals. The last open show attracted over 5,000 visitors and I suspect they shall hit they figure or more this year.

On the preview night studio workers were happy to talk about the spaces and I was impressed by the colour map brochure produced for the show. Plenty of friendly guides and artists were on hand when I lost my bearings in the rabbit warren of corridors and stairways, so be warned you may loose yourself but find an interesting artwork in the process!

The entrance, which bridged the two buildings in a temporary structure, displayed some key pieces including Kate Kelleher’s eye catching painting, and a sculpture by Kevin Herlihy who uses found and recycled mediums. There were also some small board works for sale to raise money for the studios upkeep. At £55 a go, I decided to snap up a board by Jayson Lilley. Other artists you should stop by at –  Darryn Eggleton‘s amazing animal paintings and Alison Pearl‘s delicate and seemingly impossible objects made from paper.

Inside the spaces

As I tottered around with my new art work I explored the studios which are spread over 2 areas.  The main Red Studio building, originally a paper warehouse, opened with just 6 artists renting spaces in 1993. Now, the original warehouse consists of over 100 studio spaces and in addition there are now 60 studio spaces in a newly, purpose built ‘Blue Studios’ building, on the same site. On 1st November 2011 an additional 55 brand new studios were opened in a reclaimed section of the warehouse. Now the site has over 200 artist tenants. The close proximity of the studios make it feel homely, it felt like I was stepping into a person’s private space, almost like their bedroom, a definite plus side away from the clinical commercial gallery spaces.

The artist and the studio

Is a studio site like the one in Wimbledon an ideal place for an artist to gain recognition though? And do the resident artists actually like the makeshift space in the built up industrial estate in Wandsworth? I asked Idun Eustace, an resident artist at the Wimbledon site who is displaying her pieces for the show.

Idun has been at the studios since 2007 and first exhibited during the autumn show. Idun lectures in life drawing and oil painting for EAL, Ealing, West London. Her works of semi-abstract still life evoke many influences from the Norwegian landscape where she was born and brought up.

Alison Pearl
By Alison Pearl

What do you think of the new studio space that opened in November 2011? So how does it compare to other, more formal, settings you’ve shown at? Such as gallery spaces/fairs?

The new space (as a whole) has got a nice feel to it & is much more spacious than the studios in the old Red Studio building – Although my new space has no natural light ,I feel this doesn’t matter so much, as I look upon it as a challenge to see how it changes my work. There are studios with natural light but I chose this one for the space as I want to run life drawing classes from there as well as paint.

Do you feel the studios are successful in terms of building a creative hub for emerging artists and also for artists to sell their work too? Or do the more traditional roots of art fairs and private galleries, like the Affordable Art Fair, work better?

I think it’s a little hit and miss sales wise  – sometimes you sell and others not.  The good thing about the studios is that they don’t take a commission on sales whereas fairs, such as AAF and other London Galleries take 50 %. It does give merging artists as well as more established artists a great platform to sell their work.

Where do get your ideas for pieces? Whilst travelling around London, or more abstractly?

I draw a lot and source ideas almost everywhere – e.g. If I go in to London on the train (with my sketchbook) I will look out of the window and take a mental picture and draw it immediately, or when I’m on holiday (usually to Norway), I always have my sketchbook (and camera) handy. I also sometimes draw and paint from memory so these may be more abstract – I look on the drawing process this way; if you’re an artist you ought to draw as its part of the process of painting. Painting is really drawing with your brush.

Idun Eustace
By Idun Eustace

You are trained in many different disciplines, painting, printmaking, life drawing, photography, graphics, illustration & textiles. Do you or would you ever incorporate these into you pieces?

I do use photography as reference only, whether it be a design ref or a colour reference – I have used printmaking in my art but not currently – I do however like the way Munch used print making as reference/addition in his art and have recently been looking into this. I’m quite interested in African tribal art textiles. I have also been toying with the idea of introducing burlap/hessian in my work but at present this is embryonic only. I am looking at the work of artists like Tapies and Sandra Blow for inspiration.

You are quite active on Twitter, do you feel artists have to embrace this more so now? Have you felt the need to use it more?

I feel the use of twitter is essential to reach out to a wider audience and think that one’s got to advertise oneself, no-one else will do it for you and  hopefully one’s twitter followers will RT and thus reach more people – so it can only be a good thing. You have to grab opportunities as life is too short.

Idun’s works feature at the open show till 27 November and she is also planning to run classes that will be available to artists at the Studios as well as outsiders, contact her here for more information idun@blueyonder.co.uk. Follow her on Twitter @idunart

The Open Studios Art Show at the Wimbledon Art Studios is open to the public till 27 November Friday 2pm – 10pm
Saturday & Sunday 11am – 6pm. For more information about the show and the artists see click here.

Abstract painter Sandra Blow’s new show at Fine Art Society

Abstract painter Sandra Blow’s new show at Fine Art Society is entitled “Eleven Works” and is opening on the 9th January 2017.

"Stripes" by Sandra Blow | Art-Pie
“Stripes” by Sandra Blow | detail

The Fine Art Society will present eleven large- scale canvases by the English abstract painter Sandra Blow RA (1925-2006). Spanning a period of almost 30 years, the show will include a number of works which have never been exhibited before.

A pioneer of the abstract art movement in the 1950s, Sandra Blow is best known for her monumental canvases experimenting with abstract form, rhythm, light, space, and texture. Blow introduced a new expressive informality into British art, combining cheap, discarded materials such as sawdust and plaster with the more conventional medium of paint. Her unique manner of abstraction was strongly influenced by the Italian artist Alberto Burri, who she met in Italy in 1946.

Arriving on the London art scene in 1950, Blow quickly received international recognition and went on to exhibit throughout Europe and America alongside the most important artists of the day. Her canvases became increasingly graphic, colourful and exuberant as her career developed, as did her ambition of scale.
Blow moved from London to St Ives in 1994, but continued to participate in every Summer Exhibition at Burlington House, fulfilling her role as a Royal Academician, which she was elected for in 1971. St Ives and the sea inspired the strong but subtle use of colour that characterises a number of canvases featured in this exhibition.

“The Swimmer” by Sandra Blow, Acrylic On Canvas | Click to enlarge

The artist John Mclean described Sandra Blow as “the most amazing colourist and the most original composer of a painting we have had in recent years”, comparing her to the likes of Matisse and Mirò. Indeed, the grand statements presented in this exhibition suggest that her importance is yet to be fully recognised.
Sandra Blow’s work is included in a number of major international private and public collections including the Tate and the Victoria and Albert Museum in London, and the Museum of Modern Art in New York. An exhibition to celebrate Blow’s 80th birthday was held at Tate Britain in 2005.

Fiesta in the fields

Fiesta in The Fields | Art-PieI do not know where you guys will be on Saturday but I will be at the ‘Feast In the Fields

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Colours of Brazil & the sexy sounds of Bossa Nova.

The creators of Feast in the Fields bring to you the flavours & samba beats of our current favourite South American hotspot in the form of FIESTA IN THE FIELDS!

Fiesta In The Fields, which kicks off at 12pm on Saturday 28th June, promises to be a carnival for all the senses. Be transported to the Copacabana with live world cup matches screened throughout the day, street food, A Cachaça shack, a line-up of live music & dancing that will make even two left feet move to the rhythm of the beat!

Hosts The Brewhouse, at London Fields Brewery, will be serving up South American Dishes to make your mouth dance, whilst Hell’s Grill gets naughty on the BBQ & El Panzon provide Tacos & Burritos from Brazil’s footballing neighbour Mexico. Keep as cool as a Caipirinha with Craft Beer from London Fields Brewery, Brazilian-inspired cocktails, The Pimms Bar & The Rum Stop.

For all the latest Fiesta In The Fields news: http://www.feastinthefields.co.uk

Fiesta In Te Fields | Art-Pie

What: London Fields Brewery Presents – Fiesta In The Fields
When: Saturday 28thJune
Where: The Brewhouse at London Fields Brewery; Railway Arches 369-370, Helmsley Place, E8 3SB
Tickets: Entry £4

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