To celebrate Otto Schade‘s upcoming solo show at Well Hung Gallery, we are giving away one of Otto’s latest limited edition screen-prints called ‘Cop for a load’.
To win this amazing piece (click to enlarge), you need to subscribe to our newsletter or share this article via your favourite social media channels.
– – –
Well Hung Gallery is pleased to present Otto Schade, an eagerly anticipated solo exhibition of new works by renowned street artist.
The exhibition showcases the range and depth of Otto’s works. Presenting 4 new full-scale paintings, a series of new screen prints and a collection from the Orb series. A new exclusive, limited edition screen-print will be launched on the opening night of the show.
Otto has developed a meticulous spray painting technique by intricately cutting layer upon layer of illustrative stencils. His distinctive, graphic ‘ribbon’ style and continued exploration of iconic imagery have made him one of the UK’s pre-eminent street artists.
Otto’s large scale, epic paintings can be seen in the streets of East London. These murals are extensively photographed by his ever-growing street art following. In the run up to the exhibition, Otto will be painting a new piece near Well Hung gallery in London.
What – Otto Schade solo show Where – Well Hung gallery, 239 Hoxton Street, London, N1 5LG When – 23/7 till 23/8/15
Tunisia has been the stage lately of a surge of intolerability towards creativity and especially towards anything to do with a spray can. As a result, the French-born Tunisian graffiti artist El-Seed took action.
The result is Tunisia’s largest mural but what matters above all is the the location; he painted on the country’s tallest minaret, at the Jara Mosque, located in the industrial city of Gabes. Pictures after the fold.
Here is what El-seed says about the project “I decided to do the mural because it was close to my heart. It had been a while I had wanted to paint a wall in Gabes,” the artist told Ahram Online.
“The primary purpose was, and is, to inspire people to get together and build community around positive action,” El-Seed told Ahram Online via email. “
The mural, which has been embraced with open arms by the mosque’s Imam, was painted on the 57-metre high minaret, and is meant as a message of tolerance and mutual respect.
El-Seed got interestd in the art of graffiti back in 1998 in Paris, where he spent his childhood. Later, when he moved to North America, he started combining graffiti with his passion for Arabic calligraphy (usually associated with the Quran and religious scripture). The artist likes to mix traditional script and contemporary pop-culture, giving birth to a distinctive urban graffiti.
The FIAC art fair has opened its doors to the public until the 27/10 and while loads is happening, a stroll around the Parisians parks i a must as a bung of artist have dropped some outdoors installation. This event is called Hors-Les-Murs
Make sure to head down to the Tuileries Gardens, Jardin des Plantes, National History Museum, and Place Vendôme, the Petit Palais, and the banks of the Seine River, situated on the left bank between the Pont de Solférino and the Pont des Invalides and you shoud get your dose of art
Highlights include an installation by Tadashi Kawamata on the iconic Vendôme Column in Place Vendôme, working in collaboration with the Comité Vendôme and its members, in particular a number of major jewelers that are based in the mythic square. The piece is entitled “Tree Huts at Place Vendôme, 2013.”
Master of the biro drawing Mark Powell returns to Hang-Up Gallery in March with his new solo show Anthropology. The exhibition will feature an exclusive collection of original pen and ink drawings, as well as a selection of limited edition print releases in collaboration with London’s prestigious publisher Jealous Gallery.
Known internationally for his beautifully intricate biro drawings of the elderly and endangered species executed on found material, Powell is back with a fresh body of work that visually documents his recent travels from across the globe. By deeply immersing himself in new cultures and experiences Powell has expanded his visual vocabulary.
For the first time, Hang-Up will be revealing the artists new direction of still life objects. Vintage cameras, used typewriters and discarded leather boots hint at the untold stories of their forgotten owners, and remind us of the inevitability of time’s passing.
Meet Alexa Meade. He creates amazing series of living graffiti art but the twist is that he masters the ability of using actual people made to look like they belong in their 2D graffiti background.
No need to say that the level of careful painting and attention to detail is huge here but it works pretty awesomely to turns three dimensional figures into two dimensional figures. All participants are painted in black and white and cleverly get tangled in the explosive and coloured backgrounds and the illusion of they are part of the static art is achieved.
When asking Leo Rocha about making striking images to publicise Ecuador and its tourism, I wonder whether the tourism board of this country knew that they were in for a treat! I do not know for you but we think here at Art-Pie that these are pretty awesome and we definitely want to go and check out Ecuador now!.
Made by Koenig & Partners ad agency. CGI by Luiz Alves and Javier Porcel. Retouch by Leo Rocha, Ramon Saroldi and Marceu Lobo.
The umbrella, as a symbol of the protests that are going on in Hong Kong, resulted from police pepper spray, used against activists, who used it as a shield. In no time, this was picked up by creatives, artists or just supporters who via that object, represent their support to the cause through art and imagery.
The Umbrella Revolution was born
#OccupyCentral and its demonstrations began peacefully last week but turned more intensive at the time where we are writing this article. The uprise is about activist who are calling for democracy in Hong Kong and free elections in 2017 (See more photographs about the events on the Mashable website).
We have collected a fe examples of the art and imagery incorporating the umbrella and other symbols of resistance on social media.
Another symbol widely used is the the yellow ribbon, which protestors are using as a symbol of democracy and suffrage and we found this awesome piece below
More imagery/art from protesters and artists below
Andipa Contemporary is delighted to announce a new solo exhibition: Concrete Ocean, by renowned urban artist Slinkachu. Left floating in flimsy boats on puddles the size of lakes, or clinging onto seemingly giant paving stones, in danger of being trodden underfoot by the casual passer-by, the figures in Concrete Ocean address the artist’s trademark theme of loneliness and disillusionment engendered by the city environment. The dry wit of his observation and the deceptive sweetness of his scaled down figures make Slinkachu’s works absorbing, strong and engaging.
Named as one of the “100 Leading Figures in Urban Art” by Patrick Ngyuyen and Stuart Mackenzie in Beyond the Street (2010) Slinkachu creates (and then abandons) tiny installations around the city using reworked railway model figures that he then records photographically. The artist will, for the first time, bring seemingly uprooted street installations into the gallery where they will form islands in the concrete ocean.
Concrete Ocean follows the artist’s internationally acclaimed Little People Project started in 2006, and the publication of Little People in the City: The street art of Slinkachu, published by Boxtree (Pan MacMillan), with a foreword by author Will Self (2008), The Old Vic and Punchdrunk’s collaboration, Tunnel 228 in 2009 and in 2010 the highly successful exhibition Extraordinary Measures at Belsay Hall, Northumberland, alongside Ron Mueck, Matt Collishaw and Mariele Neudecker, in which the artist took a humorous look “at the obsession we have with the day trip, that English hobby which often provokes the full range of emotions” and saw 55,000 visitors, along with the Amsterdam launch of BIG BAD CITY by Lebowski Publishers.
Words from Andipa gallery
Where – Andipa gallery
When – 3rd March till 2nd April 2011 (preview on the 2/3)
Jester Jacques – First of all, how did your interest in art making come about? Were there any specific events or influences in your childhood which swayed you to be more creative?
Novemto Komo – I have always been doodling since I was kid, on the wall of my parent’s room and my room; also sticking stickers I got on the doors all around the house.
Simon Sarin Photography Copyright
I remember when I was in kindergarten and elementary schools, almost every weekend my parents took me to “Ancol art market” to see paintings, sculptures and crafts by local artists. We got our family portrait from one of the artist there using paper cut, and when my sister and brother were born, we also get their portrait done by the same artist. I also participated a lot in kids drawing competition and some of them came out top 3.
I also remember saw a painting by Ford Madox Brown, titled “Take Your Son, Sir!” in a book and I was finally able to see it in real a year ago in Tate Britain.
JJ – You were born in Indonesia. Does any of the culture seep into your work, even though you live in the UK?
NK – It does influence me a lot. There is so many social issues going on in Indonesia that kind of influence my way of thinking when developing the idea.
Also, the diversity of animals in Indonesia can be seen on most of my artwork lately. A lot of animals in Indonesia are very rare now and a lot are in risk of extinct.
JJ – Where did you study Fine Art and do you think it helped in your career as a visual artist? In what ways?
NK – I never studied Fine Art, I was trained as multimedia designer which lead to my first job as a junior flash developer. Then as time went on, I got more jobs doing illustration which carried me into doing more hand drawing/illustration. I got more into painting when I took my master in graphic design in 2010 at Newcastle where I had a lot of spare time to practice and develop my skills.
JJ – What is your fascination with animals? And anthropomorphising them?
NK- I started using animal a lot in my artworks as they are part of our life. They are also very attractive subjects because they are beautiful. I believe every human has their wild side which I interpret through animals.
I also want to bring awareness to people about animal extinction, especially caused by poachers and hunter. I’ve followed and joined a hunter online forum and feel sad every time I see them posted photos of animal they killed proudly.
Simon Sarin Photography Copyright
JJ – How do you get inspired?
NK – I get inspired from many things; news, people around me and their relationship towards each other. A lot of time I got inspiration by talking with strangers or random people. I visit Stolen Space Gallery a lot and Signal Gallery. I guess I get a lot of inspiration from street art around the world and there are so much of it in London created by international artists. To name a few, Faith47, Remi Rough, and Anthony Lister.
JJ – In your painting ‘Worst thing of Screaming,’ there is a feeling of pop art in there; the Lichtenstein type of shapes. Tell us more about that particular painting, as it stands out to me in your most recent body of paintings.
NK – The starting point of that painting was based on an idea of relationships. There are many situations where no one listens to you even when you scream out loud and sometimes it make you scream even louder, which end up make you feel like a freak show.
JJ – You do commercial work as an illustrator. What do you enjoy doing more – that, or your personal work? Is there an overlap in ideas and style, or do you try and keep them separated?
NK – I always try to separate the idea and style between them, but I have to admit sometimes there’s a mix in some of them.
JJ – Your work has a collage feel to it. How do you begin a new piece? Do you actually cut and paste, or just play with objects and figures as you go along?
NK – I never thought my work has a collage feel but I heard some people said that they thought my work was a collage, especially “escape the game.” I guess I just play with objects, figures and imaginations to visualise my idea into a painting. Many times when I’m in the middle of painting, I come out with some graphic elements that I can incorporate with and I just play around with it.
JJ – Do you have any exhibitions or projects/events coming up which we should look out for?
NK – The exhibition that I confirm at the moment is in December but I am doing another live art on the Tuesday the 24th this month during Jam Sandwich at The Russet Cafe. It is a monthly music event which I paint live depending on that night performers.
JJ – Finally, what piece of advice would you give young artists who want to pursue visual/fine arts?
NK – If you’re happy doing it, keep doing it as you never know what might happen.
To celebrate Otto Schade‘s upcoming solo show at Well Hung Gallery, we are giving away one of Otto’s latest limited edition screen-prints called ‘Cop for a load’.
The result is Tunisia’s largest mural but what matters above all is the the location; he painted on the country’s tallest minaret, at the Jara Mosque, located in the industrial city of Gabes. Pictures after the fold.
Meet Alexa Meade. He creates amazing series of living graffiti art but the twist is that he masters the ability of using actual people made to look like they belong in their 2D graffiti background.
