Category Archives: CONTEMPORARY ART

Compossible Worlds

“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”                                                      Gilles Deleuze

Diagram (artificial tree), 2010 Sandra Crisp
Diagram (artificial tree), © 2010 Sandra Crisp, Ink Jet Print

This quote by Deleuze is a very complex statement on a very natural state of continuity and it is a state we are becoming readily familiar with through social media communication. Simply put, at the centre of each ‘world’, which is each of us, is collected a series of things (perceptions, object, memories, experiences etc.) which expands in all directions colliding and mingling with other worlds, (everyone else). This mingling is compossibility and we are fast becoming experts in it without really realising it.

This statement also suggests that our perceptions now are being formed by more than direct sensory experiences but also by data input in a compossible world, a world we don’t actually experience first-hand, but by proxy through the experience of others. The trouble with this is we are easily fooled, as discussed in ‘How fake images change our memories and behaviour’ by Rose Eveleth for the BBC’s Future magazine.

In my interview with Sandra Crisp, Memory Surfaces, I asked her about the implications of Deleuze’s statement:

JB: “It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”[1] This quote by Gilles Deleuze from Difference and Repetition suggests it’s a collective consciousness in perception which allows us to comprehend our world, do you feel our digital age helps or hinders our sense of continuity (memory) and ultimately our sense of self when information appears and disappears so rapidly online?  Is it possible this rapid change in information thrusts us back into the ‘truth’ of physicality?

SC: What we have online at the moment is the continuous and rapid shift of information: Text, images, video and even entire web pages suddenly appearing then disappearing. Deletions with no warning – error 404 messages: ‘Page not Found’. Continual updates; all these create a sense of fragmentation and impermanence, and discontinuity. Printed books in the physical world are fixed and unchanging, we can rely on their information stability, each time we take them from the shelf they are the same as before. So this state of information transience is very much a modern phenomenon connected to the information age. In the past, a shift from oral to book cultures required people to process information differently; today many people now communicate and receive information via TV, radio, and Internet, electronic media rather than books. Therefore, I am not sure that any more ‘truth’ can be said to reside in the physical world than virtual, that this is any more contiguous. As with any new technology, it will change us and we need to learn how to use such new communication media wisely, to adapt to the apparent discontinuity, to interact with, and process the information bombarding us in meaningful ways. At the moment digital online communication is nascent, we are living in really interesting times where things are still developing. At the moment it may thrust us back into the continuity of the physical world but eventually in the future it may not.

You can find this exchange with Sandra in the full version of our interview, available in the This ‘Me’ of Mine companion book. Find out more about the book on our blogsite. Read our excerpted interview here.


[1] Difference and Repetition, Giles Deleuze, Continuum Books, 2004, pg.58

The Space Between The Stars at Scream

The Space Between The Stars
Show flyer (click to enlarge)

The Space Between The Stars‘ opens this Friday at Scream. Expect London and international artists and the recurrent yet infinite “light” as a medium in art. Many artists in the past experimented with it, such as Robert Irwin for example, and as the artists in this show, gave an immersive experience for the viewer.

This show promises a variety of approaches in trying to break down light. 

Korean-born US based artist Bohyun Yoon gives us an installation of silicon rubber figures suspended like puppets from a steel bar with a spotlight. Caroline Jane Harris works with paper and will present us with an epic landscape titled Sylvan Landscape over two metres in width. Chris Bracey, a veteran in working with neon and lights and who has worked for big names or productions such as Vivienne Westwood or the Batman films will impress. James Hopkins’ will use sculptures to create illusions.  Regine Schumann also works with sculptures but made of acrylic glass and a special phosphorescent pigment that allow the works to glow from within.

The collaboration between Hsiao-chi Tsai (Taiwan) & Kimiya Yoshikawa (Japan), masters in Mixed-media textiles and Sculpture respectively, their light sculptures and installations might steal the show. Shane McAdams ‘ landscape made with a ball-point pen, oil and resin has also to be something to look for. Last but not least Sylvia Hommert experiments with a range of mediums including pigment, beeswax, holographic paper and glitter on birch panels to capture this ephemeral and iridescent quality.

Artists featured; Bohyun Yoon (Korea), Caroline Jane Harris (UK), Chris Bracey (UK), James Hopkins (UK), Regine Schumann (Germany), Tsai & Yoshikawa (Japan & Taiwan), Shane McAdams (USA) and Sylvia Hommert (USA)

Regine Schumann
Works from Regine Schumann

Exhibition opens on 11th January to 16th Febuary.
RSVP for Scream group show preview to info@leesharrock.co.uk

Facebook page related to the show – http://www.facebook.com/events/458881274161027/

 

Value which is of Value

10 x 10 by Kate Murdoch
10 x 10, ©2008 – 2012 Kate Murdoch

“If there is value which is of value, it must lie outside of all happening and being so. For all happening and being-so is accidental.”

Ludwig Wittgenstein
6.41, Tractatus Logico Philosophicus

This quote from Wittgenstein is a profound statement on the nature of occurrence and existence – ‘happening and being-so’. Whichever way we look at it, occurrence and existence is accidental. The beauty and simplicity of Wittgenstein’s statement sweeps away the clutter of chance and places value squarely in purpose. It suggests circumstance (context) is a force of chance.  This ‘Me’ of Mine asks if purpose can challenge the force of chance.

Wittgenstein’s rational view makes folly of the attempt to find meaning in happening and being-so, but he leaves the door wide open to search for meaning in value and purpose. Kate Murdoch does just this through her work.  She encourages her audiences to explore their purpose. Through her interactive exchanges, Kate presents situations which involve an active interchange between the public and her work, often with the public’s participation the greater force in the creation of art. Her audiences not only participate, they actually become part of the art through their active purpose. The generosity of this, both on Kate’s part and on the part of the audience, breaks down the barrier of the ‘art experience’ and presents an experience of art.

Read our interview, What Are You Prepared to Give in Exchange, for This ‘Me’ of Mine. Kate and I discuss value, emotion, memory and communication.

JB: …It could be said the value we associate with an object is in relation to the depth of emotion we experience in any given situation. Do you feel this to be true and what have you observed about this relationship through the interactive aspect of your work?

KM: …The emotional attachment we make to any given object can determine its worth in emotional terms as opposed to its monetary value. The very act of bartering adds an emotional reality to the process of exchange that currency somehow lacks…


This ‘Me’ of Mine is very proud to call Art Pie our Media Partner.
Art Pie logo

We are equally proud to call the four galleries below our Venue Partners. Click on a logo to find out more about the good work these organisations do.

APT Gallery logo

Strange Cargo/Georges House Gallery logo

Kent County Council logo

Colchester/Ipswich Museum logo

 

‘Nuit Blanche’ in Toronto, street art encounters

We bring you, somewhat in a belated way, Nuit Blanche or when Toronto was transformed for one night only by hundreds of artists. Stroll all night long and get amazed by the works on display. A big thank you to Paul Snell for sending in the pictures below and no we aren’t jealous that he was out there and not us!

Green Invaders, 2012 | Yves Caizergues – Lyon, France
Light Installation – more about this project
Green Invaders, 2012  Yves Caizergues - Lyon, France  Light Installation

Vertical Constructions: Dancer #1 and #2, 2012 | Max Streicher – Toronto, Canada
Sculpture (left) – more about this project
The Way Things Are, 2012 | Chris Hanson – Brooklyn, USA | Hendrika Sonnenberg – Brooklyn, USA
Sculptures – painted street lamps (right) – more about this project
Vertical Constructions: Dancer #1 and #2, 2012  Max Streicher - Toronto, Canada  SculptureThe Way Things Are, 2012  Chris Hanson - Brooklyn, USA Hendrika Sonnenberg - Brooklyn, USA  Sculptures - painted street lamps

Pair, 2012 | Neil Campbell – Vancouver, Canada
Sculpture – more about this project
Pair, 2012  Neil Campbell - Vancouver, Canada  Sculpture

Applications for next year are already open, find out more here – http://www.scotiabanknuitblanche.ca/

Here below is a video of the event – A sneak peek of some of the projects that were on display across Toronto for one night only, during Scotiabank Nuit Blanche on Saturday, September 29, 2012.

Splatter series from Hua Tunan

Chinese Art has been pushing its way through Europe and America lately and many movements and talents are starting to emerge from it. One of this very skilled and inspiring artists is Chen Yingjie (aka: Hua Tunan) who lives in the coastal city of Foshan, China.

With a background of classical Chinese painting and illustration, Hua Tunan has diverged into a remarkable and unique street art style. His art is a perfect example where two radically different styles – Classic Chinese painting v. Western Graffiti are married to give eye watering results. Hua Tunan would use ink painting, drum rhythms and a variety of cultural symbols.

Pictures of the ‘splatter’ portraits series are shown below. Look closer and what might appear as a splash to you actually reveal a face or shapes. The color palette is another remarkable thing in Hua Tunan art. Thumbs up all round.

Hua Tunan's Splatter series

Hua Tunan's Splatter seriesHua Tunan's Splatter series

Hua Tunan's Splatter seriesHua Tunan's Splatter series