Compossible Worlds

“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”                                                      Gilles Deleuze

Diagram (artificial tree), 2010 Sandra Crisp
Diagram (artificial tree), © 2010 Sandra Crisp, Ink Jet Print

This quote by Deleuze is a very complex statement on a very natural state of continuity and it is a state we are becoming readily familiar with through social media communication. Simply put, at the centre of each ‘world’, which is each of us, is collected a series of things (perceptions, object, memories, experiences etc.) which expands in all directions colliding and mingling with other worlds, (everyone else). This mingling is compossibility and we are fast becoming experts in it without really realising it.

This statement also suggests that our perceptions now are being formed by more than direct sensory experiences but also by data input in a compossible world, a world we don’t actually experience first-hand, but by proxy through the experience of others. The trouble with this is we are easily fooled, as discussed in ‘How fake images change our memories and behaviour’ by Rose Eveleth for the BBC’s Future magazine.

In my interview with Sandra Crisp, Memory Surfaces, I asked her about the implications of Deleuze’s statement:

JB: “It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”[1] This quote by Gilles Deleuze from Difference and Repetition suggests it’s a collective consciousness in perception which allows us to comprehend our world, do you feel our digital age helps or hinders our sense of continuity (memory) and ultimately our sense of self when information appears and disappears so rapidly online?  Is it possible this rapid change in information thrusts us back into the ‘truth’ of physicality?

SC: What we have online at the moment is the continuous and rapid shift of information: Text, images, video and even entire web pages suddenly appearing then disappearing. Deletions with no warning – error 404 messages: ‘Page not Found’. Continual updates; all these create a sense of fragmentation and impermanence, and discontinuity. Printed books in the physical world are fixed and unchanging, we can rely on their information stability, each time we take them from the shelf they are the same as before. So this state of information transience is very much a modern phenomenon connected to the information age. In the past, a shift from oral to book cultures required people to process information differently; today many people now communicate and receive information via TV, radio, and Internet, electronic media rather than books. Therefore, I am not sure that any more ‘truth’ can be said to reside in the physical world than virtual, that this is any more contiguous. As with any new technology, it will change us and we need to learn how to use such new communication media wisely, to adapt to the apparent discontinuity, to interact with, and process the information bombarding us in meaningful ways. At the moment digital online communication is nascent, we are living in really interesting times where things are still developing. At the moment it may thrust us back into the continuity of the physical world but eventually in the future it may not.

You can find this exchange with Sandra in the full version of our interview, available in the This ‘Me’ of Mine companion book. Find out more about the book on our blogsite. Read our excerpted interview here.


[1] Difference and Repetition, Giles Deleuze, Continuum Books, 2004, pg.58

The creative bubble at Roxy

The Creative Bubble | Art-PieThere you have it – the first edition of The Creative Bubble, a new monthly event down in South London just a stone throw away from the Thames.What are we looking at here? Three nights, once a month, The Creative Bubble will try to painti a new picture of contemporary art via a host of different mediums. And more importsntly, there will be a 30 day rolling gallery with original art and limited edition prints, curated by Incandescent Artists, is a showcase of a who’s who in the UK art scene.

The exhibition is complemented by 3 nights of award winning short films, slam poetry and music.

The first set of visual artists is set to be a cracker – Inkie – Parlee ERZ – Dan ‘DANK’ Kitchener – Gnasher -Eska -Rowan Newton – Otto Schade -spZero76 – KeMeF Inc – Suzko -Zina – Cherie Strong – Artista – Jack Candy Kemp – SLM – Hush – Amara Por Dios – Martyna Pikula – Lee Hadwin – Rosie Emerson – ROO – Skyhigh and Sam Gare. WHAT – THE CREATIVE BUBBLE WHERE – Roxy Bar & Screen, 128 – 132 Borough High Street, London SE1 1LB WHEN – Event dates: 15th -16th -17th April 2014 Exhibition Dates: 15th April – 14th May 2014

Creative Bubble | Art-Pie FREE ENTRY

“Fallout”, a show by Phil Ashcroft at Canal

"Fall out" by Phil Ashcroft at Canal | Art-Pie
Click to enlarge

CANAL is pleased to present its show for the summer, an exhibition by Phil Ashcroft, mixing live painting, large scale canvases and screenprints.

Ashcroft will create a new large format painting in the gallery over the course of the exhibition, bringing his studio process directly into CANAL, as well as presenting a new lightbox work inspired by the gallery’s location on the Regent’s Canal at Haggerston, east London.

Ashcroft’s works are influenced by 1980s graffiti, comics, street art and graphics. His paintings are rendered in a bold, graphic style, combining loose, gradient brushwork utilising a limited palette.

Post-apocalyptic, overtly heroic landscapes reference sources as diverse as Japanese Ukiyo-e art, American pop art, Abstract Expressionism, graffiti and Marvel comics. The works draw on the myths of failed civilizations.

Ashcroft also collaborates on live-painting projects in galleries and alternative spaces from street locations to shops. These have included No Soul for Sale , Tate Modern, London (2010); Cans 2 Festival , London (2008); Special Relationship , Scion Space, Los Angeles (2008), Elephant Technique , Village Underground (2006), All The People We Like Are Dead , London (2004), and Graffiti Meets Windows 1 , Hank-Yu Department Store, Osaka (2002).

Phil Ashcroft at Canal - Fallout | Art-Pie
Click to enlarge

His first monograph, Solar System Parameters , with forward by Paul Hobson, was published by Gamma Proforma in 2013.

Works are held in public and private collections worldwide. Commissions include projects for Aedas Architects, Amnesty International (UK), British Film Institute (Godzilla film poster/dvd cover), Levis, muf architecture, Nike Town, Royal Mail, Sony PSP and Yahoo (UK).

Live painting every Thursday in June 11am-4pm

 

EN MASSE mural at Village Underground

It was a glorious day when we had the chance to see the EN MASSE crew working on anew and huge wall at Village Underground

EN MASSE : (from French) “as a whole”, or “all together”

EN MASSE is a Montreal based, multi-artist collaborative drawing project. It draws life from the many creative individuals who take part in the project to create large-scale, highly spontaneous drawings in black and white.

EN MASSE | Art-Pie

EN MASSE explores the creation of a collective vision; works created together that are greater than any one person could create alone.

HISTORY

The project was created by Tim Barnard and Jason Botkin in 2009, at the Galerie Pangée. Now under the direction of Botkin and Rupert Bottenberg, the initiative has worked with nearly 250+ artists internationally.

MANDATE

The EN MASSE Project nurtures the broadening and solidification of artistic communities everywhere it goes, serving artists from extremely diverse backgrounds such as graphic novels, graffiti, tattoo, illustration, design and the fine arts.

EN MASSE | Art-PieEN MASSE | Art-Pie

For the most part, artists participating in the project are self-taught creative entrepreneurs. EN MASSE is a high-profile public platform for these people who have often found themselves in an awkward relationship with many contemporary arts institutions (resulting in their work often being excluded from mainstream galleries, museums, and funding agencies). This is a bridge for artist to institution, and vice versa.

EN MASSE | Art-Pie

Liquid Pixels, creative technology with your phone and water

Samsung and the Galaxy Note II introduce Liquid Pixels. A short film documenting a piece of interactive water art, controlled solely using the Galaxy Note II and its S Pen technology. The concept was created by Daniel Kupfer, and took 10 days to create and used over 3,000 connections, which were all fitted individually.

We have also included an interview with interactive designer Daniel Kupfer talking about his professional an personal projects.

Tribute to David Bowie

Sadly, musical legend David Bowie has passed away.  For 5 decades Bowie defined himself as a singer, songwriter, record producer, painter, and actor.  A fashion and style icon with his unapologetic style and experimental flamboyance, Bowie is a true British legend.

As a tribute we have collected a few street artworks from around the globe and presented them below.

This illustration by Helen Green ombined her illustrations of Bowie’s different looks into an animated gif and have been widely shared on social medias

David Bowie's many looks | Art-Pie
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James Cochran, aka Jimmy C, did this mural back in 2013 in Bowie’s hometown in Brixton(South London). The wall has quickly become a memorial.

David Bowie wall in Brixton | Art-Pie

Street Artist Sonni created this animation merging Ziggy Stardust into one of his own unique characters.

Sonni Stardust from Sonni on Vimeo.

DAVID BOWIE FOREVER

That’s the message painted in huge letters along Queen Street West by street artist Victor Fraser, one of many Torontonians mourning the British musical icon’s death on Monday.

A Toronto street artists painted this tribute to the late David Bowie on Queen Street West, near Spadina Avenue.

David Bowie by David Flore Art in Wynwood Miami, United States

David Bowie | Art-Pie

David Bowie by Eduardo Kobra, Barcelona

David Bowie | Art-Pie

The Stitch project, raising environmental issues awareness through art

Stitch is an organisation that raises environmental awareness through the arts. Stitch does this by hosting events that use art to inspire and engage people with environmental issues. The guys at Stitch will use a variety of different events such as art exhibitions, photography competitions and short film festivals to appeal to people in different ways.

The next Stitch show is right upon us: “Focus on Nature” Open Photography Competition Submissions. It opens this Monday 5th March and will run until the 23.

They ask for a £5 donation per image you submit. These funds go towards contributions to these two fantastic organisations listed below. Find out more information about the show from the Stitch Facebook event page or on the Stitch website.

http://www.butterfly-conservation.org/
http://www.back2earth.org.uk/

A video of a previous show held at The Diary is included below

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STREET ART ENCOUNTERS