The Krah at Lava gallery

The Krah is having his first London solo show at Lava gallery

As vandalism was the most fun thing to do, The KRAH started painting the streets and the subway trains of Athens in 1997, but his graffiti and street-art can also be seen in the streets all over Europe and cities such as Tokyo and Bangkok.

After moving to East London The KRAH is still a very active street-artist and if graffiti is about underground freestyle funky visuals in illegal spots.

He has also exhibited in lots of galleries in London and internationally in gallery’s such as: Brooklynite in New York, ATM Gallery in Berlin, Art Basel at Miami Beach, in both of the Mutate Britain shows, Black rat Press, the Pure Evil Gallery and Art-Republic in London or Whinos Gallery Washington and the Vavel International Comics Festival in Athens.

Words from trackitdown.net

When – 14/4 till 21/4/11
Where – Lava gallery

Tom French at Lawrence Alkin gallery

Tom French is one of these artists who conveys a very particular style and when you see a “Tom French” you know right away that it is a “Tom French”.

With this idea occupying my mind, I was looking forward to see the artist’s new show “Flux” at Lawrence Alkin gallery. I was already familiar with the artist’s intricate style where skulls are a major element in his works.

But look closer and you might realise that there is most probably another more important element in that artist’s composition : the “hidden” characters that actually make up those skulls and faces and this is what we particularly like this artist.

FLUX is another tribute to the fact that the artist plays so cleverly with figurative realism and surrealism and invite you to a twirl of emotions and suggestions.

The show runs until the 5th May 2014

Tom French at Lawrence Alkin | Art-Pie

Tom French at Lawrence Alkin | Art-Pie

Tom French at Lawrence Alkin | Art-Pie

The Championships, Wimbledon – related art

The Championships Wimbledon | Art-PieProbably one of the most popular sport events in the UK, The Championships, Wimbledon 0f 2016 are happening right now and have been since 1877! It is the oldest tennis tournament in the world, and is widely considered the most prestigious.

It is one of the four Grand Slam tennis tournaments, the others being the Australian Open, the French Open and the US Open. Since the Australian Open shifted to hardcourt in 1988, Wimbledon is the only major still played on grass.

We included artists and pieces below which all have a ‘tennis’ element in it.

NB: the top image is a piece from the Pothole Gardener

Pavement art

We’ll kick off with “pavement art” and this extraordinary piece below showing, using 3D effect, a court of tennis where The Championships are normally play on.

The artists are Joe Hill and Max Lowry and you will have noticed that the chair one of the artists is sat on is an actual chair and belnds into the 3D piece.

The Championships, Wimbledon | Art-Pie

Joshua Callaghan

Joshua Callaghan, Wimbledon, The Championships | Art-Pie
By Joshua Callaghan. Click to enlarge

Joshua Callaghan, an artist who lives and works in Los Angeles has recently been using the urban furniture around him and expecially tennis one.

The artist disguises utility boxes by pasting pictures onto them of the scenery behind, thereby creating the illusion of an uninterrupted view.

We have included an example on the left (Click to enlarge).

Slinkachu

The Championships, Wimbledon | Art-Pie
By Slinkachu. Click to enlarge

Here’s an amazing new artwork by Slinkachu. These are the first images from his forthcoming exhibition entitled “Concrete Ocean”.

This piece called “Last Resort” was created in Wandsworth, South London, by the British artist who has become famous for his installations all over the city using minature trainset figures and graffiti on snails.

We included below a detail and a zoomed out photo of the artwork. Click to enlarge.

The Championships, Wimbledon | Art-Pie The Championships, Wimbledon | Art-Pie

Danielle Clough

The Championships, Wimbledon | Art-Pie

The artist, Cape Town-based uses thick and often bright thread in her creations. Finished pieces include images of flowers or portraits of people.

We particularly wanted to draw your attention to the pieces depicitng flowers hung on the strings of vintage tennis rackets. We included more of it below. (click to enlarge)

The Championships, Wimbledon | Art-Pie The Championships, Wimbledon | Art-Pie

Otto Schade

The Championships, Wimbledon | Art-Pie
Click to enlarge

Otto Schade also produced a “Street Art Olympics” themed series of work a couple of years ago which was on display at Frameless gallery and which includes a piece depicting a player tennis.

We went to the show and even wrote a review about it so we hope that you will have the time to read it.

Some of the works in the show were first visible around the streets of London (see left – click to enlarge)

We also have a few pieces of the artist in our shop so we’ll invite you to have a look

Around the web

We also includes other pieces related to The Championships, Wimbledon or more generally to tennis.

We hope you will enjoy them!

The Championships, Wimbledon |Art-Pie The Championship, Wimbledon | Art-Pie The Championships, Wimbledon The Championships, Wimbledon | Art-Pie

Maxime Angel – Let My Eyes Be Your Mirror at C4RD

Centre for Recent Drawing presents the first UK solo exhibition of artist Maxime Angel. Through a highly physical and performative relationship to her drawing practice, Maxime Angel mines a deep held fascination with human sexuality and mortality in her intensely beautiful yet disturbing works on paper and card.

Angel’s personal interaction with her medium and her ability to project the internal and external machinations of the artitst’s body onto the 2D plane create a deeply visceral viewing. She lies, sleeps, smudges, interacts, destroys, scars, crumples and lives with her work, upon which she inscribes her fears, experiences and realities. Thus the drawings become an artifact of her life, laid bare in an intimate exchange of imagery and symbolism that sees the viewer not only connecting with Angel but reading something of themselves in the work.

The fragile nature of the medium reflects the works powerful grasping for fleeting beauty, as young vitality morphs into decay. Angel deploys these images as a metaphor for AIDS and our constant slide towards death, although she regards the act of drawing as itself a way propagate life, a Dorian Grey like exorcism of the inevitable.

Maxime Angels work traces a long and complex historical line of queer drawing, from tattooing to gay erotica, yet cannot be described simply as pornography. Her erotic illustrations mesh together both personal and cross-cultural references in uneasy yet sublime cohesion, while her beautiful and complex compositions recall traditions of Vanitas and still life. In doing so she subverts and utilizes the gay sub cultures, religion and pop iconography that have so influenced her life, exposing and exploring perceptions of gay narcissism.

Capturing what Angel describes as the ‘perfection in decay,’ these works entice the viewer with a rich visual language which is at once highly distinctive to the artist yet ultimately recognizable and truthful. We are reminded of our own mortality, but also of the cyclical and uplifting nature of life.

Maxime Angel will be working on a large site specific drawing in the gallery space in the weeks leading up to the show- feel free to come visit and watch Angel’s process on 28-30th April and 5-7th May 12-6pm. The show is curated by Paul Kindersley.

Words by Paul Kinderseley

Where – C4RD | 2 – 4 Highbury Station Road, Highbury Islington, London.

When – opening reception on Tuesday 10th May 2011 from 6 – 8pm. The exhibition will run from 11th May to 17th June 2011

Jim Campbell: art and pixels

A man runs. He falls down. He struggles back onto his feet and he runs some more. It’s a simple narrative. Even without much detail, you can understand what’s going on. Pause the video, though, and the scene isn’t nearly as clear. Movement makes up for the lack of other visual information. Your brain can read and understand a video at much lower resolution than it would need to make equal sense of a still frame.

Meet Jim Campbell, a former Silicon Valley engineer turned visual artist. Inspired by early Bell Labs experiments with pixelated images, and by his own engineering work with digital filters, Campbell makes art that toys with the human brain.

Much of the inspiration for Campbell’s current work comes from a story in that magazine, written by Bell Labs’ Leon Continue reading Jim Campbell: art and pixels

Four cities at Black Rat Press

In 2007 the global population living in urban environments passed the halfway mark, and that trend is accelerating. As cities become bigger and denser, and within the rigid structures of a mass-market society, truly meaningful personal interactions become increasingly elusive. The anonymising effects of scale and excess on the actor in the postmodern city can lead to a shared sense of social isolation.

In Four Cities Black Rat Projects will take a look at the four artists whose experience of urbanity propelled them to create within their environment in similar ways. With new works by represented artist Swoon, and secondary market works sourced from Os Gemeos, Banksy and Shepard Fairey, BRP will map the parameters of the street art movement across continents through the voices that emerged simultaneously as the strongest of their respective city scenes.

Artists featured: Swoon, Os Gemeos, Banksy, Shepard Fairey

Where –
Black Rat Projects
When –
20th May – 23rd June 2011 (Preview – 19th May – 6-9pm)

STREET ART ENCOUNTERS