Our Aim is to Survive, photographs by Brian J Morrison

Our aim is to survive by Brian J MorrisonThis work is the result of an exploration into the area of masculinity and social stereotypes. As a documentary photographic essay the work opens the doors to a lesser-seen area of society in an attempt to challenge pre-existing British stereotypes surrounding male identity and firearms.

Our aim is to aim is to survive focuses on Blackpool Pistol and Rifle Club: it’s physicality as a space, the people who use it and the inter-relationship between the two. These images are bound together through their formal presentation yet each image contains a strong individual presence in many cases confirming expectations but in others, interestingly confounding and challenging both the preconceived ideas attached to firearms and Shooting Clubs.

The Blackpool Pistol and Rifle club as been running since 1948 and is a typical example of what you would find in many shooting clubs throughout the United Kingdom. After a 1997 firearms amendment outlawed all but muzzle loading and single shot pistols, the membership to these clubs dwindled. As with many things within contemporary society the unfashionable quickly becomes lost and the
traditions of old soon turn to nostalgia. The walls of this club speak of a time gone; the faux wooden panels and the photographs proudly displayed offer an insight into “the good old days”. However they spoke as much about an acceptance of their fate as it offered a reminder into the past. The unfashionable has already become nostalgic whilst still in existence. To emphasize the idea of ever shifting social opinions I have offered a critique on the normative opinions associated masculinity and firearms by mixing the past and present contained within each frame.

Throughout the work the viewer is encouraged to draw off there own pre-existing opinions before eventually having these opinions subverted. By using masculinity as a focal point, symbolic links are drawn between the continually changing view of masculinity and the decline in popularity of those things that
do not fit within today’s society.”

““an acceptance that photography at the least can capture the present and the visible, he (Coekin) adds an understanding that what we know of the present what we know, and don’t know, of the past and the future”
David Campany on Chris Coekin’s piece Knock Three Times.

Words from Brian J Morrison

See more on Brian J Morrison website

Our Aim Is To Survive by Brian J MorrisonOur Aim Is To Survive by Brian J Morrison

RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

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We hope you’ll join us and join in the conversation…

Go to RECURSIVE

Team Robbo’s wonders on Holloway Road

Click to enlarge
Click to enlarge

I cannot believe I had forgotten about this huge wall on Holloway Road. I went past it a few weeks ago but could not stop to take pictures. I have done so today. Enjoy the pictures below.

At the time where I am writing this, I hear some people on Twitter expressing their surprise about Robbo doing stencils ( I myself spotted a few weeks ago a stencil signed Robbo). Some people seem to find inconceivable that idea?

Woo, woo, woo, let’s all calm down here. Robbo will still be king should he starts stenciling our streets and if he stencils as good as he drops graffiti, I cannot wait to see more of it around London. Stenciling is not Evil, stenciling is not cheating, stenciling is just a different form of street art.

Related links
> See more graffiti spotted around London

ART-PIE

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Four cities at Black Rat Press gallery

In 2007 the global population living in urban environments passed the halfway mark, and that trend is accelerating. As cities become bigger and denser, and within the rigid structures of a mass-market society, truly meaningful personal interactions become increasingly elusive. Read the full preview here.

Artists featured: Swoon, Os Gemeos, Banksy, Shepard Fairey

Where –
Black Rat Projects
When –
20th May – 23rd June 2011 (Preview – 19th May – 6-9pm)

Photos of the opening night below

Shephard Fairey

Swoon

OsGemeos

PS: “Where are the Banksy shots” you may think. Well, I thought the pieces from the three artists above were a lot more worth being photograph than his so I did not snap any but I am sure you have seem them all already anyway.

Bunny suicides from Andy Riley

When we first saw Andy Riley’s Bunny Suicides illustrations, we immediately love them but also found them very funny.

In a nutshell, rather desperate bunnies try to end their lives by any means they can think of and find themselves in ingenious yet dramatic situations.

You are looking at dark humour so these might not be your taste but cute bunnies might?

We included 9 of the best illustrations of the illustrator we spotted online

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

Bunny Suicides by Andy Riley | Art-Pie

It’s your funeral by Guerilla Zoo

It's Your Funeral by Guerilla Zoo | Art-PieEveryone needs live performance in their lives, everyone needs to get out there and enjoy moments with each other. It gets better if what you see is something unique or at least different with what you are used to see.

It’s Your Funeral, a new monthly event by Guerrilla Zoo founder James Elphick and The Late Night Shop Collective’s Charlie Buckitt may just be the answer and sounds like a good and quirky night out.

You will have understand by now that you are up for a twisted and macabre event which takes the form of a theatrical New Orleans jazz style funeral experience of mournful humour and morbid performance! It’s Your Funeral is a dark tragicomedy journey, breathing fresh life into grim tall tales of the dead.

The event is launching on Thursday 11th April 2013 and then will run every 2nd thursday of the month in the Bethnal Green Working Men’s Club

More information can be found on the It’s Your Funeral website

What – It’s Your Funeral
When – 11/04/13 then every second thursday of the month
Where – Bethnal Green Working Men’s Club | 42-44 POLLARD ROW LONDON E2 6NB

Art4Peace Auction at The Ivy Club

Around 20 acclaimed urban and street artists from around the world exhibited their artwork in support of the peacebuilding charity International Alert’s #ART4PEACE campaign, at The Old Truman Brewery in London from 4-20 September 2015.

The art exhibition and sale, titled #ART4PEACE: Peace from the street up!, featured work inspired by the theme of ‘peace in our cities’. The artists, some of whom come from conflict-affected regions, refelcted on opportunities for peaceful change in an increasingly urbanised world. Graffiti, reclaimed police shields and road signs, and even rolling pins, all featured in this unique show in the run up to UN International Peace Day on the 21st of September.

We included images of the show at the end of this article.

Art4Peace | Art-Pie

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An online preview auction  opened to bidders worldwide on the 21st of September (UN International Peace Day), and the campaign will conclude with a public auction on Friday 2 October at The Club at The Ivy, in London’s West End   – get your tickets on eventbrite.

All proceeds are in aid of International Alert and its vital peacebuilding work in more than 25 countries around the world.

About International Alert

International Alert | Art-PieInternational Alert is one of the world’s leading peacebuilding organisations, with nearly 30 years of experience laying the foundations for peace in more than 25 countries (including the UK). We believe that dialogue is crucial for building peace. We bring people together to help them better understand their differences and resolve them peacefully. Find out more at www.international-alert.org

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The line-up of UK and international talent is: Ben Turnbull (UK), Clet Abraham (France), Dan Kitchener (UK), David Scheinmann (UK), David Whittaker (UK), Ganzeer (Egypt), Goldie (UK), Inkie (UK), K-Guy (UK), Know Hope (Israel), Malina Suliman (Afghanistan), Matt Small (UK), Olek (Poland), Otto Schade (Chile), Sadhu X (Nepal), Shraddha Shrestha (Nepal), Sten Lex (Italy), Tammam Azzam (Syria), Teurk (France), Victor Ash (France/Denmark), War Boutique (UK) and Yola (Poland/UK).

WHAT –
Online preview auction: 21 September – 1 October (www.talkingpeacefestival.org/art4peace)

Auction: Friday 2 October (The Club at The Ivy, 9 West Street, London WC2H 9N. Tickets. Exhibition catalogue, high-res images and information on participating artists:

Ivy Club (London) | Art-Pie

STREET ART