All posts by Pierrick Senelaer

Founder of the Art-Pie site. I design and code websites and apps Monday to Friday from 9 to 5 and enjoy drawing, painting and visits to museums and galleries at night and weekends.

Rhizomatic at Departure gallery

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Rhizomatic is an experimental, decentralised curatorial system based on the concept of the Rhizome, as explored in Deleuze and Guattari’s philosophical masterpiece A Thousand Plateaus. This is Departure Gallery’s largest and most ambitious show so far and includes work by over two hundred artists exhibiting in 100,000 sq ft of warehouse space. Continue reading Rhizomatic at Departure gallery

The idol hours: group exhibition at London Miles

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This November 2010 London Miles gallery presents a themed group exhibition featuring a bold selection from the International Contemporary art movement.

Where contemporary artists hark back to the masters of past movements paying homage to what was not only inspirational to forming how they paint today, but to what has formed the whole epoch of creative output as we now know it.   Continue reading The idol hours: group exhibition at London Miles

Banksy new street art in London

Banksy has finally dropped again in London and this time, he has put a strong emphasis on different signs of pop culture which suits so well street art and especially stencils.

Some says that that one of his new work is a clear reference to The Clash London Calling album cover, another one refers to Futurama’s Bender and in the last one, Keith Harringâ’s Dog can be clearly recognized.

Locations of these new works:
The Clash London Calling album cover – Thomas More Square (E1)
Futurama’s Bender – Not know (yet)
Keith Harring’s dog – located on Grange Road (SE1)

On another note, ART-PIE has learnt that Banksy story boarded and directed the opening of the latest Simpsons episode. View it below.

PS: photos taken from the slamxhype.com website

Related link
> Interview of Al Jean, one of the executive producer for the Simpson’s opening-credit sequence, on the New York Times

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