Bruce French at Scream gallery

Scream is proud to present the third solo exhibition with fine artist Bruce French. “Absence of Light” is a sequel to his 2008 solo show and will feature his signature fine line drawings, translated into painting, sculpture and limited edition screen prints. The exhibition will be launched on 26 May with an exclusive performance piece at Scream, choreographed and performed by Vanessa Fenton of the Royal Ballet, and sung by Lynne Jackman of rock band St. Jude. Titled ‘And I always will’, this will be the first collaboration between the artist, dancer and chanteuse, and will be performed in ‘First Drafts’ on 26th April at the Royal Opera House.

With the new body of work, French embraces modern technologies, and although each image is drawn from life and inspired by the people and events he observes, he uses his iPhone and iPad to maintain the visual diaries that form the basis of his oeuvre. His observations are translated into faceless figurative drawings, emotionally charged yet androgynous and anonymous. Bruce begins by creating an image in layers on his iPad. By drawing directly onto the pad with his fingers he is able to experiment with line, form and colour, before printing on Perspex or translating the image to the more traditional medium of oil on canvas. Although Bruce’s paintings are essentially figurative, they possess a bold, linear aesthetic. He is passionate about using the latest technology as a tool for artistic purposes, extending to a sculpture created on the iPad and realized using the latest electroluminescent light technology. The images do not necessarily represent a specific individual, but act as an emotional journal of characters who cross his path from day to day. By stripping away distinguishing features, Bruce creates powerful linear images.

Words by Scream gallery

Read the full press release on the Scream gallery website

When – 27 May – 25 June 2011 | Invite only preview on the 26th, contact Lee Sharrock

Where – Scream gallery | 34 Bruton Street | London W1J 6QX


Dance & 3D – Le mouvement de l’air

3D technology which once was promised to succeed (back in the 80s) completely disappeared (or almost) as a medium for any artistry around but this is changing. 3D movies have been a regular hits at the Box Office while 3D gaming is booming.

3D and dance?

Meet Adrien M and Claire B, pioneers in embracing and using multimedia in their choreographies, present us with a fascinating and reactive projection-mapped performance. The Movement of the Air, now a video, is bond to bend they way you usually looked at dance.

How does it work?

Collaborators Rémi Boissy, Farid-Ayelem Rahmouni, and Maëlle Reymond manipulate tornadoes, columns of smoke, and lively geometric shapes in real time.Unlike normal projection mapping, which relies heavily on pre-planning a show to fit every contour and crevice of a surface, Adrien M and Claire B let shapes and patterns emerge in response to the people on stage.

Plus the dancers move to the rhythm of live music, adding one more layer of irreplicable humanity to the show.

I still don’t get it, pls clarify

No one better than the artists themselves may be able to shed some light on the technicality of the use of 3d and dance. Here is what they said to The Creators Project

The set is inhabited by a 3 face structure: two vertical panels of white gauze and a white dance oor are asymmetrically combined to create an immersive projection system. This « living light » is produced by video projectors and generated in real time by a set of algorithms.

It is a mix of control room operated human interventions and onstage sensors data that outlines a precise writing of motions and generative behaviors. They are generated according to physical models and therefore remind everyone of their own real life experience and imaginary of motion.

3D dance | Art-Pie

3D Dance | Art-Pie

3D Dance | Art-Pie

His name is #codefc

If you are keen on graffiti, you must have seen #codefc stuff on some walls, one of his latest and probably most seen is the Olympic runner with the message “Fuck 2012 – I am ready now ”

The man behind #codefc has been active as a graffiti artist for a long time, for about 22 yrs actually but he has been using #codefc for the last 12 years. #codefc references to a hexadecimal color code use in web technologies which coincidentally can be broken down into the word “code” and “fc”, the initials of our artist in question.

#codefc started to do graffiti in Rome where he got arrested doing a train carriage. Keen on using stencils, most of his stuff are location related, some of his projects are coDe-DAY in Normandy , stuDIED in Cambodia or viet-code in South Vietnam where fictive characters are invented and stencil on a surface.

Some of you will have notice the use of what looks like a filming camera. Talking to #codefc, we found out that he is also a keen film maker and that the camera depicted in his works is S8 cinecam which is also used as a logo.

#codefc paint as much as in London than abroad and some of of his works can be seen below.

2012Sprinter from #codefc on Vimeo.

Otto Schade at Frameless gallery

Otto Schade - Frameless gallery | Art-PieIt was lunch time and I was again walking towards the place that would put an end to the hunger I had been victim off all morning.

I then once again walked past the Frameless gallery in Farringdon which I had never bothered to visit until today.

I certainly knew about it but either the thought of a mighty sandwich (I work really nearby) or a recurrent weak interest in what I could glance at, had always been dragging me away from it. Not today. Otto Schade’s show – Street art Olympics, was on.

It really adds a dimension to any show when the artist paints something onto the front of the building where his/her show is held at and Otto Schade just did that.

The one who knows Otto Schade’s works will recognise this familiar face – see picture.  (more pictures after the fold)

There is a clear Olympics theme for the pieces on canvases that can be seen in the first part of the show (upstairs that is – it is worth to point out that I was not aware of the downstairs bit of the gallery which adds so much to the whole space and make it one of the best venues I have been in recent months).

Next to those, sit a series of more traditional prints.

Otto Schade - frameless gallery | Art-PieThe earthy colors scheme used for the Olympics themed pieces which are all on a black background gives them a very warm feel whilst the black – red – white scheme used for the prints does the opposite and seems to freeze the image.

Head downstairs and find a variety of other pieces from Otto Schade from portraits of the Queen Elizabeth to the representation of a panda which seems to have found a ball to play with. It was hard to find an obvious link with the Olympics here – let me point out that the show is called “Street art Olympics”.

And there I saw it, I saw the piece I want to own: a make over of the Queen of Diamonds playing card by Otto Schade. The colors work so well, the intensity of this piece obtained by hiding the face of the character is intense and seductive.

Would you agree?

“Street art Olympics” by Otto Schade rund until the 12th August
Frameless gallery | 20 Clerkenwell green | EC1R ODP | London
Opening Hours: 11am – 7pm Monday to Saturday

Otto Schade - frameless gallery | Art-Pie

Otto Schade - frameless gallery | Art-Pie

Otto Schade - Frameless gallery | Art-Pie Otto Schade - Frameless gallery | Art-Pie

An Old Spanish Church Transformed by Street Artist Okuda

A truly amazing project: a historic church in the Spanish city of llanera was transformed into a skate-park earlier this year by La Iglesia Skate.

The venue called Kaos Temple underwent a radical and colourful transformation at the hands of street-artist Okuda San Miguel.

We previously reported on this artist and pointed out his recognizable style of bright and isometric paintings. The result is astonishing and gives another dimension to the church. We included a few shots of the finished work below.

La Iglesia skate | Art-PieImage credit: Red Bull Media

La Iglesia skate | Art-Pie

Image credits: La Iglesia Skate

Okuda | Art-Pie

Image credits: okudart

llnara church | Art-Pie

Jota Leal’s Star Wars themed artworks

Jota Leal was born in a humble little town in eastern Venezuela, in the mid-eighties. He began drawing and painting at a very young age, and never studied fine art. He attempted to sit in class as a child of six, but ran away after being forced to paint plastic fruit and empty bottles.

Jota’s style results in a synergy of remarkable painting skill and a probing sense of the subject’s soul, and often tweaked with a remarkable sense of humor. Leal works with pencil on paper, acrylic on board, and acrylic on canvas to achieve his amazing images.

Jota Leal from Venezuela probes the subconscious, showing that depth can be shown with humor and whimsy. — Juxtapoz Magazine

Jota Leal | Art-Pie
BOBA FETT
Jota captures Star Wars villian, Boba Fett in a classic pose, with exceptional coloring.
This dramatic acrylic on canvas painting measures 20″ x 28″.
Jota Leal | Art-Pie
MARRIED WITH CHILDREN
Imagine Mathew Brady, the famous Civil War photographer having taking a familiy portrait from Star Wars. Jota creates a wonderfully bizarre and funny grouping of iconic Star Wars characters, all posed in some classic 19th Century scene. Expertly painted. 24′ x 30″ Acrylic on stretched canvas. Ready to hang.
Jota Leal
CHEWIE
Chewbacca with some robotic enhancement. What could be the story here? Maybe in the next, next episode in a galaxy far, far away. Beautiful landscape coloration by Jota. 36″ x 24″ Acrylic on canvas.
Jota Leal | Art-Pie
THE VANISHING OF OBI-WAN
Wonderfully surreal painting from the Star Wars universe by Jota, in a beautifully illuminated, Dali-esque style. Fine art comes to a galaxy far, far away. 36″ x 24″ acrylic painting on canvas.

SESPER at Pure Evil gallery

Brazilian artist Alexandre “Sesper” Cruz spent his adolescence absorbed in music and skateboarding – building ramps, making fanzines that documented the Sao Paulo art scene, and recording k-7 compilations. These interests influenced the sticker and paste up poster campaigns he launched around the city in 1999.

Sesper is best known for his unique mixed media artwork. He uses recycled material such as paper, cardboard and wood as his surface and paints over these with oil pastel and latex, incorporating layer upon layer of texture and color. A member of the renowned Brazilian art collective, the Famiglia Baglione, Sesper has participated in and filmed many of their live painting and gallery installations around Brazil.

SESPER at Pure Evil

He produces music and is a full time vocalist for Garage Fuzz band since 1991, as well having sung and recorded in the following bands: OVEC, PSYCHIC POSSESSOR, SAFARI HAMBURGUERS, PAURA, and the projects: NOTWORK, INTROSPECTIVE, LOFI EXPERIMENTS, VALLEJO X SUNSET, 5 GAS QUESTION, FLIPTOP, and others.

Words from the Pure Evil website

“Thirteen” the new show from Copyright at London Westbank gallery

WIN a limited edition of Copyright’s Lady of the Lake (edition of 50 which is the show print). enter now, the competition closes on Friday 27/09 midnight so hurry up!

It has been about two years since Copyright has had a solo show. It has not been lazying around (…) we hear, but rather been busy with a bunch of commissions partly being a consequence of his appearance on Season 8 of ‘The Apprentice’. “Thirteen”, his new solo show at London Westbank Gallery, is upon us though and we are excited to see what the artist has to show us.

Two words seem to summarise what the show is all about – revisit and reimagine styles and influences. This new show consists of 40 pieces of “old-new” and “new-new’ work, Copyright will explore the idea of moving forward by looking back.The collection will also allow a rare glimpse behind the curtain, displaying framed stencils and surprise installations…

Copyright | Art-Pie

We talked to Copyright who kindly answered a few questions for us –

Art-Pie: Is Art something you have always wanted to be doing for a living?
Copyright : Yes, but its never something I really believed was a job, so I didn’t chose to study art. Even when it looked like I could make a living at it, I was afraid that it would take all the fun out of it, took a lot of thinking to decide to make my passion into my job. But I have been a full time artist now for close to 5 years and I don’t really feel like I have a job, I just do what I love everyday.

A-P: Tell us a little bit about you and your style.
Copyright : It’s a bittersweet mish-mash of stencil work and traditional painting techniques. The paintings are all portraits of usually ambiguous female protagonists, almost always unhappy, crying or aloof. Then within that is a bunch of other symbols or imagery, different flowers, creatures, tattoos etc, that build up a picture with a vague narrative. creating a pretty picture, but with a dark fairy tale.

A-P: Tell me something about your training and your influences.
Copyright : Im a self taught artist, Ive never studied art, but I have spent time in art collages doing photography and stuff. So was allways into making pictures.

Copyright | Art-Pie
A-P: What is “Thirteen”, your new show is all about?
Copyright : 13 is my lucky number, since I was born on Friday the 13th, and 2013 also happened to be 10 years since I started using the name copyright. For ‘Thirteen’, I wanted to put together a big show that had more to see than just a bunch of paintings, some behind the scenes stuff but in a gallery format. Also a group of paintings which revisit older works and themes. I’m calling it a way of “moving forward whilst looking back” .

Copyright : Let’s talk about street art. Street art has grown in the Art World and is inviting itself into art galleries more and more often. What are your views on this?
Copyright : I don’t go round calling myself a “Street Artist”, I call myself an “Artist”, Street art is a word made up by other people who try to understand why they are seeing pictures that aren’t trying to sell them something. The truth is, I started putting stuff on the streets because I had nowhere else to put them. I wasn’t making some anarchist statement, I just wanted them to be seen.

———————–

What – ‘Lucky 13’ A Solo Show by Artist Copyright
Where – London Westbank Gallery 133-137 Notting Hill Gate W11 2RS
When – 27th September – 3rd October 2013 (Preview night Thursday 26th 6pm-10pm open thereafter 11am-7pm Daily RSVP to guestlist@londonwestbank.com)

STREET ART