“Layers, Letters and Forms” by Corin Kennington at Stories

Corin Kennington | Art-Pie
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Recent LCC graduate Corin Kennington’s first solo show, Layers, Letters and Forms is a visual exploration into the aesthetics and processes of typography.

Focusing on the physicality and hand-made elements of traditional methods, Corin’s work is created using a range of techniques such as letterpress, screen printing, risograph and hand painted letterforms.

His recent body of work explores the journey of creating an image through the combination of old and new processes, and developing ways of unifying digital aesthetics and systems with traditional methods of print and execution.

Throughout Layers, Letters and Forms, Corin uses typography as a visual form as opposed to a language or tool of communication.

Corin Kennington at Stories | Art-Pie

Extinction/Extension, a new show by Otto Schade

Otto Schade, Extinction, London West Bank Gallery | Art-Pie
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Extinction/Extension by the half-Chilean half-German street artist Otto Schade known as OSCH is opening tomorrow  at London West Bank gallery.

In the meantime, the private view of the show is tonight between 6-10pm.

As the Anonymous sunset image shows, Osch will work on his signature tape style combined with his sunsets which have covered London and other cities in the past year.

The artist will be releasing 2 very low edition hand-finished Anonymosch prints during the show and there will be a giveaway of 10 posters (image below) to the first 10 fans through the door.

Here is what OSCH says about the show –

‘AnonymOsch’ came about for a couple of reasons. When we were putting together my latest solo show I had to come up with a name that meant something to me! I decided on the show being named ‘Extinction Extension’. Followers of my work will know that I try to highlight the futility of war and also the fragile plight of many of our endangered species. These guys at anonymous try very much to do the same thing in their own kind of way.They have started a global movement that is growing by the day.

Anonymosch, Otto Schade | Art-Pie
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He adds –

Although I don’t agree with everything that they highlight, a lot of what they convey makes perfect sense. My ‘Orb’ body of works do not pertain to anywhere in the world in particular, but rather everywhere where there is conflict. ‘AnonymOSCH’ is a hybrid artwork that utilises the impact of the simplistic Orb and also encompasses my trademark ribbon style. The face of Anonymous was taken from the ‘V is for Vendetta’ movie, although originally (as I am led to believe) was manufactured as a Guy Fawkes mask.

When Anonymous Chapter One, London commissioned the drawing from me I jumped at the chance as it was an image that I had been toying with for quite some time.

Please note: you need to be on the guestlist to be entitled to the free poster so please RSVP to guestlist@londonwestbank.com

Sound painting – get your own today

I have not been felling so excited like this for a while. Steady, I am talking here about the concept of sound painting. I know what you are thinking right now – “How does it work?”. Read on.

Right, the gear you need first – a camera with a flash, a loudspeaker unit, plastic sheeting, electrical tape, paint (ideally poster paint), and a laser trigger (if you happen to have one).

So what is it really? “captured images of specific moments when paint is propelled into the air by sonic vibrations.” <- that sounds good to me – literally.

The pictures below are the work of  Martin Kilmas, German born artist,  who spent some time to get the right shots, the moments that are truly moving. I am sure you will agree?

Hands on – head over to www.thecreatorproject.com blog where all the steps are break apart. But first have a look below and see what you could achieve.

What is really remarkable with this concept is what you actually get – A spontaneous and ephemere somewhat  abstract visual of whatever tune you have decided to blast out. Awesome.

Pictures and initial read from www.thecreatorproject.com

Miles Davis - "Bitches brew" by Martin Kilmas
Miles Davis - "Bitches brew" by Martin Kilmas
Kraftwerk - "Transistor" by Martin Kilmas
Kraftwerk - "Transistor" by Martin Kilmas

Boy Soldiers Exhibition at Graffik London

boy_soldiers_e-flyer

A group of specially selected artists that have come together to produce their unique interpretations of the legendary Howard Marks (known as an elite British drug smuggler)

Artists taking part include Goldie, Charles Lutz and Terry Cryer, and these exclusive portraits will culminate in an exhibition at RedHouse Originals (Harrogate) in October to coincide with the UK cinema release of the ‘Mr Nice’ film. Continue reading Boy Soldiers Exhibition at Graffik London

The incredible digital art of Erik Johansson

Erik Johansson is one of those guys who have raw talent. He excels on digital photography and produces outstanding results. And you know what? He has not have any formal training in photography or studio art — or even classroom instruction in Adobe Photoshop

Erik Johansson is keen on surreal landscapes and often depicts characters trapped in their surroundings in some temporal break down.

We have included below the Cut & Fold (2012) piece as well as a very interesting video that will show you how Erik Johansson got to the end result.

Here is what the digital artist says about the work: “Inspired by the cut-along border of a magazine coupon, I wondered what a landscape would look like if it were peeled back along a road’s dotted line like a coupon.

Cut & Fold by Erik Johansson

Cut & Fold – Behind The Scenes from Erik Johansson on Vimeo.

Here are other works from Erik Johansson

Downside of the Upside (2009)
Downside of the Upside (2009)
Go Your Own Road (2008)
Go Your Own Road (2008):

Elissa Franceschi EP Launch at Nothing Hill Arts Club

Elissa Franceschi | Art-PieIntroducing Elissa Franceschi, a prolific songwriter with a distinctive powerhouse vocal who has built a reputation based on organic, grass roots promotion and haunting live performances. Having previously performed in some of the UK’s most famous venues (Brixton Academy, The Roundhouse, Astoria and Wembley Arena – supporting Paramore and You Me At Six), Elissa spent the majority of 2012 performing all over the UK with her live band, and being teamed up with the country’s top songwriting production houses (of Jessie J & Ellie Goulding fame) to co-write for other artists.

The release of ‘Devoid of Rue’ on 24th June 2013, the follow-up EP to Elissa’s three independent album releases ‘Touch’, ‘I Hold My Breath’, and ‘Into The Light’. Recorded and mixed by Matt O’Grady (You Me At Six, Don Broco, Deaf Havana), ‘Devoid Of Rue’ was funded without label support but instead through a successful fan-funded Pledge Music campaign, where Elissa gave fans exclusive access to bonus tracks and videos, opportunities for one-of-a-kind experiences, along with live updates which gave fans a unique interactive look at the process of making the EP. The embedded stream can be found here;

The record is an evolution of songwriting for Elissa, giving new listeners a taste of previous albums in the beautiful piano-and-vocal-only track ‘Oceans’, and existing fans something new in the form of the rockier ‘Outside My Body’. With additions of atmospheric ‘Chasing Something’, epic ‘Dust’, and the anthemic brand new single ‘All These Days’ – this EP really showcases the exciting and emerging talent Elissa Franceschi has become.

Elissa saw even greater success in 2012 as the first artist hand-picked to perform at the London 2012 Olympics as part of the Emerging Icons search for the UK’s best unsigned talent, and saw her track ‘Rainbow On Fire’climb Number 14 on the iTunes Singer-Songwriter chart through word of mouth alone. Now, 2013 has seen Elissa scale new heights with recent single ‘Salt’ being voted as ‘Track Of The Week’ on the Radio 1 Review Show with Edith Bowman, beating global superstar artists Beyoncé, will.i.am, Justin Bieber and 30 Seconds To Mars; while also hitting Number 1 on the National Student Radio Charts.

What – Elissa Franceschi EP Launch
Where – Nothing Hill Arts club
When – 25/06/13 from 7pm

More from the artist
elissafranceschi.com
facebook.com/elissafranceschimusic
twitter.com/elissa_f
youtube.com/elissafranceschi

Pancakes & Booze London second edition almost on!

Pancakes & Booze, April 16 | Art-Pie
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We are over the moon to be involved once again in the Pancakes & Booze pop up art show. We actually will be running from now on the London event so watch this space.

The second edition is taking place again at Studio Spaces E1 in East London on Thursday, 7th of April 2016.

This second edition promises to be even better than the first one with more and more talented artists eager to show their beautiful creations.

In short…

ART . PANCAKES . BOOZE . DJ . LIVE ART . EAST LONDON .

Live art & free pancakes

Pancakes & Booze | Art-PieWhile talented DJs will be throwing tunes, we also have a few live art happenings on the night. We particularly look forward to see Mark Petty in action. Mark will produce screenprints on the night which will be up for sale.

And as always, there will be pancakes getting flipped over all night. Just queue and get your free pancakes.

Submit your application

There is still time to apply, we take artists submissions until the last day before the show so do not wait and fill out this form. We hope to have you with us for this edition

About

Pancake batter is sizzling, beer froth is flowing, and bare flesh is slathered in paint.  Indie musicians and DJs break sound waves off the canvas-lined, graffiti-strewn walls, while revelers stuff their faces with endless amounts of free pancakes.

The Pancakes & Booze Art Show is an LA based artist movement that started in 2009 and has quickly spread to over 20+ cities throughout North America.

They currently organise some of the largest pop-up underground art showcases in the country, with the best local emerging artists, musicians, and performers each city has to offer.

You can read more about the Pancakes & Booze show

Pancakes & booze New York | Art-Pie

WHAT – The Pancakes & Booze Pop Up Art Show
WHERE – Studio Spaces E1
WHEN – 7th April 2016

Internal Objects and the Objectified Self

“Lacan revises and enriches the myth of Narcissus, so passionately in love with his image that he plunges into the water and is drowned.”[1]

Maurice Merleau-Ponty

Bathroom, (c)2011 Hayley Harrison
Bathroom, (c)2011 Hayley Harrison

The mirror holds peril. Revealing truths unwanted or enticing the loss of the self to an objectified world. The creation of our self-identity begins with how we respond to our image in the mirror in infancy. We either recognize the ‘other’ and begin the process of socialization or we retreat to find the maternal object and become locked in the death wish.[2] Psychoanalytical theory is of course more complex and involved than that simple description. But the significance in the simplified description is the relationship of self to object. We begin to understand we are an object which occupies space, distinct from others or we seek the comfort and reassurance of objects to satisfy our longing, beginning to see everything as an object available to satisfy us.

In Kleinian theory, the ‘internal object’ is “a mental and emotional image of an external object that has been taken inside the self. The character of the internal object is coloured by aspects of the self that have been projected into it. A complex interaction continues throughout life between the world of internalised figures and objects and in the real world…the state of the internal object is considered to be of prime importance to the development and mental health of the individual.”[3]

Her, (c)2011 Hayley Harrison
Her, (c)2011 Hayley Harrison

We are bound to objects as a means to understand the world, ourselves and the complex relationships we have throughout life. Any kind of exploration of self and identity must perforce include a discussion of objects. This ‘Me’ of Mine has delved into several aspects of this ‘object relationship’, through the work of Kate Murdoch and memory association with personal identity development, Annabel Dover and the complex personal codes and emotions imposed on objects, Cathy Lomax and objects which represent self-image and emotional states and now with the work of Hayley Harrison and her use of objects as an expression of an inner self:

“I think we have to be in the ‘right’ place both internally and externally and that’s when a conversation occurs. For me self-recognition through the external is experienced in its ‘purest’ form when we are here, now, rather than through our pasts or futures.  We can be taken off guard by something, something perhaps poetic that throws us into the present. Whatever that something is, we just have to come into relationship with it.  When we experience one of these rare conversations between the internal and external I believe we come back to ourselves, much like Jacques Lacan’s famous discourse with the sardine can. Ultimately within these moments we are looking into a mirror.”

Read more of my interview with Hayley, Speak Me Many Times .

Read past interviews with Kate Murdoch, Annabel Dover and Cathy Lomax.


[1] Roundinesco, Elisabeth, “The Mirror Stage: an obliterated archive” from The Cambridge Companion to Lacan, edited by Jean-Michel Rabaté, 2003, Cambridge University Press, accessed online  at: http://artsite.arts.ucsb.edu/~arts1a/outlines/The_Cambridge_Companion_to_Lacan.pdf , 25 June 2013

[2] Ibid.

[3] Melanie Klein Trust, http://www.melanie-klein-trust.org.uk/internal-objects ,accessed 25 June 2013

Rene Magritte at Tate Liverpool

Last time a major show about Rene Magritte happened was in 1992 at the Hayward gallery, London. This time, Tate Liverpool is having a go at presenting us a character known to be a sexual obsessive with a twisted mind – the perfect definition of a surrealist painter, some would say, which Rene Magritte was.

Reading about his biography and it does not take long to get to the bottom of his deviance. Rene Magritte saw his mum getting pulled out of the river she threw herself in, she only had her nightdress wrapped around her head, the rest was naked. Rene Magritte was 14.

A direct link to this traumatic event can definitely be seen in The Lovers, painting he made in 1928 and on display at the Tate Liverpool for this show.

Commercial works have also taken a large place in Rene Magritte’s life and this show dedicates a large section to them – Rene Magritte did not get rich until late in his career and resorted some freelance graphic design work. One of his main clients was the Belgian couture house Norine.

What – René Magritte: The Pleasure Principle
Where – Tate (Liverpool)
When – 24 June – 16 October 2011

Related links
René Magritte: The artist who turned the world on its head (The Telegraph)
René Magritte: The Pleasure Principle – exhibition (The Guardian)

“So it goes” by The Connor Brothers at Hang Up gallery

'So it goes' by The Connor Brothers | Art-Pie

‘So It Goes…’ features new work from the artist’s notorious and much sought after Pulp Fiction series, which explores the porous boundary between reality and fiction. The duo have created an exclusive collection of original hand painted Pulp Fiction paperbacks, original canvas works and hand painted limited editions that reflect their interest in how our understanding of the world is formed by the narratives we tell about it.

Following a series of sell out exhibitions from Los Angeles to Sydney, these internationally acclaimed artists are back in London with not only a new body of work, but a new cause – the foundation on an NGO in association with the artists’ friends and collaborators Pussy Riot. The new show will combine reality and fiction with an installation detailing their experiences in ‘The Jungle’ refugee camp in Calais. Hang-Up will be releasing a third limited edition charity print to raise further funds to build additional shelters when they return to The Jungle with Pussy Riot in December.

WHAT – ‘SO it goes’ by The Connor Brothers
WHERE – Hang Up gallery, 81 Stoke Newington Road, Stoke Newington, London N16 8AD
WHEN – 13 NOV – 6 DEC 2015

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