Artcrank – your bike is art

Artcrank | Art-PieThere is still time to go and see Artcrank “A poster party for bike people” in Hoxton where cycling is broken down into art under the form of posters. Yes you heard me you hipsters, this is the place YOU HAVE to be so hurry and enjoy illustrations from international artists such as Dark Star Brewing, Pista Collective, Lezyne and Otesha Project UK to feature bike-inspired poster art by UK artists.

Admission is free, and limited edition, signed and numbered copies of all posters will be available for £30 each. We have included some pf our favorite posters below

What – Artcrank “A poster party for bike people”
Where – Plain Wall Projects in Hoxton | 2A Corsham St Shoreditch, London Borough of Hackney, London N1 6DP, UK
When – 7 till 14th September 2012

Artcrank | Art-PieArtcrank | Art-Pie

Tristan Eaton and Shepard Fairey to paint at sea

Tristan Eaton | Art-Pie
Tristan Eaton

Tristan Eaton and Shepard Fairey and other artists are working with Designersbloc on Painted Oceans, a project to preserve and celebrate sea forts off the Kent coast. The Red Sand Sea Forts, which are located just off the east coast of England are the lucky winners for this project.

The sea forts are located in a cluster eight miles north of Whitstable off the Kent coast and were built in 1943 after the Blitz as a strategic defense post to help defend against any similar attacks.

This project is nuts in terms of feasibility but exciting at the same time hence we wanted to publish something on the site and ask you to support it. A crowdfunding campaign is underway to raise money for the project and an accompanying documentary.

Red Sand Sea Forts | Art-Pie

“Painting at sea – are you crazy?”

According to Designersblock director Piers Roberts, Painted Oceans is set to be “one of the most dangerous and exciting mural projects in history”.

He says the motivation for the undertaking, is three-fold – “To preserve them and promote their value,  “to investigate their history “and to stimulate the economy of the coast.”

“There are two types of these forts, the army ones and the navy ones; the Redsand ones we’re working with are the army ones and were once connected by bridges,” adds Roberts, who is working with the Project Redsand Trust, which is able to grant access for the project.

A month at sea

Engineering consultancy Burro Happold has already looked at the structural integrity of the site, which was once home to pirate radio station Radio City in the 1960s.

Tristan Eaton – who is behind the idea for the project – specialises in large scale environmental work. He has already drafted in Shepard Fairey, Futura, How & Nosm and The London Police, who are all planning their murals now. All of the artists will live at sea for a month to complete the project.

Night mural for POW! WOW! in Hawaii by Tristan Eaton | Art-Pie
Night mural for POW! WOW! in Hawaii by Tristan Eaton

The logistics…

Roberts, who is project lead, says there is still a long way to go. “We need to think about how we get onto the forts, how will we link them, how we get gantries onto them, how we paint them…The murals won’t be painted straight onto the rusted steel, we need to get undercoats on there and use marine quality paint. It’s really about preservation.”

Chairman of the Project Redsand Trust Robin Adcroft says the project is still in review. As yet no agreement has been reached between Project Redsand and Painted Oceans to carry out the mural paintwork,” says Adcroft.

For the project to go ahead “much detail would need to be clarified and agreed upon,” says Adcroft who wants Project Oceans work to contribute to the long-term conservation of the site.

He adds: “Further public consultation would be required before  any go-ahead can be granted.”

If the project gets the go-ahead it is expected to be completed this summer and after that boat trips will take visitors out to see the work, according to Roberts who says it is too early to say whether people will be able to access a landing platform.

A crowdfunding campaign is underway to raise money for the project and an accompanying documentary.

First seen on Design Week

Dick in FSB Captivity, the latest from VOINA

Voina, a russian art collective, is making people to talk about them again. They have done crazy things in the past such as hurling live cats at McDonalds workers, engaging in a full-on orgy in a state museum, and shoplifting a raw chicken from a store by hiding it in one member’s vagina!

Their members got in all sort of problems of course with some being put in jail but they are now recognized by the establishment, VOINA has indeed just received one of the highest honors for contemporary art in their country Russia.

Dick in FSB Captivity is why they got this award. The artwork is a 210-foot outline of a penis on a drawbridge facing the the headquarters of the state security services, yes the KGB. When the drawbridge raises, the penis appeared to become erect – genius.

Bansky takes a keen interest in VOINA and gave a large amount of cash earlier this year to get two members of the collective out of custody.

Art terrorism like some call it?

Related links
The VOINA website – http://en.free-voina.org
Read more about Voina on Wikipedia
Read more about VOINA on The Guardian

So what’s next for the Fourth Plinth?

Thumbs Up by David Shrigley | Art-Pie
Thumbs Up by David Shrigley

If you have been near Trafalgar Square in London, you must have noticed a 7m high sculpture looking like a thumbs up.

This particular pedestal on the square is called the Fourth Plinth and the current artist showing their works is David Shrigley.

So what’s next for the Fourth Plinth?

2018 & 20 shortlists announced

London’s National Gallery has revealed the five shortlisted proposals for the 2018 and 2020 Fourth Plinth commissions by artists Huma Bhabha, Damián Ortega, Heather Phillipson, Michael Rakowitz, and Raqs Media Collective.

The shortlisted proposals, which are currently on show in the National Gallery’s Annenberg Court until 26 March 2017, include an empty white robe, a recreation of a sculpture destroyed by ISIS, and a scoop of parasite-covered ice cream.

Not long now to find out which two works will be selected to finally stand on the plinth in 2018 and 2020.

Shortlisted sculptures in images

“Untitled” by Huma Bhabha
– an imposing figure, the scale reflecting a modern comic sci-fi movie.

Untitled, by Huma Bhabha | Art-Pie
Untitled, by Huma Bhabha

“High Way” by Damián Ortega
– a playful and precarious construction of a truck, oil cans, scaffold and a ladder.

High Way, by Damian Ortega | Art-Pie

“THE END” by Heather Phillipson
– explores the extremes of shared experience, from commemorations and celebrations to mass protests, all while being observed by a drone’s camera.

'THE END' by Heather Phillipson | Art-Pie

“The Invisible Enemy Should Not Exist” by Michael Rakowitz
– a recreation of the Lamassu, a winged bull and protective deity, which was destroyed by ISIS in 2015.

The Invisible Enemy Should Not Exist, by Michael Rakowitz | Art-Pie

“The Emperor’s Old Clothes” by Raqs Media Collective
– explores how power can be both present and absent in sculpture.

The Emperor's Old Clothes, by the Raqs Media Collective | Art-Pie

About the Fourth Plinth

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