We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.
In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.
Feel free to comment too at the end of this article. Let’s get started….
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Matteo Massagrande
We stumbled upon the piece called “Salice” – mixed media on board, 80 x 120cm and instantly liked the smoky and hazy atmosphere of this piece achieved in using panels. It made us want to go and explore the scene that was presented in front of our eyes.
About the artist
Matteo Massagrande was born in Padua, Italy in 1959. Massagrande is an accomplished painter and a talented engraver. He has exhibited in over one hundred exhibitions internationally in the past 30 years.
We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.
In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.
Feel free to comment too at the end of this article. Let’s get started….
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Pedro Rodríguez Garrido
We stumbled upon the piece called “Cloudy Morning, Manahattan” – oil on panel, 150 x 150cm and instantly liked the smoky and hazy atmosphere of this piece achieved in using panels. It made us want to go and explore the scene that was presented in front of our eyes.
About the artist
Pedro Rodriguez Garrido was born in Huelva, Spain in 1971. Garrido studied Fine Art at University of Seville, Spain. Since graduating in 1998, he has exhibited at numerous solo and group exhibitions across Europe. Adam Gallery is his first British gallery and will be holding an exhibition of his work late summer/autumn 2013.
We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.
In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.
Feel free to comment too at the end of this article. Let’s get started….
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Shaun Doyle & Mally Mallinson
We stumbled upon the piece called “Sumo Ergo Sum(I shop therefore I am)” – cast bronze, edition of 9, H 42.5 x W 45 x D 56cm.
The skeleton sculpture, like any other ones to be honest, tickled our eyes right away.
Looking at the skull face expression, it was clear to us that it conveys a strong social message which was confirmed after reading up about the artists – keep on reading below.
About the artists
Our work deals with political and social thought. The forms we use to articulate our ideas often come from popular culture or are second hand, borrowed from another source. The way we put things together is witty, cheeky and aggressive; it mirrors the way we talk to each other. Context within our work is deliberately inconsistent. That inconsistency is our attempt to accommodate the messiness of the real world and allows different audiences different readings.
The lived-in, shabby aesthetic employed reflects the environments that excite us – the underfunded regional museum, the car boot sale, the dump; places where value systems are fluid, more confused or don’t exist at all. In these situations, forms and ideas have the potential to acquire alternate meanings and take on a new life. Through re-imagining objects and their identities we explore the processes of cultural transformation that take place after an object or idea has served its initial purpose. This re-cycling is a means of distilling useful agents; elements approaching redundancy are stripped down, re-formed and re-packaged. The results challenge the cleaner more commercial concerns of some other art forms and celebrate the possibilities of extreme behaviour and belief.
We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.
In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.
Feel free to comment too at the end of this article. Let’s get started….
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Guy Allen
We stumbled upon the piece called “Horse Study Yellow” – etching, Aquatint with 1 colour screenprint and instantly got drawn to it. We like the contrast in this piece and when artists use 2 or 3 colours. Some may qualify this as minimalist art and this is fair enough. We think a grey on any colour is striking.
About the artist
British printmaker Guy Allen is highly skilled at drawing from the animal world. His limited edition etchings are beautifully detailed, and sometimes include abstract elements. He’s a graduate of Central St Martins who has also studied at École Nationale Supérieure Des Beaux-Arts in Paris.
He has worked with the highly respected Curwen Studios and now works out of London’s Artichoke Studios. Guy’s work has been included in the Royal Academy’s Summer Exhibition and is popular at London’s major art fairs including the Animal Art Fair.
We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.
In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.
Feel free to comment too at the end of this article. Let’s get started….
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Paul Wright
We stumbled upon the piece called “Wild Fire” – oil on linen, 43” x 39′, and once again admired the technique and palette of colours used. We always look forward to pass the Thompson’s booth art the London Art fair to find out about Paul Wright’s works.
We know how hard it portraiture is in general which makes us appreciate even more this artist’s work. His portraits are always impeccably proportioned and transpire always strong emotions boosted by the often vibrant choice of colours.
About the artist
After his beginnings as an artist working in Illustration, Paul Wright has spent the last decade developing a language of painting through which he seeks to capture a vitality beyond the establishment of a mere ‘likeness’ to the subject. As an artist, Paul Wright appreciates the importance of the individual being recognisable, the subjects are glimpsed in the painting rather than exposed, their inner selves hinted at but ultimately inscrutable.
Though Paul Wright often works on a large, potentially imposing scale, his paintings remain approachable through fluency of brush mark and a rich palette. In Paul Wright`s paintings, the spaces the subjects inhabit are often indeterminate, providing an atmosphere that allows for ambiguity of psychological state. Paul Wright`s subjects retain their integrity and yet through the artist`s painting method a sense of intimacy is evoked.