This is what of those shows that when you hear about them, the automatic and systematic next thing you do is to pencil that in your diary in a big font.
Now’s The Time exhibition at Black Rat gallery is an impressive group show, a sort of retrospective of what Street Art has been in the past few years and what it will be for years to come: getting more and people liking it. Continue reading Now is ‘really’ time for Street Art at Black Rat
There is something beautiful in urban decay when you can imagine how it used to be, how it has been and there was but it might be even more beautiful when something on the verge to vanish forever, is given a last moment of glory.
This is what exactly happened to a massive ten-story building in a low-income housing district of eastern Paris. The site has become one of the largest venues displaying street art ever.
“Tour 13”, as it is called took seven months to complete and iover 100 artists from around the globe had a go at it. Unfortunately the site is now closed and the tower is set to be demolished in the next few days so we wanted to give a a last homage to this ephemeral yet awesome project.
If like us you did not manage to go to Paris to check this out, there is still the Tour13 website to visit as well as the teaser video below as well as the few pics we have included after the fold.
All images from Le Mag De Poche
Brazilian artist Alexandre “Sesper” Cruz spent his adolescence absorbed in music and skateboarding – building ramps, making fanzines that documented the Sao Paulo art scene, and recording k-7 compilations. These interests influenced the sticker and paste up poster campaigns he launched around the city in 1999.
Sesper is best known for his unique mixed media artwork. He uses recycled material such as paper, cardboard and wood as his surface and paints over these with oil pastel and latex, incorporating layer upon layer of texture and color. A member of the renowned Brazilian art collective, the Famiglia Baglione, Sesper has participated in and filmed many of their live painting and gallery installations around Brazil.
He produces music and is a full time vocalist for Garage Fuzz band since 1991, as well having sung and recorded in the following bands: OVEC, PSYCHIC POSSESSOR, SAFARI HAMBURGUERS, PAURA, and the projects: NOTWORK, INTROSPECTIVE, LOFI EXPERIMENTS, VALLEJO X SUNSET, 5 GAS QUESTION, FLIPTOP, and others.
Words from the Pure Evil website
Last week first edition of our pop up at l’Escargot was a success.
Although we ended up in the Salon Vert instead of The Library, we managed to play with the existing layout (we cannot make new holes or adjustment in this venue – fair enough when you see how sumptuous the venue is) and displayed a very nice set of paintings.
Now, we have informed that we will not have the room or any other one until Next year as November and December are busy months for l’Escargot with loads of corporate events happening. We will meet again with the venue by the end of the year to discuss options for 2017.
We would like to thank you for your interest and we will keep you in the loop for this one and about any other pop up events or show we get involved with
Happy Halloween!
PS: we included a few pictures of the night!
“Public art is art in any media that has been planned and executed with the intention of being staged in the physical public domain, usually outside and accessible to all.” says Wikipedia.
And this makes public art more likely to be criticized, because the potential number of passers-by can be substantial. This is especially true in high-pedestrian cities such as Chicago, which is well-known as an excellent place to encounter public art.
“Public art may include any art which is exhibited in a public space including publicly accessible buildings, but often it is not that simple. Rather, the relationship between the content and audience, what the art is saying and to whom, is just as important if not more important than its physical location” Wikipedia adds.
There you have it – public art is often bold, conveying a strong message which sometimes sparks significant controversy
We’ve included 5 public art pieces below, which have been and are still causing uproar.
1. John Ahearn, The South Bronx Bronzes (1988), New York
Erected in 1988, John Ahearn’s South Bronx Bronzes pose questions of ownership, identity, and rights in a public space. A white sculptor, Ahearn lived and worked in poverty-stricken South Bronx and made life-size castings of neighbourhood residents, always giving one copy to his model.
His community-based art led the New York City Department of Cultural Affairs to commission him to create a set of sculptures for the local police station. Ahearn chose to cast ordinary people as his subjects as a way to embody the community’s character. But his sculptures immediately spurred a debate embroiled in race and socioeconomics.
Residents of the neighbourhood thought the artist was relying on tropes, choosing to depict them as poor hoodlums instead of creating positive and inspiring images for the community. Others thought that only black artists should be able to represent black subjects.
Genuinely shocked and disturbed by the controversy, Ahearn chose to take the sculptures down a few days later.
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2. Seward Johnson, Forever Marilyn (2011), Chicago
What does a sculpture depicting Marilyn Monroe in a movie that pays tribute to New York City have to do with Chicago?
The 26-foot installation depicts a partially exposed Monroe from the movie Seven Year Itch. In addition to its irrelevance, many criticized the sculpture for its lewd and anti-feminist connotations. Its placement, meanwhile, prompted many classy photos of people gawking up her skirt, licking her legs, or pointing to her underwear.
Before it moved to California, Marilyn Monroe was vandalized numerous times. Many citizens argued that the piece of public art catered more to tourists than to Chicago residents — and they had a fair point. The monument didn’t exactly reflect the city’s character or engage positively with its community.
More pictures below – click to enlarge
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3. Richard Serra, Tilted Arc (1989), New York
Titled Arc was at the forefront of public art controversy in the early 1980s. The saga began when minimalist sculptor Richard Serra was commissioned to create a piece of work in the Federal Plaza by the US General Services Administration.
Tilted Arc was a $175,000 piece of oppressive black, raw steel. Measuring 120 feet long and 12 feet high, the arc cut the Federal Plaza in half and forced those working in the nearby buildings to redirect their walking path in order to get through the plaza. The work did not mesh well with its surroundings — which, according to Serra, was the point. “The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes…. Step by step the perception not only of the sculpture but of the entire environment changes.”
Controversy erupted as soon as the sculpture was erected, with detractors claiming it disrupted the public use of the plaza and was an inconvenience to the workers. After a hearing and an appeal by Serra, the arc was dismantled in 1989.
4. Lei Yikin, Martin Luther King Jr. Memorial(2011), Washington DC
When it was announced that Lei Yikin, an artist from China, would sculpt the memorial out of Chinese granite, human rights activists criticized the selection on the grounds that Lei had previously sculpted Mao Zedong.
Many other people, most notably African-American artist Gilbert Young, demanded that the memorial be created by an African-American artist with American stone.
5. Maurice Agis, Dreamspace V (2006), County Durham, England
Known for his dreamlike, colorful, and interactive works, Agis was commissioned to create Dreamspace V in a park. The day after it was installed the artwork left its moorings and tragically killed two people.
Agis was put on trial for negligent manslaughter. Having witnessed the deaths, Agis was deeply and inconsolably disturbed, and vowed never to create such large works again.
