Will Barras ‘Bad Reception’ at Stolen Space

I have always found that acrylic paint used in conjunction with spray paint is a definite winner and give you astonishing results. However, it is difficult to master both mediums for most of us unless you are Will Barras.

Bad Reception, his latest show at Stolen Space, brought to us a series of works never exhibited before which, for most of them, have been painted using acrylics and spray paint (oil and ink have also been used for some of the works).

I was walking towards the entrance of the gallery and could see some of Will Barras’ works and my first thought was ‘wow, it looks amazing from here’. I was eager to go in and check the show out.

The fact that most of the works are large scales pieces gives you the tone of the show – bold. A quick look around the gallery and it became obvious to me that the composition in his works is heavy and busy which, coupled with the large scale aspect make the whole experience very overwhelming. Add to this a varied and strong colour palette and often you get some sort of dramatic or epic feel to the painting, it is almost exhausting to look at his works as you need to look and look again to get the whole picture, to get the story behind it.

Indeed Will Barras intend to tell us a story, the story of Mr Benn – read more about iton the Stolen Space website

Will Barras’s technique is really remarkable, he manages to combine urban/graffiti techniques with more traditional mediums such as acrylics or oil and the result is breathtaking and definitely achieve to blur the line between abstract and reality – what is really going on these paintings?

“I want to maintain the natural flow and energy, the tension between abstract and figurative, while developing and elaborating on a narrative. To generate a multiple choice of possibilities of what could be happening Ideas usually develop from the everyday mundane, broken phone converations and awkward situations …” Will Barras

The show ran until the 14th November 2010.

NB: if you wonder whether the motorbike was part of the show, well not really. Will Barras decided to leave it there after the opening night. Random but it did fit well with the show!

ART-PIE

 

Sweet Toof at ARCH402 gallery: have a mouthful of it!

Sweet Toof and the Burning Candy crew as a whole (Sweet Toof is part of it) are heavy-weight champions when it comes to street art in London. If you have ever wandered around East London, you must have come across these ‘bubble-gum’ faces with protuberant teeth characters always bursting with flashy colors but this is not what it is about here or not quite. Continue reading Sweet Toof at ARCH402 gallery: have a mouthful of it!

Alex Meade’s 3D made into 2D street art

Alex Meade and his live paintings | Art-PieMeet Alexa Meade. He creates amazing series of living graffiti art but the twist is that he masters the ability of using actual people made to look like they belong in their 2D graffiti background.

No need to say that the level of careful painting and attention to detail is huge here but it works pretty awesomely to turns three dimensional figures into two dimensional figures. All participants are painted in black and white and cleverly get tangled  in the explosive and coloured backgrounds and the illusion of they are part of the static art is achieved.

You will see a few examples of Alexa Meade below.

Alex Meade and his live paintings | Art-Pie

Alex Meade and his live paintings | Art-Pie Alex Meade and his live paintings | Art-Pie

Japanese designs from the 1920's/30's

I stumbled upon these very singular graphic design pieces from 1920s and 1930s, they all come from Japan and are characteristic of what the country was experiencing: a massive social change.

I have collected below a selection of posters, mag covers and advertisements which gives you a very good insight of where the Japanese society was heading to: modern industry and technology. Western art and culture influences can be felt in those pieces as well as a growing incline towards a leftist political thought.

Is it me or some of that stuff reminds of a certain Shepard Fairey?

Japanese design
Buy domestic! (poster)
Japanese designs
Cover of "Nippon" magazine issue #1, Oct 1934
japanese designs
"Fuji Weekly" cover, Oct 1930
Japanese designs
Kyoto Grand Exposition to Commemorate the Showa Imperial Coronation, 1928
Poster design by Shujiro Shimomura, 1928
Poster design by Shujiro Shimomura, 1928
"May 1" movie poster by Hiromu Hara, 1928-1929
"May 1" movie poster by Hiromu Hara, 1928-1929
"Reijin" sheet music cover, 1930
"Reijin" sheet music cover, 1930

[Source: “Modernism on Paper: Japanese Graphic Design of the 1920s-30s”, (published 2003)]

Summer party at Black Rat Press

Black Rat Projects would like to invite you to our Summer Party. On Saturday July 16th during the day we are teaming up with Cargo club next door whose expert chefs will cook up a bbq for BRP’s guests. This is a day for all the family: Matt Small will be doing one of his legendary workshops for the younger audience (if there’s space grown-ups can join in too…). To book for your kids email becca@blackrat.com with an optional £10 donation to ZAMCOG charity.

The day will mark the release of Lucas Price’s new print “Telepathic Heights”. The new edition (each one is uniquely hand coloured) will be hung among works by BRP friends, new and old, including: Swoon, Matt Small, Giles Walker, Candice Tripp, ROA and Brian Dettmer. Best Ever and Barcelona based artist Ruben Sanchez will be painting live on walls nearby.

The show will be a review of this year’s projects, and an ode to the artists who have made the space what it is, as well as a look forward to future projects as we welcome ROA, Candice Tripp and Brian Dettmer into the fold.

Join BRP as we celebrate summer on Saturday July 16th from 2-5pm! Invites will be sent out this week

Words by Black Rat Press

Find below the link of ROA show review at BRP earlier this year plus a couple of pictures that go with it – can’t wait for the next one!

ROA at BRP

ROA at BRPROA at BRP

Value which is of Value

10 x 10 by Kate Murdoch
10 x 10, ©2008 – 2012 Kate Murdoch

“If there is value which is of value, it must lie outside of all happening and being so. For all happening and being-so is accidental.”

Ludwig Wittgenstein
6.41, Tractatus Logico Philosophicus

This quote from Wittgenstein is a profound statement on the nature of occurrence and existence – ‘happening and being-so’. Whichever way we look at it, occurrence and existence is accidental. The beauty and simplicity of Wittgenstein’s statement sweeps away the clutter of chance and places value squarely in purpose. It suggests circumstance (context) is a force of chance.  This ‘Me’ of Mine asks if purpose can challenge the force of chance.

Wittgenstein’s rational view makes folly of the attempt to find meaning in happening and being-so, but he leaves the door wide open to search for meaning in value and purpose. Kate Murdoch does just this through her work.  She encourages her audiences to explore their purpose. Through her interactive exchanges, Kate presents situations which involve an active interchange between the public and her work, often with the public’s participation the greater force in the creation of art. Her audiences not only participate, they actually become part of the art through their active purpose. The generosity of this, both on Kate’s part and on the part of the audience, breaks down the barrier of the ‘art experience’ and presents an experience of art.

Read our interview, What Are You Prepared to Give in Exchange, for This ‘Me’ of Mine. Kate and I discuss value, emotion, memory and communication.

JB: …It could be said the value we associate with an object is in relation to the depth of emotion we experience in any given situation. Do you feel this to be true and what have you observed about this relationship through the interactive aspect of your work?

KM: …The emotional attachment we make to any given object can determine its worth in emotional terms as opposed to its monetary value. The very act of bartering adds an emotional reality to the process of exchange that currency somehow lacks…


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