Category Archives: REVIEWS

Brett Amory at The Outsiders: waiting on the line

Brett Amory The Outsiders | Art-PieIntentional Abstractions is Brett Amory first UK solo show and first show of the year at The Outsiders

The works on display are part of the ‘Waiting’ series Brett Amory started back in 2001 in which he depicts morning commuters transiting via BART (Bay Area Rapid Transit) stations around San Francisco.

Here is what he says about it –

“I started the ‘Waiting’ series in 2000. I was working in Emeryville and living in San Fran, so I was commuting via bart. I became really interested in how people looked in the morning especially on Monday after the weekend. I noticed how everyone seemed to be somewhere else, not at all in the present. I also started noticing a disconnect. The bart would be packed shoulder to shoulder but there would be no communication and minimal eye contact.”

In his latest series and in this one on particular, the composition is minimal, the environment seems to fade away. The artist is trying here to give some emphasize on the guy waiting, to hopefully make him come across as something more than a waiting guy

The minimum composition in Amory’s works certainly makes you focus on the character, on the commuter. Look at it 3 feet away from the wall and it is difficult to fully realise what is going on, get closer and find out loads of details you just missed earlier, see the commuter differently. Amory’s works appear like some sort of mirages or hazed slices of personal stories, stories of these people in the morning waiting for their mean of transport, our story for most of us.

The show runs until Saturday 12th February 2010

Related links
> Brett Amory’s website
> The Outsiders

Brett Amory at The Outsiders
Brett Amory at The OutsidersBrett Amory at The Outsiders
Brett Amory at The Outsiders
Brett Amory at The Outsiders
Brett Amory at The Outsiders

Sweet Toof at ARCH402 gallery: have a mouthful of it!

Sweet Toof and the Burning Candy crew as a whole (Sweet Toof is part of it) are heavy-weight champions when it comes to street art in London. If you have ever wandered around East London, you must have come across these ‘bubble-gum’ faces with protuberant teeth characters always bursting with flashy colors but this is not what it is about here or not quite. Continue reading Sweet Toof at ARCH402 gallery: have a mouthful of it!

Ronzo art Pure Evil: creatures of Crackney

Even if you do not know Ronzo but hang out in Shoreditch or the City, you’ve probably come across his works, I want to talk about his ‘big teeth’ monsters who are (some have been removed) spread over the area, either in the form of small statuettes or on posters

Ronzo is well-known among street art fans in London so it was not surprised to see a large number of people up for his second solo exhibition at Stolen Space.

This show offers a large range of works and proves once again how Ronzo can be creative and juggle between mediums.

A series of paintings, collages, prints and sculptures stand proud in the gallery and should please a large number of people from various backgrounds or tastes. The theme of the show, Crackney’s finest, becomes clear quickly: Ronzo tells us the story of ‘Crackney’ (read Hackney) which he lives and lingers.

Crack smoking squirrels or giant cock-roaches delivering pizzas, Ronzo has gone for the surreal to give his vision of Crackney. And it is right: Hackney can be sometimes sort of surreal, mad perhaps but fun too.

This show also confirms Ronzo’s interest in sculpture, as in recent years he has use the medium more than anything else. The show proudly displays one such sculpture, a huge larger-than-life cock-roach riding a pizza delivering bike, emblazoned with the words: I love Crackney. This piece rotates right at the entrance of the gallery: unique and bold.

It felt good to be at that show and it was definitely enjoyable to look at works ranging from collage to sculpture. Anybody should find a special piece for their likings.

Ronzo’s show is an invitation to enter his vision of Crackney or Hackney. If you are an East London lover, you’ll love this show.

StolenSpace Gallery:
The Old Truman Brewery (Located at the end of the Car Park/ off Dray Walk)
91 Bricklane, London E1 6QL, UK
P: +44 (0) 207 247 2684

Crackney’s finest runs until this Sunday 28th November 2010

Opening hours: Tuesday – Sunday 11:00am – 7:00pm

Enjoy the pics below from the opening night as well as the video of the making of ‘Crunchy’ that can be seen on the Great Eastern Street side of Village Underground.

Related links
> Google map of Ronzo’s monsters from the Londonist website
> Ronzo on Vimeo

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CRUNCHY – The Credit Crunch Monster from Ronzo on Vimeo.

Will Barras ‘Bad Reception’ at Stolen Space

I have always found that acrylic paint used in conjunction with spray paint is a definite winner and give you astonishing results. However, it is difficult to master both mediums for most of us unless you are Will Barras.

Bad Reception, his latest show at Stolen Space, brought to us a series of works never exhibited before which, for most of them, have been painted using acrylics and spray paint (oil and ink have also been used for some of the works).

I was walking towards the entrance of the gallery and could see some of Will Barras’ works and my first thought was ‘wow, it looks amazing from here’. I was eager to go in and check the show out.

The fact that most of the works are large scales pieces gives you the tone of the show – bold. A quick look around the gallery and it became obvious to me that the composition in his works is heavy and busy which, coupled with the large scale aspect make the whole experience very overwhelming. Add to this a varied and strong colour palette and often you get some sort of dramatic or epic feel to the painting, it is almost exhausting to look at his works as you need to look and look again to get the whole picture, to get the story behind it.

Indeed Will Barras intend to tell us a story, the story of Mr Benn – read more about iton the Stolen Space website

Will Barras’s technique is really remarkable, he manages to combine urban/graffiti techniques with more traditional mediums such as acrylics or oil and the result is breathtaking and definitely achieve to blur the line between abstract and reality – what is really going on these paintings?

“I want to maintain the natural flow and energy, the tension between abstract and figurative, while developing and elaborating on a narrative. To generate a multiple choice of possibilities of what could be happening Ideas usually develop from the everyday mundane, broken phone converations and awkward situations …” Will Barras

The show ran until the 14th November 2010.

NB: if you wonder whether the motorbike was part of the show, well not really. Will Barras decided to leave it there after the opening night. Random but it did fit well with the show!

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