Part of our 3 street art works series you should see today. Artists featured are Otto Schade, Dale Grimshaw and La Pandilla
Otto Schade – “De Evolution” on Rivington street (London)
Dale Grimshaw – new mural done for the Whitecross street party (London), 20-21/7/2013
La Pandilla – in progress and located on Brick Lane (London)
One launch night not to miss, one print to get.
The artist, Dave White is on the rise and have been selected for the Northern Graduates show at the Royal College of Art, Liverpool-based. He is regarded by many as one of the most talented of the UK’s new generation of painters and when you see what he is done, you have to agree or at least positively nod.
The event is about the release of an exclusive limited edition print, hand finished in gold leaf, of his iconic Eagle work from his critically acclaimed Americana series.
I should have said enough for you to be gagging to come down to Artrepublic Soho on the 28th and fight for a copy of the print you can see below.
When – 6PM, Thursday 28th July 2011
Where – Artrepublic soho | 42 new compton street | London WC2H 8DA
“If there is value which is of value, it must lie outside of all happening and being so. For all happening and being-so is accidental.”
Ludwig Wittgenstein
6.41, Tractatus Logico Philosophicus
This quote from Wittgenstein is a profound statement on the nature of occurrence and existence – ‘happening and being-so’. Whichever way we look at it, occurrence and existence is accidental. The beauty and simplicity of Wittgenstein’s statement sweeps away the clutter of chance and places value squarely in purpose. It suggests circumstance (context) is a force of chance. This ‘Me’ of Mine asks if purpose can challenge the force of chance.
Wittgenstein’s rational view makes folly of the attempt to find meaning in happening and being-so, but he leaves the door wide open to search for meaning in value and purpose. Kate Murdoch does just this through her work. She encourages her audiences to explore their purpose. Through her interactive exchanges, Kate presents situations which involve an active interchange between the public and her work, often with the public’s participation the greater force in the creation of art. Her audiences not only participate, they actually become part of the art through their active purpose. The generosity of this, both on Kate’s part and on the part of the audience, breaks down the barrier of the ‘art experience’ and presents an experience of art.
Read our interview, What Are You Prepared to Give in Exchange, for This ‘Me’ of Mine. Kate and I discuss value, emotion, memory and communication.
JB: …It could be said the value we associate with an object is in relation to the depth of emotion we experience in any given situation. Do you feel this to be true and what have you observed about this relationship through the interactive aspect of your work?
KM: …The emotional attachment we make to any given object can determine its worth in emotional terms as opposed to its monetary value. The very act of bartering adds an emotional reality to the process of exchange that currency somehow lacks…
This ‘Me’ of Mine is very proud to call Art Pie our Media Partner.
We are equally proud to call the four galleries below our Venue Partners. Click on a logo to find out more about the good work these organisations do.
Opening their 2016 exhibition programme, the Lawrence Alkin Gallery welcomes STATIC to host a solo exhibition presenting their unique layered glass reinterpretations of 8-bit video game graphics.
The show has been born out of the duo’s massively successful Game On! image released early 2015. Press Play reflects on the sub-culture of gaming and how since its inception in the mid-twentieth century it has carved for itself its own sub-culture and global following, which now has far reaching influences. The new work and exhibition also reflects back on how these early graphics have come to influence and inspire contemporary design.
Featuring images from a host of well-known, iconic, games from both arcade machines and early home entertainment systems such as Tetris, Asteroids, Space Invaders, Super Mario & Pac Man, this show promises to start your year with a bang!
What an exciting concept and so twenty-first century! Any web 2.0 person with a strong interest in art has to embrace this concept.
Not surprising that the idea blossomed in a philosopher mind – Hilary Lawson who is also a documentary film maker.
What is all about then?
‘escape the limitations of the traditional video narrative’
‘escape our cultural and perceptual closures, freeing the viewer to play in the openness of the image’
Wow, well said folks from the Open Gallery which now represents the Artscape project – the collective of artists founded by Mr Lawson in 2003
Immerse yourself into the piece you are looking at, just experience it, get out of it a simple feeling. Ditch the attempts to understand why, just enjoy the what is in front of your eyes.
Yes, video painting will set you free so check out that piece from Mr Lawson entitled Play in Three Acts
Check the open gallery website for more videos – www.opengallery.co.uk
For the techies, computer scientists developed in 2003 a technology (known as Laluna) which enabled video paintings to be stored and played in such a manner that their order did not repeat (but was also not random) getting thus rid of the constraint that limit the potential of video art.
I do not know for you guys but ART-PIE is now very impatient to go and check it out at the Open Gallery so watch this space!
ART-PIE
Part of our 3 street art works series you should see today. Artists featured are Alice Pasquini, ART-EFX and BRUSK.
Alice Pasquini
Anima. Boat near Tower Bridge. Photo by Jessica Stewart – RomePhotoBlog
Update – 23/7/2013. We hear from Propa-Stuff, who organised the whole thing, that there are a loads more artists that took part in this event such as Bailon, Miss Van, Ciro Sschu, Sheryo and the Yok so go and see with your own eyes. The location is SE1 2AX and the easiest viewing point is from Providence Square.
ART-EFX
Location: Albaching. Photo by Johannes Probst
BRUSK
In progress. Location: France
Noise. Noises. They are everywhere these days and unique in their own ways but can they be assimilated to art too?
Labspace Studio ( (a creative agency & art house in Toronto, Canada), the people behind Noise Intercepted, a global art project about noise part of the Noise Project, certainly think so and have just launched their project today. and guess what, we are taking part and are excited about it. But what is it exactly?
Noise Intercepted is a series of ten experience-activated noise challenges that prompt participants to listen, observe and interact with their urban soundscape in new and unlikely ways.
The project brings together over 200 collaborators from 28 countries around the globe — artists, sound ecologists, designers, writers, mothers, fathers, educators, filmmakers, administrators, technicians, scientists, students, programmers, health practitioners, and the list goes on.
Over the course of four months (March – June 2013), participants will be sent (via text msg & email) a series of ten noise challenges and creative prompts.
They have exactly 1-week to respond to each challenge and share their findings here with you.
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You can still join – http://thenoiseproject.net/call-for-collaborators/noise-intercepted/
Stay up-to-date and get onto the Facebook and Twitter pages
https://www.facebook.com/Labspace.Studio
https://twitter.com/LabspaceStudio
Should the thought of being arrested and possibly get a jail sentence for spraying on walls refrain you from expressing your creativity, look no further we have got a solution.
1. Get down to your corner shop or supermarket and buy cellophane rolls, loads of them.
2. Find two trees or pillars quite close to each other and start rolling the cellophane around one of them
3. Stretch the roll to the other tree and again roll it around
4. Tear off
5. Smile
6. Get your cans out
7. Spray.
We have included below shots from the collective CelloGraff who are keen “cellophane street artists” (<– just made that term up) as well as a video showing how they do it
First seen on Design Taxi
Wow, wow, wow. Get a very good quality camera and find a graffiti spot in Melbourne and this is what you get.
Andipa Gallery is delighted to announce a selling exhibition of unique works and rare graphics by Joan Miro.
Taking place from 7 April to 7 May 2011 the show coincides with the first major London retrospective of Miro’s work for almost 50 years, The Ladder of Escape at the Tate Modern, and will offer a rare opportunity to acquire some of the finest original works by this master of 20th Century art.
The exhibition will show rare works on paper, including some of Miro’s 1965 Le Courtisan Grotesque series. Works described as displaying “the most genuine Miro, the one of the astral signs (and) symbolic objects… who uses his own mature language, without hesitations.” Daniel Giralt-Miracle (art critic and historian).
Miro’s most iconic and admired engravings, lithography and etchings will also be on display. Pieces will include the original lithograph Montroig 2, named after the Catalan village to which Miro felt a deep connection, returning to throughout his life, and which inspired some of his most seminal works. These highly sought after brightly coloured pieces make up an integral part of the artist’s oeuvre and demonstrate Miro’s expert use of carborundum to produce richly textural pieces that reflect the original qualities of painting.
Miro was among the most prominent of modern artists, developing a unique Surrealist language that expressed freedom and energy through its fantastical imagery, vibrant use of colour and free use of paint, often splattered across his canvases creating an explosive effect. The more political side to Miro’s work reflects the turbulent times of the Spanish Civil War and repression under the Franco regime. His works express and react to conflict, protest and political upheaval. In our current instable and uncertain times, perhaps this more restless and anxious aspect of Miro’s practice is at its most resonant.
Words from Andipa gallery
