MIX a show curated by Incandescent artists

Our friends over at Incandescent Artists are back with what looks like a promising show. ‘MIX’ is opening this Friday 28th August at Underdog gallery. The preview is on the 27th August – see below for details.

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'MIX' at Underdog gallery | Art-Pie

ABOUT MIX show at UNDERDOG GALLERY

This event is a creative ‘MIX’ of heavyweight established talent and exciting emerging artists. Our events always engage with an enthusiastic, creative crowd of people, a good ‘MIX’, friends are made, ideas are born. This time we’re at the trendy The Underdog Gallery in London Bridge, just a short 5min walk from The Shard.

Artists on display:
Damien Hirst – Banksy – Sir Peter Blake – DRAN – Invader – Rich Simmons – Ben Eine – Jimmy Galvin – Juliette Clovis – Elmo Hood – Josie Jammet – Hannah Adamaszek – Grafeeney – Mark Petty – Simon Freeborough – Julie Bloom – DS – Jive

To launch this event we have teamed up with The Creative Bubble to supply some of London’s best Spoken Word artists and singers to give you that verbal creative slap in your face, something to wake you up.

Live Performers on Private View Night:
Rhythm of Men – Dan Hunt – Holly Flo Lightly – Rommell Wallace – Beadyman – The Game Cat – Asabi Hawah – Marika and hosted by the fabulous E.S.T.

PLUS: DJ Deeper C playing “laid back, deep, funky house” from 9pm

Drinks reception from 6pm
Licensed Bar til 11pm
Private View starts at 6pm
Live Performers from 7:30pm (PV only)
DJ Deeper C playing from 9pm (PV only)

Private View is STRICTLY GUEST LIST ONLY

Join the Facebook event or email – info@incandescentartists.com

Tristan Eaton and Shepard Fairey to paint at sea

Tristan Eaton | Art-Pie
Tristan Eaton

Tristan Eaton and Shepard Fairey and other artists are working with Designersbloc on Painted Oceans, a project to preserve and celebrate sea forts off the Kent coast. The Red Sand Sea Forts, which are located just off the east coast of England are the lucky winners for this project.

The sea forts are located in a cluster eight miles north of Whitstable off the Kent coast and were built in 1943 after the Blitz as a strategic defense post to help defend against any similar attacks.

This project is nuts in terms of feasibility but exciting at the same time hence we wanted to publish something on the site and ask you to support it. A crowdfunding campaign is underway to raise money for the project and an accompanying documentary.

Red Sand Sea Forts | Art-Pie

“Painting at sea – are you crazy?”

According to Designersblock director Piers Roberts, Painted Oceans is set to be “one of the most dangerous and exciting mural projects in history”.

He says the motivation for the undertaking, is three-fold – “To preserve them and promote their value,  “to investigate their history “and to stimulate the economy of the coast.”

“There are two types of these forts, the army ones and the navy ones; the Redsand ones we’re working with are the army ones and were once connected by bridges,” adds Roberts, who is working with the Project Redsand Trust, which is able to grant access for the project.

A month at sea

Engineering consultancy Burro Happold has already looked at the structural integrity of the site, which was once home to pirate radio station Radio City in the 1960s.

Tristan Eaton – who is behind the idea for the project – specialises in large scale environmental work. He has already drafted in Shepard Fairey, Futura, How & Nosm and The London Police, who are all planning their murals now. All of the artists will live at sea for a month to complete the project.

Night mural for POW! WOW! in Hawaii by Tristan Eaton | Art-Pie
Night mural for POW! WOW! in Hawaii by Tristan Eaton

The logistics…

Roberts, who is project lead, says there is still a long way to go. “We need to think about how we get onto the forts, how will we link them, how we get gantries onto them, how we paint them…The murals won’t be painted straight onto the rusted steel, we need to get undercoats on there and use marine quality paint. It’s really about preservation.”

Chairman of the Project Redsand Trust Robin Adcroft says the project is still in review. As yet no agreement has been reached between Project Redsand and Painted Oceans to carry out the mural paintwork,” says Adcroft.

For the project to go ahead “much detail would need to be clarified and agreed upon,” says Adcroft who wants Project Oceans work to contribute to the long-term conservation of the site.

He adds: “Further public consultation would be required before  any go-ahead can be granted.”

If the project gets the go-ahead it is expected to be completed this summer and after that boat trips will take visitors out to see the work, according to Roberts who says it is too early to say whether people will be able to access a landing platform.

A crowdfunding campaign is underway to raise money for the project and an accompanying documentary.

First seen on Design Week

Rippled, light painting and animation at their best

There are quite a few light-painting based videos/animations out there these days, some very well done, some others a bit less but what about this one – “RIPPLED“, another collaboration between Darcy Prendergast and the creative team at OH YEAH WOW.

Two words – truly amazing.

You do not get perfection or beauty without pain. 6 months is how long this work took to get wrapped up and frame by frame animation and long exposure technique were how they proceeded. The camera was the weapon and the creativity topped it all off.

Track – All India Radio- The Silent Surf

Fran Williams – contemporary artist who marks

We have had the chance to ask a few questions to Fran Williams

ART-PIE:Tell us about yourself in a few words?
FRAN WILLIAMS: I explore the process and of paint and its emotional impact through mark making. Using the human form as a vehicle to create emotion with paint.

A-P: What is your process/approach when making art?
FW: My process is one of discovery through continual manipulation of paint and surface…throughout the smudging and hacking away of paint I get an idea of the ‘personality’ of a potential painting before choosing a pose which I feel will bring a readable emotion to it.Its all about the overall energy a of a painting…detail and meaning are secondary whilst Im creating it… the titles and meaning I attach afterwards come from things I have been thinking about outside of the studio.

A-P: Where/what do you look for inspiration?
FW: Everything everywhere is inspiring in one way or another…the changabilty of the sky is something Im inspired by all day…its a continual reminder of the impermanence of any experience which is something I find very useful should I ever have doubts on whether I could /should do something…it reminds me to just do it, and enjoy the journey.

In terms of artistic fuel Im always looking at the art of the Symbolist Painters such as Odilon Redon and Jean Delville…aswell as contemporary and mixed media artists such as Celia Paul and Dave Mckean.

A-P: Any upcoming shows?
FW:
Solo show ‘Helpless Angels’ opens at Bo-Lee Gallery May 14 – June 11
Affordable Art Fair – View Gallery May 13 – 15
Signal Gallery Group show in June
Blackhall studios London- Bo-Lee gallery group show June 13 -18

Make sure to check Fran William’s website

We thank you Fran Williams for taking time to take part in this interview. Find below a few pics of her best work. All three pieces are using oil/acrylics on canvas.

Video painting: showing the world in real time

What an exciting concept and so twenty-first century! Any web 2.0 person with a strong interest in art has to embrace this concept.

Not surprising that the idea blossomed in a philosopher mind – Hilary Lawson who is also a documentary film maker.

What is all about then?

‘escape the limitations of the traditional video narrative’
‘escape our cultural and perceptual closures, freeing the viewer to play in the openness of the image’

Wow, well said folks from the Open Gallery which now represents the Artscape project – the collective of artists founded by Mr Lawson in 2003

Immerse yourself into the piece you are looking at, just experience it, get out of it a simple feeling. Ditch the attempts to understand why, just enjoy the what is in front of your eyes.

Yes, video painting will set you free so check out that piece from Mr Lawson entitled Play in Three Acts

Check the open gallery website for more videos – www.opengallery.co.uk

For the techies, computer scientists developed in 2003 a technology (known as Laluna) which enabled video paintings to be stored and played in such a manner that their order did not repeat (but was also not random) getting thus rid of the constraint that limit the potential of video art.

I do not know for you guys but ART-PIE is now very impatient to go and check it out at the Open Gallery so watch this space!

ART-PIE

Fiesta in the fields

Fiesta in The Fields | Art-PieI do not know where you guys will be on Saturday but I will be at the ‘Feast In the Fields

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Colours of Brazil & the sexy sounds of Bossa Nova.

The creators of Feast in the Fields bring to you the flavours & samba beats of our current favourite South American hotspot in the form of FIESTA IN THE FIELDS!

Fiesta In The Fields, which kicks off at 12pm on Saturday 28th June, promises to be a carnival for all the senses. Be transported to the Copacabana with live world cup matches screened throughout the day, street food, A Cachaça shack, a line-up of live music & dancing that will make even two left feet move to the rhythm of the beat!

Hosts The Brewhouse, at London Fields Brewery, will be serving up South American Dishes to make your mouth dance, whilst Hell’s Grill gets naughty on the BBQ & El Panzon provide Tacos & Burritos from Brazil’s footballing neighbour Mexico. Keep as cool as a Caipirinha with Craft Beer from London Fields Brewery, Brazilian-inspired cocktails, The Pimms Bar & The Rum Stop.

For all the latest Fiesta In The Fields news: http://www.feastinthefields.co.uk

Fiesta In Te Fields | Art-Pie

What: London Fields Brewery Presents – Fiesta In The Fields
When: Saturday 28thJune
Where: The Brewhouse at London Fields Brewery; Railway Arches 369-370, Helmsley Place, E8 3SB
Tickets: Entry £4

Maxime Angel – Let My Eyes Be Your Mirror at C4RD

Centre for Recent Drawing presents the first UK solo exhibition of artist Maxime Angel. Through a highly physical and performative relationship to her drawing practice, Maxime Angel mines a deep held fascination with human sexuality and mortality in her intensely beautiful yet disturbing works on paper and card.

Angel’s personal interaction with her medium and her ability to project the internal and external machinations of the artitst’s body onto the 2D plane create a deeply visceral viewing. She lies, sleeps, smudges, interacts, destroys, scars, crumples and lives with her work, upon which she inscribes her fears, experiences and realities. Thus the drawings become an artifact of her life, laid bare in an intimate exchange of imagery and symbolism that sees the viewer not only connecting with Angel but reading something of themselves in the work.

The fragile nature of the medium reflects the works powerful grasping for fleeting beauty, as young vitality morphs into decay. Angel deploys these images as a metaphor for AIDS and our constant slide towards death, although she regards the act of drawing as itself a way propagate life, a Dorian Grey like exorcism of the inevitable.

Maxime Angels work traces a long and complex historical line of queer drawing, from tattooing to gay erotica, yet cannot be described simply as pornography. Her erotic illustrations mesh together both personal and cross-cultural references in uneasy yet sublime cohesion, while her beautiful and complex compositions recall traditions of Vanitas and still life. In doing so she subverts and utilizes the gay sub cultures, religion and pop iconography that have so influenced her life, exposing and exploring perceptions of gay narcissism.

Capturing what Angel describes as the ‘perfection in decay,’ these works entice the viewer with a rich visual language which is at once highly distinctive to the artist yet ultimately recognizable and truthful. We are reminded of our own mortality, but also of the cyclical and uplifting nature of life.

Maxime Angel will be working on a large site specific drawing in the gallery space in the weeks leading up to the show- feel free to come visit and watch Angel’s process on 28-30th April and 5-7th May 12-6pm. The show is curated by Paul Kindersley.

Words by Paul Kinderseley

Where – C4RD | 2 – 4 Highbury Station Road, Highbury Islington, London.

When – opening reception on Tuesday 10th May 2011 from 6 – 8pm. The exhibition will run from 11th May to 17th June 2011

Object-Culture: bringing cultures together

Object-Culture is the first pop up shows of a series of four which will happen back to back from now into May 2010 at Red Gallery on Rivington Street (London). ART-PIE went to see Paul Sakoilsky, the curator to find out more about it.

ART-PIE: Can you tell our readers more about you?

Paul Sakoilsky: I am an artist, a writer, a philosopher and I guess also a curator but I do not like using this word. I used to help out at the 30 Underwood Street Gallery back in the days, I mean between 1993 and 2000 when the gallery shut down for good. I worked in mixed medias and have been mainly focusing in the past few years on a project called The Dark times which has spawned a variety of works, installations and performances, which have been shown in solo and group shows across Europe. Continue reading Object-Culture: bringing cultures together

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