“Future Masters” at Underdog gallery

Future Masters at Underdog gallery | Art-Pie
Click to enlarge

Underdog Art and Incandescent Artists invite you to join us in celebrating a group of fine art & photo-realism artists making some noise on the art scene with their technical skills, these artists have a certain edge about their work, they’re FUTURE MASTERS, come down to The Underdog Gallery.

We’ve picked these artists because we believe they have a certain “je nais se quoi” about their work and their thought process, sometimes provoking, sometimes dark, sometimes humorous but mostly just amazing!

Not only we will be supplying you with a visual feast of technically skilled art but we’ll also have legendary DJ Steve Darmont playing 70’s funk, RnB and club classics from 6pm – 11pm, we’ll have a drinks reception and we’ve got a fully loaded and licensed bar so there’s no excuse not to come down and have an amazing night of art and music in one of London’s most trendy venues!

Featuring Matt Small, Mason Storm, Will Teather, Robert Sample, Zachary Walsh, Nicolas Ruston, Victoria Coster, Gianluca Pisano, Luca Indraccolo, Sally Jones Fuerst

Matt Small | Art-Pie
Matt Small – Click to enlarge

DJ Steve Darmont playing 70’s funk, RnB and club classics from 6pm – 11pm on opening night

Drinks reception and Licensed Bar 6pm-11pm

Bonhams' Urban art auction – beyond expectation

The art auction market has been around for years, certainly a lot more than street art has been but yet, this emerging form of art seems to be on everybody’s lips and wallet indeed.

Bonhams’ auction, which just happened, has definitely showed us that. The bidding was fierce, the desire to own pieces from street artists, a must. The total sale from this Urban Art Sale at Bonham’s New Bond Street reached 455,760 GBP, with almost half of the works selling above their high estimates.

Here are some of the best sales

Banksy
‘Save or Delete Jungle Book’, 2001. This piece was originally made for Greenpeace
Sold for £78,000

Banksy - Jungle book

Ben Eine
Circus A-Z’, 2010
stencil spray paint and glitter on canvas
Sold for £6,600

Ben Eine - Circus

Futura 2000
Untitled, a performance piece created live on the Clash’s ‘Combat Rock’ tour, circa 1983
Sold for £38,400

Futura 2000 - Untitled

via Hang-Up

‘Buenos Aires calling’ at Pure Evil: fantastico!

Pure Evil London show | Art-Pie
Click to enlarge

The year: 2001, the place: Buenos Aires, Argentina, the event: a terrible economic crash.

The outcome and most probably the best one: the explosion of the street art scene. Artists as a reaction to what was happening started to paint the streets and for some of them in a rather large scale.

Buenos Aires Calling is the show Graffitimundo presented at Pure Evil with the aim of bringing a feel of this scene to London.

I got very excited when I heard about this show as I know how much Argentina and the whole Central and South America street art scenes have been buzzing in the recent years.

I walked into Pure Evil and saw those stencils on the wall and thought ‘hmmm another set of stencils, I have seen it all before’ but looking at them closer and especially those from the artist rundontwalk and I was actually liking what I was seeing.

Pure Evil London show | Art-Pie
By Rundontwalk | Click to enlarge

Rundontwalk uses an intricate graphic in his stencils (strangely reminding me of the back on those chairs I have got at home) which apart from being a certainly noticeable technique skill, gives another dimension to the works. The tiling sort of effect reminded me of Paul Normansell’s way of painting.

On of the pieces using this intricate technique is ‘Influenza’ representing a pig wearing a mask which the artist painted in reaction of the panic that followed the swine flu outbreak. Great effect with great colours.

Pure Evil London show | Art-Pie
Click to enlarge

I did appreciate the other stencils from other artists but really liked these tiny pieces of art full of colours on oddily shaped pieces of wood representing even querky characters or abstracts. I found a ressemblance with BASHER’S world of characters.

 

Stencil technique has been embraced by a very large number of artists these days like in Argentina and if the technique is pretty much the same worldwide, I felt that this collective of artists and more generally South and Central american artist really want to put accross a message and do not just do stencils where esthetic is what only matters but their meanings too.

Nothing wrong with wanting to put out there a cool looking Goldie type stencils but it is nice to know that some artists really try to engage their audience by trying to deliver a message to them.

This show really managed to transpire how much the Argentinian street art scene is vibrant and not ready to die just now, oh no.

Colours, colours, there are loads of them, shapes, representations are everywhere like street artist right now in Buenos Aires and surroundings. Feels good.

Click any picture to start the slideshow

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The show at Pure Evil is now over

5 controversial public art pieces

“Public art is art in any media that has been planned and executed with the intention of being staged in the physical public domain, usually outside and accessible to all.” says Wikipedia.

And this makes public art more likely to be criticized, because the potential number of passers-by can be substantial.  This is especially true in high-pedestrian cities such as  Chicago, which is well-known as an excellent place to encounter public art.

“Public art may include any art which is exhibited in a public space including publicly accessible buildings, but often it is not that simple. Rather, the relationship between the content and audience, what the art is saying and to whom, is just as important if not more important than its physical location” Wikipedia adds.

There you have it – public art is often bold, conveying a strong message which sometimes sparks significant controversy

We’ve included 5 public art pieces below, which have been and are still causing uproar.

1. John Ahearn, The South Bronx Bronzes (1988), New York

'The South Bronx Bronzes' by John Ahearn | Art-Pie

Erected in 1988, John Ahearn’s South Bronx Bronzes pose questions of ownership, identity, and rights in a public space. A white sculptor, Ahearn lived and worked in poverty-stricken South Bronx and made life-size castings of neighbourhood residents, always giving one copy to his model.

His community-based art led the New York City Department of Cultural Affairs to commission him to create a set of sculptures for the local police station. Ahearn chose to cast ordinary people as his subjects as a way to embody the community’s character. But his sculptures immediately spurred a debate embroiled in race and socioeconomics.

Residents of the neighbourhood thought the artist was relying on tropes, choosing to depict them as poor hoodlums instead of creating positive and inspiring images for the community. Others thought that only black artists should be able to represent black subjects.

Genuinely shocked and disturbed by the controversy, Ahearn chose to take the sculptures down a few days later.

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2. Seward Johnson, Forever Marilyn (2011), Chicago

What does a sculpture depicting Marilyn Monroe in a movie that pays tribute to New York City have to do with Chicago?

'Forever Marilyn' by Seward Johnson

The 26-foot installation depicts a partially exposed Monroe from the movie Seven Year Itch. In addition to its irrelevance, many criticized the sculpture for its lewd and anti-feminist connotations. Its placement, meanwhile, prompted many classy photos of people gawking up her skirt, licking her legs, or pointing to her underwear.

Before it moved to California, Marilyn Monroe was vandalized numerous times. Many citizens argued that the piece of public art catered more to tourists than to Chicago residents — and they had a fair point. The monument didn’t exactly reflect the city’s character or engage positively with its community.

More pictures below – click to enlarge
'Forever Marilyn' by Seward Johnson | Art-Pie'Forever Marilyn' by Seward Johnson | Art-Pie

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3. Richard Serra, Tilted Arc (1989), New York

Arc by Richard Serra | Art-Pie

Titled Arc was at the forefront of public art controversy in the early 1980s. The saga began when minimalist sculptor Richard Serra was commissioned to create a piece of work in the Federal Plaza by the US General Services Administration.

Tilted Arc was a $175,000 piece of oppressive black, raw steel. Measuring 120 feet long and 12 feet high, the arc cut the Federal Plaza in half and forced those working in the nearby buildings to redirect their walking path in order to get through the plaza. The work did not mesh well with its surroundings — which, according to Serra, was the point. “The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes…. Step by step the perception not only of the sculpture but of the entire environment changes.”

Controversy erupted as soon as the sculpture was erected, with detractors claiming it disrupted the public use of the plaza and was an inconvenience to the workers. After a hearing and an appeal by Serra, the arc was dismantled in 1989.

4. Lei Yikin, Martin Luther King Jr. Memorial(2011), Washington DC

Martin Luther King Jr by Lei Yixin | Art-Pie

When it was announced that Lei Yikin, an artist from China, would sculpt the memorial out of Chinese granite, human rights activists criticized the selection on the grounds that Lei had previously sculpted Mao Zedong.

Many other people, most notably African-American artist Gilbert Young, demanded that the memorial be created by an African-American artist with American stone.

5. Maurice Agis, Dreamspace V (2006), County Durham, England

Maurice Agis, Dreamspace V (2006)| Art-Pie

Known for his dreamlike, colorful, and interactive works, Agis was commissioned to create Dreamspace V in a park. The day after it was installed the artwork left its moorings and tragically killed two people.

Agis was put on trial for negligent manslaughter. Having witnessed the deaths, Agis was deeply and inconsolably disturbed, and vowed never to create such large works again.

Wimbledon Art Studios

Want to see art outside of the commercial galleries? Or maybe like me you have lofty dreams of starting your own art collection. This weekend take a trip to South West London from 25 November to the Wimbledon Art Studios, Winter Open Studios Art Show.  The open show sees artists opening up their studio spaces this weekend, giving the public the chance to explore a treasure trove of new works. There’s an eclectic mix by up and coming, as well as established artists, photographers, ceramicists and textile designers.

Community and the artist

Darryn Eggleton
By Darryn Eggleton

The Wimbledon Studios aim to provide a spring board for working artists, which couldn’t be apt in today’s dire financial climate. The studios are the largest, single site art studio complex in London and Britain. This fantastic project is not merely about the singular artist and the creative community within, Wimbledon Art Studios aim to give local people the opportunity to view and appreciate contemporary art, whilst building links with the resident artists.

The opening night was bustling with proud parents, artist’s friends and locals. The last open show attracted over 5,000 visitors and I suspect they shall hit they figure or more this year.

On the preview night studio workers were happy to talk about the spaces and I was impressed by the colour map brochure produced for the show. Plenty of friendly guides and artists were on hand when I lost my bearings in the rabbit warren of corridors and stairways, so be warned you may loose yourself but find an interesting artwork in the process!

The entrance, which bridged the two buildings in a temporary structure, displayed some key pieces including Kate Kelleher’s eye catching painting, and a sculpture by Kevin Herlihy who uses found and recycled mediums. There were also some small board works for sale to raise money for the studios upkeep. At £55 a go, I decided to snap up a board by Jayson Lilley. Other artists you should stop by at –  Darryn Eggleton‘s amazing animal paintings and Alison Pearl‘s delicate and seemingly impossible objects made from paper.

Inside the spaces

As I tottered around with my new art work I explored the studios which are spread over 2 areas.  The main Red Studio building, originally a paper warehouse, opened with just 6 artists renting spaces in 1993. Now, the original warehouse consists of over 100 studio spaces and in addition there are now 60 studio spaces in a newly, purpose built ‘Blue Studios’ building, on the same site. On 1st November 2011 an additional 55 brand new studios were opened in a reclaimed section of the warehouse. Now the site has over 200 artist tenants. The close proximity of the studios make it feel homely, it felt like I was stepping into a person’s private space, almost like their bedroom, a definite plus side away from the clinical commercial gallery spaces.

The artist and the studio

Is a studio site like the one in Wimbledon an ideal place for an artist to gain recognition though? And do the resident artists actually like the makeshift space in the built up industrial estate in Wandsworth? I asked Idun Eustace, an resident artist at the Wimbledon site who is displaying her pieces for the show.

Idun has been at the studios since 2007 and first exhibited during the autumn show. Idun lectures in life drawing and oil painting for EAL, Ealing, West London. Her works of semi-abstract still life evoke many influences from the Norwegian landscape where she was born and brought up.

Alison Pearl
By Alison Pearl

What do you think of the new studio space that opened in November 2011? So how does it compare to other, more formal, settings you’ve shown at? Such as gallery spaces/fairs?

The new space (as a whole) has got a nice feel to it & is much more spacious than the studios in the old Red Studio building – Although my new space has no natural light ,I feel this doesn’t matter so much, as I look upon it as a challenge to see how it changes my work. There are studios with natural light but I chose this one for the space as I want to run life drawing classes from there as well as paint.

Do you feel the studios are successful in terms of building a creative hub for emerging artists and also for artists to sell their work too? Or do the more traditional roots of art fairs and private galleries, like the Affordable Art Fair, work better?

I think it’s a little hit and miss sales wise  – sometimes you sell and others not.  The good thing about the studios is that they don’t take a commission on sales whereas fairs, such as AAF and other London Galleries take 50 %. It does give merging artists as well as more established artists a great platform to sell their work.

Where do get your ideas for pieces? Whilst travelling around London, or more abstractly?

I draw a lot and source ideas almost everywhere – e.g. If I go in to London on the train (with my sketchbook) I will look out of the window and take a mental picture and draw it immediately, or when I’m on holiday (usually to Norway), I always have my sketchbook (and camera) handy. I also sometimes draw and paint from memory so these may be more abstract – I look on the drawing process this way; if you’re an artist you ought to draw as its part of the process of painting. Painting is really drawing with your brush.

Idun Eustace
By Idun Eustace

You are trained in many different disciplines, painting, printmaking, life drawing, photography, graphics, illustration & textiles. Do you or would you ever incorporate these into you pieces?

I do use photography as reference only, whether it be a design ref or a colour reference – I have used printmaking in my art but not currently – I do however like the way Munch used print making as reference/addition in his art and have recently been looking into this. I’m quite interested in African tribal art textiles. I have also been toying with the idea of introducing burlap/hessian in my work but at present this is embryonic only. I am looking at the work of artists like Tapies and Sandra Blow for inspiration.

You are quite active on Twitter, do you feel artists have to embrace this more so now? Have you felt the need to use it more?

I feel the use of twitter is essential to reach out to a wider audience and think that one’s got to advertise oneself, no-one else will do it for you and  hopefully one’s twitter followers will RT and thus reach more people – so it can only be a good thing. You have to grab opportunities as life is too short.

Idun’s works feature at the open show till 27 November and she is also planning to run classes that will be available to artists at the Studios as well as outsiders, contact her here for more information idun@blueyonder.co.uk. Follow her on Twitter @idunart

The Open Studios Art Show at the Wimbledon Art Studios is open to the public till 27 November Friday 2pm – 10pm
Saturday & Sunday 11am – 6pm. For more information about the show and the artists see click here.

Digital art: stop motion

Stop-motion (also known as stop-action or frame-by-frame) is an animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Clay figures are often used in stop-motion for their ease of repositioning. Stop-motion animation using clay is described as clay animation or clay-mation.

A few of the best ART-PIE have seen are below.

Hours and hours of work here for these two first examples. Top quality.

Warning: these two films contain some adult language in the subtitles, but if you can stand the occasional and brief “F” word, the pay off is huge.

Continue reading Digital art: stop motion

Digital painting: not like the real thing isn’t it?

With computers everywhere (or almost) and the digital age, a new form of art is emerging and while the end product can be rather astonishing, this can surely not be compared with the real thing that is painting with a physical medium.

Do not get me wrong here, ART-PIE does not dislike it or having a go at all the digital painters, I am just trying to say that I surely would not get the same feeling of excitement I get with holding a spray paint can or a brush if I had to paint with a computer as my canvas and a stylus or a digitizing tablet(as they call it) as my can or brush – not for me. Continue reading Digital painting: not like the real thing isn’t it?

How to Spot Street Art

If you love spotting street art, but you’re never quite sure where you should look for it, then worry not. There are plenty of ways in which you can make sure you encounter great street art on a regular basis.

Where as street art was once considered to be little more than vandalism, these days it is a hugely popular art form. This means that there are plenty of books, magazines and websites dedicated purely to the subject of street art and where you van find it. Many works of street art are now protected, so you you may find that you have much more time to visit them. Spend time researching an area before you visit, and you are more than likely to be clued up on where to find local street art before you arrive.

However, some street art is far more temporary, and you’ll need to be on the ball if you want to be in with a chance of spotting it. Sites like Twitter can be a great way to keep up to date with the latest street art discoveries. If you’re keen to keep an eye on where new works of street arts have cropped up, whilst playing online games like Partypoker and checking your email from the comfort of your own home, then using sites like this can be the best way to do so. They’re also perfect if you’re on the go, and don’t mind making a detour to see some great street art before it’s gone.

Lastly, it is important to simply keep your eyes peeled. Even street art which may not have a big name attached to it can still be well worth seeing. Certain locations are fairly well known for attracting street artists, so it can be well worth keeping a look out should you happen to be passing through.

STREET ART