Tag Archives: Beaux Arts London

“The Age Of Reason, a show by Chris Stevens at Beaux Arts London

"Arsenale" by Chris Stevens | Art-Pie
“Arsenale” by Chris Stevens

Chris Stevens is a painter with the firm belief that art is a marriage between concept and technical accomplishment. The process of making a painting is as much a part of the work as the finished piece. Challenging our preconceptions about people, this is an artist who explores current identity, class, race and gender.

Recently he co-curated ‘REALITY’ at the Sainsbury Centre, an exhibition that brought together over 50 works celebrating the strength of British painting. Some of the best and most influential artists of the last sixty years were exhibited in the show – key figures of the 20th century such as Francis Bacon, Lucian Freud and David Hockney.

 

Having studied Fine Art at the University of Reading under Terry Frost, he has exhibited regularly since graduating in 1978. A prize-winner in the BP Portrait Award, 50 over 50 and more recently in the Painted Faces exhibition organised by the Saatchi Gallery and Windsor & Newton, he has also undertaken Arts Council residencies at Sunderland Football Club and Birmingham International Airport.

"Bibaud" by Chris Stevens | Art-Pie
“Bibaud” by Chris Stevens

Chris Stevens has worked in public and private collections including the Victoria & Albert Museum, The National Gallery of Wales, Unilever, Galerija Portreta, Bosnia & Herzegovina and many private collections in UK, South Africa, USA and Europe. He currently lives and works in France.

David Spiller at Beaux Arts London

Look at any painting by David Spiller and it is almost impossible not to smile. Light-heartedly optimistic, he uses Pop culture as part of a broader celebration to ‘make the painting live’.

Beaux Arts is pleased to present an upcoming solo show with 25 new works in which Spiller starts to move away from bold unabashed col- our towards a more reflective and elusive style of painting.

He has certainly not lost the magic. His works hit you like a wave of bright sincerity at a time when complexity in art – in an art world that all too often values the shocking and the nihilistic above all else – has become the end-goal. In whichever case, as Edward Lucie-Smith wrote in 2004, ‘These are good paintings – but they are also fun. How often nowadays do we have real fun in an art gallery?’

Spiller’s work has received a huge following and is exhibited constantly throughout Europe and the US.

Words from Beaux Arts
22 Cork Street | London | W1S 3NA

25 January to 18 February 2012