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Hayley Lock at Transition gallery
Launched at Ickworth House in Suffolk in July 2011 (Now that would be) Telling is a collaborative project between the artist Hayley Lock, curator Catherine Hemelryk and writers Jessica Hart, Lucinda Hawksley, Ben Moor, Hallie Rubenhold and Liz Williams.
Lock and the writers have created a series of site-specific works in English stately homes. Part myth and part encrypted biography, these works reveal/conceal parallel histories of the residents of these remarkable homes.
For Transition Gallery Lock is showing a series of works originally made for a grand home proudly situated in rural Bedfordshire. These portraits of the real and imagined lovers of the Lady of the House use mirrors and light to form a multiple of 28 and include a new portrait of the Lady herself. Lock meshes a range of sumptuous materials including velvets, brocades gilt and fringing into the portraits referencing the imagined interiors of Caddington Hall the family house. Elsewhere the digitally enhanced landscapes play out their stories of love, romance and deceit in an uncanny space where truth and fiction, history and scandal collide.
Words from Transition gallery
14 Jan – 5 Feb 2012
Fri–Sun 12-6pm
When Da Mental Vaporz crew hit Melbourne
I must admit when I heard that this crew, originally from France, were heading down under I completely geeked out.
We have been big fans of DMV, seeing pieces from them go up in Paris, Barcelona and their epic wall at London’s Meeting Of Styles.
Even though the show at Rtist gallery is a great way to see each artists individual style, the true abilities of this crew shine when they collaborate on big walls.
It seems that everything came together for them here in Melbourne, the weather was great and the wall they were given was in China Town a unique and oddly appropriate setting.
Find below a few pics of the wall they painted.
> I want to see more photographs
> I want to see Da Mental Vaporz at the Meeting Of Styles London photos
Photographs by chasinghosts
Tutorial: how to make a marker (video)
How to make a marker
Rhizomatic at Departure gallery
Rhizomatic is an experimental, decentralised curatorial system based on the concept of the Rhizome, as explored in Deleuze and Guattari’s philosophical masterpiece A Thousand Plateaus. This is Departure Gallery’s largest and most ambitious show so far and includes work by over two hundred artists exhibiting in 100,000 sq ft of warehouse space. Continue reading Rhizomatic at Departure gallery
Video painting at Cordy house, London
Video installation by the creative Brooklyn duo Sweatshoppe. The principle is simple: a LED roller paints video onto a wall. The effect is guaranteed.
Thanks to the programming language called Max/MSP, Blake Shaw wrote a software that makes possible the projection of video visible when it comes in contact with the LED lights on the roller.
The video below is Sweatshoppe at it on top of Cordy House, Shoredith, London towards the end of last year.
SWEATSHOPPE video painting@ Cordy House from SWEATSHOPPE on Vimeo.
Related links
> www.sweatshoppe.org
> http://brunolevy.com/
> en.wikipedia.org/wiki/Max_(software)
Simon Stalenhgas’s sci-fi digital paintings
I always wondered if I could appreciate ‘digital painting’ as much as more traditional painting, what I mean by that is art which is made with brushes or pencils on some panels or canvases as opposed to via a computer.
Call me old fashion but I like thinking about artists spending hours in their studio, stroking or splashing paint on canvases but I must admit, I now also get exciting with this computer assisted method of painting that we call ‘Digital painting’
And how could you not be when you look at Simon Stålenhag | Art-Pie‘s works – keep on reading
About the artworks
Simon’s paintings and stories take place in an alternate version of Sweden in the 80s and 90s. The central location is the countryside of Mälaröarna, a string of islands and half islands just west of Stockholm. The background is this:
In the 1950s, the Swedish government orders the construction of a large particle accelerator. The state agency RIKSENERGI is tasked with developing this massive project. In 1969 the The Facility For Research In High Energy Physics is ready, located deep below the pastoral Mälaröarna-countryside. The local population soon calls it THE LOOP.
From it’s inception to it’s closure in 1994, The Loop was the largest accelerator in the world. The thousands of staff: scientists, engineers and maintenance workers, all serve Riksenergi during these years – and makes possible tremendous scientific advances. But the power of the Gravitron, the heart of the accelerator, proves difficult to control. The side effects of the project are dramatic. Strange sightings and bizarre rumours taints the scientific image of The Loop.
In the shadow of the weird machines filling the countryside, life continues as normal. The kids of Mälaröarna grew up living above the technological marvel of The Loop, but for them it was just a part of their very ordinary lives. Until strange beasts from another time showed up, that is.
About Simon Stålenhag
Swedish artist Simon Stålenhag burst onto the art scene in 2013 when his first series of paintings were shared on the Internet. His original blend of naturalistic landscape paintings with science fiction elements and a very low key recollection of growing up in the eighties struck a chord. Not just in Sweden, but all over the world.
Based in Stockholm, Sweden, Simon uploaded his first digital paintings onto the Internet in 2013, since then he has become something of a phenomena in the art and sci-fi communities. Simon shares his time between a small cabin at Mälaröarna (the setting that inspires his work) and an apartment in Stockholm.
Banksy’s new work on a wall of a Bristolian school
A large number of people always get quite to very excited when a new Banksy work is discovered and we must admit, we were one of these this time round when we read this morning about this new work somewhere near Bristol… Keep reading on.
A contest amongst pupils at the origin of all this
Bridge Farm Primary School in Bristol, where Banksy dropped his latest piece, organised a little while ago, a contest amongst the pupils in the aim to name houses at the school after famous people and Banksy was one of the names that came up the most and which was therefore chosen. The other names were Brunel, Blackbeard and Cabot.
Geoff Mason, the head teacher wrote to Banksy’s team before they broke up for the half-term to let him know they had named a house after him…
Surprise when kids got back to school this morning
Children, staff and parents from the school in Whitchurch were surprised by the artwork this morning we hear as no one expected Banksy to produce some street art right in the courtyard!
The painting was done over the weekend, when Banksy was supposedly going to collect an award elsewhere namely the Sky Arts Awar.
Although Banksy rarely signs his work, a spokesman for him confirmed this morning it was indeed the elusive artist’s work. It is thought to be the first verified artwork from Banksy in a primary school.
Even more surprised to get a letter back from Banksy
Here is what Geoff Mason, headteacher at the school, said the school had received a letter from the artist himself.
“I think it went up over the weekend, and completed last night, but we’re not entirely sure.
“It was done after we ran a competition to change the house names, and we decided to name them after Bristol legends. We had to include Banksy.
We thought it would be a good idea to write to the PR company and let them know we’ve run the competition.
“I’m sure this is Banksy’s work. We had a call from his PR team, and a letter signed by him.”
The letter reads:
“Dear Bridge Farm School, thanks for your letter and naming a house after me.
“Please have a picture, and if you don’t like it, feel free to add stuff.
“I’m sure the teachers won’t mind. Remember, it’s always easier to get forgiveness than permission.
“Much love, Banksy.”
London Art Fair – artists we enjoyed, Matteo Massagrande
We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.
In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.
Feel free to comment too at the end of this article. Let’s get started….
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Matteo Massagrande
We stumbled upon the piece called “Salice” – mixed media on board, 80 x 120cm and instantly liked the smoky and hazy atmosphere of this piece achieved in using panels. It made us want to go and explore the scene that was presented in front of our eyes.
About the artist
Matteo Massagrande was born in Padua, Italy in 1959. Massagrande is an accomplished painter and a talented engraver. He has exhibited in over one hundred exhibitions internationally in the past 30 years.
Other works from this artist
Click to enlarge
Anamorphic art
We have all seen these street artists colouring our pavements without could not put the finger on what the piece actually represent. It is because you are not looking at it at the right angle. We are talking here about anamorphic art which has recently flourished all over the world.
But some artists take this form of art to the next level making it methodical and magical. Located in the factory hosted by Sub Urb Art based in Torino (Italy), Medusa, figure from the Greek mythology, has taken the patience, attention to detail and talent of two artists, Ninja1 and Mach505.
The number of surfaces used is phenomenal and make the task daunting. It took 35 hours to paint the whole lot. It was achievable by projecting the outlines of an existing Medusa drawing on those surfaces and paint over them.
“Also, tracing a projection might seem simple, but at a distance of 20 meters the pixels are the size of your head, and hardly visible at all because of other lights, so you do need to check what you’re doing from the viewpoint every once in a while. “
Read the full interview on Modernet
From certain angles
The end result
