DIGITAL ART, PREVIEW

Noise Intercepted, global art project about noise

Labspace Studios | Noise Intercepted
Photo by Sam Pelletier

Noise. Noises. They are everywhere these days and unique in their own ways but can they be assimilated to art too?

Labspace Studio ( (a creative agency & art house in Toronto, Canada), the people behind Noise Intercepted, a global art project about noise part of the Noise Project, certainly think so and have just launched their project today. and guess what, we are taking part and are excited about it. But what is it exactly?

Noise Intercepted is a series of ten experience-activated noise challenges that prompt participants to listen, observe and interact with their urban soundscape in new and unlikely ways.

The project brings together over 200 collaborators from 28 countries around the globe — artists, sound ecologists, designers, writers, mothers, fathers, educators, filmmakers, administrators, technicians, scientists, students, programmers, health practitioners, and the list goes on.

Over the course of four months (March – June 2013), participants will be sent (via text msg & email) a series of ten noise challenges and creative prompts.

They have exactly 1-week to respond to each challenge and share their findings here with you.

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You can still join – http://thenoiseproject.net/call-for-collaborators/noise-intercepted/

Stay up-to-date and get onto the Facebook and Twitter pages
https://www.facebook.com/Labspace.Studio
https://twitter.com/LabspaceStudio

The Noise Project

PREVIEW

States of reverie – international group show at Scream gallery

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Scream Gallery is pleased to present an exhibition of young and emerging British and international artists, who have a common desire to explore and create alternative realities. They transport you on a dream-like journey to another time or place, with inspiration drawn from fairy-tales, surrealism, nature, the human body and childhood.

> The above is taken from the Scream gallery website, read more about the exhibition and the artists.

Featured artists
Malgosia Stepnik – Poland | Clare Chapman – UK | Chinwook Kim – South Korea | Guillermo de Zamacona – Mexico | Ann-Marie James – UK | LG White – The Netherlands | Wayne Chisnall – UK

states-of-reverie-scream-gallery

The opening night is on Thursday 13th January – strict guest list only

When: 14/01 till 20/02/2010
Where: Scream Gallery | 34 Bruton Street | London WIJ 6QX, UK | +44 (0)20 7493.7388
Email: info@screamlondon.com

ART-PIE

DIGITAL ART

Digital art: stop motion

Stop-motion (also known as stop-action or frame-by-frame) is an animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Clay figures are often used in stop-motion for their ease of repositioning. Stop-motion animation using clay is described as clay animation or clay-mation.

A few of the best ART-PIE have seen are below.

Hours and hours of work here for these two first examples. Top quality.

Warning: these two films contain some adult language in the subtitles, but if you can stand the occasional and brief “F” word, the pay off is huge.

Continue reading Digital art: stop motion →

BLOG

Birds of Paradise show by James Star at Coningsby gallery

I now work around the lively Fitzvoria neighbourhood in Central London and managed to pay a visit to the Coningsby gallery and found out about one of their upcoming shows and in particular about James Starr

Jim Starr will be exhibiting his exquisite sketches, paintings and prints of birds, and avian-influenced portraits at the Coningsby Gallery opening Monday 12 October.

Inspired by his expeditions worldwide and wildlife on the Thames, twenty works by Starr will be shown, displaying field sketches of Spoonbills, Herons and Eagles, alongside their final incarnations as large-scale canvases.

James Starr | Art-Pie

Starr began painting birds when he was just 13 years old. He has worked as an expedition artist throughout his career, recording through sketches and photography the wildlife he saw on trips to Svalbard, Iceland, the Himalayas and the Rockies.

Through illustration Starr experimented with screen-printing methods, which he now combines with painting to create his own mixed-media hybrid.

Starr’s latest works are developed through the layering of screen-prints and paint repeatedly onto canvas; a method that Starr likens to a ‘remix’. The species are depicted in great detail as a result, surrounded by abstract landscapes of Pop-like colours and subtle textures.

James Starr | Art-Pie

WHAT – ‘Birds of Paradise’ by James Starr
WHEN – 12 October 2015–24 October 2015
WHERE – Coningsby Gallery, 30 Tottenham Street, London W1T 4RJ

CONTEMPORARY ART, REVIEWS

Cissy Cook at Smithfield gallery: chill out

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I had only gone once to the Smithfield gallery a while back ago to see DEUS – works from the UVA (United Visual Artists) and was happily pleased with it although I did not know what to make of it before seeing it. I headed down in the same state of mind last week end to check out their current exhibition – Cissy Cook – new work.

The only thing I know was that Cissy’s work is all about papercuts that mainly picture butterflies. Not the kind of things I am too keen on I first thought but getting to see things you know little of should be the attitude and I am glad I went that day. Continue reading Cissy Cook at Smithfield gallery: chill out →

PREVIEW

Fragile, a new show by Dan Baldwin at Gallery 8

We have had to wait for three years but it is now upon us – “Fragile”, the new solo show by Dan Baldwin is opening tomorrow to the publich at Gallery 8. We hear that the artist will explore the concepts of mortality and beauty. As always, the new works by Dan Baldwin promise to be distinctively colourful defying categorisation as figurative or abstract, real or imaginary.

For those not so familiar with Dan Baldwin’s works, expect encompassing ceramics, silkscreen prints, resin, acrylics, spray paint and found objects carefully mixed together and resulting in complex and intricate pieces. It is also worth to point out that most of the objects in his uses have been collected since he was a child.

Big City | Art-Pie
Big City

The show will present another set of large-scale acrylic works where the artist continue the exploration of symbolism and narrative. By contrast, the artist has also developed a series of abstract canvasses which are devoid of any motifs but instead explore further his fascination with colour harmony. In comparison to others in the exhibition, these works evoke a positive response in the viewer but still ask us to consider the uncertain and short-lived nature of human happiness.

Sacrilegium by Dan Baldwin | Art-Pie
Sacrilegium – click to enlarge

A large proportion of the show will be dedicated to a series of delicate ceramics, a medium with which the artist has started to experiment further in recent years. Now working with a Sicilian pottery workshop, the artist is creating increasingly elaborate urn-like vessels which are representative of death and the fleeting nature of our existence. The most ambitious to date is perhaps “Sacrilegium” (2013) which is adorned with a real human skull cast in clay as well as 20% pure gold paint, crucifix, cherubs and an antique Russian bear figurine. These motifs increase the funerary connotations of the object, making it appear fragile in more ways than one.

But Dan Baldwin’s exploration of new mediums in his art does not stop here. He has also developed a series of large-scale tile paintings for the exhibition. “The Picnic” (2012), for example, is made up of 96 tiles overlaid with several glazes and precious metals. The dreamlike scene is filled with juxtapositions of life and death, innocence and corruption; children play with a severed head whilst Mickey Mouse dances with a skeleton. In a final act of ‘iconoclasm’ the artist smashed the tiles before assembling them, to demonstrate their fragility

The Picnic | Art-Pie
The Picnic

What – “Fragile” the new solo show by Dan Baldwin
Where – Gallery 8
When – 20/9 till 5/10/2013 (private view on the 19/9)

Uncategorized

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REVIEWS

Will Barras ‘Bad Reception’ at Stolen Space

I have always found that acrylic paint used in conjunction with spray paint is a definite winner and give you astonishing results. However, it is difficult to master both mediums for most of us unless you are Will Barras.

Bad Reception, his latest show at Stolen Space, brought to us a series of works never exhibited before which, for most of them, have been painted using acrylics and spray paint (oil and ink have also been used for some of the works).

I was walking towards the entrance of the gallery and could see some of Will Barras’ works and my first thought was ‘wow, it looks amazing from here’. I was eager to go in and check the show out.

The fact that most of the works are large scales pieces gives you the tone of the show – bold. A quick look around the gallery and it became obvious to me that the composition in his works is heavy and busy which, coupled with the large scale aspect make the whole experience very overwhelming. Add to this a varied and strong colour palette and often you get some sort of dramatic or epic feel to the painting, it is almost exhausting to look at his works as you need to look and look again to get the whole picture, to get the story behind it.

Indeed Will Barras intend to tell us a story, the story of Mr Benn – read more about iton the Stolen Space website

Will Barras’s technique is really remarkable, he manages to combine urban/graffiti techniques with more traditional mediums such as acrylics or oil and the result is breathtaking and definitely achieve to blur the line between abstract and reality – what is really going on these paintings?

“I want to maintain the natural flow and energy, the tension between abstract and figurative, while developing and elaborating on a narrative. To generate a multiple choice of possibilities of what could be happening Ideas usually develop from the everyday mundane, broken phone converations and awkward situations …” Will Barras

The show ran until the 14th November 2010.

NB: if you wonder whether the motorbike was part of the show, well not really. Will Barras decided to leave it there after the opening night. Random but it did fit well with the show!

ART-PIE

 

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