If you like street art or graffiti, you know that you should find some good stuff at Lazarides as these guys have been around for a while and primarily sell this type of art. Artists such as Antony Micallef or Jamie Hewlett to name just a few have seen their first artwork being sold by Lazarides.
The exhibition, a retrospective of Faile’s work over the last 10 years consists of two parts, the first bit is held on Greek street and is the fun and interactive one, the second one is a more classical exhibition held on Rathbone place is all about showing you a number of Faile’s pieces from when he started up to today. ART-PIE went to the latter one (but will go this week end to the one on Greek street soon!) Continue reading Faile at Lazarides – part 1
Compossible Worlds
“It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.” Gilles Deleuze

This quote by Deleuze is a very complex statement on a very natural state of continuity and it is a state we are becoming readily familiar with through social media communication. Simply put, at the centre of each ‘world’, which is each of us, is collected a series of things (perceptions, object, memories, experiences etc.) which expands in all directions colliding and mingling with other worlds, (everyone else). This mingling is compossibility and we are fast becoming experts in it without really realising it.
This statement also suggests that our perceptions now are being formed by more than direct sensory experiences but also by data input in a compossible world, a world we don’t actually experience first-hand, but by proxy through the experience of others. The trouble with this is we are easily fooled, as discussed in ‘How fake images change our memories and behaviour’ by Rose Eveleth for the BBC’s Future magazine.
In my interview with Sandra Crisp, Memory Surfaces, I asked her about the implications of Deleuze’s statement:
JB: “It is undoubtedly continuity which defines the compossibility of each world; and if the real world is the best, this is to the extent that it presents a maximum of continuity in a maximum number of cases, in a maximum number of relations and distinctive points.”[1] This quote by Gilles Deleuze from Difference and Repetition suggests it’s a collective consciousness in perception which allows us to comprehend our world, do you feel our digital age helps or hinders our sense of continuity (memory) and ultimately our sense of self when information appears and disappears so rapidly online? Is it possible this rapid change in information thrusts us back into the ‘truth’ of physicality?
SC: What we have online at the moment is the continuous and rapid shift of information: Text, images, video and even entire web pages suddenly appearing then disappearing. Deletions with no warning – error 404 messages: ‘Page not Found’. Continual updates; all these create a sense of fragmentation and impermanence, and discontinuity. Printed books in the physical world are fixed and unchanging, we can rely on their information stability, each time we take them from the shelf they are the same as before. So this state of information transience is very much a modern phenomenon connected to the information age. In the past, a shift from oral to book cultures required people to process information differently; today many people now communicate and receive information via TV, radio, and Internet, electronic media rather than books. Therefore, I am not sure that any more ‘truth’ can be said to reside in the physical world than virtual, that this is any more contiguous. As with any new technology, it will change us and we need to learn how to use such new communication media wisely, to adapt to the apparent discontinuity, to interact with, and process the information bombarding us in meaningful ways. At the moment digital online communication is nascent, we are living in really interesting times where things are still developing. At the moment it may thrust us back into the continuity of the physical world but eventually in the future it may not.
You can find this exchange with Sandra in the full version of our interview, available in the This ‘Me’ of Mine companion book. Find out more about the book on our blogsite. Read our excerpted interview here.
[1] Difference and Repetition, Giles Deleuze, Continuum Books, 2004, pg.58
Ella Mundt and Etam street art
Part of our 3 street art works series you should see today. Artists featured are Ella Mindt, Etam and ?? (can you help?).
Ella Mundt

Etam

Unknown artist Can you help?

Related links
Ella mundt – http://www.ella-mundt.de/
Etam – http://www.etamcru.com/
Slinkachu at Andipa gallery: concrete ocean
Andipa Contemporary is delighted to announce a new solo exhibition: Concrete Ocean, by renowned urban artist Slinkachu. Left floating in flimsy boats on puddles the size of lakes, or clinging onto seemingly giant paving stones, in danger of being trodden underfoot by the casual passer-by, the figures in Concrete Ocean address the artist’s trademark theme of loneliness and disillusionment engendered by the city environment. The dry wit of his observation and the deceptive sweetness of his scaled down figures make Slinkachu’s works absorbing, strong and engaging.
Named as one of the “100 Leading Figures in Urban Art” by Patrick Ngyuyen and Stuart Mackenzie in Beyond the Street (2010) Slinkachu creates (and then abandons) tiny installations around the city using reworked railway model figures that he then records photographically. The artist will, for the first time, bring seemingly uprooted street installations into the gallery where they will form islands in the concrete ocean.

Concrete Ocean follows the artist’s internationally acclaimed Little People Project started in 2006, and the publication of Little People in the City: The street art of Slinkachu, published by Boxtree (Pan MacMillan), with a foreword by author Will Self (2008), The Old Vic and Punchdrunk’s collaboration, Tunnel 228 in 2009 and in 2010 the highly successful exhibition Extraordinary Measures at Belsay Hall, Northumberland, alongside Ron Mueck, Matt Collishaw and Mariele Neudecker, in which the artist took a humorous look “at the obsession we have with the day trip, that English hobby which often provokes the full range of emotions” and saw 55,000 visitors, along with the Amsterdam launch of BIG BAD CITY by Lebowski Publishers.
Words from Andipa gallery
Where – Andipa gallery
When – 3rd March till 2nd April 2011 (preview on the 2/3)
Related link
> Slinkachu website – http://slinkachu.com
INSA collaboration with Pepsi Max
We tend not to plug any commercial stuff on this site but we are happy to do this time since the end result is pretty kick-ass.
About
Pepsi MAX asked people to tell them about the Pepsi Max Cherry and then got artist INSA involved in order to bring to life their words and opinions – we will focus here on the animated GIF outcome and not on the taste of that drink 🙂
British musician Charli XCX made the soundtrack for this animation
How they produced the video below?
A 360 degree camera rig was built around the installation using 90 cameras, allowing every angle of the art to be captured simultaneously.
Each artwork was painted twenty four times over, layer upon layer, so they would animate when put together using stop motion.
Millions of people have watched the video now. That is part of what speaks to youths about such collaborations, INSA tells Marketing: “The young people that are Pepsi’s audience are so used to engaging with things so flippantly and getting instantaneously satisfaction, but knowing that that instant took a whole load of time and effort to make gives that human element within the digital stuff.”
This form or art is called “Gif-iti”, Gif- what sorry?
In this other video below, INSA tells us about how what it’s called GIF graffiti (“Gif-iti”) came about and shows us the “behind the scenes” of another project he was involved with involving a satellite from space.
If you cannot be bothered to watch the video, here is how “Gif-iti” is created – GIF-ITI is made via a laborious physical process involving numerous layers of painting and meticulous planning.
Starting where most artwork ends, GIF-ITI entails photographing each layer the artist paints by hand. These images are then uploaded and overlaid to create the final piece, a looping GIF file which comes to live when released to global audiences online.
Read more on Insa & GIF-iti
Post War Years by Tobias Stretch
We were very impressed about 2 years ago when we stumbled upon the stop motion video from Tobias Stretch called Lucia a mesmerizing work, creepy at times but beautifully crafted throughout. Have a look at the video.
Tobias has produced another wonderfully surreal in his latest video where we follow a girl and her encounters with all around strange big face character. Sit back and watch and let you immerse.
Brett Amory at Lazarides Rathbone London
Lazarides is pleased to present Internal Dialogue, a new series of works by American contemporary artist and BP Portrait Award 2016 exhibiting artist Brett Amory.
Corresponding with his critically acclaimed ‘Waiting’ series, the works in Internal Dialogue are concerned with everyday life, places, and people, yet this new body of work explores the time in which we live and how we make sense of the information that surrounds us.
Internal Dialogue explores the disjointed snapshots that make up our everyday life, and how our unconscious mind assembles these abstract, nonlinear events to attempt to fuse together a logical, linear explanation of our surroundings.

This new series of works is also concerned with the human habit of viewing the world through screens. People in today’s society are attached to their devices; we view the world through our phones, our TVs, our computers, and complete the gaps of the surrounding world through our unconscious mind, as if what we see now is framed by what the world looks like on screen.
With each painting in Internal Dialogue, Amory allows the viewer to tap his or her unconscious mind to create their own meaning of what they are viewing. The viewer will be able to rely on their own memories, dreams, thoughts and universal archetypal symbols to create their own interpretation of the painting.
In the same week as his exhibition at Lazarides Rathbone, Brett Amory’s work for the prestigious BP Portrait Award will be unveiled at The National Portrait Gallery. His entry, selected out of 2,557 competing artists, will be one of 53 works shown at the iconic art institution from 23 June – 4 September 2016. Amory has also been shortlisted for the BP Travel Grant.
Greg Miller at Scream
Opening reception: Thursday 1st September 6.30 – 8.30 pm
Scream gallery will soon host Greg Miller’s first solo UK exhibition. The large-scale works artist will again use his creativity using collages.
His style is very much pop art-inspired paintings and his “Phantom Lady” got noticed this year at an Bonhams urban art sale earlier this year. See picture below.
“In his new work…Greg Miller brings the pictorial poise of Pop to the eloquent fury of street art, effecting a marriage – or at least a torrid affair – between two hot items. One item is hot today, the other has been hot for half a century, but in Miller’s hands there is no generation gap, only a spiritual union – one that generates a sky, or at least wall, full of sparks.” Peter Frank
Opening reception: Thursday 1st September 6.30 – 8.30 pm.
Please contact lee@leesharrock.co.uk for guest list
Opening times: Mon-Fri 10am-6pm; Sat 11am-5pm
Gallery address: Scream | 34 Bruton Street | London W1J 6QX

DALeast, Norm and Skre streetart
Part of our 3 street art works series you should see today. DALeast, Norm and Skre.
DALeast – located in Los Angeles (USA)

Norm – located in Germany
Skre – located in Munich (Germany)

‘Big Bang’ show at Westbank gallery
Westbank is back to present its new group show: THE BIG BANG!
This new show will be held in their new space (see below for details) so get yourselves down for the Private View on Thursday 14th January 2016.
Pieces on show will include the likes of:
Ben Allen | DANK | Mydogsighs | Jim Starr | K-Guy | Schoony | Copyright | Gemma Compton | Paul McGowan | Emmanuel Albaret | James Mylne | Cheba | Osch | Carleen de Sozer | Henry Hate | Kimberly Thomas and many more…

You need to RSVP at guestlist@londonwestbank.com with your name and surname.