This is it. It is lunch and I am craving, not food, but a good art show to go and check out, preferably a short distance from the office.
I quickly gathered my thoughts and here I am on my way to Zari gallery on Newman street (London) or this is where I thought I was going, should I rather say.
I stand there now and as I look up, I realise that I am in front of a gallery called Edel Assanti (the galleries are next to each other but I had never realised there were two separate ones until that day).
As I step in the gallery, I cannot help but noticing the simplicity and sobriety of the venue, which is not a bad thing at all, since it enables the viewer to focus only on what matters – the artistic output from the current show.
A quick nodding to the gallery assistant and here I am, almost trotting towards the back of the gallery to look at ‘Great Wall Of Sand‘.
This very large piece drew my attention right away, because all large pieces usually do, but also because I could not make out what I was looking at from far.
I still can’t.
Now, what really needs your attention is the relief in this piece, which you cannot figure out at first but come closer and closer and you’ll see that actual sand (see below) is included in Gordon Cheung’s work.
Samples of what looks like newspapers also help to make up some of the background of this artwork.
A beautiful and dreamy piece.
Alongside the large pieces (of what looks like sceneries – more pics below), 2 other different types of works are on display –
The first one is using plain pigment paste (and later painted on) and stuck sand on canvas again (see previous post) and depicts flowers in a vase like I have never seen it before. Although, the aesthetics of the piece did not wow me, I can appreciate the various technics and the ‘refreshing’ take on such a subject.
The second type of work is radically different with the rest and is a series of what may look like collages. It also reminds me of some times where you watch TVs and the signal gets weak – you know what I mean I am sure.
I must have been distracted by the other type of artworks in this show, since as I was going through the photographs I took, I felt urge to go back and have another look at those.
Last time we saw Gordon Cheung’s works was 7 years ago and we are glad to see that the artist is still pushing the boundaries as much as in terms of the colour palette he used than disrupting the usual and common perception of a painting being flat