This is it. Last stretch before the start of The Other art fair and the display of delightful artworks as usual. We are also looking forward to see our friends at Jester Jacques gallery who will hold their fort in the bar area – nice.
True to themselves and always believing and supporting of the emerging art scene, Jester Jacques gallery will most certainly please use with a pertinent selection of artists for the fair. Artwork from Rob Bellman, Chris Daniels, Super Future Kid, Steven Quinn and Nicholas Goodden will be showcased.
We have included below our favorite artwork for each artists and hope to see you at the fair.
After a successful and very positively received installation at APT Gallery in Deptford, This ‘Me’ of Mine moves onto its second venue in a four venue tour. The exhibition will open Friday 12 April at Strange Cargo|Georges House Gallery in Folkestone. The new venue is a lot more intimate than the generous space at APT and therefore might be an interesting challenge for Jane Boyer, the curator, to recreate the grandiose atmosphere I felt when I visited the show.
Jane Boyers says “Stage two of a four venue tour begins this week at Strange Cargo|Georges House Gallery in Folkestone. The difference in gallery space for the second venue will impact the relationships of the works to each other and will present new connections for visitors to the show. The changing context of space becomes a visible manifestation of the project theme – ‘self in relation to context’.”
““When I installed the work at APT in their wonderful space, I was able to give much of that space to the works themselves, allowing time for reflection and possibly a deeper look into the work in the show. I soon realised, though, that the space I allowed the works became more than just ‘space’, it became a visible manifestation of the project theme, self in relation to context. Just as each piece in the show makes visible an aspect of self and identity, this space made ‘context’ visible. That excited me,”
If we had to pick out three artworks from what we saw at APT, David Riley, Aly Helyer and David Minton got our attention and our curiosity excited.
David Ryley‘s work using some very 2.0 mediums such as a digital photo frame and or twitter who makes him a very cutting-edge and interesting artist to observe. We particularly liked his work “Twitter user names: coded and transcribed – TUNC” (c)2013 which consists of printed A4 office paper, printed on an office inkjet printer, connected into a continuous record using binding combs. Hung using a steel rod and steel eyelets. 300mm x 1800mm x 20mm (variable, will grow). You cannot get more current than that!
While social media channels are becoming part of out lives, and can even take over then, we understood here why Jane Boyer included this piece in her show as a witness of the ‘ME’ in a social interaction phenomena.
Credits: This ME Of Mine
Aly Helyer‘s ‘Strange Fruit‘ (c)2007 ink on paper 67 x 101 cm mesmerised us and took us to many places. Look at it again and you seem to perceive things, or are they faces or just thoughts. Thoughts of the artist, maybe not so happy but that reminded us that the ‘ME’ is before deep inside all of us.
David Minton‘s Peripheral Vision (c)2010 oil on canvas 152.4 x 121.9 cm calmed us and reminded us of the simplicity of the ME sometimes. It can be everything and then nothing anymore.
Credits: This ME of mine
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This ‘Me’ of Mine showcases work by: Aly Helyer, Edd Pearman, Jane Boyer, Darren Nixon, Hayley Harrison, Melanie Titmuss, Annabel Dover, Kate Murdoch, David Minton, Anthony Boswell, David Riley, Sandra Crisp, Sarah Hervey, Shireen Qureshi, and Cathy Lomax.
Death To Me, Death To Everyone, (c)2008 Edd Pearman
“The concept of ‘the spectacle’ interrelates and explains a wide range of seemingly unconnected phenomena. The apparent diversities and contrasts of the phenomena stem from the social organisation of appearances, whose essential nature must itself be recognised. Considered in its own terms, the spectacle is an affirmation of appearances and an identification of all human social life with appearances. But a critique that grasps the spectacle’s essential character reveals it to be a visible negation of life – a negation that has taken on a visible form.”[1]
Guy Debord from Society of the Spectacle
Whilst I Breathe, I Hope, (c)2011 Edd Pearman
I didn’t have to delve far into Guy Debord’s Society of the Spectacle to find what I was hoping to find. This quote by Debord states the nature of the spectacle as an affirmation of ‘appearance’, while a critical look at spectacle reveals the spectacle to be a ‘negation of life’. This is the very essence of what Edd Pearman explores in his work. “Duality has a strong influence throughout my work, each work maintains a two-fold characteristic in its content i.e. Humour and horror, life and death, hope and despair. All initially appear to embody one intention, yet possess in equal measure, opposite qualities,” says Edd.
Appearance is seductive – and deadly. Is that a hyperbolic statement for effect? Possibly, but think of all the little deaths you’ve experienced for the sake of appearance and you may find you agree with me.
Read more of our interview, False Together, for This ‘Me’ of Mine.
[1] Debord, Guy, Society of the Spectacle, trans. Ken Knabb, Rebel Press, London, pg.9
Here is our second entry for the Noise Intercepted project, a global art project curated by Labspace Studio (a creative agency & art house in Toronto, Canada). Noise Intercepted is a series of ten experience-activated noise challenges that prompt participants to listen, observe and interact with their urban soundscape in new and unlikely ways.
Noise challenge #2: The little things
“This week spend some time paying attention to the little things… the sounds that you tend to ignore and the seemingly insignificant noises that you take for granted. You have 1 week to listen, identify and select one “insignificant” sound and transform it into something “significant.”
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Water is all around us but often forgotten, we may see it but not necessarily hear it or listen to it but yet it can take all sorts of sound shapes or noises.
Here are four of them, from the subtle to the fierce…
