PREVIEW

Markus Kiebel at Arch402 – Inside Complexity

The first London solo exhibition by German artist Markus Keibel sees a continuation of his interactive site-specific installations, as featured in PORTIZMIR 2 (2010), the triennial of contemporary art held in Izmir, Turkey. Exploring semantic roots and the poetry of materials, Keibel’s work brings to surface enigmatic, abstract forms.

Markus Kiebel

Since 2005, the Berlin-based artist has not only developed conceptual site-specific installations, but also an abstract idiom using different forms of human traces. The perception of viewers is the issue addressed by Keibel, whose current work investigates how colour interacts with viewers. His sculptures, paintings and works on paper draw their elements from simple materials, often using pigmented glass and acrylic colours to modify their mode of operation.

Created on-site especially for the Arch 402 Gallery, Inside Complexity will reveal a large-scale floor sculpture, designed for viewers to walk over and leave traces as they move.  Characterized as an ever-changing form, the four concentrated circles—created using different coloured pigment powders—shift and disperse throughout the exhibition venue, causing the colours to lose their intensity. As part of the exhibition, the transformation of Keibel’s ever-changing floor sculpture will be captured both in a time-lapsed video and on canvas.

In order to create these final works, the gallery space will be closed the day following the Private View (11th Feb) when Keibel will use the transformed pigment areas to create big canvases (170 x 280 cm), revealing the transcribed traces of human movement.

Keibel’s interactive installations are less focused on how interaction with the work evokes feelings in the public, but rather, with how these feelings act on given materials, as the pigments ultimately seem to reveal a sentimental beauty. Rendering the pigments in his own specific mode of representation, Keibel not only prefigures subjectivity in the abstract but also his own subjectivity, from a viewpoint that questions the prescriptive experience.

Words from Necmi Sonmez

Where – ARCH 402 GALLERY | Cremer Street, E2 8HD | Tue-Fri 11-6
When – 12 February – 18 March 2011 / Private View 10 February 6-9pm

DIGITAL ART

ASCII art

ASCII art | Art-PieI do not know for you but 2 of my hobbies or 2 of the things I spend most of my time doing, are typing on a computer and looking at, reading, writing or producing art so the so call ASCII art could just be the form of art I have been looking for.

ASCII art?

ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII).

Long story short – they are numbers, letter and characters.

What is remarkable about this art, beyond the fact that serious artists out there produce stunning pieces, is that, one of the main reasons behind the emergence of this technique, was because early printers often lacked graphics ability and thus characters were used in place of graphic marks (pixels will then take over printing).

Let your creativity speaks (and have some patience)

We have included some of the best ASCII art we found on the web. Remarkable right?

Click any picture to start the slideshow and let us know your favourite in the comments below. Ours is the Jack Nicholson one depicting of course a scene and the cover of Stanley Kubrick‘s movie – The Shinning 

ascii-art- ascii-art--- ascii-art-- ascii-art-by-daydream ASCII art | Art-Pie ASCII art | Art-Pie ASCII art | Art-Pie

 

 

 

PREVIEW

Bruce French at Scream gallery

Scream is proud to present the third solo exhibition with fine artist Bruce French. “Absence of Light” is a sequel to his 2008 solo show and will feature his signature fine line drawings, translated into painting, sculpture and limited edition screen prints. The exhibition will be launched on 26 May with an exclusive performance piece at Scream, choreographed and performed by Vanessa Fenton of the Royal Ballet, and sung by Lynne Jackman of rock band St. Jude. Titled ‘And I always will’, this will be the first collaboration between the artist, dancer and chanteuse, and will be performed in ‘First Drafts’ on 26th April at the Royal Opera House.

With the new body of work, French embraces modern technologies, and although each image is drawn from life and inspired by the people and events he observes, he uses his iPhone and iPad to maintain the visual diaries that form the basis of his oeuvre. His observations are translated into faceless figurative drawings, emotionally charged yet androgynous and anonymous. Bruce begins by creating an image in layers on his iPad. By drawing directly onto the pad with his fingers he is able to experiment with line, form and colour, before printing on Perspex or translating the image to the more traditional medium of oil on canvas. Although Bruce’s paintings are essentially figurative, they possess a bold, linear aesthetic. He is passionate about using the latest technology as a tool for artistic purposes, extending to a sculpture created on the iPad and realized using the latest electroluminescent light technology. The images do not necessarily represent a specific individual, but act as an emotional journal of characters who cross his path from day to day. By stripping away distinguishing features, Bruce creates powerful linear images.

Words by Scream gallery

Read the full press release on the Scream gallery website

When – 27 May – 25 June 2011 | Invite only preview on the 26th, contact Lee Sharrock

Where – Scream gallery | 34 Bruton Street | London W1J 6QX


STREET ART ENCOUNTERS