Nikita Nomerz, street at from Russia

What Nikita Nomerz needs to make his art are walls but not just any wall. His preference goes towards dilapidates ones with broken windows or any sort of holes which he will use in his compositions often depicting a laughing face.

Along a few pictures of his work, I have included below a time lapse video which shows Nikita Nomerz painting one of his now recognizable face somewhere in Russia

He says: “I started in school with classic hip hop graffiti but became more interested in street art and began all sorts of experiments. Now basically I like to play with space and objects. I am inspired by the place itself. I love watching the city and finding an interesting point. Usually I do not spend so much time to create one work, sometimes less than an hour. But it all depends on the size of the object and my ideas. (source: The Telegraph)

Nikita Nomerz

Object-Culture: bridge for the launch of East End promise

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A few days ago, I met the Paul Sakoilsky, the curator for Object-Culture, read the post here, the first of four pop up shows happening back to back throughout April and May 2010. Paul kindly sent the pictures below of the opening night (photos credits: Nick Ensing). This first show runs until the 25th April 2010.

Three more shows will then follow –
PRESS – a group show playing off the triple meaning of May Day opens on 6th May and runs until the 20th May
BUNCH OF STARS – curated and organised by The Star of Bethnal Green opens on the 25th May and runs until the 28th May Continue reading Object-Culture: bridge for the launch of East End promise

DEIH and his Insider Series

DEIH The Insider Series | Art-PieWe talked to the Spanish born graffiti/street art artist DEIH who is part of the XLF CREW. We asked to tell us about him –

“I’m painting graffiti since 1993, and I still love it. I draw, I breath. I am developing a project called “The Insider”, which is part of an introspective investigation on my feelings and my life.

I draw my inner life, as I consider that the particular way of relating to the others and oneself (and the impasses one undergoes through that process) are the very core of any attempt of creation.

Thus, I understand science-fiction representational codes as a way to achieve (to construct) a personal truth, as I think that truth has a fictional structure.”

We have included a few photos of DEIH’s works along with some related links

http://www.eldeih.com
http://deih.blogspot.com

DEIH - THe Insider project | Art-Pie

DEIH - THe Insider project | Art-PieDEIH - THe Insider project | Art-Pie

DEIH - THe Insider project | Art-Pie

DEIH - THe Insider project | Art-Pie

London Art fair – in its 23rd year but still going strong, part3

So there we had it – the 23rd London art fair, the biggest yet with a remarkable 24 ooo+ visitors this year. It has proven to me that this event is the place or one of the best places to discover, see or enjoy the best of modern and contemporary British art.

Over 120 galleries exhibited this year,  a decent number but still lagging behind its big sister, the Frieze art fair, with its 170+ galleries  but the two events should maybe not be compared as the Frieze fair is an international fair while the London art fair focusing on British art.

Another noticeable thing was that this year again, London based galleries made the bulk of the exhibitors with 80%. Painting and sculpture were also again the two main types of arts that could be seen but this is what the London Art Fair (LAF) has been about for a while now. The regular visitor will know this, the newbies not necessarily.

Selected works from the fair below.

William Martyr
Acrylics on canvas | Tag Fine Arts

Paul wright
Oil on canvas | Thompson gallery

John Hoylan
Acrylics on cotton duck | Beaux Arts London

Andrea Mastrovito
Cut paper collage and aniline dye on paper | Foley gallery

Dominic Shepperd
Oil on canvas | Charlie Smith

Marilene Oliver
Laser prints on card, red ink, bonded nylon and seed beads | Beaux Arts London

Der Tiere Solo show by Bael at Signal gallery

bael-signal-gallery

It’s a rare thing for a young artist to come along with a style and visual language fully formed. But this is definitely the case with Bael (AKA Michael James Bell). Still in the early stages of his career, his work has a confidence and clarity that many other, more experienced artists would envy.

Having briefly flirted with an art college education, Bael found the whole experience less than inspiring and decided to go it alone. The results seem to have proved that this was a wise decision. Looking at his intense, spare, highly personal artwork you have the distinct impression that they would not have been produced with such single mindedness, if he had been bombarded with the ideas and prejudices inherent in an art college education.

bael-signal-gallery

> Read more about the artist on the Signal gallery website

Private View: 13th January 2011, 6 – 9pm
Where: Signal gallery (London) – view on Google map
When: Open to the public: 14th January – 5th February 2011, Tuesday – Saturday 12 – 6pm

ART-PIE

Banksy new pieces in Los Angeles – part2

This is the follow up of the first set of new pieces from Banksy spotted in Los Angeles last week, read about it here

Two more pieces can be now seen in L.A. One is located not far from the USC campus and depicts what looks like a family running with a kite, understand here the comparison with the illegal immigrant caution signs that can be seen along the Mexican border.

Another quite quirky piece has been done on an abandoned oil tanker. A simple message says on it – This Looks A Bit Like An Elephant

Graffiti Analysis v3.0

This is simply one of the most exciting projects I have come across recently. My liking for this amazing technology is probably the result of a personality going geek sometimes.

Graffiti Analysis is an extensive ongoing study in the motion of graffiti. Custom software designed for graffiti writers creates visualizations of the often unseen gestures involved in the creation of a tag. Motion data is recorded, analyzed and archived as Graffiti Markup Language (.gml) files, a specifically formatted XML file designed to be a common open structure for archiving gestural graffiti motion data. GML files are saved in an open online database, 000000book.com, where writers can share analytical representations of their hand styles.

Read more about graffiti analysis

STREET ART ENCOUNTERS