Shepard Fairey’s Sound and Vision show has been the hot topic in town for the last few weeks. The artist and his crew has hit hard for this show since not only the Stolen Space gallery is hosting the show but another much bigger one a few yards away has also been necessary to give a roof to the impressive amount of pieces the artist has produced.
Since the Hope portrait of Obama back in 2008, Shepard Fairey and his brand OBEY has become something people recognize and like. You see a Shepard Fairey and you know it is one – the typography, colors and subject will give it away. OBEY is a brand here to stay.
When we first noticed Chen Wenling’s “What You see Might Not Be Real” sculpture, we immediately wanted to find out more about the artist and his work. This is not the name which jumped at us but the rather amusing look of the sculpture – yes it a farting bull!
Here is what Zhu Qi says about Chen Wenglin’s sculptures
Chen Wenling’s sculptures represent the spirit of collective imagery that defines China after her entrance into consumerist society. His work uses a mythological form that encompasses the spiritual insemination that overtook a generation with materialism in the 1990s, as well as the self-awareness and post awareness era everyday spirit of Chinese after the 1990s.
“What You see Might Not Be Real” (or the Farting Bull)
Zhu Qi adds –
Two main themes are prevalent in Chen Wenling’s sculptures, the first being an expression of the extreme human condition, the latter being an expression of the spiritual imagery of a consumer society.
The “farting bull”, we will refer to the work above using this – so much more fun, is a reflexion ab about the infamous global financial crisis.
The man getting crushed by the bull is Bernard (Bernie) Madoff who is an American fraudster and a former stockbroker, investment advisor, and financier. He is the former non-executive chairman of the NASDAQ stock market, and the admitted operator of a Ponzi scheme that is considered the largest financial fraud in U.S. history.
Chen Wenglin’s “farting bull” has also been used in several other sculpture works. We included below a few examples of these as well as more about the “What You see Might Not Be Real” sculpture – the piece first described above
LUDO, French steet art from Paris made a visit to Poland during the Katowice Street Art Festival and took this opportunity to complete this hiuge piece depicting what looks like an aunt wearing “police” gear.
This is simply one of the most exciting projects I have come across recently. My liking for this amazing technology is probably the result of a personality going geek sometimes.
Graffiti Analysis is an extensive ongoing study in the motion of graffiti. Custom software designed for graffiti writers creates visualizations of the often unseen gestures involved in the creation of a tag. Motion data is recorded, analyzed and archived as Graffiti Markup Language (.gml) files, a specifically formatted XML file designed to be a common open structure for archiving gestural graffiti motion data. GML files are saved in an open online database, 000000book.com, where writers can share analytical representations of their hand styles.
British photographer mark mawson explores the synthesis of color, ink and water in his series ‘aqueous II – the sequel’.
That means it has produced these amazing shots where the electric imagery follows the journey of paint as it plunges underwater — the submerged forms exposing the aftermath of mixing, dropping, and spinning various colored liquids in water.
The result is frozen motion, capturing billowing, hypnotic shapes and silhouettes swirling and rippling through a vast dark background. the photographs illustrate a variety of illusions — sunken mushroom clouds ballooning in space, vibrant jellyfish-like figures, and ghostly pigmented lines.
A document filming and following the entire Burning Candy crew is being shot right now. Their Street Art is a familiar visual encounter on the walls of London and especially in East London and on Brick Lane.
This movie is still being shot but the preview material is now ready to be shown to lucky people. Indeed, only a couple of sessions for about 12 guests each time will take place at 7pm on Tuesday May 4th and Thursday May 6th at Black Rat Projects so to get the chance to assist RSVP yourself now at and hope to be one of the randomly selected.Continue reading Dots : a Burning Candy film→
If the thought of having to go out there at night, hood on and a few cans in the pockets seems to you just not doable, the new Stencil Republic book, by London-based creative studio Ollystudio’s Oliver Walker and published by Laurence King, may be your alternative.
Pick one of the 20 stencils printed onto perforated card which have been created by international street artists such as Artiste Ouvrier, BS.AS.STNCL, Chris Stain, Dan Innes, Orticanoodles, Ozi, Run Don’t Walk and Stencil King, who has penned the book’s introduction.
Hours of fun and feeling of being a street artist, uh within the safe walls of your living room or bedroom, whatver this is a great toy.
One of the street art pieces you will be able to drop is Orticanoodles skull pictured below so what are you waiting for?
Here is what street artist AIKO has to day about the whole thing, ‘This is something you cannot learn at school. It doesn’t matter whether it is commissioned or unauthorised, painting in the dirty alley, on postal stickers, canvases, store signs, outdoor murals, you have to feel it, jump in, don’t stop and…have fun.’
Stencil Republic by Ollystudio is published by Laurence King Press on 1 October, priced £19.95
Tristan Eaton and Shepard Fairey and other artists are working with Designersbloc on Painted Oceans, a project to preserve and celebrate sea forts off the Kent coast. The Red Sand Sea Forts, which are located just off the east coast of England are the lucky winners for this project.
The sea forts are located in a cluster eight miles north of Whitstable off the Kent coast and were built in 1943 after the Blitz as a strategic defense post to help defend against any similar attacks.
This project is nuts in terms of feasibility but exciting at the same time hence we wanted to publish something on the site and ask you to support it. A crowdfunding campaign is underway to raise money for the project and an accompanying documentary.
“Painting at sea – are you crazy?”
According to Designersblock director Piers Roberts, Painted Oceans is set to be “one of the most dangerous and exciting mural projects in history”.
He says the motivation for the undertaking, is three-fold – “To preserve them and promote their value, “to investigate their history “and to stimulate the economy of the coast.”
“There are two types of these forts, the army ones and the navy ones; the Redsand ones we’re working with are the army ones and were once connected by bridges,” adds Roberts, who is working with the Project Redsand Trust, which is able to grant access for the project.
A month at sea
Engineering consultancy Burro Happold has already looked at the structural integrity of the site, which was once home to pirate radio station Radio City in the 1960s.
Tristan Eaton – who is behind the idea for the project – specialises in large scale environmental work. He has already drafted in Shepard Fairey, Futura, How & Nosm and The London Police, who are all planning their murals now. All of the artists will live at sea for a month to complete the project.
Night mural for POW! WOW! in Hawaii by Tristan Eaton
The logistics…
Roberts, who is project lead, says there is still a long way to go. “We need to think about how we get onto the forts, how will we link them, how we get gantries onto them, how we paint them…The murals won’t be painted straight onto the rusted steel, we need to get undercoats on there and use marine quality paint. It’s really about preservation.”
Chairman of the Project Redsand Trust Robin Adcroft says the project is still in review. “As yet no agreement has been reached between Project Redsand and Painted Oceans to carry out the mural paintwork,” says Adcroft.
For the project to go ahead “much detail would need to be clarified and agreed upon,” says Adcroft who wants Project Oceans work to contribute to the long-term conservation of the site.
He adds: “Further public consultation would be required before any go-ahead can be granted.”
If the project gets the go-ahead it is expected to be completed this summer and after that boat trips will take visitors out to see the work, according to Roberts who says it is too early to say whether people will be able to access a landing platform.
I must admit I don’t often think about how design is all around me. I could say it is embedded in my life, from when I wake up to when I go to bed. My alarm clock, the typography in my book, the label on my favourite bottle of plonk and the lamp I switch off at night.
If you think design is just function, think again. Immerse yourself in the top floor of The Design Museum with their Designs of the Year exhibition.
This array of international pieces span: Architecture, Digital, Fashion, Furniture, Graphics, Product and Transport. Feast your eyes on this ‘look book’ across the design spectrum for the museums Design Awards. A high profile judging panel decide the best entries in each of the seven categories. The category award winners and the overall winner of the Design of the Year Award shall be announced in April 2012.
Turning function on its head, the Design Museum display also includes works poking fun at design in computer functions with – Your Browser Sent A Request That This Server Could Not Understand – an illustrated depiction of the internet by Koen Taselaar.
Designs of the Year looks outside the box; not just new spangled technology or expensive materials. Noma Bar(above) produces simple shapes, that reveal hidden possibilities, whose negative and positive spaces draw the eye every time. There are designs that are simplistic, that save lives. The Earthquake Proof Table by Arthur Brutter and Ido Bruno (below) is astonding in its clean back to basics design that could help thousands.
Shopping online and on the move is nothing new but South Korea have taken mobile and digital aspects to the next level. Homeplus Tesco Virtual Store is the result – below. Choose your item from their virtual store!
Augmented reality is given a breath of fresh air by Swappu, creating a ‘holo-deck’ feel, well, okay it’s not quite up to Star Trek level. The animations are great and the playfulness of it will be a hit for kids. Its a soft and easily lovable digital world that shall no doubt advance rapidly.
One Thousand Cranes for Japan is a charity project that aims to inspire and bring people together to be part of a final creation. Members of the public can choose, download and print off the paper designs to fold into their own origami creation. A chance to be part of the designs final creation, it’s nothing groundbreaking, but it’s not meant to be.
TheComedy Carpet(below images) takes typography bold and big. It reminds us font is more than just Arial and Times New Roman selected on a computer screen. This gigantic installation, created by Why Not Associates, sprawls out in front of the Blackpool Tower and features over 160,000 granite letters embedded in concrete. It refers to the work of more than 1,000 comedians and comedy writers, giving a visual form to jokes, songs and catchphrases.
The Crates (below) by Naihan Li & Co is a product that is a must for the clothes obsessed, and those who need organisation of all their essential fashion items. See just how functional a plain industrial looking crate can be, reacting to our clothing hoarding and need for storage.
This work is in stark contrast to Sarah Burton‘s now infamous handmade lace that’s delicately on display. This painstakingly handcrafted work was stitched into the nations memories on Kate Middleton’s wedding dress.
The wide spectrum at the Designs of the Year should open up your eyes to the flexibility and intricacy of design and its ability to problem solve, whilst looking back to the past for inspiration.
With mass market production all to easy to snub, design is at an exciting point; using mass production processes to save lives but taking us back to simplicity, creating unique angles on our lives.
The Designs of the Year exhibition runs 8 February – 4 July at The Design Museum. For tickets and information click me!
We at Art-Pie have enjoyed following the work of contemporary British Artist Dave White for many years. We are drawn to the energy of his explosive and dripping paint style, and moved by his primary subject matter of animals.
This November 4th – 28th sees Dave’s new show Critical open at the Loughran Gallery in Chelsea. Focusing on animals from the critically endangered list and near extinction, or the tiers just below, it’s the labor of an artist impassioned by the plight of animals.
The Art-Pie team had the pleasure of interviewing Dave this past September at his studio in Dorset, exactly half-way through the creation of his new collection.
Dorset in South West England is a landscape dominated by spectacular nature, and it is breathtaking. We toured his studio, conducted a very insightful interview, and saw prints from several past collections, including his recent shows Albion based on native English wildlife, and Apex which documents great white sharks.
“I love cities…. I am in London all the time but I can’t live there. I love Dorset. There’s a tranquility, a complete silence that just works for me. [It’s a] headspace that ….almost cements the 1:1 relationship you have with the medium that you work with…there’s no distraction for me. It’s just me, and that.”
We too felt the strength and power of the natural surroundings, and in learning more about Dave’s formal background as an artist, came to understand how it shaped the progression of his career. Dave graduated with a BA (Hons) in Fine Art (Painting) from Liverpool John Moores University, and was “blessed” as he describes, to be a working artist since his first show in ‘94 at the Royal College of Arts, which was his initial animal series.
Some of Dave’s pieces for his next show ‘Critical’ at Loughran gallery
Dave is an experienced artist of 24 years who knows himself, but has incredible humility.
“You never ever stop learning. And the most important thing is, never ever ever ever give up, ever. The best advice I can give people is discover yourself. Don’t look at anybody else’s work. Just know in your heart and soul that you want to make something. [It’s ok to be influenced] Don’t become obsessed with other people’s work. Do your own thing. Do what makes you happy.”
Our drive to Dorset from London was stunning as we enjoyed the beautiful winding country roads, rolling hills with stunning coastlines, and multiple stops into the medieval ruins of several castles and churches. It was impossible to not feel the power of his environment, and the nature evidenced in his work. He told us his passion for animals comes from childhood, and how he still views them in awe with the “…same wonderment from being a child, amazed that we live in the same world.”
Dave describes his interaction with the wild animals in Dorset as “…blessed and lucky that I see almost daily stags, foxes, owls”. That influenced him to create his Albion series which focused on native English species, and really cemented his incredible affinity for animals. The more research he did, the more his passion grew, as he realized so many of these animals are being pushed to brinks of extinction. He described his shock at headlines touting articles like “40 Million Mobile Phones Sold in the Last Quarter”, while the demise of entire species attracts so little attention.
Dave White talking to us in his studio
The depiction of animals has been a near constant throughout Dave’s career, allowing him witness to the forefront of their sad demise. So many factors have contributed but the crux is modern times; Dave cites climate change, habitat destruction, and hunting amongst others. While maybe not intentional, Dave’s work has come to immortalize these animals. Brave use of color, eyes that jump off the canvas and grab the viewer, it all comes together to heighten their heartbreaking destiny. Dave’s shows such as Natural Selection, Apex, Albion, and now his greatest effort yet Critical, raise this awareness.
Dave White is also a big fan of video games
While Dave described how the peace and inspiring nature of Dorset allows him to connect with his craft, he admits “I would never paint in silence”.
Dave told us excitedly that he enjoys an eclectic variety including Jazz (his father was a jazz drummer), finds himself stuck in an old-school time warp of ‘91 – ‘02 hip hop, and loves ‘93 – ‘07 jungle, and drum and bass.
However more than any other style, it seems Dave is moved to his core by classical music which he feels “approaches perfect“, describing the extreme volume as he would “...blow my head off in here, playing Appalachian Spring by Leonard Bernstein”.
Dave approaches his painting as a serious craft and a consummate professional. He told us multiple times, “You’re only as good as your last piece.” Arriving at his studio by 7am, he fully prepares himself before he starts the work. Does the sketch, lays underpaints, mixes his colors. But then he loses himself in a zone he likens to a meditative state. He locks the door, he is completely unattached to thought, and that is how he produces, “….its an organic process”.
“I don’t actually think about painting when I’m painting, at all. ….I just basically know I need to do this, and do that, and how I get to the end I have no idea. I just go into a zone, ….it’s just a spontaneous thing. And I guess the older I’ve got, the more personal it it for me.”
We were curious about his inspirations, about the artists he admires and why. Japanese artist Takashi Murakami was his first mention, describing “I love his color, love his palette. When I saw them in the flesh, it literally blew my mind. …It’s an incredible skill to be able to put down what he does, the way he does… and it looks almost like it’s a print.”
We discussed Murakami’s long-standing collaboration with Louis Vuitton, and Dave described the partnership as “incredibly brave on both sides. Collaborations work if they’re genuine, if they aren’t one-sided and they are the best of both”. Dave speaks from experience as he has past collaborations with Nike and Jordan, as well as MTV.
Dave went on to describe his greatest admiration for Van Gogh, “A man who did it his way, tried to fit in with convention, but said you know what, fuck it. I’m just going to do what I do, and I’m so blessed to be able to do it.” Dave revealed his personal affinity for that, and how he’s read his diaries and is “…completely blown away by him”.
Dave described his second favourite artist to be Picasso:
“A man who reinvented himself throughout his career. The best work is that he did before he died, when he’s 80 years old. ‘I live in a castle. I’ve got a pet owl living above me. And I’m just going to paint and really not care what it looks like.’ There’s a life, and a zest, and a kind of beauty in the naivete of those late works, and I love it.”
Animals continue to shape Dave’s career as he explores different collections over the years, but always with his signature style of explosive and expressive colors, vibrant and dripping. The plight of animals and their march to extinction upsets him greatly, and his style conveys the strength of that conviction, “I want people to be confronted by these things, and look at them as they are looking at it”.
We support Dave and his artwork, and the message it drives to raise awareness for so many animals at risk. Dave offered much wisdom during his interview and we came to understand the heart and soul depicted through his paintings is very much his own. In parting wisdom, we leave you with this from Dave:
“Do your own thing. Do what makes you happy. Never ever give up. It’s not quick and there’s no formula. Produce things that are honest, true to yourself. High quality. Make the best shit you can. Do what is yourself, be yourself.”
You can find Critical running this November 4th – 28th at the Loughran Gallery in Chelsea.
What – ‘Critical’ Where – Loughran gallery, 43 Cadogan Gardens SW3 2TB When – 4 to 28/11/ 2015
This array of international pieces span: Architecture, Digital, Fashion, Furniture, Graphics, Product and Transport. Feast your eyes on this ‘look book’ across the design spectrum for the museums Design Awards. A high profile judging panel decide the best entries in each of the seven categories. The category award winners and the overall winner of the 
We were curious about his inspirations, about the artists he admires and why. Japanese artist 