We have already featured Clemens Behr‘s cardboards installations and are again very happy to do so. This time, the playground is in Paris and the collaboration is with French painter Romain Froquet.
The fruit of this partnership are two eye-catching 3D installations enhanced by Froquet’s neat and intricate abstract paintings which can be seen below. The video of this collaborative work has also been included below.
P183 is his name and Moscow his playground where he has recently dropped a series of street artworks which some will tell feels very “banksy-ish”. Banksy, British artist, first began his guerilla artwork campaign in Bristol in the early 1990s.
It is hard not to agree when you see some of his works below but one piece particularly caught my eye – Seeing is believing, I actually think it is very clever and is one of the best use of the urban furniture I have seen in recent street art. It uses lamp-post to double as the arm of a giant pair of eyeglasses, with the rest of the ‘frames’ drawn in the snow. Clever
Another piece is worth mentioning too – Instigators Of Bridges. A rioter with a flare has been drawn on a flyover and fire is lit at night giving the piece another realistic dimension.
What do you reckon?
Take two thing a large number of us have manipulated once in their lives: LEGO and chalk. Take it further and create something too amazing for not writing something up about it. Dutchman Peter Westerink and a few other helping hands must have astonished a few by-passers with their 100m2 3D creation depicting a army of LEGO men Terracotta style.
You will see below, pictures showing the steps these guys has to go through. Oh and did I mention that it took 6 full days to a crew of four artists (Leon Keer, who also came up with the design, Remko Van Schaik, Ruben Poncia and Peter Westerink) to get this leaped out if the concrete floor. No surprise that the Sarasota Chalk Festival in Florida was chosen, imagine doing that at Glastonbury festival where it is very likely to rain and wash out a pile of efforts.
A grid is first laid out using chalk, then painted over with white paint before being removed and a mammoth task begins: filling.
Peter and his crew (and many other artists) are part of Planet Streetpainting is a collaborative of international street painters
Damien Hirst must be used to getting all sort of good and bad criticism by now and although he has got simultaneous show all over the world right now and therefore is regarded as a major player in modern art, I can’t help to think that his latest spots series does not deserve all the fuss currently going about it.
What best to describe how I feel that this street art piece “lazy”. No need to say more.
Photo by Laurence Billiet
Seen on Vandalog
We have all seen these street artists colouring our pavements without could not put the finger on what the piece actually represent. It is because you are not looking at it at the right angle. We are talking here about anamorphic art which has recently flourished all over the world.
But some artists take this form of art to the next level making it methodical and magical. Located in the factory hosted by Sub Urb Art based in Torino (Italy), Medusa, figure from the Greek mythology, has taken the patience, attention to detail and talent of two artists, Ninja1 and Mach505.
The number of surfaces used is phenomenal and make the task daunting. It took 35 hours to paint the whole lot. It was achievable by projecting the outlines of an existing Medusa drawing on those surfaces and paint over them.
“Also, tracing a projection might seem simple, but at a distance of 20 meters the pixels are the size of your head, and hardly visible at all because of other lights, so you do need to check what you’re doing from the viewpoint every once in a while. “
Read the full interview on Modernet
From certain angles
The end result
